All stories by Mark Lawson on BroadwayStars

Sunday, March 17, 2019

The Crown Dual review – inventive, fun parody of Netflix original by Mark Lawson

King’s Head, LondonSkilfully combining play-that-goes-wrong antics with a potted history of the royals, this has fringe festival hit written all over it From the National Theatre of Brent …

Linked From The Guardian at 08:03AM
Tuesday, February 19, 2019

Only Fools and Horses – The Musical review: vintage gags need better tunes by Mark Lawson

Theatre Royal Haymarket, LondonAmid the delightful comic dialogue, some of the musical numbers can feel like padding The smooth transition from dialogue to songs in musicals is the genre’s…

Linked From The Guardian at 08:18PM
Monday, February 18, 2019

David Ireland: 'I find it hard to end my plays without violence' by Mark Lawson

His plays have shocked audiences on both sides of the Atlantic. Is David Ireland bothered about the walk-outs? Will he give in to demands for trigger warnings?Cradling his grandchild for the…

Linked From The Guardian at 01:32PM
Wednesday, February 6, 2019

At home with the Ibsens: the play unfolding at the writer's Oslo address by Mark Lawson

The Lady From the Sea, a powerful drama about loss and longing, is being rehearsed at the very flat where Ibsen ended his years in exile. Our writer pops byOn Oslo’s Victoria Terrasse ther…

Linked From The Guardian at 01:54AM
Friday, February 1, 2019

Jeremy Hardy: a ferocious talent who radicalised radio comedy by Mark Lawson

Provocative and political, the stand-up – who has died aged 57 – shook up Radio 4 at a time when it was in danger of resembling a Rotary Club quiz night Although generally excluded from …

Linked From The Guardian at 09:12AM
Tuesday, January 15, 2019

Fake News review – Trumped-up story fuels punchy media satire by Mark Lawson

Theatre 503, LondonA catastrophic fact-checking error that nearly breaks the internet cues Osman Baig’s expressive and energetic one-man piece about digital journalismThe narrator-protagon…

Linked From The Guardian at 07:12AM
Sunday, December 16, 2018

The Convert review – thrilling and troubling war of words by Mark Lawson

Young Vic Theatre, LondonPaapa Essiedu and Black Panther’s Letitia Wright are captivating in Danai Gurira’s story of religious and linguistic colonialismEnglish-speaking missionaries in …

Linked From The Guardian at 09:24AM
Wednesday, December 12, 2018

Chasing Bono review – charming portrait of a wannabe rock star by Mark Lawson

Soho theatre, LondonNeil McCormick’s memoir about schoolmates-turned-rock stars is brought to raucous lifeThe story of a talented composer whose hopes of fame are broken when a local conte…

Linked From The Guardian at 01:18PM
Thursday, December 6, 2018

Fiddler on the Roof review – Trevor Nunn's magnificent revival by Mark Lawson

Menier Chocolate Factory, LondonWith antisemitism on the rise, Tevye’s struggles with the tsar’s thugs are powerfully topical in this note-perfect productionAlthough much-loved and often…

Linked From The Guardian at 09:24AM
Wednesday, November 21, 2018

The Kneebone Cadillac review – anarchy at the demolition derby by Mark Lawson

Theatre Royal Plymouth A daughter inherits her dad’s diary and prized car in Carl Grose’s tightly plotted episode of farcical intrigueThe bequests and effects of the dead are reliably dr…

Linked From The Guardian at 03:18PM
Monday, October 8, 2018

The vital return of David Edgar's Maydays – and the best plays about the left by Mark Lawson

The RSC’s revival of Edgar’s 1985 drama about leftwing politics coincides with David Hare’s latest study of the Labour partyTwo dramatists who share a generation and a first name – D…

Linked From The Guardian at 08:36AM
Tuesday, October 2, 2018

A Kettle of Fish review – unnerving tale for an age of anxiety by Mark Lawson

The Yard, LondonBrad Birch’s play has a protagonist sharing space with huge projected images in an exploration of information overloadAfter an upsetting conversation with her dad, data ana…

Linked From The Guardian at 09:18AM
Thursday, September 27, 2018

Trial By Laughter review – Private Eye team's tribute to satirist by Mark Lawson

Watermill, NewburyThe ‘blasphemous’ 19th-century pamphleteer William Hone is at the sharp end of destructive libel action in Ian Hislop and Nick Newman’s dramaIan Hislop and Nick Newma…

Linked From The Guardian at 01:18AM
Wednesday, September 19, 2018

Touching the Void review – thrilling, chilling drama reaches dizzy heights by Mark Lawson

Bristol Old VicDavid Greig finds humour amid the horror in this triumphant stage adaptation of the mountaineering memoirClimbing high mountains is often used as a metaphor for other ominousl…

Linked From The Guardian at 08:12AM
Tuesday, August 14, 2018

Arts Over Borders: Brian Friel festival puts Brexit centre-stage by Mark Lawson

From The Yalta Game to Living Quarters, the Irish playwright’s works have added resonance in this year’s FrielFestAlthough Ireland is famously cultured, it’s a shock to walk into a vil…

Linked From The Guardian at 12:06PM
Thursday, August 2, 2018

£¥€$ (Lies) review – enjoy the thrill of a global banking crisis by Mark Lawson

Almeida, LondonThis ingenious high-stakes show uncovers the psychology of those whose financial flutters shook the worldIn place of the Almeida theatre’s rows of tip-back seats are 10 semi…

Linked From The Guardian at 05:06PM
Monday, July 9, 2018

John Cleese blasts the BBC in lecture on the rise of stupidity by Mark Lawson

The Fawlty Towers star rails against the government, the BBC and British newspapers in stage appearance for Hacked OffIt was hard to know what to expect of a solo show by John Cleese, organi…

Linked From The Guardian at 12:12PM
Monday, June 4, 2018

From Father Ted to Only Fools and Horses: the rise of the sitcom musical by Mark Lawson

A number of comedy classics are being reinterpreted for the stage as ‘joke-box’ musicals. Can they avoid the pitfalls of previous sitcom adaptations?Over the weekend, it has been reveale…

Linked From The Guardian at 09:12AM
Friday, June 1, 2018

'Trump is a Tartuffe': why Molière's banned blockbuster got an update by Mark Lawson

Star Audrey Fleurot and playwright Christopher Hampton talk about his reboot of the hard-hitting moral comedy set in post-Weinstein America“One of the marks of great plays,” says Christo…

Linked From The Guardian at 05:54AM
Saturday, May 19, 2018

I Can't Sing closure: why Harry Hill's X Factor musical was voted off by Mark Lawson

Harry Hill and Steve Brown's show was staged too late – and felt conflicted. We were asked to laugh at the vacuousness of it all yet also care about the charactersWhereas the diaries of mu…

Linked From The Guardian at 03:48PM
Sunday, May 13, 2018

Jeeves and Wooster in Perfect Nonsense review - Robert Webb and Mark Heap are unflappably farcical by Mark Lawson

This clever PG Wodehouse tribute reproduces the manners of the Edwardian English upper classes, while cunningly sending them up• Bertie Wooster or Jez from Peep Show? Take our quiz• Mark…

Linked From The Guardian at 08:54AM
Monday, March 19, 2018

Yanis Varoufakis: 'Macbeth is at the mercy of forces beyond his control, like Theresa May' by Mark Lawson

The Greek former finance minister talks about the lessons politicians could learn from Shakespeare, ahead of a lecture in LondonIs Theresa May Macbeth? Might King Lear agree with Jeremy Corb…

Linked From The Guardian at 02:00AM
Wednesday, March 14, 2018

'I didn't fancy being stuck in North Korea': the stormy thriller by a Japanese Ulsterman by Mark Lawson

In Francis Turnly’s trilogy one schoolgirl becomes a cat and another goes missing. The sheep farmer turned dramatist discusses The Great Wave, about North Koreans forced into prostitution…

Linked From The Guardian at 03:00AM
Thursday, January 11, 2018

Politics, star power and prison Shakespeare: how Josie Rourke rocked the Donmar by Mark Lawson

Rourke, who will leave the London theatre in 2019, staged perky experiments, rapid-fire responses and invigorating revivals. Who will take her place?When Josie Rourke leaves London’s Donma…

Linked From The Guardian at 01:02PM
Wednesday, January 10, 2018

The new culture secretary: besides loving Galway Girl, what do we know about Matt Hancock? by Mark Lawson

He rides a racehorse, plays Arctic cricket and has already seen Hamilton. How will the new boss do at the DCMS – and will Ed Sheeran be invited to its Xmas party?In the BBC’s self-satire…

Linked From The Guardian at 12:33PM
Monday, November 27, 2017

From the Bard to Bart: how Mr Burns challenges our common culture by Mark Lawson

If Mr Burns, a provocative vision of post-apocalyptic America, has been slammed, it's because theatre critics know more about Homer than Homer Simpson. More fool them.One of the most tantali…

Linked From The Guardian at 04:33AM
Wednesday, November 1, 2017

Suzy Storck review – home is a battlefield in brooding motherhood drama by Mark Lawson

Gate theatre, London Caoilfhionn Dunne portrays the physical and psychological decline of a reluctant mother of three in Magali Mougel’s chilling, visceral playIt looks as if a bomb has go…

Linked From The Guardian at 02:42PM
Tuesday, September 12, 2017

Peter Hall: the peerless showman who transformed British theatre by Mark Lawson

The great director, who has died aged 86, was a founding father of both the National Theatre and the RSC and masterminded landmark stagings of Shakespeare, Beckett and Pinter The roles of di…

Linked From The Guardian at 07:04AM
Tuesday, August 15, 2017

DollyWould: Sh!t Theatre's fringe tribute to the country singer and the cloned sheep by Mark Lawson

Performance artists Louise Mothersole and Rebecca Biscuit are known for their political shows but their latest was designed to be ‘pure fun’The theatrical double-act Sh!t Theatre got the…

Linked From The Guardian at 12:18PM
Sunday, August 13, 2017

Trumped out: why the fringe can't keep up with 2017 by Mark Lawson

From Trumpageddon to Brexit: The Musical, many would-be topical crowdpleasers at this year’s fringe can’t match the manic pace of real-life news eventsThis would be a bad time to try to …

Linked From The Guardian at 02:18AM
Sunday, August 6, 2017

Mrs Orwell review – Cressida Bonas is persuasive as Orwell's muse and mistress by Mark Lawson

Old Red Lion theatre, LondonThis powerfully acted story of George Orwell’s death-bed marriage to Sonia Brownell makes for an entertaining night of literary intrigue and anecdoteGeorge Orwe…

Linked From The Guardian at 08:48AM

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