All stories by Lyndsey Winship on BroadwayStars

Friday, February 28, 2025

Revered in Riyadh but nixed in New York: how The Little Prince (almost) conquered the world by Lyndsey Winship

The beloved tale got Turks applauding and Saudis cheering. How will it be received in Britain? We meet the team behind a high-flying, dance-circus rejig After the Bible, The Little Prince is…

SOURCE: The Guardian at 11:12AM

Deepstaria review – Wayne McGregor’s otherworldly creatures beguile by Lyndsey Winship

Sadler’s Wells, LondonWith quiet choreography and a focus on solos and duos, there is some incredibly tender movement in a captivating show that gives a sense of rippling through water The…

SOURCE: The Guardian at 07:54AM
Wednesday, February 26, 2025

DeNada Dance Theatre: Mariposa review – Madame Butterfly metamorphosed by Lyndsey Winship

The Place, LondonCarlos Pons Guerra turns Puccini’s tragedy into the story of a Cuban sex worker who completely transforms himself to win the love of a sailor This reimagining of Madame Bu…

SOURCE: The Guardian at 12:06PM
Friday, February 21, 2025

Birdboy review – moments of spark in dark, chilly redemption story by Lyndsey Winship

Sadler’s Wells East, LondonThere is a cartoonishness at play, but a coldness too, in this shadowy tribute to the ‘weirdo’ outsider Birdboy is billed as a show for audiences aged from s…

SOURCE: The Guardian at 06:48AM
Thursday, February 20, 2025

Figures in Extinction review – life, death and a heartfelt plea for Earth’s creatures, humans included by Lyndsey Winship

Aviva Studios, ManchesterCrystal Pite and Simon McBurney’s three-act dance work on the state of the world turns the stage into a living thing and morphs between sorrow, humour, fear and re…

SOURCE: The Guardian at 08:54AM
Wednesday, February 19, 2025

‘Why aren’t there Oscars for what we do?’ Choreographer Ellen Kane lets rip by Lyndsey Winship

From Matilda to Dear England, she is the movement director everyone wants to work with – and her work has lit up hit after smash hit. But, she says, it’s time this under-appreciated art …

SOURCE: The Guardian at 10:06AM
Sunday, February 16, 2025

Tanztheater Wuppertal Pina Bausch: Vollmond review – glamorous, surreal and very, very wet by Lyndsey Winship

Sadler’s Wells, LondonWith its off-kilter comedy and flirtatious touches, this show is Bausch at her most accessible – and beautiful There is some absolute beauty in Vollmond, one of the…

SOURCE: The Guardian at 06:42AM
Friday, February 14, 2025

‘We’re much stronger than we think’: the Girl Gangs of all ages grappling on stage by Lyndsey Winship

From young office workers to a ‘Granny Grappler’, women are being shown how to throw their weight around in WrestleLadsWrestle. Its creator, a former judo champion, tells us why ‘Find …

SOURCE: The Guardian at 11:18AM
Sunday, February 9, 2025

Vibes, viscerality and the odd boo: inaugural Rose International prize is a curious snapshot of dance right now by Lyndsey Winship

Christos Papadopoulos took the award for his glacially paced, illusory Larsen C, beating a shortlist that largely eschewed traditional formal techniques and structures• The Rose Internatio…

SOURCE: The Guardian at 05:32PM

Our Mighty Groove review – joyful clubland party where everyone’s invited for a boogie by Lyndsey Winship

Sadler’s Wells East, LondonVicki Igbokwe-Ozoagu captures all the fun and mini-drama of a great night out, creating a suitably feelgood celebration to welcome this new dance venue It’s a …

SOURCE: The Guardian at 07:42AM
Friday, February 7, 2025

Ballet superstar Carlos Acosta: ‘Dance was salvation. My life depended on it’ by Lyndsey Winship

Ballet has always been more than just a job for Carlos Acosta. And as director of Birmingham Royal Ballet, he is trying to make it bigger than ever – even in the face of brutal cuts and th…

SOURCE: The Guardian at 01:24PM
Sunday, February 2, 2025

Gandini Juggling: Heka review – a deep dive into the philosophy of misdirection by Lyndsey Winship

The Place, LondonSean Gandini’s intricate and artful show about magic shows plays with the audience and the malleable sense of reality There’s a quote, Sean Gandini tells us, from the Fr…

SOURCE: The Guardian at 06:36AM
Wednesday, January 29, 2025

Northern Ballet: Three Short Ballets review – star-crossed lovers, a sunny party and a 20th-century classic by Lyndsey Winship

Royal Opera House, LondonMthuthuzeli November expertly fuses ballet, contemporary and South African dance in Fools. Plus five minutes of fun from Kristen McNally and Rudi van Dantzig’s Fou…

SOURCE: The Guardian at 11:06AM
Friday, January 24, 2025

The Rite of Spring review – Stravinsky ignites a fantastical visual feast by Lyndsey Winship

Southbank Centre, LondonDewey Dell bring resonant energy to reinvent one of the most frequently revisited pieces in dance history The backspinning b-boy spiders are a revelation. And the lar…

SOURCE: The Guardian at 09:54AM
Wednesday, January 22, 2025

Not a Word review – superbly strange tale makes the mundane mesmerising by Lyndsey Winship

Barbican, LondonLittle happens in this wordless show about an Irish navvy who lives a lonely existence and yearns for home but it is oddly affecting One egg cup on the shelf, one tin mug, on…

SOURCE: The Guardian at 08:36AM
Thursday, January 16, 2025

Cirque du Soleil: Corteo review – high-risk, high-reward acrobatics are a giddy joy by Lyndsey Winship

Royal Albert Hall, LondonA clown’s funeral procession is the pretext for some of the most skilled performers in the business to swoop, float and fly through the air There’s a procession …

SOURCE: The Guardian at 08:32AM
Sunday, January 12, 2025

Resolution festival review – scavenging predators and ex machina sirens by Lyndsey Winship

The Place, LondonYouthful ambition and vision always charge the atmosphere with optimism at this festival of future dance talent For 35 years The Place has been offering up an abundance of b…

SOURCE: The Guardian at 04:24PM
Friday, January 10, 2025

Dada Masilo obituary by Lyndsey Winship

Performer and choreographer who fused ballet with South African contemporary dance styles More than a profession, dance was a calling and an innate need for the South African performer and c…

SOURCE: The Guardian at 09:24AM
Friday, January 3, 2025

‘People get addicted to it’: the new London venue at the forefront of the great dance revival by Lyndsey Winship

Sadler’s Wells’ new purpose-built space is a reflection of the booming popularity of the art form in the capital. But is all this success representative of the country as a whole? And if…

SOURCE: The Guardian at 09:48AM
Wednesday, January 1, 2025

Chills, chuckles and Cate Blanchett in Chekhov: the best theatre, dance and comedy coming in 2025 by Arifa Akbar, Brian Logan and Lyndsey Winship

Gary Oldman’s tackling Beckett, Strictly winner Chris McCausland is on a huge standup tour – and mods can rev their scooters to a dance Quadrophenia Continue reading...

SOURCE: The Guardian at 12:12PM
Friday, December 20, 2024

Duck Pond review – masters of modern circus soar on the silks by Lyndsey Winship

Royal Festival Hall, LondonBorrowing from Swan Lake and the Ugly Duckling, Circa deliver wow moments and ornate arrangements as the dancers move in finely tuned equilibrium Australian compan…

SOURCE: The Guardian at 08:18AM
Tuesday, December 17, 2024

The best theatre, comedy and dance of 2024 by Arifa Akbar, Brian Logan and Lyndsey Winship

Sarah Snook put Succession behind her, Hofesh Shechter found horror in Albion and Rhod Gilbert was ecstatic to be alive, in our critics’ picks of the best stage shows of the year • More …

SOURCE: The Guardian at 02:02AM
Sunday, December 15, 2024

Nutcracker review – Wonka meets Mary Poppins in English National Ballet’s reboot by Lyndsey Winship

London Coliseum Artistic director Aaron S Watkin oversees a faintly surreal Edwardian setting of dancing chimney sweeps, suffragettes and Liquorice Allsorts in a sweet but not sickly product…

SOURCE: The Guardian at 01:18PM
Tuesday, December 10, 2024

Ballet legend Peter Wright: ‘Margot Fonteyn was cold as ice. Rudi Nureyev was a bit of a pain’ by Lyndsey Winship

At 98, the choreographer has lost none of his love for dance – or his scathing wit. As his classic Nutcracker is performed again, he talks about grit, the ‘rubbish’ classics and direct…

SOURCE: The Guardian at 09:24PM
Monday, December 9, 2024

Maddie Moate’s Very Curious Christmas review – CBeebies star’s scientific wonderland by Lyndsey Winship

Apollo theatre, LondonThere’s plenty of festive, fact-filled fun at this kids’ show hosted by the cheery TV presenter Maddie Moate’s USP is maximum enthusiasm. She never stops smiling,…

SOURCE: The Guardian at 11:48AM
Friday, December 6, 2024

Songs of the Wayfarer review – a likeable hike through life and theatre by Lyndsey Winship

Sadler’s Wells, LondonClaire Cunningham’s affecting solo performance is a meditation on how we find our way along unexpected paths A dance performance that credits two mountaineering con…

SOURCE: The Guardian at 01:42PM
Thursday, November 21, 2024

Akram Khan: Gigenis review – dancer’s exhilarating return to his roots with an expert ensemble by Lyndsey Winship

Sadler’s Wells, LondonIn a production loosely based on the Mahabharata, Khan has gathered classical Indian dancers who create a world that echoes through the centuries Akram Khan is at an …

SOURCE: The Guardian at 08:32AM
Tuesday, November 19, 2024

Judith Jamison obituary by Lyndsey Winship

Dancer and choreographer who rose to fame with Alvin Ailey’s company in New York and became its artistic director It was a failed audition that set in motion the superlative career of the …

SOURCE: The Guardian at 03:36PM
Friday, November 15, 2024

MaddAddam review – an epic dance through Margaret Atwood’s dystopia by Lyndsey Winship

Royal Opera House, LondonWayne McGregor’s take on the novelist’s complex tale is ambitious, beautiful and, though wanting in some parts, redeemed by incredible performances It makes comp…

SOURCE: The Guardian at 07:02AM
Sunday, November 10, 2024

Chunky Move: 4/4 review – smooth moves and sudden stops to an off-kilter metronome by Lyndsey Winship

Queen Elizabeth Hall, LondonPairs of dancers exactly in time with each other act out Anthony Hamilton’s hypnotic contemporary dance algorithm It looks a bit like Janet Jackson’s Rhythm N…

SOURCE: The Guardian at 10:12AM
Friday, November 8, 2024

Ballet Black: Heroes review – double bill explores everyday heroism and the purgatory of daily life by Lyndsey Winship

Linbury theatre, LondonSophie Laplane’s If at First switches so fast stylistically that it might be garbled, while Mthuthuzeli November’s The Waiting Game stages an existential crisis So…

SOURCE: The Guardian at 11:42AM