All stories by Lyndsey Winship on BroadwayStars

Thursday, September 5, 2024

Ballet Nights review – smorgasbord of styles and stars in one thrilling sitting by Lyndsey Winship

Cadogan Hall, LondonImpresario Jamiel Devernay-Laurence brings dance of all flavours to a new audience with this lively serving of latin, hip-hop, ballet and a chef’s kiss tap solo from St…

SOURCE: The Guardian at 07:32AM
Friday, August 30, 2024

Choreographer Qudus Onikeku: ‘I want to mirror the real world – vibrant, chaotic, problematic’ by Lyndsey Winship

As a child in Lagos, he felt like Billy Elliot, following a passion for dance despite his family’s disapproval. Now, having found success in France, he’s returned to his native Nigeria t…

SOURCE: The Guardian at 05:32PM
Thursday, August 29, 2024

State Ballet of Georgia: Swan Lake review – flashes of terror amid endless stops for applause by Lyndsey Winship

London ColiseumWhile the dancing is sound and the swans are strong, the performance suffers from a staid Russian feel, lacking fire and vitality Nina Ananiashvili was one of her generation�…

SOURCE: The Guardian at 08:42AM
Tuesday, August 27, 2024

A Six follow-up, an LA clown … and War Horse rides again: theatre, comedy and dance autumn preview by Arifa Akbar, Brian Logan and Lyndsey Winship

Why Am I So Single sets dating angst to music; more Hollywood stars hit the West End; and a Brummie dance trilogy reaches its finale Continue reading...

SOURCE: The Guardian at 08:02AM
Tuesday, August 20, 2024

Waves of grief: this dance show about loss needed to be staged in the sea by Lyndsey Winship

Company of Others is performing rituals at King Edward’s Bay, Tynemouth. Director Nadia Iftkhar hopes to help audiences – and passersby – open up about bereavement The North Sea shifts…

SOURCE: The Guardian at 08:24AM
Tuesday, August 13, 2024

‘Ballet is so punk rock’: Neve Campbell and Karen Kain on pressure, pain – and partnering Nureyev by Lyndsey Winship

The documentary Swan Song shows ballerinas pushing themselves to extremes in pursuit of perfection. Kain and Campbell, its star and producer, talk about the agony and ecstasy of elite perfor…

SOURCE: The Guardian at 12:00PM

‘I can move my body how I want’: standup Stephanie Laing on conquering her fear of public dancing by Lyndsey Winship

She used to love cutting a rug – until she gave up drinking. Now, the comic has used dance to heal her wounded self-esteem – and explore the funny side of contemporary choreography Steph…

SOURCE: The Guardian at 11:00AM

Dance and circus at Edinburgh fringe: high concepts and sky-scraping feats by Lyndsey Winship

This year’s offerings veer from visually stunning to ponderous as performers grapple with big ideas as well as each other’s bodies A festival as overstuffed with acts as Edinburgh brings…

SOURCE: The Guardian at 07:47AM
Saturday, August 10, 2024

Songs of the Bulbul review – sumptuously scored solo dance is full to bursting with feeling by Lyndsey Winship

The Lyceum, EdinburghAakash Odedra circles and swoops to Rushil Ranjan’s powerful music in this buoyant and joyful show If you see much contemporary dance, you’ll be familiar with the of…

SOURCE: The Guardian at 12:00PM
Thursday, August 8, 2024

Lewis Major: Triptych review – intense movers trip the light fantastic by Lyndsey Winship

Assembly @ Dance Base, Edinburgh The Australian choreographer revels in bodies sculpted by light but the impressive staging creates a chilly distance from these strong performers The light s…

SOURCE: The Guardian at 05:47AM
Wednesday, August 7, 2024

What Songs May Do... review – Nina Simone puts a spell on dance duet by Lyndsey Winship

Assembly @ Dance Base, EdinburghSimone’s songs are repurposed in all their glory, essaying a relationship both combative and conciliatory in this show by Rendez-Vous Dance Is it cheating t…

SOURCE: The Guardian at 03:00PM
Tuesday, August 6, 2024

Grupo Corpo review – the Brazil of Gilberto Gil and Umbanda in music, mood and motion by Lyndsey Winship

Edinburgh PlayhouseThis double bill has sun and shade, and if at times the momentum gets stuck there’s still a mighty spring in its step There are slimmer pickings than usual for dance in …

SOURCE: The Guardian at 07:31AM
Monday, July 22, 2024

Let’s get physical: the science of dance at the Venice Biennale by Lyndsey Winship

The dance festival’s opening weekend, under the theme We Humans, focused as much on gravity and technology as emotional connection Venice, a city of already preposterous beauty, comes furt…

SOURCE: The Guardian at 08:24PM
Sunday, July 21, 2024

Bullyache’s Who Hurt You? review – a messy self-assured world of glitter and sweat by Lyndsey Winship

Bold Tendencies, LondonLike a live music video crossed with avant-garde dance theatre – and utterly steeped in young queer British culture A show that claimed to cross Kenneth MacMillan’…

SOURCE: The Guardian at 04:02PM
Wednesday, July 3, 2024

Carlos Acosta’s Carmen review – a giddy Cuban tragedy by Lyndsey Winship

Sadler’s Wells, LondonBursting with upfront energy, Acosta Danza’s contemporary mashup is lively but light on emotive moments The problem is, Don José, she’s just not that into you. S…

SOURCE: The Guardian at 07:36AM
Tuesday, July 2, 2024

Breakdancing in your 50s: ‘My body can still do everything – but it might take a year to heal an injury’ by Lyndsey Winship

The cast of Canadian B-boy Crazy Smooth’s new show on their breathtaking moves, their multiple surgeries and why hip-hop needs ‘living libraries’ of experience “When everybody strips…

SOURCE: The Guardian at 02:12AM
Monday, July 1, 2024

Enitan’s Game review – warm-hearted immersive children’s show from Punchdrunk by Lyndsey Winship

Punchdrunk Enrichment Stores, LondonTouching on migration stories, memory, grief and community, the story of a grandfather’s life told through a series of cryptic riddles is a charming exp…

SOURCE: The Guardian at 05:36AM
Wednesday, June 26, 2024

Edinburgh festival 2024: dance and circus shows to jump into this summer by Lyndsey Winship

A searching circus piece about refugees in limbo, acrobats confronting middle age and supreme silliness from a Tokyo troupe are among the international offerings Vibrancy, musicality and ath…

SOURCE: The Guardian at 02:03AM
Sunday, June 23, 2024

Chiara Bersani: L’Animale review – pay attention to every tiny detail by Lyndsey Winship

The Old Bailey, LondonItalian artist Bersani is 98cm tall and has the brittle bone condition osteogenesis imperfecta – every one of her movements is considered, deliberate and carefully sl…

SOURCE: The Guardian at 09:42AM
Thursday, June 13, 2024

Nadia Beugré: L’Homme Rare review – no muscle is left untwerked by Lyndsey Winship

Queen Elizabeth Hall, LondonThemes such as exoticised bodies and reversing the male gaze struggle are raised but not fully explored in Nadia Beugré’s show The promo material for L’Homme…

SOURCE: The Guardian at 08:36AM
Sunday, June 9, 2024

Eva Yerbabuena: Yerbagüena review – mercurial flamenco that’s full of surprises by Lyndsey Winship

Sadler’s Wells, LondonIn goth-glam gowns with a fringed shawl, the Spanish dancer snaps from traditional to progressive in a passionate performance Eva Yerbabuena, one of flamenco’s best…

SOURCE: The Guardian at 07:48AM
Friday, June 7, 2024

‘Not just a diet of Swan Lake and Cinderella’: the resurrection of London City Ballet by Lyndsey Winship

The famed company dissolved in 1996, so how best to bring it back? With new and classic works from the choreographer’s Rolodex of international talent – and by changing the culture of th…

SOURCE: The Guardian at 10:02AM

The Royal Ballet: Ashton Celebrated review – a world where everything is just delightful by Lyndsey Winship

Royal Opera House, LondonLaunching a four-year celebration of Frederick Ashton’s genteel ‘English style’, this triple bill is full of refined beauty and pleasure – though with athlet…

SOURCE: The Guardian at 08:48AM
Monday, May 27, 2024

‘I have to be honest – even if it’s nasty’: the jaw-dropping fetish flamenco of Rocío Molina by Lyndsey Winship

She has danced pregnant, in bondage gear, and drenched in what looks like menstrual blood – all to unleash the monsters lurking within her and all of us. We meet the unstoppable performer …

SOURCE: The Guardian at 11:32AM
Tuesday, May 21, 2024

‘A good way to get out stress’: the magnetic force of the mosh pit by Lyndsey Winship

When she first went moshing, Rachel Ní Bhraonáin couldn’t stop giggling. Now she has made a dance show about the ‘gorgeous community’ she encountered Walking into a basement club in …

SOURCE: The Guardian at 06:48AM
Sunday, May 19, 2024

The Nose Dive Assembly review – a gen Z take on the trad touring circus by Lyndsey Winship

Queen Elizabeth Olympic Park, LondonThe Revel Puck Circus big top rolls into town, featuring fantastic acrobatics, whimsical clowning and admirable ethics There’s a festival feel at a Rev…

SOURCE: The Guardian at 07:48AM
Friday, May 17, 2024

Bangers and ballet: London’s Ministry of Sound embraces contemporary dance by Lyndsey Winship

Big-name ballet dancers and rising choreographers have found a new home in the superclub where the after-party goes on until 5am “It’s the easiest rider we’ve ever done,” says the Mi…

SOURCE: The Guardian at 11:18AM
Wednesday, May 15, 2024

Brighton festival: Lived Fiction/Fault Lines review – revolutionary dance by Lyndsey Winship

Corn Exchange/Dance House, BrightonStopgap and Lîla Dance deliver poetic and political work at this year’s festival, displaying bold innovation and evocative visions ‘It’s impossible …

SOURCE: The Guardian at 08:06AM
Tuesday, May 14, 2024

Margaret Williams obituary by Lyndsey Winship

Director who brought contemporary dance to mainstream British TV audiences with films such as Outside In and Veterans A“magician of the camera” with an extraordinary visual sense, Margar…

SOURCE: The Guardian at 09:24AM
Thursday, May 9, 2024

The Passion of Andrea 2 review – Pythonesque dancefloor caper by Lyndsey Winship

The Place, LondonThree performers have knockabout fun in choreographer Simone Mousset’s well-crafted, supremely silly show It’s funny, this show. Maybe not from the off, when you’re ju…

SOURCE: The Guardian at 07:02AM
Wednesday, May 8, 2024

The Accountants review – a dizzying bombardment of big questions by Lyndsey Winship

Aviva Studios, ManchesterDance companies from Shanghai and Mumbai traverse a vast stage against a fast-moving backdrop in a personal story about identity and purpose The vast populations of …

SOURCE: The Guardian at 09:06AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime