All stories by Lyndsey Winship on BroadwayStars

Friday, November 8, 2024

Ballet Black: Heroes review – double bill explores everyday heroism and the purgatory of daily life by Lyndsey Winship

Linbury theatre, LondonSophie Laplane’s If at First switches so fast stylistically that it might be garbled, while Mthuthuzeli November’s The Waiting Game stages an existential crisis So…

SOURCE: The Guardian at 11:42AM
Wednesday, November 6, 2024

Ekleido review – Floating Points’ brilliant beats propel duo’s dazzling dance by Lyndsey Winship

The Place, London Hannah Ekholm and Faye Stoeser’s double bill pairs precise poses with a compelling electronic score Club culture has left its stamp on contemporary dance in recent years …

SOURCE: The Guardian at 07:31AM
Monday, November 4, 2024

‘I’ve stumbled deep into alien territory’: our sportswriters and arts critics swap jobs by Louise Taylor, Barney Ronay, Jonathan Liew, Tanya Aldred, Robert Kitson, Lyndsey Winship, Arifa Akbar, Alexis Petridis and Flora Willson

What would happen if our arts critics and sports writers swapped roles for a day? How does the English National Opera compare to the Premier League … or the NFL to a West End musical? Our …

SOURCE: The Guardian at 06:12AM

Nutcracker in Havana review – Carlos Acosta is in a sunny mood this Christmas by Lyndsey Winship

Theatre Royal, NorwichTchaikovsky’s score gets a Latin makeover and Cuban dance styles combine with classical ballet in this joyful and colourful festive family show In 1969, Fidel Castro…

SOURCE: The Guardian at 04:02AM
Friday, November 1, 2024

‘It’s like collective daydreaming’: the giant study showing how dancing affects our brains by Lyndsey Winship

Dancers and audiences are being fitted with electrode caps as part of a massive neurological study into how we respond to live performance – and the findings go far beyond what was first i…

SOURCE: The Guardian at 03:02PM
Tuesday, October 29, 2024

Small step or a giant leap? What AI means for the dance world by Lyndsey Winship

As a new show co-created by an AI performer opens in France, industry leaders including Wayne McGregor, Tamara Rojo and Jonzi D contemplate the technology’s possibilities and perils ‘I t…

SOURCE: The Guardian at 10:48AM
Sunday, October 20, 2024

Abby Z and the New Utility: Radioactive Practice review – a triumph of Olympian physicality by Lyndsey Winship

Sadler’s Wells, LondonAbby Zbikowski’s choreography resembles the most gruelling and exacting CrossFit ever – with superhero dancers displaying mind-boggling virtuosity I’ve never se…

SOURCE: The Guardian at 04:18PM
Thursday, October 10, 2024

Mamela Nyamza: Hatched Ensemble review – The Dying Swan in fine feather by Lyndsey Winship

Barbican, LondonOpening this year’s Dance Umbrella festival, the South African company deliver a distinctive show by the non-conformist choreographer At times, Mamela Nyamza’s Hatched En…

SOURCE: The Guardian at 04:42PM
Wednesday, October 9, 2024

National Dance Company Wales: Frontiers review – a pair of puzzlers by Lyndsey Winship

The Place, LondonMoody masses of bodies, a gang of club kids like shamans at a stick-up … this company is always trying something new Matthew William Robinson, artistic director of Nationa…

SOURCE: The Guardian at 12:24PM
Monday, October 7, 2024

Hofesh Shechter: ‘The biggest insult I’ve received is that I’m the rockstar of contemporary dance!’ by Lyndsey Winship

As Theatre of Dreams arrives in London, the celebrated choreographer and composer explains how having his laptop stolen was a blessing in disguise for his new show Hofesh Shechter walks out …

SOURCE: The Guardian at 07:12AM
Friday, October 4, 2024

Birmingham Royal Ballet: Luna review – kaleidoscopic quintet shoots for the moon by Lyndsey Winship

Birmingham HippodromeEmploying five female choreographers in one production is a bold move but this sweeping celebration of strong women does not cohere There’s no doubting the good intent…

SOURCE: The Guardian at 08:36AM
Thursday, October 3, 2024

National Ballet of Canada: Frontiers review – heavenly revelations and indie spaghetti by Lyndsey Winship

Sadler’s Wells, LondonA triple bill of modern pieces highlight the challenges of modern ballet, but only in Crystal Pite’s work does it all comes together, especially in the dancing of S…

SOURCE: The Guardian at 11:02AM
Monday, September 30, 2024

Alice’s Adventures in Wonderland review – all stops are pulled out for Wheeldon ballet by Lyndsey Winship

Royal Opera House, LondonVivid designs, frog and fish footmen and a comedy dame bring good energy to the Royal Ballet’s Alice, with beautiful dancing from the leads This ballet is at its b…

SOURCE: The Guardian at 05:12AM
Sunday, September 29, 2024

‘It’s an intensely beautiful moment – then it goes away’: Emma Portner on dance’s raw power by Lyndsey Winship

The choreographer talks about overnight fame, ‘extreme ambition’ and her goofy/serious duet, staged by the National Ballet of Canada Emma Portner wishes I didn’t need to ask her about …

SOURCE: The Guardian at 05:12PM
Wednesday, September 25, 2024

When the Bleeding Stops / Because I Can review – unexpectedly joyful reflection on menopause by Lyndsey Winship

The Place, London Lovísa Ósk Gunnarsdóttir warmly narrates her own story of renewal after feeling her personal and professional life was over Contemporary dance about the menopause? A dan…

SOURCE: The Guardian at 12:06PM
Tuesday, September 24, 2024

Ballet star Joseph Sissens: ‘I’d be in this world of gross privilege, and then I’d go visit my brother in prison’ by Lyndsey Winship

As the Royal Ballet’s newly minted principal, the dancer is on a mission to challenge the industry’s underlying racism from the inside. He discusses his first steps – and the role of h…

SOURCE: The Guardian at 07:32AM
Monday, September 23, 2024

Jazz Conversations review – breezy tribute to Miles Davis by Lyndsey Winship

The Place, LondonThe Body of People Jazz Theatre Company presents a rich programme, including a celebration of the great trumpeter It’s rare to see pure jazz dance on stage in the UK, even…

SOURCE: The Guardian at 06:42AM
Friday, September 13, 2024

London City Ballet review – rebirth after almost three-decade absence by Lyndsey Winship

Sadler’s Wells, LondonRecent graduates, former Ballet Black star Cira Robinson and guest Alina Cojocaru perform lost works and new commissions Revived from the ashes after a 28-year absenc…

SOURCE: The Guardian at 09:48AM
Wednesday, September 11, 2024

‘How far do you go in the depiction of gay lovemaking?’: Christopher Wheeldon on his new Oscar Wilde ballet by Lyndsey Winship

There has never been a gay-themed work in the classical dance repertoire – until now. The esteemed choreographer hopes to change that for good, even if he’s sometimes the one blushing Wh…

SOURCE: The Guardian at 12:24PM
Sunday, September 8, 2024

Michael Turinsky: Precarious Moves review – unpredictable, uncategorisable and unexpected by Lyndsey Winship

Queen Elizabeth Hall, LondonThe Austrian artist-philosopher muses on disability and choreography, mobility and mobilisation in this quietly thought-provoking show Michael Turinsky comes out …

SOURCE: The Guardian at 12:06PM
Thursday, September 5, 2024

Ballet Nights review – smorgasbord of styles and stars in one thrilling sitting by Lyndsey Winship

Cadogan Hall, LondonImpresario Jamiel Devernay-Laurence brings dance of all flavours to a new audience with this lively serving of latin, hip-hop, ballet and a chef’s kiss tap solo from St…

SOURCE: The Guardian at 07:32AM
Friday, August 30, 2024

Choreographer Qudus Onikeku: ‘I want to mirror the real world – vibrant, chaotic, problematic’ by Lyndsey Winship

As a child in Lagos, he felt like Billy Elliot, following a passion for dance despite his family’s disapproval. Now, having found success in France, he’s returned to his native Nigeria t…

SOURCE: The Guardian at 05:32PM
Thursday, August 29, 2024

State Ballet of Georgia: Swan Lake review – flashes of terror amid endless stops for applause by Lyndsey Winship

London ColiseumWhile the dancing is sound and the swans are strong, the performance suffers from a staid Russian feel, lacking fire and vitality Nina Ananiashvili was one of her generation�…

SOURCE: The Guardian at 08:42AM
Tuesday, August 27, 2024

A Six follow-up, an LA clown … and War Horse rides again: theatre, comedy and dance autumn preview by Arifa Akbar, Brian Logan and Lyndsey Winship

Why Am I So Single sets dating angst to music; more Hollywood stars hit the West End; and a Brummie dance trilogy reaches its finale Continue reading...

SOURCE: The Guardian at 08:02AM
Tuesday, August 20, 2024

Waves of grief: this dance show about loss needed to be staged in the sea by Lyndsey Winship

Company of Others is performing rituals at King Edward’s Bay, Tynemouth. Director Nadia Iftkhar hopes to help audiences – and passersby – open up about bereavement The North Sea shifts…

SOURCE: The Guardian at 08:24AM
Tuesday, August 13, 2024

‘Ballet is so punk rock’: Neve Campbell and Karen Kain on pressure, pain – and partnering Nureyev by Lyndsey Winship

The documentary Swan Song shows ballerinas pushing themselves to extremes in pursuit of perfection. Kain and Campbell, its star and producer, talk about the agony and ecstasy of elite perfor…

SOURCE: The Guardian at 12:00PM

‘I can move my body how I want’: standup Stephanie Laing on conquering her fear of public dancing by Lyndsey Winship

She used to love cutting a rug – until she gave up drinking. Now, the comic has used dance to heal her wounded self-esteem – and explore the funny side of contemporary choreography Steph…

SOURCE: The Guardian at 11:00AM

Dance and circus at Edinburgh fringe: high concepts and sky-scraping feats by Lyndsey Winship

This year’s offerings veer from visually stunning to ponderous as performers grapple with big ideas as well as each other’s bodies A festival as overstuffed with acts as Edinburgh brings…

SOURCE: The Guardian at 07:47AM
Saturday, August 10, 2024

Songs of the Bulbul review – sumptuously scored solo dance is full to bursting with feeling by Lyndsey Winship

The Lyceum, EdinburghAakash Odedra circles and swoops to Rushil Ranjan’s powerful music in this buoyant and joyful show If you see much contemporary dance, you’ll be familiar with the of…

SOURCE: The Guardian at 12:00PM
Thursday, August 8, 2024

Lewis Major: Triptych review – intense movers trip the light fantastic by Lyndsey Winship

Assembly @ Dance Base, Edinburgh The Australian choreographer revels in bodies sculpted by light but the impressive staging creates a chilly distance from these strong performers The light s…

SOURCE: The Guardian at 05:47AM
Wednesday, August 7, 2024

What Songs May Do... review – Nina Simone puts a spell on dance duet by Lyndsey Winship

Assembly @ Dance Base, EdinburghSimone’s songs are repurposed in all their glory, essaying a relationship both combative and conciliatory in this show by Rendez-Vous Dance Is it cheating t…

SOURCE: The Guardian at 03:00PM