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755 stories by "Lyndsey Winship"

Oona Doherty: Leather Jacket review – dancers delight in their hard sweaty work by Lyndsey Winship

Bold Tendencies, LondonSlaps, beats and bounces underscore the unified collective pleasure of sharing a rhythm in this world premiere of the singular choreographer’s latest pieceCan it be …

SOURCE: The Guardian at 11:55am on July 26, 2026

Shechter II: In the Brain review – a thrilling release of rave and ritual by Lyndsey Winship

Queen Elizabeth Hall, LondonHofesh Shechter’s latest doesn’t break new ground, but its exceptional dancers throw themselves into a moody, pulse-quickening celebration of communal movemen…

SOURCE: The Guardian at 7:05am on July 24, 2026

Beyond the body: Wayne McGregor stretches the definition of dance at this year’s Venice Dance Biennale by Lyndsey Winship

With the British dance legend at the helm, this year’s themes ranged from quantum gravity to slightly muted geopoliticsThe most memorable performance in the opening days of this year’s V…

SOURCE: The Guardian at 9:45am on July 23, 2026

‘I just knew it would sound incredible!’: why the Globe is giving Shakespeare some flamenco fire by Lyndsey Winship

Love’s Labour’s Lost offers a heady mix of passion and death – which makes the Spanish art form a perfect match, says director Indiana Lown-Collins. Our writer joins the theatre’s fl…

SOURCE: The Guardian at 12:40pm on July 13, 2026

Living Image: Chapter 1 review – five days to reanimate a legendary show you’ve never seen by Lyndsey Winship

Siobhan Davies Studios, London Watching a group of artists produce new work based on Davies’s 1977 classic Sphinx, which none of them know, makes for a rewarding eveningThe project: five c…

SOURCE: The Guardian at 10:20am on July 3, 2026

Land of the free movers: how jookin street dancer Lil Buck’s 1776 reframes independence by Lyndsey Winship

In a collaboration with young British dancers, supported by Oxford’s new Schwarzman Centre, the Memphis dancer tackles US history’s ‘broken promise’ of equality in a performance fill…

SOURCE: The Guardian at 6:20pm on June 28, 2026

Colossus review – masses of dancers, masses of fun in a show that goes whoosh! by Lyndsey Winship

Queen Elizabeth Hall, LondonFull of surprises, Stephanie Lake’s 2018 piece is a feat of logistics as 60 performers display split-second timingMass movement can have a walloping impact. Whe…

SOURCE: The Guardian at 12:30pm on June 26, 2026

Rocío Molina: Calentamiento review – an electrifying blast of punky flamenco by Lyndsey Winship

Sadler’s Wells, London Molina says she wants a show that never finishes – this one is endlessly thrilling and surprisingRocío Molina has completely redefined what flamenco can be. Some …

SOURCE: The Guardian at 4:10pm on June 25, 2026

‘People like me needed Sinéad O’Connor’: how the singer and activist inspired a new dance work by Lyndsey Winship

Tony-winning choreographer Sonya Tayeh was ‘broken up’ when she heard about the Irish singer-songwriter’s death three years ago. Now she and a group of over-40s female dancers are payi…

SOURCE: The Guardian at 10:00am on June 19, 2026

Toe-to-toe boxers, a moving maze and comedy flamenco: Edinburgh festival 2026’s hottest dance and circus by Lyndsey Winship

This year brings world-renowned choreographers, ballet cabaret and fluffy clowns for toddlersThis was San Francisco Ballet’s big new commission in 2024, now getting its European premiere a…

SOURCE: The Guardian at 1:20am on June 19, 2026

Jesús Carmona: UnYdos review – flamenco delivered with flourish and fire by Lyndsey Winship

Sadler’s Wells, London The annual Flamenco festival kicks off in spectacular style, with a show of serpentine grace and rhythmic precisionThere are lots of places in life where being full …

SOURCE: The Guardian at 11:30am on June 17, 2026

‘In the past, there was lots of swearing and saying you were crap’: my day at the all-new Italia Conti stage school by Lyndsey Winship

From Noël Coward to Martine McCutcheon, the famed institution has been hothousing talent for more than a century. Our writer finds there’s a softer approach these days – and a food bank…

SOURCE: The Guardian at 12:40am on June 17, 2026

A Life in Four Seasons review – dancers of all ages have spring in their steps by Lyndsey Winship

Regent’s Park Open Air theatre, LondonPerformers representing the four seasons of life – and a wide range of styles – dance to a ravey remix of VivaldiIt was a great idea: a dance thro…

SOURCE: The Guardian at 9:10am on June 14, 2026

So Are We: León and Lightfoot review – mesmerising moments in a Royal Ballet homecoming by Lyndsey Winship

Royal Opera House, LondonProdigal son Paul Lightfoot returns with Sol León for their first performance by a British dance company. The result is impressively choreographed, if in need of mo…

SOURCE: The Guardian at 9:40am on June 12, 2026

‘Peaky Blinders is our Nutcracker’: how Rambert are dragging dance into the present – and their message for Timothée Chalamet by Lyndsey Winship

How does a 100-year-old dance company face the 21st century? For Rambert’s Benoit Swan Pouffer the answer is combining innovation with popular adaptations such as the Brummie crime sagaOn …

SOURCE: The Guardian at 4:15am on June 12, 2026

This is Rambert review – 100th birthday knees-up is a big leap forward by Lyndsey Winship

Sadler’s Wells, LondonThe company’s centenary celebration isn’t about nostalgia – this occasionally thrilling triple bill of recent creations showcases some excellent dancersBritain�…

SOURCE: The Guardian at 3:10pm on June 11, 2026

Marco da Silva Ferreira: F*cking Future review – voice of the moment calls for protest through partying by Lyndsey Winship

Sadler’s Wells East, LondonWith a 3am aloofly sexy vibe, the Portuguese choreographer’s slow build is subtly intoxicating – while its intensity will leave you craving moreLast year, fo…

SOURCE: The Guardian at 9:50am on June 5, 2026

‘My first drag turn? As Karen Carpenter in hotpants!’ La Voix on swinger cruises, Strictly – and blazing into musicals by Lyndsey Winship

From Drag Race to Eurovision to Strictly, La Voix is going stratospheric. And Chris Dennis, the man behind the crimson coiffure, is thrilled. He talks about his cruise ship highs, doing pant…

SOURCE: The Guardian at 12:15am on May 25, 2026

Uncaged+ review – elegant sketches of Lee Krasner and her life with Jackson Pollock by Lyndsey Winship

The Mount Without, Bristol Fame’s Antonia Franceschi delivers a double portrait of Krasner, with music by Claire van Kampen, plus there’s a superb solo from Edward WatsonTwo notable wome…

SOURCE: The Guardian at 2:50pm on May 20, 2026

Tulsa Ballet: Made in America review – fantastically flexible Oklahoman squad are A-OK! by Lyndsey Winship

Linbury theatre, Royal Opera House, LondonThe first UK visit for the company showcases the dancers’ elegance and versatility across three pieces of varying impactThis small Oklahoman dance…

SOURCE: The Guardian at 3:10pm on May 14, 2026

‘My dad cannot see me on stage doing this’: will the stigma around boys who dance ever shift? by Lyndsey Winship

As the pioneering BalletBoyz company celebrates its 25th anniversary and Billy Elliott returns to the stage, the male dance landscape appears transformed from where it was at the turn of the…

SOURCE: The Guardian at 11:25am on May 10, 2026

Bullyache: A Good Man Is Hard to Find review – banking bros face their reckoning in grim gameshow by Lyndsey Winship

Sadler’s Wells East, LondonCourtney Deyn and Jacob Samuel conjure a bleak world of excess, ritual and power in a visually striking but limited piece of dance-theatreIt’s like the afterma…

SOURCE: The Guardian at 10:50am on May 8, 2026

Les Ballets Trockadero de Monte Carlo review – slapstick ballet troupe is always on pointe by Lyndsey Winship

Sadler’s Wells, LondonMen in tutus and pointe shoes loving and parodying their art form never ages; it’s both simple and very sophisticatedDepending on how you look at it, drag ballet tr…

SOURCE: The Guardian at 12:25am on May 7, 2026

Océan Brun review – Caribbean islanders’ lament ripples through Leicester Cathedral by Lyndsey Winship

Leicester CathedralPart of the Let’s Dance International Frontiers festival, Compagnie Kaméléonite’s piece about the climate crisis features two transfixing performersIn the once clear…

SOURCE: The Guardian at 10:56am on May 1, 2026

Unnatural Harmony: Sounds of Lee Alexander McQueen review – MOR tribute to a fashion maverick by Lyndsey Winship

Royal Festival Hall, LondonFeaturing music that inspired the designer, this show brings together Le Gateau Chocolat, dancers in body stockings and a formal orchestra to mild effectThe small …

SOURCE: The Guardian at 2:30pm on April 30, 2026
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