All stories by Lyndsey Winship on BroadwayStars

Thursday, February 12, 2026

Tutu review – cheeky tribute to ballet has a disco Swan Lake and the Dirty Dancing lift by Lyndsey Winship

Sadler’s Wells East, LondonThe all-male French troupe Chicos Mambo mix parody and pointework in a fast-paced comic celebration of dance’s high art and sillier side When the curtain goes …

SOURCE: The Guardian at 03:42PM

The Monocle review – sultry celebration of Paris’s secret Sapphic society by Lyndsey Winship

The Corn Exchange, NewburyThere are quirky, characterful dances, bodies melting together and understated charisma in this story of a famed 1920s lesbian club Le Monocle was a famed lesbian c…

SOURCE: The Guardian at 01:32AM
Saturday, January 31, 2026

Ockham’s Razor: Collaborator review – roll up for a real circus power couple by Lyndsey Winship

The Place, LondonCharlotte Mooney and Alex Harvey deliver a mesmerising and intimate ode to their performing lives together Charlotte Mooney and Alex Harvey fell in love 24 years ago when th…

SOURCE: The Guardian at 07:06AM
Friday, January 30, 2026

‘At first I was horrified by it!’: the Royal Ballet brings back 60s cult classic Pierrot Lunaire by Lyndsey Winship

Glen Tetley’s fantastical ballet, set to an atonal Schoenberg score, is finally returning to Covent Garden. Dancers Marcelino Sambé and Joshua Junker discuss how they came under its spell…

SOURCE: The Guardian at 04:42AM
Wednesday, January 28, 2026

Paul Taylor Dance Company review – hail to the athletes of the gods! by Lyndsey Winship

Linbury theatre, LondonFull of postcard moments, Taylor’s choreography harks back to a more straightforward, analogue age – and is all the better for that Paul Taylor is not a choreograp…

SOURCE: The Guardian at 09:12AM
Tuesday, January 27, 2026

‘Let’s get raunchy!’ Gentleman Jack, the TV hit about an audacious lesbian landowner, is back as a ballet by Lyndsey Winship

She has based ballets on Frida Kahlo, Coco Chanel and Eva Perón. So Annabelle Lopez Ochoa was well placed to take on the passionate, complicated figure of Anne Lister A couple dance across …

SOURCE: The Guardian at 01:31PM
Monday, January 26, 2026

Sadiq Ali Company: Tell Me review – poignant tale of sex, revelry and glistening abs amid the 80s Aids crisis by Lyndsey Winship

The Place, LondonSadiq Ali’s intimate dance piece follows a woman with an HIV diagnosis at a time when it was misunderstood and stigmatised In the programme note for Tell Me, its creator …

SOURCE: The Guardian at 06:54AM
Tuesday, January 20, 2026

Yorke Dance Project: Modern Milestones review – a bold and brilliant night by Lyndsey Winship

Linbury theatre, LondonThese gems, old and new, include an intense revival of Martha Graham’s Deep Song and a new piece by Christopher Bruce set to Leonard Cohen songs Wow, the energy in a…

SOURCE: The Guardian at 07:42AM
Monday, January 19, 2026

‘I’ve had to fight tooth and nail’: Amber Davies on Strictly trolls, Love Island hunks – and her Legally Blonde no-brainer by Lyndsey Winship

She started out performing in her living room, charging £1.50 a ticket. Now, having blazed through Love Island and silenced her Strictly haters, the Welsh sensation is really hitting the bi…

SOURCE: The Guardian at 02:02AM
Friday, January 9, 2026

Hans van Manen obituary by Lyndsey Winship

Pioneering Dutch choreographer who fused classical and modern ballet styles into stripped back movement The Dutch choreographer Hans van Manen, who has died aged 93, was a pioneering and pro…

SOURCE: The Guardian at 10:36AM
Monday, January 5, 2026

Cynthia Erivo is Dracula, Gentleman Jack does ballet and Phil Wang’s mega-tour: theatre, dance and comedy in 2026 by Arifa Akbar, Lyndsey Winship and Brian Logan

Lesley Manville and Aidan Turner unite for Les Liaisons Dangereuses, Michael Sheen launches Welsh National Theatre and Bridget Christie revs up for a return to the stage Continue reading...

SOURCE: The Guardian at 04:24AM
Friday, December 19, 2025

New English Ballet Theatre: The Nutcracker review – Christmas favourite delivers magic in miniature by Lyndsey Winship

Sainsbury theatre, London Academy of Music and Dramatic ArtBoutique staging with just 12 dancers makes up for its small scale with inventive choreography by Valentino Zucchetti and a spirite…

SOURCE: The Guardian at 10:48AM
Wednesday, December 17, 2025

The best theatre, comedy and dance of 2025 by Arifa Akbar, Brian Logan and Lyndsey Winship

A meet-cute between Humanity and Earth, a mod ballet and Nick Mohammed’s career-best standup set – our critics pick the best stage shows of the year 10. The Unlikely Pilgrimage of Harold…

SOURCE: The Guardian at 10:36AM
Monday, December 15, 2025

Is it a Greek epic? A state-of-the-nation drama? No – it’s Shaun the Sheep! by Lyndsey Winship

Who’s that daring young farmyard animal on the flying trapeze? The creatures of Mossy Bottom have been put on stage by ‘edgy’ circus stars Circa – but the burlesque shearing had to g…

SOURCE: The Guardian at 05:06AM
Sunday, December 14, 2025

Protein Dance: The Magic Flute review – charming family show conjured out of Mozart opera by Lyndsey Winship

DanceEast, Ipswich This colourful quest story is stylishly simplified for a young audience and an energetic cast of just four, choreographed by Luca Silvestrini to a melodious Frank Moon sco…

SOURCE: The Guardian at 01:06PM
Thursday, December 4, 2025

Ballet star Matthew Ball on gruelling roles and getting ogled on Instagram: ‘I don’t feel precious about my body’ by Lyndsey Winship

Tall, handsome and used to receiving fire emojis on his social media posts, the dancer has, with his partner Mayara Magri, been called ‘the Posh’n’Becks of ballet’. But there is suff…

SOURCE: The Guardian at 09:42AM

Ebony Scrooge review – effervescent hip-hop Dickens with a Caribbean twist by Lyndsey Winship

Sadler’s Wells East, LondonScrooge is a glam ice queen fashion maven until her heart is melted in ZooNation’s delicious festive show – danced to a blisteringly high standard Who knew B…

SOURCE: The Guardian at 09:42AM
Wednesday, December 3, 2025

Emerald Storm review – a delirious bar-room dance-off with shots of showmanship by Lyndsey Winship

Emerald theatre, LondonA mashup of Irish dance, tap and talent-show sparkle, Adam Garcia’s party wins you over with its energy and enthusiasm In the nicest possible way, this feels a bit l…

SOURCE: The Guardian at 10:02AM
Friday, November 21, 2025

Marking Time review – Nico Muhly inspires a brilliant night of beguiling dance by Lyndsey Winship

Sadler’s Wells, LondonA trio of choreographers respond to Muhly’s vivid scores with works that veer from the meditative to the macabre If you thought we had exhausted shows that were pos…

SOURCE: The Guardian at 07:18AM
Sunday, November 16, 2025

The Royal Ballet: Perspectives review – intimate seduction, pure dance and enduring beauty by Lyndsey Winship

Royal Opera House, LondonIn an engaging triple bill, a new work from Cathy Marston explores the emotional charge of Britten’s Violin Concerto, while works by Justin Peck and George Balanch…

SOURCE: The Guardian at 07:06AM
Friday, November 7, 2025

Toussaint To Move: Free review – a joyful celebration of reggae culture by Lyndsey Winship

Sadler’s Wells East, LondonAkeim Toussaint Buck’s bass-heavy production invites the audience to get up and lose themselves in the music A must for reggae lovers, and anyone in the marke…

SOURCE: The Guardian at 12:24PM
Wednesday, November 5, 2025

Bibi Rukiya’s Restless Daughter review – Lorca’s matriarch sparks tragic dance of desire by Lyndsey Winship

The Place, LondonInspired by The House of Bernarda Alba, Amina Khayyam explores tensions between tradition, freedom, fear and love I admire the work of Amina Khayyam. The Slough-based dancer…

SOURCE: The Guardian at 06:54AM
Monday, November 3, 2025

Choreographer Sharon Eyal: ‘I don’t like it when a dancer is comfortable – I want to see the struggle’ by Lyndsey Winship

Her latest work is built on dark, minimal beats and groups of dancers moving in unison. It’s sensual, visceral and, she says, totally intuitive A couple of summers ago I was in a club in M…

SOURCE: The Guardian at 08:06AM
Friday, October 31, 2025

Joburg Ballet: Communion of Light review – pointe-shoe prettiness and mad, itching murder by Lyndsey Winship

Linbury theatre, Royal Opera House, LondonMixed bill features twee neo-classicism, jazzy frocks and racial antagonism as it rachets up to an urgent and commanding Salomé that feels genuinel…

SOURCE: The Guardian at 09:18AM
Thursday, October 30, 2025

Wayne McGregor review: shimmering dance spectacular without a live dancer in sight by Lyndsey Winship

Somerset House and Stone Nest, London Installations, some triggered by the viewer’s own body, show off the wide range of a choreographer always fizzing with fresh ideas Wayne McGregor want…

SOURCE: The Guardian at 11:32AM
Wednesday, October 29, 2025

Akram Khan Company: Thikra – Night of Remembering review – forget the meaning, feel the colour and emotion by Lyndsey Winship

Sadler’s Wells, LondonThe mythological piece for 12 female dancers was developed in Saudi Arabia and pulsates with physical intensity and ancestral rage Akram Khan is a choreographer at hi…

SOURCE: The Guardian at 12:48PM
Wednesday, October 22, 2025

Transform festival: Rinse and Blackmilk review – a double shot of engrossing dance by Lyndsey Winship

Stage@leeds/Stanley & Audrey Burton theatre, LeedsAmrita Hepi measures words and movement as she talks through her artistic journey and Tiran Willemse takes Moon River in a new direction…

SOURCE: The Guardian at 04:06PM
Sunday, October 19, 2025

National Dance Company Wales: Surge review – mythical monsters, soulful swingers and an alien chorus line by Lyndsey Winship

The Place, LondonThis delightfully unique triple bill spans many worlds with Busby Berkeley-style sci-fi formations, a hazy summery waltz and a wild rampage of Welsh folk dance The sequins a…

SOURCE: The Guardian at 05:06PM

Shobana Jeyasingh Dance: We Caliban review – postcolonial take on The Tempest is difficult to pin down by Lyndsey Winship

York Theatre RoyalJeyasingh’s choreography is well wrought and precise but Caliban’s struggles with servitude and resistance feel adrift amid a sea of ideas Choreographer Shobana Jeyasin…

SOURCE: The Guardian at 10:42AM
Friday, October 17, 2025

Gesualdo Passione review – six singers and four dancers deliver a mishmash with a mystical tingle by Lyndsey Winship

Barbican, LondonAmala Dianor Company and baroque ensemble Les Arts Florissants combine for an occasionally exquisite yet oddly dispassionate show The marrying of music and dance is an indefa…

SOURCE: The Guardian at 05:12PM
Wednesday, October 15, 2025

Remembering Mama Africa: struggle of fearless singer Miriam Makeba told in daring dance drama by Lyndsey Winship

Mimi’s Shebeen, choreographed by Alesandra Seutin, charts South African legend’s exile and ascendancy with ‘beautiful songs, strong messages and moments that hit’ “You speak about …

SOURCE: The Guardian at 01:42AM

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off