All stories by Lyndsey Winship on BroadwayStars

Friday, December 20, 2024

Duck Pond review – masters of modern circus soar on the silks by Lyndsey Winship

Royal Festival Hall, LondonBorrowing from Swan Lake and the Ugly Duckling, Circa deliver wow moments and ornate arrangements as the dancers move in finely tuned equilibrium Australian compan…

SOURCE: The Guardian at 08:18AM
Tuesday, December 17, 2024

The best theatre, comedy and dance of 2024 by Arifa Akbar, Brian Logan and Lyndsey Winship

Sarah Snook put Succession behind her, Hofesh Shechter found horror in Albion and Rhod Gilbert was ecstatic to be alive, in our critics’ picks of the best stage shows of the year • More …

SOURCE: The Guardian at 02:02AM
Sunday, December 15, 2024

Nutcracker review – Wonka meets Mary Poppins in English National Ballet’s reboot by Lyndsey Winship

London Coliseum Artistic director Aaron S Watkin oversees a faintly surreal Edwardian setting of dancing chimney sweeps, suffragettes and Liquorice Allsorts in a sweet but not sickly product…

SOURCE: The Guardian at 01:18PM
Tuesday, December 10, 2024

Ballet legend Peter Wright: ‘Margot Fonteyn was cold as ice. Rudi Nureyev was a bit of a pain’ by Lyndsey Winship

At 98, the choreographer has lost none of his love for dance – or his scathing wit. As his classic Nutcracker is performed again, he talks about grit, the ‘rubbish’ classics and direct…

SOURCE: The Guardian at 09:24PM
Monday, December 9, 2024

Maddie Moate’s Very Curious Christmas review – CBeebies star’s scientific wonderland by Lyndsey Winship

Apollo theatre, LondonThere’s plenty of festive, fact-filled fun at this kids’ show hosted by the cheery TV presenter Maddie Moate’s USP is maximum enthusiasm. She never stops smiling,…

SOURCE: The Guardian at 11:48AM
Friday, December 6, 2024

Songs of the Wayfarer review – a likeable hike through life and theatre by Lyndsey Winship

Sadler’s Wells, LondonClaire Cunningham’s affecting solo performance is a meditation on how we find our way along unexpected paths A dance performance that credits two mountaineering con…

SOURCE: The Guardian at 01:42PM
Thursday, November 21, 2024

Akram Khan: Gigenis review – dancer’s exhilarating return to his roots with an expert ensemble by Lyndsey Winship

Sadler’s Wells, LondonIn a production loosely based on the Mahabharata, Khan has gathered classical Indian dancers who create a world that echoes through the centuries Akram Khan is at an …

SOURCE: The Guardian at 08:32AM
Tuesday, November 19, 2024

Judith Jamison obituary by Lyndsey Winship

Dancer and choreographer who rose to fame with Alvin Ailey’s company in New York and became its artistic director It was a failed audition that set in motion the superlative career of the …

SOURCE: The Guardian at 03:36PM
Friday, November 15, 2024

MaddAddam review – an epic dance through Margaret Atwood’s dystopia by Lyndsey Winship

Royal Opera House, LondonWayne McGregor’s take on the novelist’s complex tale is ambitious, beautiful and, though wanting in some parts, redeemed by incredible performances It makes comp…

SOURCE: The Guardian at 07:02AM
Sunday, November 10, 2024

Chunky Move: 4/4 review – smooth moves and sudden stops to an off-kilter metronome by Lyndsey Winship

Queen Elizabeth Hall, LondonPairs of dancers exactly in time with each other act out Anthony Hamilton’s hypnotic contemporary dance algorithm It looks a bit like Janet Jackson’s Rhythm N…

SOURCE: The Guardian at 10:12AM
Friday, November 8, 2024

Ballet Black: Heroes review – double bill explores everyday heroism and the purgatory of daily life by Lyndsey Winship

Linbury theatre, LondonSophie Laplane’s If at First switches so fast stylistically that it might be garbled, while Mthuthuzeli November’s The Waiting Game stages an existential crisis So…

SOURCE: The Guardian at 11:42AM
Wednesday, November 6, 2024

Ekleido review – Floating Points’ brilliant beats propel duo’s dazzling dance by Lyndsey Winship

The Place, London Hannah Ekholm and Faye Stoeser’s double bill pairs precise poses with a compelling electronic score Club culture has left its stamp on contemporary dance in recent years …

SOURCE: The Guardian at 07:31AM
Monday, November 4, 2024

‘I’ve stumbled deep into alien territory’: our sportswriters and arts critics swap jobs by Louise Taylor, Barney Ronay, Jonathan Liew, Tanya Aldred, Robert Kitson, Lyndsey Winship, Arifa Akbar, Alexis Petridis and Flora Willson

What would happen if our arts critics and sports writers swapped roles for a day? How does the English National Opera compare to the Premier League … or the NFL to a West End musical? Our …

SOURCE: The Guardian at 06:12AM

Nutcracker in Havana review – Carlos Acosta is in a sunny mood this Christmas by Lyndsey Winship

Theatre Royal, NorwichTchaikovsky’s score gets a Latin makeover and Cuban dance styles combine with classical ballet in this joyful and colourful festive family show In 1969, Fidel Castro…

SOURCE: The Guardian at 04:02AM
Friday, November 1, 2024

‘It’s like collective daydreaming’: the giant study showing how dancing affects our brains by Lyndsey Winship

Dancers and audiences are being fitted with electrode caps as part of a massive neurological study into how we respond to live performance – and the findings go far beyond what was first i…

SOURCE: The Guardian at 03:02PM
Tuesday, October 29, 2024

Small step or a giant leap? What AI means for the dance world by Lyndsey Winship

As a new show co-created by an AI performer opens in France, industry leaders including Wayne McGregor, Tamara Rojo and Jonzi D contemplate the technology’s possibilities and perils ‘I t…

SOURCE: The Guardian at 10:48AM
Sunday, October 20, 2024

Abby Z and the New Utility: Radioactive Practice review – a triumph of Olympian physicality by Lyndsey Winship

Sadler’s Wells, LondonAbby Zbikowski’s choreography resembles the most gruelling and exacting CrossFit ever – with superhero dancers displaying mind-boggling virtuosity I’ve never se…

SOURCE: The Guardian at 04:18PM
Thursday, October 10, 2024

Mamela Nyamza: Hatched Ensemble review – The Dying Swan in fine feather by Lyndsey Winship

Barbican, LondonOpening this year’s Dance Umbrella festival, the South African company deliver a distinctive show by the non-conformist choreographer At times, Mamela Nyamza’s Hatched En…

SOURCE: The Guardian at 04:42PM
Wednesday, October 9, 2024

National Dance Company Wales: Frontiers review – a pair of puzzlers by Lyndsey Winship

The Place, LondonMoody masses of bodies, a gang of club kids like shamans at a stick-up … this company is always trying something new Matthew William Robinson, artistic director of Nationa…

SOURCE: The Guardian at 12:24PM
Monday, October 7, 2024

Hofesh Shechter: ‘The biggest insult I’ve received is that I’m the rockstar of contemporary dance!’ by Lyndsey Winship

As Theatre of Dreams arrives in London, the celebrated choreographer and composer explains how having his laptop stolen was a blessing in disguise for his new show Hofesh Shechter walks out …

SOURCE: The Guardian at 07:12AM
Friday, October 4, 2024

Birmingham Royal Ballet: Luna review – kaleidoscopic quintet shoots for the moon by Lyndsey Winship

Birmingham HippodromeEmploying five female choreographers in one production is a bold move but this sweeping celebration of strong women does not cohere There’s no doubting the good intent…

SOURCE: The Guardian at 08:36AM
Thursday, October 3, 2024

National Ballet of Canada: Frontiers review – heavenly revelations and indie spaghetti by Lyndsey Winship

Sadler’s Wells, LondonA triple bill of modern pieces highlight the challenges of modern ballet, but only in Crystal Pite’s work does it all comes together, especially in the dancing of S…

SOURCE: The Guardian at 11:02AM
Monday, September 30, 2024

Alice’s Adventures in Wonderland review – all stops are pulled out for Wheeldon ballet by Lyndsey Winship

Royal Opera House, LondonVivid designs, frog and fish footmen and a comedy dame bring good energy to the Royal Ballet’s Alice, with beautiful dancing from the leads This ballet is at its b…

SOURCE: The Guardian at 05:12AM
Sunday, September 29, 2024

‘It’s an intensely beautiful moment – then it goes away’: Emma Portner on dance’s raw power by Lyndsey Winship

The choreographer talks about overnight fame, ‘extreme ambition’ and her goofy/serious duet, staged by the National Ballet of Canada Emma Portner wishes I didn’t need to ask her about …

SOURCE: The Guardian at 05:12PM
Wednesday, September 25, 2024

When the Bleeding Stops / Because I Can review – unexpectedly joyful reflection on menopause by Lyndsey Winship

The Place, London Lovísa Ósk Gunnarsdóttir warmly narrates her own story of renewal after feeling her personal and professional life was over Contemporary dance about the menopause? A dan…

SOURCE: The Guardian at 12:06PM
Tuesday, September 24, 2024

Ballet star Joseph Sissens: ‘I’d be in this world of gross privilege, and then I’d go visit my brother in prison’ by Lyndsey Winship

As the Royal Ballet’s newly minted principal, the dancer is on a mission to challenge the industry’s underlying racism from the inside. He discusses his first steps – and the role of h…

SOURCE: The Guardian at 07:32AM
Monday, September 23, 2024

Jazz Conversations review – breezy tribute to Miles Davis by Lyndsey Winship

The Place, LondonThe Body of People Jazz Theatre Company presents a rich programme, including a celebration of the great trumpeter It’s rare to see pure jazz dance on stage in the UK, even…

SOURCE: The Guardian at 06:42AM
Friday, September 13, 2024

London City Ballet review – rebirth after almost three-decade absence by Lyndsey Winship

Sadler’s Wells, LondonRecent graduates, former Ballet Black star Cira Robinson and guest Alina Cojocaru perform lost works and new commissions Revived from the ashes after a 28-year absenc…

SOURCE: The Guardian at 09:48AM
Wednesday, September 11, 2024

‘How far do you go in the depiction of gay lovemaking?’: Christopher Wheeldon on his new Oscar Wilde ballet by Lyndsey Winship

There has never been a gay-themed work in the classical dance repertoire – until now. The esteemed choreographer hopes to change that for good, even if he’s sometimes the one blushing Wh…

SOURCE: The Guardian at 12:24PM
Sunday, September 8, 2024

Michael Turinsky: Precarious Moves review – unpredictable, uncategorisable and unexpected by Lyndsey Winship

Queen Elizabeth Hall, LondonThe Austrian artist-philosopher muses on disability and choreography, mobility and mobilisation in this quietly thought-provoking show Michael Turinsky comes out …

SOURCE: The Guardian at 12:06PM
Thursday, September 5, 2024

Ballet Nights review – smorgasbord of styles and stars in one thrilling sitting by Lyndsey Winship

Cadogan Hall, LondonImpresario Jamiel Devernay-Laurence brings dance of all flavours to a new audience with this lively serving of latin, hip-hop, ballet and a chef’s kiss tap solo from St…

SOURCE: The Guardian at 07:32AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime