All stories by Laura Collins-Hughes on BroadwayStars

Thursday, April 27, 2023

The Drama of Letters, Swirling With Suspense by Laura Collins-Hughes

Irish Repertory Theater’s Letters Series is a reminder: For sketching the arc of a relationship, nothing compares to intimate correspondence, our critic writes.

SOURCE: The New York Times Subscription at 04:48PM
Tuesday, April 25, 2023

‘Summer, 1976’ Review: The Path to Freedom Starts With a Friendship by Laura Collins-Hughes

Two mothers make a life-altering connection during a play date in this production for the Manhattan Theater Club.

SOURCE: The New York Times Subscription at 09:24PM
Monday, April 24, 2023

‘Breathless’ Review: Shopping Soothes an Anxious Mind by Laura Collins-Hughes

Laura Horton’s poignant comic monologue at 59E59 Theaters, part of the Brits Off Broadway festival, delivers a sympathetic portrayal of a sample-sale hoarder.

SOURCE: The New York Times Subscription at 04:32PM
Monday, April 3, 2023

‘Yes, I Can Say That!’ Review: The Freedom to Offend by Laura Collins-Hughes

The comedian Judy Gold’s new solo show at 59E59 Theaters is deliberately uncomfortable — and packed with laughs.

SOURCE: The New York Times Subscription at 03:24PM
Wednesday, March 22, 2023

‘The Hunting Gun’ Review: Letters to Burn After Reading by Laura Collins-Hughes

Miki Nakatani and Mikhail Baryshnikov star in this meticulously handsome stage adaptation of Yasushi Inoue’s 1949 novella.

SOURCE: The New York Times Subscription at 07:12PM
Tuesday, March 21, 2023

Puppetry So Lifelike, Even Their Deaths Look Real by Laura Collins-Hughes

Members of the puppetry team for “Life of Pi” discuss making the show’s animals seem all-too-real on a very crowded lifeboat.

SOURCE: The New York Times Subscription at 05:30PM
Monday, March 20, 2023

‘Drinking in America’ Review: Men in a Cracked Mirror by Laura Collins-Hughes

After 15 years away from the stage, Andre Royo of ‘The Wire’ goes all in with an evening of Eric Bogosian monologues at the Minetta Lane Theater.

SOURCE: The New York Times Subscription at 08:20PM
Friday, March 10, 2023

‘Pericles’ Review: Shakespeare in the Blender by Laura Collins-Hughes

Target Margin Theater remixes one of the Bard’s lesser works, with uninspired results.

SOURCE: The New York Times Subscription at 07:30PM
Thursday, March 9, 2023

‘Dark Disabled Stories’ Review: When the World Isn’t Built for You by Laura Collins-Hughes

Ryan J. Haddad’s gracefully layered play about the lives of disabled people blasts away condescension and replaces it with comprehension.

SOURCE: The New York Times Subscription at 08:30PM
Tuesday, March 7, 2023

‘Crumbs From the Table of Joy’ Review: Dreams on the Cusp of Womanhood by Laura Collins-Hughes

In Keen Company’s revival of Lynn Nottage’s 1995 play, a Black girl comes of age amid the churn of social change in midcentury Brooklyn.

SOURCE: The New York Times Subscription at 09:00PM
Tuesday, February 28, 2023

Review: ‘Letters From Max’ Is a Sacrament of Grief, and a Comedy by Laura Collins-Hughes

The Signature Theater production is based on correspondence between the playwright Sarah Ruhl and a student of hers, who died of cancer at 25.

SOURCE: The New York Times Subscription at 05:31PM
Monday, February 27, 2023

‘Elyria’ Review: The Past Catches Up to Them, Outside Cleveland by Laura Collins-Hughes

A microcosmic tale of the Indian diaspora, Deepa Purohit’s new play centers on the tangled history of two women and the man in between them.

SOURCE: The New York Times Subscription at 09:00PM
Sunday, February 5, 2023

Screen Time: A Film Star Captivates, and a Writer Is Surveilled by Laura Collins-Hughes

David Greenspan gives a wild ride of a performance in “On Set With Theda Bara,” and marionettes star in Vaclav Havel’s play “Audience.”

SOURCE: The New York Times Subscription at 01:46PM
Thursday, February 2, 2023

‘Endgame’ Review: A Laugh at the Apocalypse? by Laura Collins-Hughes

There’s plenty of pleasure to be found at the end of the world in the Irish Repertory Theater production of Samuel Beckett’s play.

SOURCE: The New York Times Subscription at 08:00PM
Thursday, January 26, 2023

For a Pioneering Artist, the Joy of Having Done the Work His Way by Laura Collins-Hughes

Ping Chong discussed his more than 50-year career as a multidisciplinary artist who has found inspiration in the surreal.

SOURCE: The New York Times Subscription at 03:45PM
Tuesday, January 24, 2023

‘The Appointment’ Review: A Chorus Line at the Abortion Clinic by Laura Collins-Hughes

After its original New York outing in 2019, the trippy musical returns in the post-Roe era with an updated script and sharpened fangs.

SOURCE: The New York Times Subscription at 10:11AM
Wednesday, January 18, 2023

At Under the Radar, Family Histories Bubble Up With No Easy Answers by Jesse Green, Laura Collins-Hughes and Elisabeth Vincentelli

The Public Theater’s experimental theater festival is back in person for the first time since 2020. Here, our critics review a second selection of the works on display.

SOURCE: The New York Times Subscription at 02:20PM
Tuesday, January 17, 2023

When Monsters Make the Best Husbands by Laura Collins-Hughes

“Frankenstein’s Monster Is Drunk and the Sheep Have All Jumped the Fences” and “Heaven,” two plays in Origin’s 1st Irish Festival, offer two very different views of marriage.

SOURCE: The New York Times Subscription at 08:00PM
Friday, January 13, 2023

At Under the Radar, Stories Unfold via Sexts, Tweets and Puppeteers by Jesse Green, Laura Collins-Hughes and Alexis Soloski

The Public Theater’s experimental theater festival is back in person for the first time since 2020. Here, our critics review a handful of the works on display.

SOURCE: The New York Times Subscription at 03:02PM
Thursday, January 12, 2023

5 Broadway Veterans on Race and Representation in Theater Design by Laura Collins-Hughes

“Theater traffics in unconscious symbolism.” Set designers, lighting designers and a sound designer talk about skin tones, aesthetics and more.

SOURCE: The New York Times Subscription at 02:00PM
Tuesday, December 20, 2022

‘The Collaboration’ Review: A Basquiat-Warhol Bromance in Bloom by Laura Collins-Hughes

Anthony McCarten’s biodrama about the artists’ work together lifts the curtain on their friendship, or at least it thinks it does.

SOURCE: The New York Times Subscription at 09:06PM
Wednesday, December 14, 2022

Eddie Izzard Plays Which Part in ‘Great Expectations’? All of Them by Laura Collins-Hughes

The British comedian and actor is now performing her solo take on Dickens’s coming-of-age drama Off Broadway. It’s “pure storytelling,” she said.

SOURCE: The New York Times Subscription at 03:42PM
Wednesday, December 7, 2022

‘Events’ Review: There’s Kool-Aid in the Water Cooler by Laura Collins-Hughes

Bailey Williams’s comedy is a sharp-toothed, sometimes bewildering satire of all-consuming workplace culture.

SOURCE: The New York Times Subscription at 04:32PM
Tuesday, December 6, 2022

‘The Brightest Thing in the World’ Review: Falling in Love, While Loving Heroin by Laura Collins-Hughes

An addiction and recovery tale wrapped in a romantic comedy, Leah Nanako Winkler’s play insists on acknowledging the messy coexistence of joy and pain.

SOURCE: The New York Times Subscription at 02:36PM
Wednesday, November 30, 2022

Playing Neil Diamond: A Dream Role, and a ‘Crazy Privilege’ by Laura Collins-Hughes

Will Swenson, the star of “A Beautiful Noise,” has come a long way from his days as an eighth grader wooing girls with his Diamond repertoire.

SOURCE: The New York Times Subscription at 05:32AM
Monday, November 28, 2022

‘The Gett’ Review: Jewish History and a Woman’s Future by Laura Collins-Hughes

The ancient and contemporary swirl together in Liba Vaynberg’s ambitious, off-kilter play about life after a divorce.

SOURCE: The New York Times Subscription at 04:36PM
Tuesday, November 15, 2022

‘Downstate’ Review: A Foulness in the Very Air They Breathe by Laura Collins-Hughes

The deep, dark tragicomedy by Bruce Norris is set in a group home for sex offenders.

SOURCE: The New York Times Subscription at 09:48PM
Thursday, November 10, 2022

‘Good Enemy’ Review: Finding Second Chances by Laura Collins-Hughes

Yilong Liu’s new play toggles between China in 1984 and the United States in 2021.

SOURCE: The New York Times Subscription at 11:06AM
Wednesday, November 2, 2022

Review: ‘The Year of Magical Thinking’ Gets Joan Didion’s Intention Just Right by Laura Collins-Hughes

A play based on the writer’s memoir about the death of her husband, in its first New York revival, goes small to powerful effect.

SOURCE: The New York Times Subscription at 07:24PM
Tuesday, November 1, 2022

‘The Unbelieving’ Review: Life After Faith by Laura Collins-Hughes

In a probing new play from the Civilians, based on the book “Caught in the Pulpit: Leaving Belief Behind,” current and former members of the clergy grapple with the reality of losing the…

SOURCE: The New York Times Subscription at 04:18PM
Thursday, October 27, 2022

‘Chekhov’s First Play’ Review: A Play-by-Play of the Play Within the Play by Laura Collins-Hughes

At Irish Arts Center, a wry, experimental iteration doesn’t do much to untangle the playwright’s unwieldy early work.

SOURCE: The New York Times Subscription at 06:37PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime