All stories by Laura Collins-Hughes on BroadwayStars

Tuesday, October 17, 2023

‘All the Devils’ Review: Patrick Page Investigates Evil by Laura Collins-Hughes

In this Off Broadway production, the actor is most fascinated by human fallibility and Shakespeare’s nuanced understanding of it.

SOURCE: The New York Times Subscription at 01:33PM
Wednesday, October 4, 2023

Garry Hynes Brings Sean O’Casey’s Dublin Trilogy to Life by Laura Collins-Hughes

At NYU Skirball, Druid’s marathon production depicts the beginning of a free Irish state through the voices of the working class.

SOURCE: The New York Times Subscription at 12:33PM
Thursday, September 28, 2023

‘Melissa Etheridge: My Window’ Review: Musings on Life and Music by Laura Collins-Hughes

On Broadway, this rock concert spliced with memoir has gained a striking intimacy.

SOURCE: The New York Times Subscription at 09:25PM
Thursday, September 21, 2023

Review: In Theresa Rebeck’s ‘Dig’, a Plant Shop Nurtures Weary Souls by Laura Collins-Hughes

Theresa Rebeck’s play, a Primary Stages production at 59E59 Theaters, is a beautifully acted dramedy exploring the truth and warped perceptions of it.

SOURCE: The New York Times Subscription at 12:13PM
Wednesday, September 20, 2023

A.I.-Scripted Stories, and a Counterpoint, Take the Stage Off Broadway by Laura Collins-Hughes

“Prometheus Firebringer” and “Bioadapted” test the waters, while the abstract “Psychic Self Defense” is a warm and pulsing counterpoint.

SOURCE: The New York Times Subscription at 12:43PM
Wednesday, September 13, 2023

‘No Good Things Dwell in the Flesh’ Review: Seeking a Successor by Laura Collins-Hughes

In her new play, Christina Masciotti turns a keen gaze on an immigrant tailor who has woven her business into the fabric of a neighborhood.

SOURCE: The New York Times Subscription at 02:13PM

Four Theater Artists to Watch This Fall by Laura Collins-Hughes, Alexis Soloski, Brittani Samuel and Rhoda Feng

We spoke with two actors and two playwrights who will be in the spotlight this season.

SOURCE: The New York Times Subscription at 05:07AM
Thursday, September 7, 2023

‘Swing State’ Playwright Wants to Sound an Alarm for a World in Trouble by Laura Collins-Hughes

In her Off Broadway drama, which had an acclaimed run in Chicago, the playwright looks for hope to outweigh despair in a fractious, anxious time.

SOURCE: The New York Times Subscription at 05:07AM
Sunday, September 3, 2023

Leaping ‘Into the Next Unknown’: Robert Lyons on the End of New Ohio Theater by Laura Collins-Hughes

The handwriting on the company’s wall, in chalk, was traced by a closing night crowd sharing memories of more than 30 years of landmarks and larks.

SOURCE: The New York Times Subscription at 05:07AM
Friday, September 1, 2023

Theater to See in September 2023: ‘Ulysses,’ ‘The Pianist’ and More by Laura Collins-Hughes

Six shows and a fringe festival are among this month’s highlights in New York, New Jersey, Connecticut and a bit beyond.

SOURCE: The New York Times Subscription at 03:43PM

Reeling From Heartbreak, and Then ‘Penelope’ Showed Up by Laura Collins-Hughes

Alex Bechtel’s new musical, sort of “a pandemic parable,” gives voice to a mythical character in “The Odyssey.”

SOURCE: The New York Times Subscription at 03:43PM
Monday, August 21, 2023

‘On Cedar Street’ Meets ‘Here You Come Again’ by Laura Collins-Hughes

“Here You Come Again” and “On Cedar Street” are very different new musicals about people who are unmoored and seek companionship to make it through.

SOURCE: The New York Times Subscription at 04:04PM
Thursday, July 27, 2023

A Guide to Summer Theater Festivals in New York and the Berkshires by Laura Collins-Hughes

A guide to what’s onstage at theater festivals in upstate New York and the Berkshires.

SOURCE: The New York Times Subscription at 03:33PM
Tuesday, July 25, 2023

At Two Summer Theater Festivals, Reassuring Signs of Life by Laura Collins-Hughes

The industry is facing challenges, but in western Massachusetts the quality of the works is as rich as ever, our critic writes.

SOURCE: The New York Times Subscription at 03:43PM
Tuesday, July 18, 2023

Book Review: ‘Encounterism,’ by Andy Field by Laura Collins-Hughes

Conceived before the pandemic, Andy Field’s ode to sharing space in person glosses over the ways our everyday habits seem to have changed for good.

SOURCE: The New York Times Subscription at 05:19AM
Monday, July 10, 2023

Review: In ‘Malvolio,’ Hope (and a Title Role) for a Damaged Heart by Laura Collins-Hughes

The Classical Theater of Harlem follows up last year’s winning “Twelfth Night” with a sequel that feels like a sweet summer frolic.

SOURCE: The New York Times Subscription at 02:55PM
Thursday, July 6, 2023

‘Uncle Vanya’ Review: Candlelit With a High-Wattage Cast by Laura Collins-Hughes

Unrequited love swirls through this prestige-cast production of Anton Chekhov’s play, in a Manhattan loft.

SOURCE: The New York Times Subscription at 08:19PM
Wednesday, July 5, 2023

How to Squeeze a Feminist Farce Into an English Country House by Laura Collins-Hughes

“The Cottage” is a throwback play with a modern mind-set. The cast, playwright and director talk about pulling off the comedy and landing all the “darlings.”

SOURCE: The New York Times Subscription at 05:33AM
Sunday, June 25, 2023

‘Invisible’ Review: Brown and British by Laura Collins-Hughes

As part of the Brits Off Broadway festival at 59E59 Theaters, Nikhil Parmar’s solo play is a drama-tinged satire that morphs into a grisly revenge parable.

SOURCE: The New York Times Subscription at 10:55PM
Wednesday, June 21, 2023

‘Good Vibrations’ Review: The Saving Power of Punk by Laura Collins-Hughes

In a big-hearted musical about a 1970s Belfast record store owner and the punk movement he nurtured, music is the real hero.

SOURCE: The New York Times Subscription at 02:37PM
Monday, June 12, 2023

Best and Worst Moments of the 76th Tony Awards by Jesse Green, Maya Phillips, Elisabeth Vincentelli, Laura Collins-Hughes, Alexis Soloski and Sarah Bahr

With a clever opening number and repeated support for striking writers, the Tonys celebrated Broadway’s shows, performers and creative teams.

SOURCE: The New York Times Subscription at 05:07AM
Tuesday, June 6, 2023

‘Wet Brain’ Review: A Vodka-Spiked Horror Show by Laura Collins-Hughes

The children of a severely alcoholic widower navigate his incapacity, and his legacy, in John J. Caswell Jr.’s pitch-black comedy about addiction.

SOURCE: The New York Times Subscription at 09:25PM
Monday, June 5, 2023

Review: In ‘Days of Wine and Roses,’ Two Souls Lost in an Ocean of Booze by Laura Collins-Hughes

In Craig Lucas and Adam Guettel’s jazzy new musical, Kelli O’Hara and Brian d’Arcy James are a glamorous couple succumbing to alcoholism.

SOURCE: The New York Times Subscription at 09:06PM
Thursday, May 25, 2023

He Made a Show About Grief. She Saw Herself In It. by Laura Collins-Hughes

Audible Theater’s leader and the creator of “Sorry for Your Loss” hope the autobiographical comedy helps others learn to talk about grief.

SOURCE: The New York Times Subscription at 04:18PM
Wednesday, May 24, 2023

Summerworks Festival Opens With “Work Hard Have Fun Make History” by Laura Collins-Hughes

Clubbed Thumb’s Summerworks festival opener, written by ruth tang, rages against the machines and examines human alienation.

SOURCE: The New York Times Subscription at 07:54PM
Tuesday, May 23, 2023

Arian Moayed Plays Creepy Men for Thoughtful Reasons by Laura Collins-Hughes

In roles in HBO’s “Succession” and “A Doll’s House” on Broadway, politics are never far from mind for the Iranian American actor.

SOURCE: The New York Times Subscription at 11:42AM
Wednesday, May 10, 2023

‘The Habit of Art’ Review: Theater of the Creative Drive by Laura Collins-Hughes

A play within a play about W.H. Auden and Benjamin Britten structures this sex-spiked comedy for the Brits Off Broadway festival at 59E59 Theaters in Manhattan.

SOURCE: The New York Times Subscription at 05:42PM

How the Star of ‘Kimberly Akimbo’ Found Beauty in Her Voice Again by Laura Collins-Hughes

When Victoria Clark was offered the titular role in the musical, she worried her singing had lost its luster. Turns out, imperfection has its own allure.

SOURCE: The New York Times Subscription at 05:32AM
Tuesday, May 9, 2023

Review: Racism Echoes Through Time in ‘the ripple’ by Laura Collins-Hughes

The story of a Black family’s fight to desegregate public pools spans decades in Christina Anderson’s play at Yale Repertory Theater.

SOURCE: The New York Times Subscription at 01:54PM
Friday, May 5, 2023

Review: ‘The Sign in Sidney Brustein’s Window,’ Uneven Yet a Powerful Draw by Laura Collins-Hughes

Oscar Isaac and Rachel Brosnahan revisit Lorraine Hansberry’s 1964 play on Broadway, following its sold-out run in Brooklyn.

SOURCE: The New York Times Subscription at 10:24AM
Thursday, April 27, 2023

The Drama of Letters, Swirling With Suspense by Laura Collins-Hughes

Irish Repertory Theater’s Letters Series is a reminder: For sketching the arc of a relationship, nothing compares to intimate correspondence, our critic writes.

SOURCE: The New York Times Subscription at 04:48PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime