All stories by Laura Collins-Hughes on BroadwayStars

Monday, June 5, 2023

Review: In ‘Days of Wine and Roses,’ Two Souls Lost in an Ocean of Booze by Laura Collins-Hughes

In Craig Lucas and Adam Guettel’s jazzy new musical, Kelli O’Hara and Brian d’Arcy James are a glamorous couple succumbing to alcoholism.

SOURCE: The New York Times Subscription at 09:06PM
Thursday, May 25, 2023

He Made a Show About Grief. She Saw Herself In It. by Laura Collins-Hughes

Audible Theater’s leader and the creator of “Sorry for Your Loss” hope the autobiographical comedy helps others learn to talk about grief.

SOURCE: The New York Times Subscription at 04:18PM
Wednesday, May 24, 2023

Summerworks Festival Opens With “Work Hard Have Fun Make History” by Laura Collins-Hughes

Clubbed Thumb’s Summerworks festival opener, written by ruth tang, rages against the machines and examines human alienation.

SOURCE: The New York Times Subscription at 07:54PM
Tuesday, May 23, 2023

Arian Moayed Plays Creepy Men for Thoughtful Reasons by Laura Collins-Hughes

In roles in HBO’s “Succession” and “A Doll’s House” on Broadway, politics are never far from mind for the Iranian American actor.

SOURCE: The New York Times Subscription at 11:42AM
Wednesday, May 10, 2023

‘The Habit of Art’ Review: Theater of the Creative Drive by Laura Collins-Hughes

A play within a play about W.H. Auden and Benjamin Britten structures this sex-spiked comedy for the Brits Off Broadway festival at 59E59 Theaters in Manhattan.

SOURCE: The New York Times Subscription at 05:42PM

How the Star of ‘Kimberly Akimbo’ Found Beauty in Her Voice Again by Laura Collins-Hughes

When Victoria Clark was offered the titular role in the musical, she worried her singing had lost its luster. Turns out, imperfection has its own allure.

SOURCE: The New York Times Subscription at 05:32AM
Tuesday, May 9, 2023

Review: Racism Echoes Through Time in ‘the ripple’ by Laura Collins-Hughes

The story of a Black family’s fight to desegregate public pools spans decades in Christina Anderson’s play at Yale Repertory Theater.

SOURCE: The New York Times Subscription at 01:54PM
Friday, May 5, 2023

Review: ‘The Sign in Sidney Brustein’s Window,’ Uneven Yet a Powerful Draw by Laura Collins-Hughes

Oscar Isaac and Rachel Brosnahan revisit Lorraine Hansberry’s 1964 play on Broadway, following its sold-out run in Brooklyn.

SOURCE: The New York Times Subscription at 10:24AM
Thursday, April 27, 2023

The Drama of Letters, Swirling With Suspense by Laura Collins-Hughes

Irish Repertory Theater’s Letters Series is a reminder: For sketching the arc of a relationship, nothing compares to intimate correspondence, our critic writes.

SOURCE: The New York Times Subscription at 04:48PM
Tuesday, April 25, 2023

‘Summer, 1976’ Review: The Path to Freedom Starts With a Friendship by Laura Collins-Hughes

Two mothers make a life-altering connection during a play date in this production for the Manhattan Theater Club.

SOURCE: The New York Times Subscription at 09:24PM
Monday, April 24, 2023

‘Breathless’ Review: Shopping Soothes an Anxious Mind by Laura Collins-Hughes

Laura Horton’s poignant comic monologue at 59E59 Theaters, part of the Brits Off Broadway festival, delivers a sympathetic portrayal of a sample-sale hoarder.

SOURCE: The New York Times Subscription at 04:32PM
Monday, April 3, 2023

‘Yes, I Can Say That!’ Review: The Freedom to Offend by Laura Collins-Hughes

The comedian Judy Gold’s new solo show at 59E59 Theaters is deliberately uncomfortable — and packed with laughs.

SOURCE: The New York Times Subscription at 03:24PM
Wednesday, March 22, 2023

‘The Hunting Gun’ Review: Letters to Burn After Reading by Laura Collins-Hughes

Miki Nakatani and Mikhail Baryshnikov star in this meticulously handsome stage adaptation of Yasushi Inoue’s 1949 novella.

SOURCE: The New York Times Subscription at 07:12PM
Tuesday, March 21, 2023

Puppetry So Lifelike, Even Their Deaths Look Real by Laura Collins-Hughes

Members of the puppetry team for “Life of Pi” discuss making the show’s animals seem all-too-real on a very crowded lifeboat.

SOURCE: The New York Times Subscription at 05:30PM
Monday, March 20, 2023

‘Drinking in America’ Review: Men in a Cracked Mirror by Laura Collins-Hughes

After 15 years away from the stage, Andre Royo of ‘The Wire’ goes all in with an evening of Eric Bogosian monologues at the Minetta Lane Theater.

SOURCE: The New York Times Subscription at 08:20PM
Friday, March 10, 2023

‘Pericles’ Review: Shakespeare in the Blender by Laura Collins-Hughes

Target Margin Theater remixes one of the Bard’s lesser works, with uninspired results.

SOURCE: The New York Times Subscription at 07:30PM
Thursday, March 9, 2023

‘Dark Disabled Stories’ Review: When the World Isn’t Built for You by Laura Collins-Hughes

Ryan J. Haddad’s gracefully layered play about the lives of disabled people blasts away condescension and replaces it with comprehension.

SOURCE: The New York Times Subscription at 08:30PM
Tuesday, March 7, 2023

‘Crumbs From the Table of Joy’ Review: Dreams on the Cusp of Womanhood by Laura Collins-Hughes

In Keen Company’s revival of Lynn Nottage’s 1995 play, a Black girl comes of age amid the churn of social change in midcentury Brooklyn.

SOURCE: The New York Times Subscription at 09:00PM
Tuesday, February 28, 2023

Review: ‘Letters From Max’ Is a Sacrament of Grief, and a Comedy by Laura Collins-Hughes

The Signature Theater production is based on correspondence between the playwright Sarah Ruhl and a student of hers, who died of cancer at 25.

SOURCE: The New York Times Subscription at 05:31PM
Monday, February 27, 2023

‘Elyria’ Review: The Past Catches Up to Them, Outside Cleveland by Laura Collins-Hughes

A microcosmic tale of the Indian diaspora, Deepa Purohit’s new play centers on the tangled history of two women and the man in between them.

SOURCE: The New York Times Subscription at 09:00PM
Sunday, February 5, 2023

Screen Time: A Film Star Captivates, and a Writer Is Surveilled by Laura Collins-Hughes

David Greenspan gives a wild ride of a performance in “On Set With Theda Bara,” and marionettes star in Vaclav Havel’s play “Audience.”

SOURCE: The New York Times Subscription at 01:46PM
Thursday, February 2, 2023

‘Endgame’ Review: A Laugh at the Apocalypse? by Laura Collins-Hughes

There’s plenty of pleasure to be found at the end of the world in the Irish Repertory Theater production of Samuel Beckett’s play.

SOURCE: The New York Times Subscription at 08:00PM
Thursday, January 26, 2023

For a Pioneering Artist, the Joy of Having Done the Work His Way by Laura Collins-Hughes

Ping Chong discussed his more than 50-year career as a multidisciplinary artist who has found inspiration in the surreal.

SOURCE: The New York Times Subscription at 03:45PM
Tuesday, January 24, 2023

‘The Appointment’ Review: A Chorus Line at the Abortion Clinic by Laura Collins-Hughes

After its original New York outing in 2019, the trippy musical returns in the post-Roe era with an updated script and sharpened fangs.

SOURCE: The New York Times Subscription at 10:11AM
Wednesday, January 18, 2023

At Under the Radar, Family Histories Bubble Up With No Easy Answers by Jesse Green, Laura Collins-Hughes and Elisabeth Vincentelli

The Public Theater’s experimental theater festival is back in person for the first time since 2020. Here, our critics review a second selection of the works on display.

SOURCE: The New York Times Subscription at 02:20PM
Tuesday, January 17, 2023

When Monsters Make the Best Husbands by Laura Collins-Hughes

“Frankenstein’s Monster Is Drunk and the Sheep Have All Jumped the Fences” and “Heaven,” two plays in Origin’s 1st Irish Festival, offer two very different views of marriage.

SOURCE: The New York Times Subscription at 08:00PM
Friday, January 13, 2023

At Under the Radar, Stories Unfold via Sexts, Tweets and Puppeteers by Jesse Green, Laura Collins-Hughes and Alexis Soloski

The Public Theater’s experimental theater festival is back in person for the first time since 2020. Here, our critics review a handful of the works on display.

SOURCE: The New York Times Subscription at 03:02PM
Thursday, January 12, 2023

5 Broadway Veterans on Race and Representation in Theater Design by Laura Collins-Hughes

“Theater traffics in unconscious symbolism.” Set designers, lighting designers and a sound designer talk about skin tones, aesthetics and more.

SOURCE: The New York Times Subscription at 02:00PM
Tuesday, December 20, 2022

‘The Collaboration’ Review: A Basquiat-Warhol Bromance in Bloom by Laura Collins-Hughes

Anthony McCarten’s biodrama about the artists’ work together lifts the curtain on their friendship, or at least it thinks it does.

SOURCE: The New York Times Subscription at 09:06PM
Wednesday, December 14, 2022

Eddie Izzard Plays Which Part in ‘Great Expectations’? All of Them by Laura Collins-Hughes

The British comedian and actor is now performing her solo take on Dickens’s coming-of-age drama Off Broadway. It’s “pure storytelling,” she said.

SOURCE: The New York Times Subscription at 03:42PM
Wednesday, December 7, 2022

‘Events’ Review: There’s Kool-Aid in the Water Cooler by Laura Collins-Hughes

Bailey Williams’s comedy is a sharp-toothed, sometimes bewildering satire of all-consuming workplace culture.

SOURCE: The New York Times Subscription at 04:32PM