All stories by Jesse Green on BroadwayStars

Wednesday, September 14, 2016

Theater Review: Finding the Story of Marie and Rosetta by Jesse Green

Sister Rosetta Tharpe (1915–1973) was a gospel singer, pianist, and guitarist whose combination of holy rolling and louche swing made her one of the forgotten godparents of rock. (“Siste…

SOURCE: Vulture at 10:00PM

Theater Review: The Avant-Garde Remix of Phaedra(s) by Jesse Green

Near the end of the three-and-a-half-hour slog that is Phaedra(s) — just when you’ve given up hope for it and, indeed, all existence — something wonderful happens. Until then, the prod…

SOURCE: Vulture at 03:56PM
Tuesday, September 13, 2016

Theater Review: Last Night’s Last Five Years by Jesse Green

A sensational concert performance of Jason Robert Brown’s The Last Five Years at Town Hall last night, starring Cynthia Erivo and Joshua Henry, started the New York fall theater season off…

SOURCE: Vulture at 01:13PM
Monday, September 12, 2016

Theater Review: Marie and Rosetta and Aubergine by Jesse Green

Sister Rosetta Tharpe (1915–1973) was a gospel singer, pianist, and guitarist whose combination of holy rolling and louche swing made her one of the forgotten godparents of rock. (“Siste…

SOURCE: Vulture at 10:00PM
Sunday, September 4, 2016

Theater Review: The Public Works’ Diverse, Delicious Twelfth Night by Jesse Green

Before last night’s Public Works performance of Twelfth Night at the Delacorte, Oskar Eustis, the Public Theater’s artistic director, bounded onstage to thank donors and explain the idea…

SOURCE: Vulture at 07:01PM
Thursday, August 25, 2016

Theater Review: The Layover Tries to Be Strangers on a Plane by Jesse Green

In adapting Daphne du Maurier’s dour novella The Birds for the movies, Alfred Hitchcock instructed his screenwriter to start the story with some screwball comedy in order to heighten the t…

SOURCE: Vulture at 10:00PM
Wednesday, August 10, 2016

Theater Review: Can Troilus and Cressida Be Saved? by Jesse Green

There are some things that the Public Theater — founded as the Shakespeare Workshop in 1954 and known for most of its life as the New York Shakespeare Festival — can’t avoid. The occas…

SOURCE: Vulture at 08:13PM
Friday, July 22, 2016

Theater Review: An All-Female, All-Japanese Chicago by Jesse Green

Whenever I’d hear critics describe musical theater as one of the few truly American art forms, I would think, well, at least one of those words is right. It’s a form. I suppose it is als…

SOURCE: Vulture at 06:36AM
Tuesday, July 19, 2016

Theater Review: Listening in on Daniel Radcliffe in Privacy by Jesse Green

Abstract-noun titles are usually deceptive, or at least under-determined; Doubt, Democracy, and Plenty, good plays though they are, might each just as easily have been named s…

SOURCE: Vulture at 06:10AM
Thursday, July 14, 2016

Theater Review: Near-Silence Never Sounded So Good As in Small Mouth Sounds by Jesse Green

Aside from an occasional unicorn like The Humans, Off and Off–Off Broadway plays almost never dare transfer to Broadway anymore, which means that New Yorkers who miss them in their origina…

SOURCE: Vulture at 07:20AM
Tuesday, July 12, 2016

Theater Review: Oslo Finds Drama in the Back Channels of Diplomacy by Jesse Green

It’s not often I think a three-hour play could profitably be longer, but J. T. Rogers’s gripping, big-boned Oslo, which opened tonight at Lincoln Center Theater, needs all the meat and m…

SOURCE: Vulture at 08:01PM
Sunday, July 10, 2016

Theater Review: Runaways, at Encores! Off-Center by Jesse Green

The Encores! Off-Center series, which opened its fourth season last night, is meant to do for Off Broadway in summer what the main Encores! season does for Broadway in spring: recall to our …

SOURCE: Vulture at 07:02PM
Friday, July 1, 2016

Rereviewed: She Loves Me Onscreen, The Color Purple Recast by Jesse Green

The theater is a hothouse; everything grown within it is exotic, demanding, and sensitive to minute fluctuations of environment. Even with only time as a variable, a show is always reaching …

SOURCE: Vulture at 05:00PM
Tuesday, June 14, 2016

Theater Review: Is It Possible to Produce an Enlightened The Taming of the Shrew? by Jesse Green

How do you tame The Taming of the Shrew? It has the usual early-Shakespeare problems: clunky exposition, overwrought plotting, huge dropped stitches. (The framing device, laboriously introdu…

SOURCE: Vulture at 07:33AM
Monday, June 13, 2016

The World Turned Upside Down: The Tonys of Diversity by Jesse Green

Even though it did not beat the record of The Producers — which swept 12 categories in a weak season in 2001 — Hamilton’s scarfing up of 11 wins, out of 16 nominations, was obviously t…

SOURCE: Vulture at 05:42PM
Saturday, June 11, 2016

Jesse Green’s Tony Awards Predictions by Jesse Green

Late intelligence suggests that many of my Tony predictions, as analyzed over the past week in a series of deep dives—see installments one, two, three, four, and f…

SOURCE: Vulture at 10:42PM
Friday, June 10, 2016

Tonys Deep Dive No. 5: Tech, Music, and Direction by Jesse Green

The Tony Awards and the Tony Awards telecast are not the same thing. The former has flaws; the latter usually has little else. One prediction I feel confident in making is that this year’s…

SOURCE: Vulture at 07:31PM

Tony Awards Deep Dive No. 4: Performances in Plays by Jesse Green

In part due to Hamilton’s dominance, the musical performance categories have been fairly straightforward; the Tony nominators hit their marks and the voters are likely to do so as well. No…

SOURCE: Vulture at 05:32AM
Wednesday, June 8, 2016

Tony Awards Deep Dive No. 3: Performances in Musicals by Jesse Green

Now that we’ve reached the performance categories — musicals today, plays tomorrow — the time has come to discuss snubs and splits, none of which exist. Snubs are nominations that didn…

SOURCE: Vulture at 10:33PM
Tuesday, June 7, 2016

Tony Awards Deep Dive No. 2: The Plays by Jesse Green

Twenty nonmusical plays — nine new ones and eleven revivals — were produced on Broadway this season. Only three in each group were complete duds: Misery, China Doll, and O…

SOURCE: Vulture at 10:09PM
Monday, June 6, 2016

Theater Review: A Second Act of God, Now With Sean Hayes by Jesse Green

As subversions go, you could hardly trump David Javerbaum’s An Act of God, which plays like a lay-’em-in-the-aisles one-man comedy despite being (as I wrote in my review of its limited r…

SOURCE: Vulture at 10:18PM

Tony Awards Deep Dive No. 1: The Musicals by Jesse Green

Twenty plays and 16 musicals opened during the 2015–2016 Broadway season. Most of the plays were pretty good or better; most of the musicals were not. Despite this, the musicals, as always…

SOURCE: Vulture at 10:18PM
Thursday, May 26, 2016

Theater Reviews: Stew’s The Total Bent and Cirque du Soleil’s Paramour by Jesse Green

Which would you rather experience in the theater: too many ideas or too few? The Total Bent, at the Public, is in the maximalist camp, offering in less than two hours a dense sociological hi…

SOURCE: Vulture at 06:06AM
Tuesday, May 24, 2016

Theater Review: The Underworld on East 4th, In Hadestown by Jesse Green

When the very first lyric of a sung-through show like Hadestown attempts to rhyme “flames” with “hurricanes,” you know you’re in for a crossover experience. And though I doubt that…

SOURCE: Vulture at 08:23AM
Saturday, May 21, 2016

Should You Revisit the Recast The King and I? by Jesse Green

Many a Golden Age musical has grown musty with overfamiliarity and rote revival. And many a hit show, unable to maintain discipline or accommodate replacements, grows ragged during a long ru…

SOURCE: Vulture at 03:27PM
Wednesday, May 18, 2016

Theater Review: Rupert Everett Fully Inhabits Oscar Wilde in The Judas Kiss by Jesse Green

Unless cunnilingus is part of the late Victorian housekeeping routine, the studly footman and nubile maid seem to have seriously misinterpreted the task of straightening the bed. How daring …

SOURCE: Vulture at 05:44AM
Friday, May 13, 2016

Theater Review: The Missteps (and Joys) of Do I Hear a Waltz? by Jesse Green

Though Richard Rodgers and Stephen Sondheim are arguably the two greatest writers of American musical theater, their one collaboration — Do I Hear a Waltz? — was a fizzle. Some of the re…

SOURCE: Vulture at 07:03AM
Tuesday, May 3, 2016

2016 Tony Award Nomination Snubs and Surprises by Jesse Green

In any Tony season, the idea of snubs is a little ridiculous; there’s never been a conspiracy to deny Sutton Foster her next award. Among the nominators, who are generally not affiliated w…

SOURCE: Vulture at 11:08PM

Will Hamilton Win a Record 13 Tony Awards? A Look at Its Nominations by Jesse Green

Does Hamilton have a chance to beat the record set by The Producers for the most Tony wins — 12? Mathematically, yes. But to do this it would have to sweep all 13 categories in which …

SOURCE: Vulture at 11:08PM
Monday, May 2, 2016

Theater Review: Dear Evan Hansen Could Be the Next Fun Home by Jesse Green

Musicals are uniquely adept at telling large stories about individuals in conflict with society—so capable of doing so that we sometimes forget how smart they can be about individuals in c…

SOURCE: Vulture at 10:30AM
Sunday, May 1, 2016

Theater Review: Gillian Anderson Is an Inside-Out Blanche DuBois by Jesse Green

The first thing Blanche DuBois does when she arrives at her sister’s “sort of messed up” flat in New Orleans is to locate the liquor and avail herself of a stiff one. Like many charact…

SOURCE: Vulture at 11:06PM