All stories by Jesse Green on BroadwayStars

Thursday, March 17, 2016

Theater Review: The Charms, Discreet and Otherwise, of the Roundabout’s She Loves Me Revival by Jesse Green

Unless you’re a fanatic with money to burn, you’ve most likely heard your favorite musicals more than you’ve seen them. Many a Cats fancier never made it to the Winter Garden to pet th…

SOURCE: Vulture at 10:55PM
Tuesday, March 15, 2016

Theater Review: What Is Kenneth Lonergan Trying to Do With Hold On to Me Darling? by Jesse Green

Clarence McCrane, better known as Strings, is “the third biggest crossover star in the history of country music.” In Hold On to Me Darling, Kenneth Lonergan’s lumpy and scattershot new…

SOURCE: Vulture at 04:14PM
Monday, March 14, 2016

Theater Reviews: Americana From Below, in The Robber Bridegroom and Southern Comfort by Jesse Green

The first mistake writers of musicals usually make happens before they write: They choose too good or too bad a source. Too good is the more difficult case; the material, having given them d…

SOURCE: Vulture at 09:23PM
Sunday, March 13, 2016

Theater Reviews: Danai Gurira's Familiar and Lucas Hnath's Red Speedo by Jesse Green

Danai Gurira’s devastating Eclipsed, about four women enslaved as “wives” to a rebel commander during the Liberian civil war, opens this Sunday on Broadway after a sold-out run at the …

SOURCE: Vulture at 06:13PM

Theater Reviews: Disaster! Is Predictable, and White Rabbit Red Rabbit Is Completely the Opposite by Jesse Green

It takes a special kind of pluck, or vanity, to name your musical Disaster! and not expect critics to agree. But then everything about the campy little show of that name that’s opening ton…

SOURCE: Vulture at 06:13PM

28 Reasons Why New York Theater Is, Improbably, Thriving by Jesse Green

The theater is dying. The theater is dead. Oh, look, it’s reviving; no, it’s dead again. It’s always been that way — yet suddenly, now it isn’t. For the first time since losing its…

SOURCE: Vulture at 06:13PM

Audra McDonald, Broadway’s Greatest Voice, Is Back by Jesse Green

Through heavy walls and a warren of hallways, before I’m even buzzed into the studio, I recognize Audra McDonald’s voice. She’s just doing vocalise: singing scales on the syllables eh …

SOURCE: Vulture at 06:07PM

Theater Review: Michelle Williams and Jeff Daniels In a Superb Blackbird by Jesse Green

The first word spoken in David Harrower’s Blackbird is “shock,” and the superb production that opens on Broadway tonight wastes no time in justifying it. Not so much in speech; the nex…

SOURCE: Vulture at 06:04PM

Theater Reviews: A Miscast Hughie and a Cheesy-Fun Pericles by Jesse Green

On the stage of the Booth Theater, the scenic designer Christopher Oram has built a magnificent ruin of a once-respectable hotel, complete with double-height lobby, an antique elevator, and …

SOURCE: Vulture at 06:04PM
Tuesday, February 23, 2016

Theater Review: Smokefall Tries for Whimsy Amid the Darkness by Jesse Green

Serious naturalism is the New York house style this season, with works like The Humans, Eclipsed, and Blackbird highlighting the spring Broadway lineup. What a surprise, then, that for the l…

SOURCE: Vulture at 07:33AM
Monday, February 22, 2016

Theater Review: Nice Fish Brings News From Lake Wobegon by Jesse Green

When Mark Rylance accepted the 2008 Tony award for his performance in the French farce Boeing-Boeing, and when he accepted again in 2011 for his performance in the English drama Jerusalem, h…

SOURCE: Vulture at 06:45PM
Friday, February 19, 2016

Theater Reviews: The Humans and Old Hats, Polar Opposites of Excellence by Jesse Green

The entire action of Stephen Karam’s play The Humans takes place in the Chinatown apartment that 26-year-old Brigid Blake has just moved into with her boyfriend, Richard Saad. It’s a dup…

SOURCE: Vulture at 06:49AM
Thursday, February 18, 2016

Theater Review: Ed Harris and Amy Madigan Give a Center to Sam Shepard’s Buried Child by Jesse Green

Sam Shepard had already been writing for the theater for 14 years when Buried Child won the Pulitzer Prize in 1979. The play—his 23rd or so, depending on how you count—was both a distill…

SOURCE: Vulture at 07:20AM
Friday, February 12, 2016

Theater Review: Smart People Is Probably Better Read Than Seen by Jesse Green

Four Harvard graduates walk into a scene: Valerie, a young African-American actor; Jackson, an African-American surgical intern; Ginny, a Chinese-Japanese-American psychology professor; and …

SOURCE: Vulture at 06:29AM
Thursday, February 11, 2016

Theater Review: Encores! Tries to Renovate Cabin in the Sky by Jesse Green

One of the many useful and fascinating things the Encores! series has done over the years — last night’s opening of Cabin in the Sky marks the start of its 23rd season — is to highligh…

SOURCE: Vulture at 09:02PM

Theater Review: John Patrick Shanley's Wayward Prodigal Son by Jesse Green

A playwright enters dangerous territory when he attempts to dramatize his struggle to become an artist: a struggle that is supposedly resolved, or at least justified, by the artistry he now …

SOURCE: Vulture at 12:25AM
Tuesday, February 9, 2016

Theater Review: Sense & Sensibility at a Breakneck Pace by Jesse Green

My Kindle tells me that it takes an average reader some ten hours to get through Jane Austen’s Sense and Sensibility. The delightful Bedlam stage version, which had a successful run in 201…

SOURCE: Vulture at 04:10AM
Tuesday, February 2, 2016

Grease: Live Is the First TV Musical to Feel Like Actual Theater by Jesse Green

If theater is a hot medium, musical theater burns, making it a particularly bad match for the coolness of television. The three recent live musicals on NBC (The Sound of Music, Peter Pan, Th…

SOURCE: Vulture at 08:53PM
Friday, January 29, 2016

Talking With Stephen Karam, the Brilliant Young Playwright Behind The Humans by Jesse Green

Stephen Karam’s Chinatown apartment, which he moved into after the success of his 2011 play Sons of the Prophet, is a huge step up from his last place. Yes, the elevator is tetchy, and the…

SOURCE: Vulture at 05:40PM
Thursday, January 28, 2016

Theater Review: I and You and a Plot Twist, Too by Jesse Green

Every year, American Theatre magazine publishes a list of the country’s most-produced playwrights. It makes sense that Ayad Akhtar topped the latest edition: His award-winning plays, many …

SOURCE: Vulture at 06:53AM
Thursday, January 21, 2016

Theater Review: Linda Lavin Has a Secret, in Our Mother's Brief Affair by Jesse Green

Anna Cantor, the title character of Our Mother’s Brief Affair, is a suburban matron, a passive-aggressive parent, and, even in the throes of semi-dementia, a genius with a barb. (As long a…

SOURCE: Vulture at 01:44PM
Wednesday, January 20, 2016

Theater Review: CSC’s Mother Courage Gets a Shake-Up by Jesse Green

Will we ever stop arguing about Mother Courage and Her Children? From the time Brecht wrote it, in 1939, as Fascism was approaching its orgasm in Europe, until three weeks ago, when Tonya Pi…

SOURCE: Vulture at 10:48PM
Thursday, January 14, 2016

Theater Review: A Near-Perfect Noises Off Revival by Jesse Green

The key thing about farce isn’t the slamming of doors but the solidity of walls; without rigid order there can be no liberating chaos. The carpentry is crucial, and I doubt there’s ever …

SOURCE: Vulture at 09:33PM
Monday, January 11, 2016

Lin-Manuel Miranda Has Already Cemented His Place in Broadway History by Jesse Green

When Hamilton opened Off Broadway at the Public Theater last February, and then transferred to Broadway in August, many of the reviews, including mine, used words like historic, groundbreaki…

SOURCE: Vulture at 07:56PM
Sunday, December 20, 2015

Anatevka Regains Some Bite, in the New Fiddler by Jesse Green

It’s hard enough to revive a musical that didn’t work the first time; that’s why John Doyle’s new version of The Color Purple is rightfully such a sensation. But it may be an even ha…

SOURCE: Vulture at 11:00PM
Saturday, December 19, 2015

Broadway Gets a Grand Theater Back by Jesse Green

There are several ways to define a Broadway theater, all tautological. It’s a theater that uses a Broadway contract. It’s a theater in the Broadway district — Sixth Avenue to Eighth Av…

SOURCE: Vulture at 12:21PM
Wednesday, December 16, 2015

Theater Review: Shakespeare and Green Day Meet Up Circa 1965, in These Paper Bullets! by Jesse Green

Whether you will like These Paper Bullets! — the new Bard–on–Carnaby Street confection at the Atlantic — will probably depend on how much you like Much Ado About Nothing. Depend inve…

SOURCE: Vulture at 05:54AM
Friday, December 11, 2015

Theater Review: The Color Purple Is One of the Greatest Revivals Ever by Jesse Green

How can deprivation become joy? That’s not only the animating question of The Color Purple, the 1982 Alice Walker novel made into a musical in 2005, but also the operating principle behind…

SOURCE: Vulture at 08:18AM
Wednesday, December 9, 2015

The 10 Best Theater Events of 2015 by Jesse Green

This week Vulture will be publishing our critics’ year-end lists. Monday we ran TV and movies. Tuesday covered albums, songs, and books. Today, look for theater, art, and classical perform…

SOURCE: Vulture at 09:30AM
Tuesday, December 8, 2015

Theater Review: 18 Bowie Songs, Cristin Milioti, and Michael C. Hall, in Lazarus by Jesse Green

Here’s a sampling of things you’ll experience at Lazarus, the illustrated concept album disguised as a musical now playing at New York Theatre Workshop: one alien, two serial killers, th…

SOURCE: Vulture at 05:53AM
Monday, December 7, 2015

Theater Review: For Those About to Attend School of Rock, We Salute You by Jesse Green

A disreputable charmer brings the joy of music to a staid community while stirring up romance with an uptight lady: If the plot of School of Rock sounds like a great musical, that’s becaus…

SOURCE: Vulture at 07:14PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic