All stories by Jesse Green on BroadwayStars

Sunday, December 4, 2016

Theater Review: Dear Evan Hansen Moves Uptown, and Gains Something Indefinable by Jesse Green

The big problem in writing great musicals is not the difficulty of writing great songs. The big problem is that the songs, great or not, are cannibals, picking the stories clean and leaving …

SOURCE: Vulture at 09:00PM
Thursday, December 1, 2016

Theater Review: A Bronx Tale Gets Up and Starts to Sing by Jesse Green

There’s a good reason Broadway musicals traditionally leave the gangsters backstage. Except when handled with the greatest skill — as in, say, Guys and Dolls — stories that include mob…

SOURCE: Vulture at 10:00PM
Wednesday, November 30, 2016

Theater Review: The Downs and Ups of Ride the Cyclone by Jesse Green

It’s not impossible to find the right tone for a musical comedy about a gruesome subject: Look at Little Shop of Horrors, which both satirizes and honors the implications of its bloodthirs…

SOURCE: Vulture at 09:00PM
Monday, November 28, 2016

Theater Review: Homos, or Everyone in America by Jesse Green

“You are no Larry Kramer,” the Academic shouts at his boyfriend, the Writer, a hothead on a tear about homophobic violence.  “This isn’t Boys in the Band,” the Writer later sn…

SOURCE: Vulture at 04:43PM
Monday, November 21, 2016

Theater Review: Nicky Silver Tries to Move On, With This Day Forward by Jesse Green

When asked in a recent interview what inspired him to write This Day Forward, the playwright Nicky Silver immediately answered, “other writers’ successes.” If only any line of the play…

SOURCE: Vulture at 10:00PM

Should the Theater Really Be a Safe Space? by Jesse Green

I met Andy at a party in 1995. Soon afterward, he phoned the host, a mutual friend, to get my number so he could invite me to a play. As it happened, the mutual friend, hearing the descripti…

SOURCE: Vulture at 02:18PM
Sunday, November 20, 2016

Theater Review: Can Sweet Charity Still Work? by Jesse Green

Probably the strangest and least revivable Broadway genre is the midcentury hooker musical comedy. Shows like Irma La Douce (first produced in 1956), New Girl in Town (1957), and House of Fl…

SOURCE: Vulture at 05:00PM
Thursday, November 17, 2016

Theater Review: Dead Poets Society Comes to the Stage by Jesse Green

Though he has no prior professional theater credits, Jason Sudeikis holds the stage with confidence and verve as the inspiring prep school teacher John Keating in the adaptation of Dead Poet…

SOURCE: Vulture at 07:15PM
Tuesday, November 15, 2016

Theater Reviews: The Death of the Last Black Man in the Whole Entire World and Party People by Jesse Green

Sometimes, with a good-enough playwright, it’s good to have no idea what’s going on. That was the case for me with Suzan-Lori Parks’s The Death of the Last Black Man in the Whole Entir…

SOURCE: Vulture at 10:00PM
Monday, November 14, 2016

Theater Review: Silly Tolstoy? Yes, at Natasha, Pierre & the Great Comet of 1812 by Jesse Green

How can it be that a show based on the most serious novel of all time is both the most gorgeous new musical in town and, for much of its length, the silliest? That may be a self-answering qu…

SOURCE: Vulture at 08:00PM
Wednesday, November 9, 2016

Theater Review: A Real-Time Decision Desk for the Gabriel Family, in Women of a Certain Age by Jesse Green

After the opening-night audience at Women of a Certain Age gave the cast a well-deserved standing ovation and started to file out of the Public Theater’s LuEsther Hall, ushers could be hea…

SOURCE: Vulture at 02:47PM
Monday, November 7, 2016

Theater Review: The Brutal Divisions of “Master Harold”…and the boys by Jesse Green

Hally is a whiny, pretentious, self-involved, 17-year-old nerd. Sam and Willie are dignified workingmen in their mid-40s. Nevertheless, Hally is “Master Harold” and Sam and Willie are th…

SOURCE: Vulture at 10:00PM
Thursday, November 3, 2016

Theater Review: Ruined’s Lynn Nottage Heads to the Factory Floor With Sweat by Jesse Green

Lynn Nottage’s gripping but disappointing new play Sweat, which opens tonight at the Public, arrives in New York from its world premiere at the Oregon Shakespeare Festival trailing hosanna…

SOURCE: Vulture at 10:00PM
Wednesday, November 2, 2016

Theater Review: Anna Deveare Smith Collects and Performs Notes From the Field by Jesse Green

“I always talk in stories; they really illustrate points,” says Michael Tubbs, a councilman running for mayor of Stockton, California. Actually, it’s Anna Deavere Smith who speaks thes…

SOURCE: Vulture at 10:16PM
Sunday, October 30, 2016

Reviews: Les Liaisons Dangereuses and The Harvest by Jesse Green

Classically trained actors are naturally drawn to roles that show off their verbal fluency, but few contemporary plays give them the chance. No wonder Christopher Hampton’s Les Liaisons Da…

SOURCE: Vulture at 10:05PM
Thursday, October 27, 2016

Theater Review: Fizzing In Every Direction, Falsettos Marches Back to Broadway by Jesse Green

The heartbreaking revival of the William Finn–James Lapine musical Falsettos that opens tonight on Broadway comes, by chance, just a day after scientists reported in Nature that the longst…

SOURCE: Vulture at 09:00PM
Thursday, October 20, 2016

Review: Not Much Light in Fox’s Rocky Horror Picture Show by Jesse Green

Trying to avoid the third presidential debate, I decided to watch a press screener of Fox TV’s version of The Rocky Horror Picture Show last night, thinking camp would be the perfect antid…

SOURCE: Vulture at 02:53PM
Tuesday, October 18, 2016

Theater Review: One Woman and Many, In Sell/Buy/Date by Jesse Green

It’s probably not a coincidence that three of today’s best multi-character monologists — to coin a paradoxical job title — are women of color: Anna Deavere Smith, Nilaja Sun, and Sar…

SOURCE: Vulture at 10:00PM
Sunday, October 16, 2016

Theater Review: A Distant Cherry Orchard at the Roundabout by Jesse Green

Part of what keeps great plays great, age after age, is that they have so much in them: so much psychology, amusement, conflict, philosophy, politics, emotion, and linguistic pleasure. What …

SOURCE: Vulture at 09:41PM
Thursday, October 13, 2016

Theater Review: Heisenberg Finds Location and Momentum on Broadway by Jesse Green

Perhaps it’s the uncertainty principle at work, but one of last year’s best dramas has somehow become one of this year’s best comedies. I’m referring to Manhattan Theatre Club’s pr…

SOURCE: Vulture at 09:00PM
Monday, October 10, 2016

Theater Review: Those Weird Guys Down in 4D? They Got a Show: Oh, Hello on Broadway by Jesse Green

When Broadway isn’t busy being a temple of high art, it’s more of a transient hotel, with the oddest characters showing up for short stays. The Lyceum seems to attract a lot of these mar…

SOURCE: Vulture at 08:00PM
Thursday, October 6, 2016

Theater Review: Holiday Inn, Where I’m Dreaming of a Copyright Extension by Jesse Green

In 1914, Irving Berlin, already world-famous for “Alexander’s Ragtime Band,” became a charter member of ASCAP, the American Society of Composers, Arrangers and Publishers. Until then, …

SOURCE: Vulture at 08:00PM
Saturday, October 1, 2016

Theater Review: Brook’s Battlefield in Brooklyn by Jesse Green

In early 1987, the director Peter Brook and the BAM impresario Harvey Lichtenstein climbed a ladder and popped through a window of the derelict Majestic Theater on Fulton Street in Fort Gree…

SOURCE: Vulture at 05:46PM
Thursday, September 29, 2016

Theater Review: The Sound of The Encounter by Jesse Green

In 1969, a National Geographic photographer named Loren McIntyre made what was supposed to be a three-day expedition to Brazil’s Javari Valley in search of the Mayouruna, an indigenous, it…

SOURCE: Vulture at 10:00PM
Wednesday, September 28, 2016

Theater Review: Judith Light, Neil LaBute, and All the Ways to Say I Love You by Jesse Green

Judith Light can do no wrong onstage, which isn’t to say she can save a play that gets so little right. Without her, All the Ways to Say I Love You, the hour-long monologue that opened MCC…

SOURCE: Vulture at 08:30PM
Monday, September 26, 2016

Theater Review: God’s Will and God’s Warning, in Nat Turner in Jerusalem by Jesse Green

Narratives don’t get much more contested than that of Nat Turner, the leader of the infamous slave revolt in Southampton County, Virginia, in 1831. To begin with, our knowledge of the even…

SOURCE: Vulture at 09:00PM
Thursday, September 22, 2016

Theater Review: I Come Not to Bury The Undertaking by Jesse Green

Like “humanistic Judaism,” the term “investigative theater” proposes an invidious distinction. All theater investigates. What the Civilians do under that rubric is merely more litera…

SOURCE: Vulture at 04:38PM
Monday, September 19, 2016

Edward Albee Saw Life As a Cosmic Joke by Jesse Green

Even from the beginning, Edward Albee was rarely photographed smiling — or, rather, photo editors seldom chose to print any smiling portraits that might have been taken. The truth was that…

SOURCE: Vulture at 09:39AM
Saturday, September 17, 2016

Theater Review: Richard Nelson’s Truer-Than-True-Life What Did You Expect? by Jesse Green

Richard Nelson’s Gabriel family plays, like the Apple family plays before them, are studded with topical political references; Nelson sets each installment on the day of its opening and ad…

SOURCE: Vulture at 05:48PM
Friday, September 16, 2016

Theater Review: Taylor Mac Wrestles American History to the Ground in 240 Songs by Jesse Green

When Taylor Mac first emerges through the power-chord fog of a 24-piece orchestra at St. Ann’s Warehouse, he is dressed in an outfit that looks as if Marie Antoinette, having survived an e…

SOURCE: Vulture at 04:52PM
Wednesday, September 14, 2016

Theater Review: Finding the Story of Marie and Rosetta by Jesse Green

Sister Rosetta Tharpe (1915–1973) was a gospel singer, pianist, and guitarist whose combination of holy rolling and louche swing made her one of the forgotten godparents of rock. (“Siste…

SOURCE: Vulture at 10:00PM