All stories by Jesse Green on BroadwayStars

Tuesday, June 14, 2016

Theater Review: Is It Possible to Produce an Enlightened The Taming of the Shrew? by Jesse Green

How do you tame The Taming of the Shrew? It has the usual early-Shakespeare problems: clunky exposition, overwrought plotting, huge dropped stitches. (The framing device, laboriously introdu…

SOURCE: Vulture at 07:33AM
Monday, June 13, 2016

The World Turned Upside Down: The Tonys of Diversity by Jesse Green

Even though it did not beat the record of The Producers — which swept 12 categories in a weak season in 2001 — Hamilton’s scarfing up of 11 wins, out of 16 nominations, was obviously t…

SOURCE: Vulture at 05:42PM
Saturday, June 11, 2016

Jesse Green’s Tony Awards Predictions by Jesse Green

Late intelligence suggests that many of my Tony predictions, as analyzed over the past week in a series of deep dives—see installments one, two, three, four, and f…

SOURCE: Vulture at 10:42PM
Friday, June 10, 2016

Tonys Deep Dive No. 5: Tech, Music, and Direction by Jesse Green

The Tony Awards and the Tony Awards telecast are not the same thing. The former has flaws; the latter usually has little else. One prediction I feel confident in making is that this year’s…

SOURCE: Vulture at 07:31PM

Tony Awards Deep Dive No. 4: Performances in Plays by Jesse Green

In part due to Hamilton’s dominance, the musical performance categories have been fairly straightforward; the Tony nominators hit their marks and the voters are likely to do so as well. No…

SOURCE: Vulture at 05:32AM
Wednesday, June 8, 2016

Tony Awards Deep Dive No. 3: Performances in Musicals by Jesse Green

Now that we’ve reached the performance categories — musicals today, plays tomorrow — the time has come to discuss snubs and splits, none of which exist. Snubs are nominations that didn…

SOURCE: Vulture at 10:33PM
Tuesday, June 7, 2016

Tony Awards Deep Dive No. 2: The Plays by Jesse Green

Twenty nonmusical plays — nine new ones and eleven revivals — were produced on Broadway this season. Only three in each group were complete duds: Misery, China Doll, and O…

SOURCE: Vulture at 10:09PM
Monday, June 6, 2016

Theater Review: A Second Act of God, Now With Sean Hayes by Jesse Green

As subversions go, you could hardly trump David Javerbaum’s An Act of God, which plays like a lay-’em-in-the-aisles one-man comedy despite being (as I wrote in my review of its limited r…

SOURCE: Vulture at 10:18PM

Tony Awards Deep Dive No. 1: The Musicals by Jesse Green

Twenty plays and 16 musicals opened during the 2015–2016 Broadway season. Most of the plays were pretty good or better; most of the musicals were not. Despite this, the musicals, as always…

SOURCE: Vulture at 10:18PM
Thursday, May 26, 2016

Theater Reviews: Stew’s The Total Bent and Cirque du Soleil’s Paramour by Jesse Green

Which would you rather experience in the theater: too many ideas or too few? The Total Bent, at the Public, is in the maximalist camp, offering in less than two hours a dense sociological hi…

SOURCE: Vulture at 06:06AM
Tuesday, May 24, 2016

Theater Review: The Underworld on East 4th, In Hadestown by Jesse Green

When the very first lyric of a sung-through show like Hadestown attempts to rhyme “flames” with “hurricanes,” you know you’re in for a crossover experience. And though I doubt that…

SOURCE: Vulture at 08:23AM
Saturday, May 21, 2016

Should You Revisit the Recast The King and I? by Jesse Green

Many a Golden Age musical has grown musty with overfamiliarity and rote revival. And many a hit show, unable to maintain discipline or accommodate replacements, grows ragged during a long ru…

SOURCE: Vulture at 03:27PM
Wednesday, May 18, 2016

Theater Review: Rupert Everett Fully Inhabits Oscar Wilde in The Judas Kiss by Jesse Green

Unless cunnilingus is part of the late Victorian housekeeping routine, the studly footman and nubile maid seem to have seriously misinterpreted the task of straightening the bed. How daring …

SOURCE: Vulture at 05:44AM
Friday, May 13, 2016

Theater Review: The Missteps (and Joys) of Do I Hear a Waltz? by Jesse Green

Though Richard Rodgers and Stephen Sondheim are arguably the two greatest writers of American musical theater, their one collaboration — Do I Hear a Waltz? — was a fizzle. Some of the re…

SOURCE: Vulture at 07:03AM
Tuesday, May 3, 2016

2016 Tony Award Nomination Snubs and Surprises by Jesse Green

In any Tony season, the idea of snubs is a little ridiculous; there’s never been a conspiracy to deny Sutton Foster her next award. Among the nominators, who are generally not affiliated w…

SOURCE: Vulture at 11:08PM

Will Hamilton Win a Record 13 Tony Awards? A Look at Its Nominations by Jesse Green

Does Hamilton have a chance to beat the record set by The Producers for the most Tony wins — 12? Mathematically, yes. But to do this it would have to sweep all 13 categories in which …

SOURCE: Vulture at 11:08PM
Monday, May 2, 2016

Theater Review: Dear Evan Hansen Could Be the Next Fun Home by Jesse Green

Musicals are uniquely adept at telling large stories about individuals in conflict with society—so capable of doing so that we sometimes forget how smart they can be about individuals in c…

SOURCE: Vulture at 10:30AM
Sunday, May 1, 2016

Theater Review: Gillian Anderson Is an Inside-Out Blanche DuBois by Jesse Green

The first thing Blanche DuBois does when she arrives at her sister’s “sort of messed up” flat in New Orleans is to locate the liquor and avail herself of a stiff one. Like many charact…

SOURCE: Vulture at 11:06PM
Thursday, April 28, 2016

Theater Review: Shuffle Along Is a Gorgeously Staged, Life-Changing Show by Jesse Green

The Broadway musical season that began with a Hamiltonian bang last August has now ended with another historical explosion, this one detonated by the playwright and director George C. Wolfe.…

SOURCE: Vulture at 09:54PM

Theater Review: Jessica Lange Steps Up Into Long Day’s Journey Into Night by Jesse Green

Apparently, Jessica Lange had a path in mind. You might call it the Tandy Trajectory: that sequence of classic American roles, all memorably played by Jessica Tandy, from Blanche DuBois in A…

SOURCE: Vulture at 05:13PM
Wednesday, April 27, 2016

Theater Review: Tuck Everlasting May Not Be for the Ages by Jesse Green

The age of a show’s protagonist often provides a clue to the age of the audience the show is pitched to: Patrick in American Psycho is 27; Jenna in Waitress is “in her thirties”; the c…

SOURCE: Vulture at 10:28PM
Tuesday, April 26, 2016

Theater Review: Fully Committed Returns, Offering a Seat at the Bar at 6 or 9:30 by Jesse Green

I don’t know if it qualifies as part of Broadway’s ongoing diversity initiative, but in Fully Committed, the one-man comedy opening tonight at the Lyceum, that Ginger-American Jesse Tyle…

SOURCE: Vulture at 08:07AM
Monday, April 25, 2016

Theater Review: Waitress, Sweet and Sassy by Jesse Green

A lot of the preview press for the new Broadway musical Waitress, which opened tonight at the Brooks Atkinson, concerned its groundbreakingly all-female creative team: Sara Bareilles (songs)…

SOURCE: Vulture at 06:37AM
Friday, April 22, 2016

Theater Review: Gore ’88! American Psycho Hacks Its Way Onstage by Jesse Green

Possibly the most sickening thing about the new musical American Psycho, aside from the fact that it exists on Broadway, is its transparent splash curtain, which even at the beginning of the…

SOURCE: Vulture at 09:42AM
Thursday, April 14, 2016

The Father’s Frank Langella Is at a Peak As a Proud Man in Humbling Decline by Jesse Green

All stage stars seduce their audiences, but how? The winkers do it coyly, the vamps brazenly, the intensos while pretending not to notice you are there. The slightly kinky way Frank Langella…

SOURCE: Vulture at 10:54PM
Friday, April 1, 2016

Theater Review: Ivo van Hove's The Crucible Heightens the Emotional Vitality of a Familiar Story by Jesse Green

According to one survey of high school lit teachers, The Crucible by Arthur Miller is the most widely taught play, outside of Shakespeare, in American classrooms. (A Raisin in the Sun and De…

SOURCE: Vulture at 09:35AM
Thursday, March 31, 2016

Theater Review: The Encores! Revival of 1776 Adds Modern Touches to a Powerful and Deserving Show by Jesse Green

Like the thirteen colonies awkwardly hammered into a union, the musical 1776, which is about that hammering, is a bizarre construction that should not work. The idea for the show was outr…

SOURCE: Vulture at 08:59PM
Tuesday, March 29, 2016

Theater Review: The Stormy Flow of Head of Passes by Jesse Green

It’s easy to understand why playwrights as diverse as Archibald MacLeish (in the verse epic J.B.) and Neil Simon (in the shticky God’s Favorite) have been drawn to the Book of …

SOURCE: Vulture at 11:50PM
Friday, March 25, 2016

Theater Review: Sunlight Without Warmth, in Steve Martin and Edie Brickell’s Bright Star by Jesse Green

At some point between its San Diego premiere in September 2014 and its pre-Broadway tryout at the Kennedy Center earlier this winter, the musical Bright Star, which bows at the Cort tonight,…

SOURCE: Vulture at 08:33AM
Wednesday, March 23, 2016

Theater Reviews: Paying Attention to the Goings-On Behind the Curtain, inThe Effect and Dry Powder by Jesse Green

After the first week of a four-week Phase I trial for a dopamine stimulator called RLU37, the test subjects not only show signs of elevated mood and increased energy but have lost weight and…

SOURCE: Vulture at 06:09AM
Thursday, March 17, 2016

Theater Review: The Charms, Discreet and Otherwise, of the Roundabout’s She Loves Me Revival by Jesse Green

Unless you’re a fanatic with money to burn, you’ve most likely heard your favorite musicals more than you’ve seen them. Many a Cats fancier never made it to the Winter Garden to pet th…

SOURCE: Vulture at 10:55PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic