All stories by Jesse Green on BroadwayStars

Monday, December 7, 2015

Theater Review: For Those About to Attend School of Rock, We Salute You by Jesse Green

A disreputable charmer brings the joy of music to a staid community while stirring up romance with an uptight lady: If the plot of School of Rock sounds like a great musical, that’s becaus…

SOURCE: Vulture at 07:14PM
Friday, December 4, 2015

The Wiz Live! Was Better Than NBC’s Peter Pan, But That’s All by Jesse Green

Only in a weak Broadway field could The Wiz have won seven Tony awards, as it did in 1975. Its competition included Mack & Mabel, Shenandoah, and The Lieutenant (which ran for two weeks)…

SOURCE: Vulture at 06:40PM

Theater Review: Gigantic Hits an Iceberg, Sinks by Jesse Green

The opening number of Gigantic, a new musical set at a summer camp for hefty teens, is actually called “The Weight Is Over.” That’s about the high tide of wit in this chore of a show, …

SOURCE: Vulture at 06:40PM

Theater Review: Pacino as a Stressed-Out Billionaire in David Mamet's China Doll by Jesse Green

Al Pacino is not an actor of much breadth but he stakes a narrow territory deeply, and that can be brilliant to watch onstage. China Doll, his shaky new Broadway vehicle, by David Mamet, off…

SOURCE: Vulture at 06:40PM
Thursday, December 3, 2015

Theater Review: The Heart-Tugging of Invisible Thread by Jesse Green

There is no such thing as a wholly true play. The nature of the theater distorts reality, finding all sorts of holes in the historical record and inexorably filling them in. (Actors have to …

SOURCE: Vulture at 07:28AM
Sunday, November 29, 2015

Theater Review: New York Animals Brings Bacharach Back to Town by Jesse Green

Just before the final preview of New York Animals last night, Eric Tucker, the show’s director, warned the audience that the “glamorous and exacting” play about to begin was still bein…

SOURCE: Vulture at 09:45PM
Tuesday, November 24, 2015

Theater Review: Are There Any Brains Beneath Important Hats of he Twentieth Century? by Jesse Green

“Satire is what closes on Saturday night,” said George S. Kaufman, but that was 90 years ago. Today most satire closes — that is, shuts down internally — before it ever hits the stag…

SOURCE: Vulture at 08:12AM
Thursday, November 19, 2015

Theater Review: The Many Steves of Steve by Jesse Green

How many Steves does it take to screw up a marriage? Steven and Stephen are a long-term couple with an 8-year-old son and intimacy issues. Steven’s old friend Matt, and Matt’s partner, B…

SOURCE: Vulture at 08:39AM
Monday, November 16, 2015

Theater Review: Preaching and Power in Equal Parts, in Arthur Miller's Incident at Vichy by Jesse Green

The meta-drama of Arthur Miller’s plays, much in evidence during this, his centenary year, is the conflict between his moral energy and the theatrical formats in which he (sometimes only b…

SOURCE: Vulture at 08:00AM
Sunday, November 15, 2015

Theater Review: Bruce Willis on Broadway, With Misery by Jesse Green

It’s an odd paradox that as Broadway fare grows more generic, genre pieces flail. Suspense is especially moribund; A Time to Kill tanked in 2013, and it may be that the last really success…

SOURCE: Vulture at 10:28PM
Friday, November 13, 2015

Theater Review: Miller Made Minimal by Ivo van Hove, in A View From the Bridge by Jesse Green

Critics, if not theatergoers, often bemoan the tide of revivals flooding Broadway each fall. This season, the ratio of old plays to new is about two to one. But why should revivals be consid…

SOURCE: Vulture at 06:40AM
Thursday, November 12, 2015

Theater Review: Women in Prison in Henry IV by Jesse Green

British actors have a ritual — or at least Ian McKellen does, because I saw him do it once — of blessing a new stage by kissing it. (He then recited a Shakespearean monologue, but that p…

SOURCE: Vulture at 10:57PM
Tuesday, November 10, 2015

Theater Review: Gay Parents Tell All (or At Least Some) in Dada Woof Papa Hot by Jesse Green

When a play trains its basilisk gaze on a demographic you belong to, it may seem as if the playwright took notes inside your head. That’s how I felt, anyway, at Dada Woof Papa Hot, Peter P…

SOURCE: Vulture at 07:21AM
Monday, November 9, 2015

Theater Reviews: The Politics of Identity Two Ways, in Taylor Mac's Hir and George Takei's Allegiance by Jesse Green

The home that Isaac returns to at the beginning of Taylor Mac’s smart but deliberately disorienting new play Hir is not the one he left when he enlisted as a Marine three years e…

SOURCE: Vulture at 08:24AM
Friday, November 6, 2015

Theater Review: At On Your Feet!, Is The Rhythm, In Fact, Gonna Get You? by Jesse Green

I’m no fan of jukebox musicals. If they’re the type that tell an invented tale, like Mamma Mia! or Rock of Ages, the book is generally rendered idiotic by the effort to accommodate the s…

SOURCE: Vulture at 12:15AM
Monday, November 2, 2015

Theater Review: The Difference Between Ruling and Governing, in King Charles III by Jesse Green

American leaders usually don’t come under theatrical scrutiny until decades after they leave office. The first serious mainstream plays about Presidents Johnson (All the Way) and Nixon (Fr…

SOURCE: Vulture at 07:19AM
Friday, October 30, 2015

Theater Review: Keira Knightley Glows From Within In Thérèse Raquin by Jesse Green

Keira Knightley says she has been approached at least three times to play Thérèse Raquin in one or another adaptation of the 1867 Zola novel. She finally succumbed when offered Hel…

SOURCE: Vulture at 08:26AM
Wednesday, October 28, 2015

Theater Review: Annaleigh Ashford Is Sylvia’s Rescue Dog by Jesse Green

If, like me, you enjoyed Annaleigh Ashford as the daffy romantic factory worker in Kinky Boots (for which she won a Clarence Derwent award) and loved her as the talentless balletomane in You…

SOURCE: Vulture at 06:03AM
Monday, October 26, 2015

Theater Review: The Complex, Funny Sadness of The Humans by Jesse Green

Great plays are usually great in one of two ways. Either they are culminating examples of existing ideas, or groundbreaking examples of new things entirely. The Humans, by Stephen Karam, at …

SOURCE: Vulture at 06:14AM
Thursday, October 22, 2015

Theater Review: What’s the Favorable/Unfavorable on First Daughter Suite? by Jesse Green

Like the M34 bus, Michael John LaChiusa never disappoints for long: If you don’t enjoy one show, another will come by soon. At 53, he remains probably the most prolific of his cohort of th…

SOURCE: Vulture at 06:30AM
Wednesday, October 21, 2015

Theater Review: Ripcord Is a Superior Oldster Sitcom by Jesse Green

It has not been a good fall for elders onstage. A few weeks ago, the meddlesome 70ish character played by Marlo Thomas in Clever Little Lies nearly torpedoed her marriage while trying to sav…

SOURCE: Vulture at 08:06AM
Thursday, October 15, 2015

Why Does Nearly Every Broadway Show Still Release a Cast Album? by Jesse Green

It’s only fitting that Atlantic Records is releasing its recording of Hamilton in a variety of formats that, like the hit musical itself, rewind history. The download went on sale Septembe…

SOURCE: Vulture at 11:25AM

Theater Review: Trying to Make Pinter's Old Times New Again by Jesse Green

Harold Pinter wrote Old Times (which opens tonight at the Roundabout) in 1971, only eight years before Caryl Churchill wrote Cloud Nine (which opened last night at the Atlantic). Though both…

SOURCE: Vulture at 10:52AM

Theater Review: Mamie Gummer Does More With Less in Ugly Lies the Bone by Jesse Green

As long as there have been wars, there have been dramatic stories about returning soldiers, wounded in body or spirit. From The Odyssey to Quiara Alegría Hudes’s Elliot trilogy, with …

SOURCE: Vulture at 10:52AM

Theater Reviews: Americana Light and Dark, in Fool for Love and Barbecue by Jesse Green

The drug-addict mother, the fictional son, the defective airplane parts: Secrets are at the core of many great American plays. Sometimes they are secrets kept by one character from the other…

SOURCE: Vulture at 10:50AM

Theater Reviews: Daddy Long Legs and Fondly, Collette Richland by Jesse Green

Theater composers seem to have a thing for “beloved” novels about ambitious girls, usually orphaned, making their way in an unwelcoming world. There’s a good reason for it, too: Such n…

SOURCE: Vulture at 10:50AM
Monday, October 12, 2015

Theater Review: The Tired Little Tropes of Clever Little Lies by Jesse Green

The voice of Marlo Thomas, so cavernously amplified it sounds as if it’s coming from a secret vault at an undisclosed location outside of Marlo Thomas, expertly sets up a joke: “If you h…

SOURCE: Vulture at 08:21PM
Monday, October 5, 2015

Theater Review: A Cloud Nine With a Few Lightning Bolts by Jesse Green

The first American production of Cloud Nine opened off Broadway on May 18, 1981, a few weeks before the Times ran its first account of what would later be known as AIDS. That’s pure coinci…

SOURCE: Vulture at 10:23PM
Monday, September 28, 2015

Theater Review: A Signed (But Not Silenced) Spring Awakening by Jesse Green

The fall Broadway season unofficially begins tonight with the opening of Spring Awakening, the first of six revivals in a row. It’s not surprising that with so many déjà vus, and…

SOURCE: Vulture at 12:49PM
Sunday, September 27, 2015

Theater Review: Juliette Binoche and That Downed Malaysia Airlines Jet Inspire a New Antigone by Jesse Green

The Belgian director Ivo van Hove almost always has the term avant-garde attached to his name, but with four major New York productions this season, including two on Broadway, he probably ne…

SOURCE: Vulture at 09:00PM
Thursday, September 17, 2015

Theater Reviews: The Christians, Iphigenia in Aulis, and Hamlet In Bed by Jesse Green

Most plays about religion are really about politics or psychopathology. In Saint Joan, Agnes of God, and Doubt, for instance, it’s not dogma that gets dramatized — how could it be? Theol…

SOURCE: Vulture at 10:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic