All stories by Guy Withers on BroadwayStars

Thursday, March 31, 2016

Guest Blog: Starting an opera career by Guy Withers

For the past three weeks I have been working to develop the role of Prince Aiden in Mahogany Opera Group’s newest operatic adventure for children, The Rattler. I feel very lucky to be …

SOURCE: A Younger Theatre at 11:40AM
Wednesday, February 17, 2016

Review: Kodo One Earth Tour 2016: Mystery, Barbican Centre by Guy Withers

A sold-out Barbican Hall welcomed Kodo for an anniversary performance and premiere in one. The Taiko Performing Arts Ensemble celebrates 35 years of worldwide touring since bursting onto the…

SOURCE: A Younger Theatre at 03:26PM
Sunday, February 7, 2016

Review: The Magic Flute, ENO by Guy Withers

Collaboration in theatre only makes for stronger artistic productions. Through sharing ideas with others, engaging other artists and companies with unique skills sets, and recognising artist…

SOURCE: A Younger Theatre at 04:26PM
Wednesday, September 30, 2015

Review: The Barber of Seville, English National Opera by Guy Withers

Though composed after The Marriage of Figaro, Mozart’s dramma-giocoso masterpiece, Rossini’s Barber of Seville is the first in Beaumarchais trilogy of plays. It’s enduring …

SOURCE: A Younger Theatre at 10:20AM
Tuesday, June 16, 2015

Review: Don Giovanni, Royal Opera House by Guy Withers

This, the first revival of Kasper Holten’s Don Giovanni, is a production full of visual spectacle. His ability to pull the spectator’s focus with lighting design and choreographe…

SOURCE: A Younger Theatre at 08:49AM
Friday, May 29, 2015

Review: La Boheme, Royal Opera House by Guy Withers

Puccini’s La Bohème is a mini masterpiece. It’s concise and relatively short by operatic standards, but also fulfils the criteria of some gorgeous arias and ensembles that in th…

SOURCE: A Younger Theatre at 04:03PM
Friday, May 22, 2015

Review: Carmen, The Coliseum by Guy Withers

Bizet’s Carmen is one of the most well known pieces of classical music, let alone operas, of all time. Everyone has heard Escamillo’s ‘Toreador Song’, and with the ov…

SOURCE: A Younger Theatre at 04:51PM
Tuesday, May 19, 2015

Review: La Traviata, Royal Opera House by Guy Withers

In contrast to Krol Roger, Kasper Holten’s production also running at ROH this season, everyone at least knows of Verdi’s La Traviata, and especially this production. It is one o…

SOURCE: A Younger Theatre at 05:15PM
Sunday, May 17, 2015

Review: The Pirates of Penzance, The Coliseum by Guy Withers

Mike Leigh, celebrated film director and self-proclaimed Gilbert & Sullivan fan, leads English National Opera’s latest venture into the world of G&S. The Pirates of Penzance is…

SOURCE: A Younger Theatre at 04:33PM
Saturday, May 16, 2015

Review: Król Roger, Royal Opera House by Guy Withers

Szymanowski’s short but gripping opera Król Roger comes to the Royal Opera House for the first time. Composed in 1926, the work has only begun to be programmed by major opera houses …

SOURCE: A Younger Theatre at 05:39AM
Thursday, April 23, 2015

Review: English National Opera 2015/16 Season Launch by Guy Withers

Following a year of severe financial problems and with an inability to fill London’s largest theatre, it is perhaps unsurprising that English National Opera’s 2015/16 season is a…

SOURCE: A Younger Theatre at 04:19PM
Tuesday, April 21, 2015

Review: Il Turco in Italia, Royal Opera House by Guy Withers

As the Rossini biographer Stendhal puts it, “Rossini is always amusing, Mozart never; Mozart is like a mistress who is always serious and often sad, but whose very sadness is a fascina…

SOURCE: A Younger Theatre at 04:41PM
Friday, April 17, 2015

Review: King Size, Royal Opera House by Guy Withers

It’s a change for me to see something at the Royal Opera House that is not an opera or a ballet, albeit in the Linbury Studio Theatre. First performed in Basel in 2013, King Size is th…

SOURCE: A Younger Theatre at 04:14PM
Tuesday, April 7, 2015

Review: Madama Butterfly, Royal Opera House by Guy Withers

In recent months, the new productions mounted by the Royal Opera House have come under some heavy criticism, and the much revived and traditional productions praised again and again – …

SOURCE: A Younger Theatre at 05:16PM
Wednesday, March 11, 2015

Review: Die Entführung aus dem Serail, National Tour by Guy Withers

Pop-Up Opera presents one of Mozart’s lesser performed operas, Die Entführung aus dem Serail, in the unconventional setting of Peter Kime’s oriental antique store in Bloomsbury.…

SOURCE: A Younger Theatre at 07:01PM
Tuesday, March 3, 2015

Review: Die Zauberflöte, Royal Opera House by Guy Withers

Firstly, I was so glad to see so many children and young people at the performance, albeit brought by their wealthy parents. The Magic Flute still reigns as the first pick for an introductio…

SOURCE: A Younger Theatre at 04:21PM
Monday, February 16, 2015

Review: The Mastersingers of Nuremberg, London Coliseum by Guy Withers

Having survived weeks of great financial turmoil, and having now finally secured funding for the next couple of years (though under strict guidelines and restrictions) the English National O…

SOURCE: A Younger Theatre at 06:14PM
Sunday, January 18, 2015

Review: Giselle, Richmond Theatre by Guy Withers

The Moscow City Ballet is a touring company mainly based in the UK, with a sister company focusing specifically on the continent named MCB Europe. Its aim is to bring ballet to the masses, w…

SOURCE: A Younger Theatre at 02:14PM
Friday, January 16, 2015

Review: Un Ballo in Maschera, Royal Opera House by Guy Withers

Un Ballo in Maschera is a tricky and confusing piece. It contains some of Verdi’s most sparkling and electric music but at the same time it’s wrapped around an awkward and melodr…

SOURCE: A Younger Theatre at 08:38AM
Tuesday, January 13, 2015

Review: The Suicide Girls Blackheart Burlesque, The Electric Ballroom by Guy Withers

The Suicide Girls Blackheart Burlesque show is quite a saucy affair. The Suicide Girls are an online community, featuring pin-up photography of alternative female models, and has a large fol…

SOURCE: A Younger Theatre at 12:43PM
Sunday, December 14, 2014

Review: Henry IV – Part 1 and 2, Barbican Theatre by Guy Withers

Shakespeare’s plays, Henry IV Parts 1 & 2, are more two halves of one play than two separate works in and of themselves. Part 1 feels just the beginning of the story, as Hal starts…

SOURCE: A Younger Theatre at 09:00AM
Monday, December 8, 2014

Review: Tristan Und Isolde, Royal Opera House by Guy Withers

“Monsieur Wagner has good moments, but awful quarters of an hour!”, penned Rossini in a letter to a friend. I agree, to a certain extent. Wagner’s radical compositional con…

SOURCE: A Younger Theatre at 05:37PM
Thursday, December 4, 2014

Review: The Mikado, Charing Cross Theatre by Guy Withers

Gilbert and Sullivan’s operettas have been a staple of the theatre repertoire – amateur and professional – since they were first performed at the end of the nineteenth century. S…

SOURCE: A Younger Theatre at 03:58PM
Friday, November 21, 2014

Review: L’elisir d’amore, Royal Opera House by Guy Withers

In a year that has seen funding in the arts cut across the board, it has become increasingly difficult to justify the £26 million annual Arts Council grant awarded to the Royal Opera House.…

SOURCE: A Younger Theatre at 10:14AM
Sunday, November 16, 2014

Review: Macbeth, Clapham Omnibus by Guy Withers

The intention of immersive theatre is to transport the audience member into another world, not just as a passive bystander but as a part of the action, no matter how small. Site-specific and…

SOURCE: A Younger Theatre at 12:38PM
Saturday, October 25, 2014

Review: La Scala Di Seta, Royal Opera House by Guy Withers

The Royal Opera House’s Jette Parker Young Artists Programme gives an opportunity for talented singers at the beginning of their careers to immerse themselves in the life at ROH, as we…

SOURCE: A Younger Theatre at 09:54AM
Tuesday, October 21, 2014

Review: Ottone, Hackney Empire by Guy Withers

A lesser known opera in the Handelian repertoire, Ottone is by no mean the least. With an intriguing plot and dramatic and well-paced music, the opera stands up against any of his more popul…

SOURCE: A Younger Theatre at 02:25PM

Review: The Marriage of Figaro, London Coliseum by Guy Withers

Mozart’s The Marriage of Figaro is undoubtedly a masterpiece of the operatic world; a piece of theatre so well crafted, comic and heartfelt, it’s almost impossible for it to be r…

SOURCE: A Younger Theatre at 08:56AM
Sunday, October 19, 2014

Review: Life on the Moon, Hackney Empire by Guy Withers

I had never heard of Haydn’s Life on the Moon (Il mondo della luna), and after tonight’s performance by English Touring Opera I now see why. It is by no fault of ETO and it’…

SOURCE: A Younger Theatre at 01:49PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards