Tuesday, November 29, 2016
Gary Naylor sees a diverting, if not wholly convincing, revival of a dark comedy-thriller set in a 1920 GP practice in Glasgow.
SOURCE: BroadwayWorld at 07:52AMBWW catches up with one of Britain's pantomime favourites, currently appearing as Prince Charming in Cinderella at the London Palladium.
SOURCE: BroadwayWorld at 05:29AMSunday, November 27, 2016
Gary Naylor sees a pantomime that pushes all the traditional panto buttons without distracting gimmicks.
SOURCE: BroadwayWorld at 02:22AMSaturday, November 26, 2016
Gary Naylor sees a serious but rewarding take on one of Shakespeare's late plays that raises questions about power and control.
SOURCE: BroadwayWorld at 01:01AMTuesday, November 22, 2016
Gary Naylor sees a piece of new theatre that has its roots in farce but gives it a contemporary twist with a young cast and first time creatives.
SOURCE: BroadwayWorld at 04:41AMMonday, November 21, 2016
Gary Naylor sees a brilliantly executed musical spoof of the 70s disaster movie genre that needs to find a home in the West End soon.
SOURCE: BroadwayWorld at 10:50AMThursday, November 17, 2016
Gary Naylor sees an ambitious and challenging show that overstretches its resources and that of its audience.
SOURCE: BroadwayWorld at 04:29AMSaturday, November 12, 2016
Gary Naylor sees a wonderful tribute to a unique man amongst The Fallen of the First World War, whose story stands for him and for millions more.
SOURCE: BroadwayWorld at 11:37AMFriday, November 11, 2016
Gary Naylor sees a young cast attack a classic play to update for today's world, a venture that succeeds partially, and is never less than interesting.
SOURCE: BroadwayWorld at 12:12PMWednesday, November 9, 2016
Gary Naylor sees a show about, and I can hardly believe what I'm writing here, the 45th President of the United States of America.
SOURCE: BroadwayWorld at 03:07AMTuesday, November 8, 2016
Gary Naylor sees an adaptation of William Leith's book that, for all the skilled work in the production, fails to engage its audience.
SOURCE: BroadwayWorld at 02:46AMMonday, November 7, 2016
Gary Naylor sees an impassioned production of Bach's St John Passion, by and for, the people under the guidance of English Touring Opera
SOURCE: BroadwayWorld at 11:52AMSunday, November 6, 2016
Gary Naylor sees an accomplished, eerie play about a remote Scottish community that doesn't quite have the courage of its convictions.
SOURCE: BroadwayWorld at 06:28AMWednesday, November 2, 2016
Gary Naylor sees a slick romcom musical about 90s New Yorkers that impresses but leaves him just a little cold.
SOURCE: BroadwayWorld at 07:36PMTuesday, November 1, 2016
Gary Naylor sees a play that builds atmosphere rather than narrative and now feels of its time - 33 years ago
SOURCE: BroadwayWorld at 10:12AMThursday, October 27, 2016
Gary Naylor sees a revival of a show that deserves, and gets, the full 'Big Musical' production treatment.
SOURCE: BroadwayWorld at 08:24AMWednesday, October 26, 2016
Gary Naylor sees a showbiz monument and finds that it's still as entertaining and as relevant as ever.
SOURCE: BroadwayWorld at 07:12AMSunday, October 23, 2016
Gary Naylor sees an ambitious production that runs parallel storylines but doesn't solve the considerable problems so caused.
SOURCE: BroadwayWorld at 04:32AMThursday, October 20, 2016
Gary Naylor sees a lovely show packed with great songs and imaginative staging.
SOURCE: BroadwayWorld at 11:20AMWednesday, October 19, 2016
Gary Naylor sees an enthusiastic revival of Moby Dick The Musical that rather loses the wind from its sails in the second half.
SOURCE: BroadwayWorld at 10:30AMTuesday, October 18, 2016
Gary Naylor sees a magnificently realised revival of a show that has never been more relevant since the novel was published in 1975.
SOURCE: BroadwayWorld at 07:20AMMonday, October 17, 2016
Gary Naylor sees a play from Europe that can't quite decide what it wants to be but raises interesting questions all the same.
SOURCE: BroadwayWorld at 10:56AMSunday, October 16, 2016
Gary Naylor sees an opera dating from its earliest period that brims with emotional energy, if a lacking a little in 21st century pace.
SOURCE: BroadwayWorld at 11:20AMSaturday, October 15, 2016
Gary Naylor sees a spectacular and thought-provoking revival of Cavalli's 17th century opera of gods, myths and mortals.
SOURCE: BroadwayWorld at 08:33AMThursday, October 13, 2016
Gary Naylor sees a well performed and funny satire on Donald Trump that struggles to be more outrageous than the real thing.
SOURCE: BroadwayWorld at 12:08PMTuesday, October 11, 2016
Gary Naylor sees a relationship swell and suffer over 20 years in two plays lit up by linguistic excess.
SOURCE: BroadwayWorld at 12:08PMMonday, October 10, 2016
Gary Naylor sees a brilliantly realised updating of Handel's Xerxes set in the Battle of Britain and featuring an astonishing countertenor voice.
SOURCE: BroadwayWorld at 12:33PMSaturday, October 8, 2016
Gary Naylor sees Southend pitch up in Southwark as Tramp Theatre revive a Tennessee Williams slice of life on the margin.
SOURCE: BroadwayWorld at 11:45AMThursday, October 6, 2016
Gary Naylor sees a show that bristles with wit, warmth and wonderful songs and speaks directly to Londoners in 2016.
SOURCE: BroadwayWorld at 06:16AMSaturday, October 1, 2016
Gary Naylor sees an award-winning musical that provides few catchy tunes, but revels in a marriage of music and vocals that lays feelings bare and says much about life today.
SOURCE: BroadwayWorld at 06:13AMFriday, September 30, 2016
Gary Naylor sees a play that wears its heart on its sleeve, but suffers as a result of ill-conceived staging and characterisation.
SOURCE: BroadwayWorld at 08:51AM 
