Sunday, February 12, 2017
Anyone Can Whistle is a rare combination of a well-deserved flop and a must-see show. Swallow the myriad flaws, and its an entertaining, sharp and eerily prophetic show.
SOURCE: BroadwayWorld at 07:33AMSaturday, February 11, 2017
The show has bags of potential, passion to burn and excellent singing, but is let down by a pedestrian book and sprawling subplots.
SOURCE: BroadwayWorld at 07:27AMFriday, February 10, 2017
This one-off cinema presentation is a great way to see Newsies The Broadway Musical and get a feel for what it's like to be in a big New York audience.
SOURCE: BroadwayWorld at 05:01AMWednesday, February 8, 2017
Run The Beast Down creates a world collapsing psychologically and socially as the foxes, real and metaphorical, close in on Charlie.
SOURCE: BroadwayWorld at 02:25AMTuesday, February 7, 2017
Contemporary and hard-hitting, Alex MacKeith's debut, School Play, doesn't quite add up to the some of its parts.
SOURCE: BroadwayWorld at 04:29AMMonday, February 6, 2017
Gary Naylor traces five years in which a show playing to 32 customers in a rundown shop on a back street in distant district of South London made it first to the West End and now to New York.
SOURCE: BroadwayWorld at 12:19PMSaturday, February 4, 2017
Impressively designed in a wonderful space, Theatre Lab Company's Salome isn't quite compelling enough as entertainment nor thought-provoking enough as polemic.
SOURCE: BroadwayWorld at 04:34AMThursday, February 2, 2017
Gary Naylor sees a new adaptation of an old favourite that hits the mark with broad appeal, plenty of laughs and fine songs.
SOURCE: BroadwayWorld at 03:35AMTuesday, January 31, 2017
Gary Naylor sees a play that examines the failures of the social experiment of Skelmersdale, a 60s council mega estate stuck between Liverpool and Wigan
SOURCE: BroadwayWorld at 08:28AMThursday, January 26, 2017
Gary Naylor sees an award-winning show get a deserved transfer to the West End where it bubbles with laughs and some hard edged observations of how we live today.
SOURCE: BroadwayWorld at 04:14AMSaturday, January 21, 2017
Gary Naylor sees an extraordinary hour of storytelling that releases the human spirit from its physical incarceration.
SOURCE: BroadwayWorld at 04:08AMWednesday, January 18, 2017
Gary Naylor sees a comedy that lacks the pace and focus it needs to realise its potential.
SOURCE: BroadwayWorld at 06:36PMGary Naylor sees a wonderfully funny farce blessed with strong performances and a script that packs a punch along with the punchlines.
SOURCE: BroadwayWorld at 04:40AMTuesday, January 17, 2017
Gary Naylor enjoys a treat for eyes and ears with music and singing and love and hate coming together in opera's unique alchemy.
SOURCE: BroadwayWorld at 08:39AMSaturday, January 14, 2017
Gary Naylor sees a play with a tricksy structure and a vagueness in its script that leaves the actors with few places to go.
SOURCE: BroadwayWorld at 02:42PMGary Naylor sees a funny, contemporary comedy blessed with an Ayckbournesque script and some very fine acting.
SOURCE: BroadwayWorld at 05:25AMFriday, January 13, 2017
Gary Naylor sees La La Land, a film that hits you as hard in the heart as it does in the head. He doubts if he'll see a better movie in 2017.
SOURCE: BroadwayWorld at 11:42AMThursday, January 12, 2017
Gary Naylor sees a show that generates laughs and shows potential, but doesn't make the most of the setup before the punchline arrives too soon.
SOURCE: BroadwayWorld at 03:43AMWednesday, January 11, 2017
Gary Naylor sees an adaptation of the celebrated novel, The Kite Runner, that loses some of its epic quality in transition to stage and ends up just a bit too generic for his tastes.
SOURCE: BroadwayWorld at 09:21AMSaturday, January 7, 2017
Gary Naylor sees a play that rewards repeated viewing, as relevant today as ever and, in this version, performed with subtlety and grace by an excellent cast.
SOURCE: BroadwayWorld at 06:45AMMonday, December 19, 2016
Gary Naylor looks back on 148 shows reviewed in 2016 and picks his Christmas turkeys and Christmas crackers.
SOURCE: BroadwayWorld at 05:03AMWednesday, December 14, 2016
Gary Naylor sees a show sure to enchant all the family, a theatrical production every bit as good as its celebrated animated predecessor.
SOURCE: BroadwayWorld at 04:57PMFriday, December 9, 2016
Gary Naylor sees a loyal, committed adaptation of CS Lewis's once celebrated novel that fails to ignite fully as drama, but works well as polemic.
SOURCE: BroadwayWorld at 05:40PMThursday, December 8, 2016
Gary Naylor sees a show that delivers traditional Christmas laughs and spectacle from the modern master of the form, writer Eric Potts.
SOURCE: BroadwayWorld at 06:34PMTuesday, December 6, 2016
Gary Naylor sees a new play about an old problem turning up in new forms - loneliness. This time in the 21st century.
SOURCE: BroadwayWorld at 04:49PMGary Naylor sees an innovative and thought-provoking play from South America that has plenty to say about fathers, and about theatre too.
SOURCE: BroadwayWorld at 07:18AMSunday, December 4, 2016
Gary Naylor sees a show soar, like Peter, beyond expectations - a delight for all the family.
SOURCE: BroadwayWorld at 04:10AMFriday, December 2, 2016
Gary Naylor sees a long-running West End haunted house mystery and revels in its unabashed theatricality
SOURCE: BroadwayWorld at 04:46AMThursday, December 1, 2016
Gary Naylor sees a magical Christmas show that sets up the festive season even for an old Bah Humbug man like him.
SOURCE: BroadwayWorld at 04:35AMWednesday, November 30, 2016
Gary Naylor sees a show that he should like more than he does, possibly because it's owes more to performance art than it does to theatre.
SOURCE: BroadwayWorld at 08:47AMTuesday, November 29, 2016
Gary Naylor sees a diverting, if not wholly convincing, revival of a dark comedy-thriller set in a 1920 GP practice in Glasgow.
SOURCE: BroadwayWorld at 07:52AM 
