All stories by Gary Naylor on BroadwayStars

Tuesday, May 21, 2019

BWW Review: ANDREA CHENIER, Royal Opera House by Gary Naylor

Andrea Chenier is a feast for eyes and ears with Roberto Alagna, Sondra Radvanovsky and Dimitri Platanias magnificent in the tale of the poet who stays true to love as the world descends int…

Linked From BroadwayWorld at 06:44AM
Friday, May 17, 2019

BWW Review: HAPPY JACK, Jack Studio Theatre by Gary Naylor

Happy Jack is an early play by John Godber full of working class warmth tempered with a hard edge of social criticism.

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Thursday, May 16, 2019

BWW Review: UTE LEMPER: RENDEZVOUS WITH MARLENE, Arcola Theatre by Gary Naylor

Ute Lemper Rendezvous with Marlene sees a living legend portraying a now lost legend - up close and personal and a privilege to see.

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Monday, May 13, 2019


Jonathan Maitland delivers a satirical take on Brexit in general and Boris Johnson in particular, that lacks the insight and the jokes required to do justice to its source material's rich po…

Linked From BroadwayWorld at 07:24PM
Friday, May 10, 2019

BWW Review: THE PROVOKED WIFE, RSC Swan Theatre, Stratford upon Avon by Gary Naylor

The Provoked Wife combines tremendous comedy with a hard-edged look at human nature and the institutions that underpin society - as relevant today as when it was written over 300 years ago.

Linked From BroadwayWorld at 09:06AM
Wednesday, May 8, 2019

BWW Review: AMOUR, Charing Cross Theatre by Gary Naylor

Amour is a delightful fable that bathes you in the warmth of Legrands music and Sams' lyrics, brilliantly realised by a hardworking cast under the sure direction of Hannah Chissick. Musical …

Linked From BroadwayWorld at 07:35PM

BWW Interview: Ute Lemper Talks RENDEZVOUS WITH MARLENE at the Arcola Theatre by Gary Naylor

Ute Lemper talks to BroadwayWorld UK about her role in Rendezvous with Marlene, her 'personal homage to that great lady', at the Arcola Theatre

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Friday, May 3, 2019

BWW Review: SHADOWLANDS, Chichester Festival Theatre by Gary Naylor

Shadowlands can feel a little outdated, but it wins you over with the warmth and wit of the characters and two wonderful performances from Hugh Bonneville and Liz White.

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Wednesday, May 1, 2019

BWW Review: HELL YES I'M TOUGH ENOUGH, Park Theatre by Gary Naylor

Ben Alderton takes swipes at every stripe in the political rainbow, but lacks the precision required to bring a plague on all their houses.

Linked From BroadwayWorld at 11:12AM
Tuesday, April 30, 2019

BWW Review: EMPTY ROOM, Camden People's Theatre by Gary Naylor

Miriam Gould's portrait of herself and her parents is as personal as one would expect, but its also beautifully judged and accessible, weaving music in and out of its narrative to great effe…

Linked From BroadwayWorld at 06:24AM
Friday, April 26, 2019

BWW Review: MARKET BOY, The Union Theatre by Gary Naylor

Market Boy takes us back to the days of George and Andrew with plenty of bad boys in Romford. And it tells us a fair bit about 2019 en route.

Linked From BroadwayWorld at 08:10AM
Thursday, April 25, 2019

BWW Review: AIN'T MISBEHAVIN', Southwark Playhouse by Gary Naylor

Ain't Misbehavin' crashes through the gloom of Brexity Britain with bangin' tunes and bubbly bantz. Looks good, sounds good and makes you feel good.

Linked From BroadwayWorld at 08:33AM
Wednesday, April 24, 2019

BWW Review: OTHER PEOPLE'S MONEY, Southwark Playhouse by Gary Naylor

Other People's Money shows us that the misogyny and avarice scrawled on social media and polluting today's politics, can trace its roots back 30 years at least.

Linked From BroadwayWorld at 06:34AM
Tuesday, April 23, 2019

BWW Review: SS MENDI: DANCING THE DEATH DRILL, Linbury Theatre, Royal Opera House by Gary Naylor

Isango Ensemble's SS Mendi Dancing the Death Drill is a sad lament for needlessly lost lives and a celebration of the cultures from which the men had sprung. And it's ever so emotional.

Linked From BroadwayWorld at 09:09AM
Monday, April 22, 2019

BWW Review: NIGHT OF THE LIVING DEAD LIVE!, Pleasance Theatre by Gary Naylor

Night of the Living Dead Live pays homage to its inspiration, the George A. Romero cult classic movie, while generating laughs and shocks aplenty

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Sunday, April 21, 2019

BWW Interview: Mike Bodie and Mari McGinlay Talk NIGHT OF THE LIVING DEAD LIVE! at Pleasance London by Gary Naylor

Mike Bodie and Mari McGinlay talk about the comedyhorror play, Night of the Living Dead LIVE and their roles in this movie homage.

Linked From BroadwayWorld at 08:33AM
Friday, April 19, 2019

BWW Review: ALL YOU NEED IS LOVE, Cadogan Hall by Gary Naylor

There are many Beatles shows around the world, but few will be as successful as this one, the orchestral arrangements complementing the accomplished band up front.

Linked From BroadwayWorld at 08:26AM
Thursday, April 18, 2019

BWW Review: A MAN OF GOOD HOPE, Linbury Theatre, Royal Opera House by Gary Naylor

Isango Ensemble bring their unique storytelling skills to show us the life of a Somali boy, alone and running away to a place that barely differs from the hell he leaves behind.

Linked From BroadwayWorld at 09:22AM
Friday, April 12, 2019

BWW Review: THE MARVELOUS WONDERETTES, Upstairs at The Gatehouse by Gary Naylor

The Marvelous Wonderettes is a jukebox musical that does exactly what it says on the tin - the four singers vocally splendid in front of a fine band.

Linked From BroadwayWorld at 08:23AM

Back to School: The National Theatre's Creative Choices Programme by Gary Naylor

BWW's Chief London Reviewer spent a morning at the National Theatre with 12-14 year olds finding out about how studying STEM Science, Technology, Engineering and Mathematics subjects can hel…

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BWW Review: QUEEN OF THE MIST, Brockley Jack Studio Theatre by Gary Naylor

Queen of the Mist is a curious musical about the nearly forgotten woman who was first to go over Niagara Falls in a barrel and who lived to tell her story - the problem was that few wanted t…

Linked From BroadwayWorld at 05:26AM
Wednesday, April 10, 2019

BWW Review: THE NOISES, The Old Red Lion Theatre by Gary Naylor

The Noises traps us in a room with Luna, as she tells us her story from puppy to dog bodyguard while the world disintegrates outside. Her journey is one faced by many neglected kids - a key …

Linked From BroadwayWorld at 08:51AM
Tuesday, April 9, 2019

BWW Review: SCARY BIKERS, Trafalgar Studios by Gary Naylor

John Godber's Brexity flavoured two-hander examines loneliness in late middle-age with warmth, humour and no little insight - a gem.

Linked From BroadwayWorld at 08:40AM
Saturday, April 6, 2019

BWW Review: BED PEACE: THE BATTLE OF YOHN & JOKO, Cockpit Theatre by Gary Naylor

Recreating the political tensions that swirled around John and Yoko's Bed-In protest of 50 years ago, this play with music strives for a radical approach to its material, but forgets some th…

Linked From BroadwayWorld at 07:46AM
Thursday, March 28, 2019

BWW Review: BERENICE, Linbury Theatre, Royal Opera House by Gary Naylor

Berenice is something of a forgotten delight, its tortuous plotting more than offset by its splendid arias and delightful characters, with plenty of contemporary resonance on hand if you nee…

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Tuesday, March 26, 2019

BWW Review: THE WHITE CROW by Gary Naylor

The White Crow focuses on Rudolf Nureyev's life from birth until his sensational defection at the age of 23.

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BWW Review: WOLFIE, Theatre503 by Gary Naylor

Wolfie glows with the energy and hope of youth, even as it paints a grim picture of a world stacked against it by the alienating forces of a society retreating from its obligations to its ch…

Linked From BroadwayWorld at 08:03AM
Sunday, March 24, 2019

BWW Interview: John Godber Talks SCARY BIKERS at Trafalgar Studios by Gary Naylor

John Godber talks about his life in theatre and about his Brexit flavoured play, Scary Bikers, running at Trafalgar Studios in April.

Linked From BroadwayWorld at 08:32PM
Friday, March 22, 2019

BWW Review: I IS A STRANGE LOOP, Barbican Pit by Gary Naylor

I Is A Strange Loop pits X against Y as the world described mathematically butts up against the world described theatrically - and they discover that each needs the other to be whole.

Linked From BroadwayWorld at 08:21AM
Thursday, March 21, 2019

BWW Review: OTHELLO, Union Theatre by Gary Naylor

Othello remains as relevant today as ever it were, Phil Willmott's adaptation setting it in the Raj of 1919, but it's as much in the White House and Palace of Westminster of 2019.

Linked From BroadwayWorld at 09:26AM
Wednesday, March 20, 2019

BWW Review: THE TAMING OF THE SHREW, The Royal Shakespeare Theatre by Gary Naylor

A bold and often beautifully staged production that makes women men and men women to throw light on the often brutal text. What emerges is plenty of new insight, but the nagging doubt persis…

Linked From BroadwayWorld at 11:02AM

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