Friday, September 30, 2016
Gary Naylor sees a play that wears its heart on its sleeve, but suffers as a result of ill-conceived staging and characterisation.
SOURCE: BroadwayWorld at 08:51AMThursday, September 29, 2016
Gary Naylor sees a remarkable tour-de-force that produces a definitive version of a tricky but utterly compelling piece of musical theatre.
SOURCE: BroadwayWorld at 10:18AMWednesday, September 28, 2016
The Libertine makes a return to the London after adaptations for screen and stage, but fails to go out in a blaze of glory
SOURCE: BroadwayWorld at 11:45AMSaturday, September 24, 2016
Gary Naylor sees a musical packed with agreeable songs but short on characterisation, charm and credibility.
SOURCE: BroadwayWorld at 07:21AMFriday, September 23, 2016
Gary Naylor sees a fine production that will delight fans old and new of Jane Austen's immortal tale of unmarried daughters and their suitors.
SOURCE: BroadwayWorld at 09:52AMWednesday, September 21, 2016
Gary Naylor sees a fine tribute to the men of Clapton Orient who went into battle for King and Country 100 years ago.
SOURCE: BroadwayWorld at 02:57PMSaturday, September 17, 2016
Gary Naylor sees a play with plenty of emotional torment on display but a dubious political message that sits ill with its venue.
SOURCE: BroadwayWorld at 08:33AMFriday, September 16, 2016
Gary Naylor enjoys a Tennessee Williams play full of sharp dialogue, tenderness and the poignant loss of missed opportunities.
SOURCE: BroadwayWorld at 08:57AMThursday, September 15, 2016
Gary Naylor sees a frenetic, physical production of the Ben Jonson classic that fizzes with fibbing and foolishness.
SOURCE: BroadwayWorld at 07:25AMWednesday, September 14, 2016
Gary Naylor sees plenty of relevant stuff and controversial material in a new version of Marlowe's influential classic.
SOURCE: BroadwayWorld at 08:09AMTuesday, September 13, 2016
Gary Naylor sees a show that has plenty of rock but lacks strong characters and is overly predictable.
SOURCE: BroadwayWorld at 10:46AMSunday, September 11, 2016
Gary Naylor sees a play that examines suburban alienation in 80's America and the salvation Punk offered - on rollerskates
SOURCE: BroadwayWorld at 09:13AMSaturday, September 10, 2016
Gary Naylor sees a production that proves that if a script is poor, the play has no chance of success.
SOURCE: BroadwayWorld at 08:11AMFriday, September 9, 2016
Gary Naylor sees an award-winning play from DL Productions that makes its demands on the audience, but provides its rewards too.
SOURCE: BroadwayWorld at 07:03AMThursday, September 8, 2016
Gary Nayloe sees a curate's egg of a play, at times exhilarating, at times too pleased with itself, at one of London's great venues.
SOURCE: BroadwayWorld at 10:06AMTuesday, September 6, 2016
Gary Naylor sees another triumphant boutique opera at the genre's spiritual home with all the thrills of operatic voices at close quarters and plenty of laughter and tears too.
SOURCE: BroadwayWorld at 02:42PMSaturday, September 3, 2016
Gary Naylor sees a play that promises more than it delivers in a venue that looks great but provides unique challenges to cast and creatives.
SOURCE: BroadwayWorld at 09:06AMGary Naylor sees a beautifully delivered comedy of manners performed for the first time in almost 90 years.
SOURCE: BroadwayWorld at 07:57AMThursday, September 1, 2016
Gary Naylor sees two short operas from Irrational Theatre that provide wonderful value for money and a fine introduction to the form.
SOURCE: BroadwayWorld at 08:21AMSaturday, August 27, 2016
Gary Naylor sees an ambitious and engaging all-through production of one of Shakespeare's best loved comedies.
SOURCE: BroadwayWorld at 04:15AMFriday, August 26, 2016
Gary Naylor sees a revival that invites comparisons between the Britain of the 1930s and 2010s, but runs out of narrative energy and character credibility
SOURCE: BroadwayWorld at 11:10AMTuesday, August 23, 2016
Gary Naylor sees a fine addition to the Shakespeare 400 season with a return of The Comedy of Errors to its original venue but with a 1929 vibe.
SOURCE: BroadwayWorld at 08:45AMWednesday, August 17, 2016
Gary Naylor sees a beautifully staged revival of a 1991 musical that's great on music, but not so good on making God likeable.
SOURCE: BroadwayWorld at 05:27AMTuesday, August 16, 2016
Gary Naylor sees Zola's tale of lust and murder brilliantly staged and performed.
SOURCE: BroadwayWorld at 07:42AMSaturday, August 13, 2016
Gary Naylor sees a show that had been forgotten, but is thrillingly brought to the London stage for the first time
SOURCE: BroadwayWorld at 06:56AMSaturday, August 6, 2016
Gary Naylor sees an adaptation of the classic tale that never quite finds its tone, but provides thrills and spills in its outdoor setting.
SOURCE: BroadwayWorld at 06:14AMThursday, August 4, 2016
Gary Naylor sees young people perform an adaptation of the Tony Award show that's aimed at young people but can be enjoyed by all.
SOURCE: BroadwayWorld at 01:29PMWednesday, July 13, 2016
Gary Naylor sees an unblinking, fearless adaptation of Leo Tolstoy's often censored story, delivered with panache and menace by Greg Hicks.
SOURCE: BroadwayWorld at 11:14AMTuesday, July 12, 2016
Gary Naylor sees an adaptation of a classic play that packs plenty of punch despite some less than satisfactory casting.
SOURCE: BroadwayWorld at 09:34AMSaturday, July 9, 2016
Gary Naylor sees a powerful, important play that speaks to a 2016 audience explicitly about the defining issue of our times.
SOURCE: BroadwayWorld at 06:16AMFriday, July 8, 2016
Gary Naylor sees a production that has much to commend it, bringing a little of Athens wooded peace to the hurly-burly of London.
SOURCE: BroadwayWorld at 08:57AM 
