All stories by Clare Brennan on BroadwayStars

Sunday, December 10, 2017

Guys and Dolls review – larger than life, but with a core of grit by Clare Brennan

Royal Exchange, ManchesterRelocated to Harlem, this fine new production of Frank Loesser’s classic musical retains a threat of violence under a cartoon-bright exteriorLike the fantastical,…

SOURCE: The Guardian at 03:48AM
Sunday, December 3, 2017

The Arabian Nights review – a thing of wonder by Clare Brennan

Royal Lyceum Theatre, EdinburghA thrilling script and clever set give these ancient tales a dazzling new charmA rustle of sweet papers and expectation in the auditorium. House lights dim. �…

SOURCE: The Guardian at 03:33AM
Tuesday, November 28, 2017

The Sound of Music review – pastel sweetness and true human values by Clare Brennan

Curve, LeicesterPaul Kerryson’s final show combines picture-book wholesomeness with a message for the darkest of timesIt came as a shock. Maybe it shouldn’t have, but it did. After all, …

SOURCE: The Guardian at 03:12AM
Sunday, November 26, 2017

A Christmas Carol review – top-quality humbug by Clare Brennan

Octagon theatre, Bolton A new adaptation and a fresh young cast bring Dickens’s classic tale to vivid, chorusing lifeThe set is a simple, timeless cobbled street; costumes indicate the 19t…

SOURCE: The Guardian at 03:18AM
Sunday, November 19, 2017

We are the Lions, Mr Manager review – powerful tale of workers’ rights by Clare Brennan

The story of Jayaben Desai, heroine of the notorious Grunwick strike in the 70s makes you laugh, feel and thinkAcross the walls of the simple office set runs stencilled lettering: “Grunwic…

SOURCE: The Guardian at 03:33AM
Sunday, November 12, 2017

The Last Testament of Lillian Bilocca review – Maxine Peake’s tribute to Hull’s headscarf revolutionaries by Clare Brennan

The Guildhall, HullPeake’s rich new play, with music by the Unthanks, tells the story of the Hull women who fought the government on fishermen’s safety and wonIn 1968, extraordinary stor…

SOURCE: The Guardian at 03:48AM
Sunday, November 5, 2017

Under Milk Wood review – sure-footed shapeshifting by Clare Brennan

Watermill theatre, NewburySix actors play 37 roles in a beautifully balanced production of Dylan Thomas’s classic play for voicesBy 1953, the poet Dylan Thomas was ready to turn to writing…

SOURCE: The Guardian at 03:24AM
Sunday, October 22, 2017

The Cherry Orchard review – all change for Chekhov by Clare Brennan

Sherman theatre, CardiffDenise Black stars as a hard-drinking matriarch in this slimmed-down reimagining of the Russian’s play, relocated to Pembrokeshire in 1982In his new play, Gary Owen…

SOURCE: The Guardian at 04:06AM
Sunday, October 15, 2017

Dirty Laundry review – dark truths unearthed in the Potteries by Clare Brennan

Spode Works, Stoke-on-TrentA young woman comes to fear that her dying father is harbouring a grim secret in this powerful domestic thrillerThe title of Deborah McAndrew’s new play for Clay…

SOURCE: The Guardian at 02:18AM
Sunday, October 8, 2017

(the fall of) The Master Builder review – knock it down and start again… by Clare Brennan

West Yorkshire Playhouse, Leeds Needlessly fleshed out and lacking focus, this Ibsen adaptation feels sadly jerry-builtZinnie Harris has previously adapted classic texts to great acclaim. He…

SOURCE: The Guardian at 03:54AM
Sunday, October 1, 2017

Flood review – a sadly submerged parable by Clare Brennan

Victoria Dock, HullSlung Low’s four-part floating spectacle is not as immersive as it thinks it isBack in the early 20th century, when a theatre wanted spectacle, it would flood an audito…

SOURCE: The Guardian at 03:33AM
Sunday, September 24, 2017

For Love or Money review – a rich whirligig of pleasure by Clare Brennan

Dean Clough Mill, HalifaxA fast-paced adaptation of the 18th-century French satire sees Northern Broadsides director/performer Barrie Rutter bow out in style“He’s a guggling midden-daup�…

SOURCE: The Guardian at 03:18AM
Sunday, September 17, 2017

Faithful Ruslan: The Story of a Guard Dog review – a haunting experience by Clare Brennan

Belgrade theatre, CoventryThis tale of a guard dog in Stalin’s Russia captures the essence of the gulags only too wellAll is grey, wind howls, light is dim: design, sound and music suggest…

SOURCE: The Guardian at 04:24AM
Sunday, September 10, 2017

The Suitcase review – despair and discrimination in 50s South Africa by Clare Brennan

Hull Truck theatre, HullJohannesburg company Market Theatre delivers a universal message about prejudice from the story of a couple fleeing their village for the cityIt’s appropriate that …

SOURCE: The Guardian at 02:18AM
Sunday, September 3, 2017

Remarkable Invisible review – an out-of-sorts family reunion by Clare Brennan

Theatre By the Lake, KeswickHigh-flying writer Laura Eason’s latest drama doesn’t quite hit the markBrooklyn-based Laura Eason is an acclaimed writer with notable hits to her credit, inc…

SOURCE: The Guardian at 04:24AM

Taking Steps review – Alan Ayckbourn’s farce is a tour de force by Clare Brennan

Stephen Joseph theatre, ScarboroughThe audience is in on the joke in the playwright’s own production of his comedyHow do you make a farce with no doors? This was the challenge Alan Ayckbou…

SOURCE: The Guardian at 04:24AM

Loot review – the farce is strong with this one by Clare Brennan

Park theatre, LondonA classy cast ground Joe Orton’s comedy, despite a distractingly fabulous setGabriella Slade’s design looks fabulous but it very nearly mutes Loot’s thunder. Half t…

SOURCE: The Guardian at 04:24AM
Sunday, August 20, 2017

Looking at Lucian review – more a sketch of the artist by Clare Brennan

Ustinov Studio, Theatre Royal BathHenry Goodman’s powerful performance fills out a sometimes superficial portrait of Lucian Freud as an older manWe are looking at the older Lucian Freud (1…

SOURCE: The Guardian at 04:04AM
Sunday, August 13, 2017

Edinburgh theatre review – a world without borders, almost by Clare Brennan

From Palestine to Aberfan, identity and belonging dominate – alongside Fritz Lang at the circus, existential football and a song for beached whales“That’s not right…” The taxi driv…

SOURCE: The Guardian at 03:24AM
Sunday, August 6, 2017

Treasure Island review – more swashbuckling, please by Clare Brennan

Williamson Park, LancasterThe setting is inspired, but the adventure has been reduced to a domestic fableNight has fallen. We walk through a wooded glen. Music and birdsong fill the air. Lea…

SOURCE: The Guardian at 04:12AM
Thursday, July 27, 2017

The Secret Diary of Adrian Mole Aged 13¾: the Musical – review by Clare Brennan

Curve, LeicesterSue Townsend’s sly writing is pummelled to fit narrative arcs of love triumphant and ambition realised in this musical adaptationWhat do you ask of a new musical? Attention…

SOURCE: The Guardian at 10:36AM
Sunday, July 23, 2017

Crestfall review – two-dimensional dystopia by Clare Brennan

Mick Lally theatre, GalwayA strong three-woman cast struggle to redeem this often bizarre evocation of impoverished Irish lives“Everyone rose to their feet... to applaud... But I could not…

SOURCE: The Guardian at 03:54AM
Sunday, July 16, 2017

Cotton Panic! review – a story of solidarity that deserves better by Clare Brennan

Upper Campfield Market Hall, ManchesterJane Horrocks stars in a collage of song, history and drama whose most powerful presences are its stage projections“Can you help me a bit?” A spotl…

SOURCE: The Guardian at 03:12AM
Sunday, July 9, 2017

Miss Julie review – as sensational as ever by Clare Brennan

Theatre by the Lake, KeswickStrindberg’s passion play remains as resonant today in Howard Brenton’s new translation as it was when first performed in the Paris of 189Times and theatrical…

SOURCE: The Guardian at 03:42AM
Sunday, July 2, 2017

Around the World in 80 Days review – the world’s stage, circumnavigated by Clare Brennan

New Vic, Newcastle-under-LymeA cast of eight deftly play a globe’s worth of characters in Laura Eason’s rollicking Jules Verne adaptationLaura Eason’s 2013 adaptation of Around the Wor…

SOURCE: The Guardian at 03:24AM
Sunday, June 25, 2017

Everything Is Possible: The York Suffragettes review – an extraordinary community production by Clare Brennan

Theatre Royal, YorkBridget Foreman’s moving, resonant play combines outdoor performance, newsreel footage and a huge local cast to memorable effectOutside York Minster, a pro-democracy dem…

SOURCE: The Guardian at 04:12AM
Sunday, June 18, 2017

Ode to Leeds review – the poetry of youth by Clare Brennan

West Yorkshire Playhouse, LeedsA compelling coming-of-age story about five hopefuls set to compete in a poetry ‘slam’ competitionSmoke hazes the stage. Close to the audience, five microp…

SOURCE: The Guardian at 03:48AM
Sunday, June 11, 2017

She’s Leaving Home review – an inventive riff on the Beatles song by Clare Brennan

Private homes in Toxteth, LiverpoolKeith Saha’s drama for the Sgt Pepper anniversary expands on its domestic setting with puppetry and magical realismThe Beatles didn’t just come from Li…

SOURCE: The Guardian at 04:04AM

Persuasion review – lost in modern translation by Clare Brennan

Manchester Royal ExchangeAn irreverent adaptation of Jane Austen’s last novel puts a fun spin on the source material, but fails to honour her characters’ complexitiesTo describe this as …

SOURCE: The Guardian at 04:04AM
Sunday, June 4, 2017

Røde Orm review – the greatest saga ever told by Clare Brennan

Moesgaard Museum, Aarhus, Denmark With its rooftop setting, clashing of swords and larger-than-life characters, this Viking epic is a fitting centrepiece to Aarhus’s European capital of cu…

SOURCE: The Guardian at 03:54AM

Julius Caesar review – a powerful examination of rhetoric by Clare Brennan

Crucible, SheffieldShakespeare is rooted in our era of fake news in artistic director Robert Hastie’s outstanding first production for the CrucibleIf Robert Hastie’s first production as …

SOURCE: The Guardian at 03:54AM