All stories by Clare Brennan on BroadwayStars

Sunday, June 4, 2017

Julius Caesar review – a powerful examination of rhetoric by Clare Brennan

Crucible, SheffieldShakespeare is rooted in our era of fake news in artistic director Robert Hastie’s outstanding first production for the CrucibleIf Robert Hastie’s first production as …

SOURCE: The Guardian at 03:54AM
Sunday, May 21, 2017

The Beggar’s Opera review – John Gay goes electric by Clare Brennan

Storyhouse, ChesterA vivid adaptation by Glyn Maxwell of Gay’s 1728 ballad play launches Chester’s exciting new venue“Storytellers build communities... remember the past and imagine th…

SOURCE: The Guardian at 04:54AM
Sunday, May 14, 2017

The Sum review – musical plea from the shop floor by Clare Brennan

Everyman, LiverpoolLizzie Nunnery’s scathing social commentary with songs carries a powerful message despite some laboured dialoguePolitical shockwaves knock spending. A small business tee…

SOURCE: The Guardian at 02:18AM
Sunday, May 7, 2017

How My Light Is Spent review – phone sex romance needs work by Clare Brennan

Royal Exchange, ManchesterTwo charming leads fail to plug the holes in a black comedy that replaces dark reality with ersatz whimsyKitty is a telephone sex worker. Jimmy is a regular client …

SOURCE: The Guardian at 04:02AM
Sunday, April 30, 2017

Forty Years On review – satire showing its age by Clare Brennan

Chichester Festival theatreRichard Wilson stars as a crusty headmaster in Alan Bennett’s playful but patchy 1968 state-of-the-nation play“An elaborate life support system for the preserv…

SOURCE: The Guardian at 04:18AM
Sunday, April 23, 2017

William Wordsworth review – inspiration and smoking chimneys by Clare Brennan

Theatre by the Lake, KeswickNicholas Pierpan’s ambitious drama explores a dark year in the poet’s lifeOn the one hand there is the wonder of a mind that makes the world anew with words; …

SOURCE: The Guardian at 04:06AM
Sunday, April 16, 2017

The Tenant of Wildfell Hall review – vivid Brontë battle of the sexes by Clare Brennan

Octagon, BoltonA magnificent Phoebe Pryce in the lead role ensures the 19th-century classic still packs an emotional punch for a modern audienceWhen Acton Bell’s second novel was published…

SOURCE: The Guardian at 03:48AM
Sunday, April 9, 2017

I Capture the Castle review – soaring ambition falls short of Dodie Smith’s novel by Clare Brennan

Watford Palace theatreThe magic and nuance of the written word are missed in this musical adaptation, despite colourful songs and an inventive setA scaffolding structure rises on the stage, …

SOURCE: The Guardian at 04:02AM
Sunday, March 12, 2017

Junkyard review – young stars shine in Jack Thorne’s playground musical by Clare Brennan

Bristol Old VicThe story of an idealistic adult winning over a bunch of disaffected kids is a familiar one, but lifted by its sizzling castJunkyard is a new musical inspired by writer Jack T…

SOURCE: The Guardian at 04:42AM
Saturday, March 11, 2017

Romeo & Juliet review – Rachel O’Riordan’s star cross’d soap opera by Clare Brennan

Sherman Cymru, CardiffDespite fresh and lively performances, period language and modern behaviour clash to mixed effect“Fair Verona”, Shakespeare’s setting for the play is, in Kenny Mi…

SOURCE: The Guardian at 12:06PM
Sunday, March 5, 2017

Ashes review – fiercely intelligent fertility drama by Clare Brennan

Octagon, BoltonDavid Rudkin’s 1972 play about an infertile couple is revived to intimate, funny and touching effectCiaran Bagnall’s set is starkly impersonal in its shiny whiteness and s…

SOURCE: The Guardian at 04:12AM
Sunday, February 26, 2017

Fiddler on the Roof review – imaginative and otherworldly by Clare Brennan

Everyman, LiverpoolThe classic musical about village custom and community is the perfect choice to launch artistic director Gemma Bodinetz’s new repertory ensembleThe bare stage looks simp…

SOURCE: The Guardian at 03:42AM
Sunday, February 19, 2017

Everybody’s Talking About Jamie review – joyous teen drag musical by Clare Brennan

Crucible, SheffieldThe drama lacks oomph but sheer exuberance carries this coming-of-age tale by Tom MacRae and Dan Gillespie SellsThe school’s psychometric test identifies 16-year-old Jam…

SOURCE: The Guardian at 03:36AM
Sunday, February 12, 2017

Dr Frankenstein review – the 200-year-old classic has been better served before by Clare Brennan

Northern Stage, NewcastleSelma Dimitrijevic’s adaptation, while daring in parts, is ultimately found wantingDr Frankenstein is translated from a he to a she: Victor becomes Victoria. As th…

SOURCE: The Guardian at 03:36AM
Sunday, February 5, 2017

What’s in a Name? review – a fast, frothy French comedy of manners by Clare Brennan

Birmingham RepA taut cast makes the most of this 2010 hit comedy, directed by Jeremy Sams in its British premiereIn a loft conversion in Peckham, south London, lecturer Peter (Jamie Glover) …

SOURCE: The Guardian at 03:48AM
Sunday, January 29, 2017

Made in India review – an emotionally charged mix of politics and parenthood by Clare Brennan

Belgrade theatre, CoventryThe ethical dilemmas of international surrogacy are examined in an impressive production that refuses to offer easy answersAbove the stage, on three different level…

SOURCE: The Guardian at 04:03AM
Sunday, January 15, 2017

Sweet Charity review – five-star revival of the 60s Broadway musical by Clare Brennan

Royal Exchange, Manchester Kaisa Hammarlund’s portrayal of Neil Simon’s Everywoman strikes a perfect balanceSome people see Neil Simon’s 1966 musical comedy (with lyrics by Dorothy Fie…

SOURCE: The Guardian at 04:06AM
Sunday, January 8, 2017

A Little of What You Fancy review – a miniature Victorian extravaganza by Clare Brennan

Salisbury PlayhouseFour performers rustle up a bustling parlour show of songs, sketches and magicA Little of What You Fancy, as the queen of the saucy song, Marie Lloyd, used to suggest to h…

SOURCE: The Guardian at 04:06AM

Love review – homelessness brought close to home by Clare Brennan

Dorfman, LondonThe shared indignities of life in temporary accommodation hit home in Alexander Zeldin’s new play at the NationalLove is set in a hostel offering temporary accommodation for…

SOURCE: The Guardian at 04:06AM
Sunday, January 1, 2017

Annie Get Your Gun review – out of time and short on ammo by Clare Brennan

Crucible theatre, SheffieldThe songs still hit their mark in Irving Berlin’s musical western, but 1940s stereotyping leaves the show creaking with ageIn this 1946 comic-romantic musical, s…

SOURCE: The Guardian at 03:12AM
Sunday, December 25, 2016

The Full Monty – review by Clare Brennan

Lyceum, SheffieldIt's not surprising that when it appeared in 1997 The Full Monty was instantly dubbed a "feelgood" film. Set in the late 1980s, it tells the story of a group of skilled men …

SOURCE: The Guardian at 08:33AM
Sunday, December 18, 2016

The Star review – a touching music hall celebration by Clare Brennan

Liverpool PlayhouseThe Playhouse’s sparkling Edwardian past is brought back to life in Michael Wynne’s fine new playThe star of The Star is the theatre itself. Gertrude Lawrence and Noë…

SOURCE: The Guardian at 03:24AM
Sunday, December 11, 2016

Treasure Island; Strictly Ballroom; The Snow Queen; Fantastic Mr Fox; Alice’s Adventures in Wonderland – review by Clare Brennan

Gender roles are all at sea and a fox learns a lesson in our pick of Christmas shows in Birmingham, Leeds, Newcastle-under-Lyme, Southampton and EdinburghChristmas shows are a fabulous …

SOURCE: The Guardian at 03:18AM
Sunday, November 20, 2016

Harriet Martineau Dreams of Dancing review – drawing-room antics by Clare Brennan

Live theatre, NewcastleShelagh Stephenson’s play about the radical thinker’s stay on Tyneside provides a witty examination of her ideas but not much dramaLike the quilt its female charac…

SOURCE: The Guardian at 03:54AM
Sunday, November 13, 2016

This Might Hurt review – John Godber’s home truths on the nation’s health by Clare Brennan

John Godber mines his own life for this tale set in an NHS at breaking pointWhen John Godber returns to Hull, Hull turns out. From 1984 to 2010, the writer-director’s name was synonymous w…

SOURCE: The Guardian at 03:31AM
Sunday, November 6, 2016

The Revenger’s Tragedy review – Jacobean drama gets ill-fitting glam gloss by Clare Brennan

Nottingham PlayhouseA 1970s-style sexing-up of Thomas Middleton’s 17th-century play fails to throw much new light on the textThomas Middleton’s 17th-century tragedy pivots around the dil…

SOURCE: The Guardian at 03:42AM
Sunday, October 30, 2016

North Country review – the apocalypse and Marks & Spencer by Clare Brennan

Wild Woods, BradfordA former M&S food hall is the setting for this imaginative vision of a struggle for survival after a global plagueFreedom Studios specialises in “new plays in unusu…

SOURCE: The Guardian at 04:42AM
Sunday, October 23, 2016

Grain in the Blood review – too cool for comfort by Clare Brennan

Tron, GlasgowThe detached acting in Rob Drummond’s horror-flecked melodrama render it less than the sum of its partsSet in a present that could be any time, on a remote Scottish farm that …

SOURCE: The Guardian at 03:56AM
Sunday, October 16, 2016

The Two Gentleman of Verona review – 60s update strikes false note by Clare Brennan

Everyman, LiverpoolShakespeare’s early satire on romance gains little from being transported into the swinging decadeDirector Nick Bagnall and composer James Fortune take Shakespeare’s e…

SOURCE: The Guardian at 03:06AM
Sunday, October 9, 2016

Merch yr Eog/Merc’h an Eog review – a salmon man’s upstream struggle by Clare Brennan

Aberystwyth Arts Centre, AberystwythThis Welsh/Breton co-production has a fine cast but suffers from prosaic writing and a dramatically challenged translation app“The past is another count…

SOURCE: The Guardian at 03:08AM
Sunday, October 2, 2016

Wish List review – heartfelt performances weighed down by Clare Brennan

Royal Exchange, ManchesterHeavy-handed direction mars this prize-winning play about the challenges faced by young people at the bottom of the heapKatherine Soper’s Bruntwood prize-winning …

SOURCE: The Guardian at 03:51AM