All stories by Clare Brennan on BroadwayStars

Sunday, April 8, 2018

The Damned United review – Brian Clough drama is a game of two halves by Clare Brennan

West Yorkshire Playhouse, LeedsClough’s ill-fated tenure at Leeds United is turned into a finely performed, if loosely structured, three-handerIt’s a book, a film and a play. Their subje…

SOURCE: The Guardian at 03:00AM
Sunday, March 18, 2018

Votes for Women review – vintage suffrage play with topical weight by Clare Brennan

New Vic, Newcastle-under-LymeTheresa Heskins expertly blends the political and the personal in her version of Elizabeth Robins’s 1907 dramaLights go up on the dispatch boxes and mace at th…

SOURCE: The Guardian at 04:00AM
Saturday, March 10, 2018

Circle Mirror Transformation review – naturalism without the social context by Clare Brennan

Home, ManchesterAnnie Baker’s emotion-driven play is not so much Chekhov as RD Laing-litePulitzer prize winner Annie Baker’s 2009 play was staged in 2013 by London’s Royal Court theatr…

SOURCE: The Guardian at 07:00AM
Sunday, March 4, 2018

The Shadow Factory review – Southampton’s wartime spirit by Clare Brennan

The haves and have-nots meet to ramp up Spitfire production in Howard Brenton’s lively new playJust over 40 years ago, Howard Brenton wrote the first new commission to be performed in the …

SOURCE: The Guardian at 03:00AM
Sunday, February 18, 2018

Dead and Breathing review – tense question of life or death by Clare Brennan

Unity theatre, LiverpoolMoral conundrums abound in this ‘breath-holdingly taut’ tale of an dying millionaire who asks her nurse to end her lifeCarolyn is a 68-year-old multimillionaire l…

SOURCE: The Guardian at 01:59AM
Sunday, February 11, 2018

Dublin Carol review – an undertaker battles with the bottle by Clare Brennan

Sherman, CardiffSelf-pity and misogyny meet melodrama in Conor McPherson’s 2000 chamber piece about an alcoholic’s Christmas Eve search for redemptionDecorations feebly festoon the back …

SOURCE: The Guardian at 03:00AM
Sunday, February 4, 2018

Bold Girls review – a woman’s hard-hitting view of the Troubles by Clare Brennan

Citizens, GlasgowRona Munro’s sharply observed portrait of three generations of women caught up in Belfast’s violenceA searchlight strafes the auditorium. A girl in a slip trembles out o…

SOURCE: The Guardian at 03:00AM
Sunday, January 28, 2018

Black Men Walking review – compelling study of identity by Clare Brennan

Royal Exchange, ManchesterFour ramblers discuss Britishness and belonging in Testament’s arresting play set in the Peak DistrictIt takes a certain sass to open such a Yorkshire-rooted play…

SOURCE: The Guardian at 03:00AM
Sunday, January 21, 2018

A Passage to India review – committed but stilted by Clare Brennan

Royal & Derngate, Northampton A well-intentioned adaptation of EM Forster’s classic lacks complexityEM Forster’s 1924 novel explores complex relations among and between Britons and I…

SOURCE: The Guardian at 02:00AM
Sunday, January 14, 2018

Fauna review – a mixed-bag menagerie by Clare Brennan

Jacksons Lane, LondonPart of the London international mime festival, this technically accomplished, cross-genre work inspired by animal movements impresses, but lacks definitionSurprising, a…

SOURCE: The Guardian at 03:00AM
Sunday, December 31, 2017

The Secret Seven review – seven go north by Clare Brennan

Storyhouse, ChesterEnid Blyton’s gang of young sleuths drop the middle-class trappings in a show that is childlike but never childishOn the approach to the theatre, a young girl walking ah…

SOURCE: The Guardian at 03:33AM
Sunday, December 17, 2017

The Wizard of Oz review – follow this yellow brick road by Clare Brennan

Crucible, SheffieldA superb staging of the L Frank Baum classic works its magic in plain view with picture-book clarityEvery good Christmas show has a transformation scene; The Wizard of Oz …

SOURCE: The Guardian at 04:24AM
Sunday, December 10, 2017

The Lion, the Witch and the Wardrobe review – full-spectrum winter spectacle by Clare Brennan

West Yorkshire Playhouse, LeedsMovement, puppetry, flight and design conjure a dazzling trip to Narnia that makes up for storytelling weaknessesThe auditorium of the West Yorkshire Playhouse…

SOURCE: The Guardian at 03:48AM

Guys and Dolls review – larger than life, but with a core of grit by Clare Brennan

Royal Exchange, ManchesterRelocated to Harlem, this fine new production of Frank Loesser’s classic musical retains a threat of violence under a cartoon-bright exteriorLike the fantastical,…

SOURCE: The Guardian at 03:48AM
Sunday, December 3, 2017

The Arabian Nights review – a thing of wonder by Clare Brennan

Royal Lyceum Theatre, EdinburghA thrilling script and clever set give these ancient tales a dazzling new charmA rustle of sweet papers and expectation in the auditorium. House lights dim. �…

SOURCE: The Guardian at 03:33AM
Tuesday, November 28, 2017

The Sound of Music review – pastel sweetness and true human values by Clare Brennan

Curve, LeicesterPaul Kerryson’s final show combines picture-book wholesomeness with a message for the darkest of timesIt came as a shock. Maybe it shouldn’t have, but it did. After all, …

SOURCE: The Guardian at 03:12AM
Sunday, November 26, 2017

A Christmas Carol review – top-quality humbug by Clare Brennan

Octagon theatre, Bolton A new adaptation and a fresh young cast bring Dickens’s classic tale to vivid, chorusing lifeThe set is a simple, timeless cobbled street; costumes indicate the 19t…

SOURCE: The Guardian at 03:18AM
Sunday, November 19, 2017

We are the Lions, Mr Manager review – powerful tale of workers’ rights by Clare Brennan

The story of Jayaben Desai, heroine of the notorious Grunwick strike in the 70s makes you laugh, feel and thinkAcross the walls of the simple office set runs stencilled lettering: “Grunwic…

SOURCE: The Guardian at 03:33AM
Sunday, November 12, 2017

The Last Testament of Lillian Bilocca review – Maxine Peake’s tribute to Hull’s headscarf revolutionaries by Clare Brennan

The Guildhall, HullPeake’s rich new play, with music by the Unthanks, tells the story of the Hull women who fought the government on fishermen’s safety and wonIn 1968, extraordinary stor…

SOURCE: The Guardian at 03:48AM
Sunday, November 5, 2017

Under Milk Wood review – sure-footed shapeshifting by Clare Brennan

Watermill theatre, NewburySix actors play 37 roles in a beautifully balanced production of Dylan Thomas’s classic play for voicesBy 1953, the poet Dylan Thomas was ready to turn to writing…

SOURCE: The Guardian at 03:24AM
Sunday, October 22, 2017

The Cherry Orchard review – all change for Chekhov by Clare Brennan

Sherman theatre, CardiffDenise Black stars as a hard-drinking matriarch in this slimmed-down reimagining of the Russian’s play, relocated to Pembrokeshire in 1982In his new play, Gary Owen…

SOURCE: The Guardian at 04:06AM
Sunday, October 15, 2017

Dirty Laundry review – dark truths unearthed in the Potteries by Clare Brennan

Spode Works, Stoke-on-TrentA young woman comes to fear that her dying father is harbouring a grim secret in this powerful domestic thrillerThe title of Deborah McAndrew’s new play for Clay…

SOURCE: The Guardian at 02:18AM
Sunday, October 8, 2017

(the fall of) The Master Builder review – knock it down and start again… by Clare Brennan

West Yorkshire Playhouse, Leeds Needlessly fleshed out and lacking focus, this Ibsen adaptation feels sadly jerry-builtZinnie Harris has previously adapted classic texts to great acclaim. He…

SOURCE: The Guardian at 03:54AM
Sunday, October 1, 2017

Flood review – a sadly submerged parable by Clare Brennan

Victoria Dock, HullSlung Low’s four-part floating spectacle is not as immersive as it thinks it isBack in the early 20th century, when a theatre wanted spectacle, it would flood an audito…

SOURCE: The Guardian at 03:33AM
Sunday, September 24, 2017

For Love or Money review – a rich whirligig of pleasure by Clare Brennan

Dean Clough Mill, HalifaxA fast-paced adaptation of the 18th-century French satire sees Northern Broadsides director/performer Barrie Rutter bow out in style“He’s a guggling midden-daup�…

SOURCE: The Guardian at 03:18AM
Sunday, September 17, 2017

Faithful Ruslan: The Story of a Guard Dog review – a haunting experience by Clare Brennan

Belgrade theatre, CoventryThis tale of a guard dog in Stalin’s Russia captures the essence of the gulags only too wellAll is grey, wind howls, light is dim: design, sound and music suggest…

SOURCE: The Guardian at 04:24AM
Sunday, September 10, 2017

The Suitcase review – despair and discrimination in 50s South Africa by Clare Brennan

Hull Truck theatre, HullJohannesburg company Market Theatre delivers a universal message about prejudice from the story of a couple fleeing their village for the cityIt’s appropriate that …

SOURCE: The Guardian at 02:18AM
Sunday, September 3, 2017

Remarkable Invisible review – an out-of-sorts family reunion by Clare Brennan

Theatre By the Lake, KeswickHigh-flying writer Laura Eason’s latest drama doesn’t quite hit the markBrooklyn-based Laura Eason is an acclaimed writer with notable hits to her credit, inc…

SOURCE: The Guardian at 04:24AM

Taking Steps review – Alan Ayckbourn’s farce is a tour de force by Clare Brennan

Stephen Joseph theatre, ScarboroughThe audience is in on the joke in the playwright’s own production of his comedyHow do you make a farce with no doors? This was the challenge Alan Ayckbou…

SOURCE: The Guardian at 04:24AM

Loot review – the farce is strong with this one by Clare Brennan

Park theatre, LondonA classy cast ground Joe Orton’s comedy, despite a distractingly fabulous setGabriella Slade’s design looks fabulous but it very nearly mutes Loot’s thunder. Half t…

SOURCE: The Guardian at 04:24AM
Sunday, August 20, 2017

Looking at Lucian review – more a sketch of the artist by Clare Brennan

Ustinov Studio, Theatre Royal BathHenry Goodman’s powerful performance fills out a sometimes superficial portrait of Lucian Freud as an older manWe are looking at the older Lucian Freud (1…

SOURCE: The Guardian at 04:04AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic