All stories by Charles Isherwood on BroadwayStars

Thursday, October 31, 2013

Maximum Shakespeare: The Light and Dark of ‘A Midsummer Night’s Dream’ by Charles Isherwood

“A Midsummer Night’s Dream” may have earned its high berth on the Shakespeare hit parade because it’s a bundle of high-spirited hijinks, but its view of love is divided.  &…

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Wednesday, October 30, 2013

Theater Review: ‘The Last Goodbye,’ With the Music of Jeff Buckley by Charles Isherwood

“The Last Goodbye,” based on “Romeo and Juliet,” relies on Jeff Buckley’s music to supply the emotional resonance and depth of character established by Shakespeare’s verse. …

SOURCE: The New York Times Subscription at 04:32PM

The Week Ahead | Theater: Tricksters Trek From Los Angeles by Charles Isherwood

“Nothing to Hide” is a slick, smart new magic show starring two young talents, Helder Guimarães and Derek DelGaudio.    

SOURCE: The New York Times Subscription at 12:31PM
Tuesday, October 29, 2013

Theater Review: Brecht’s ‘Good Person of Szechwan’ Opens at Public Theater by Charles Isherwood

Foundry Theater’s sublime production of Bertolt Brecht’s “Good Person of Szechwan” reopens at the Public Theater.    

SOURCE: The New York Times Subscription at 10:00PM
Friday, October 25, 2013

Theater Review: J. Smith-Cameron Stars in ‘Juno and the Paycock’ by Charles Isherwood

The Irish Repertory Theater revives “Juno and the Paycock,” Sean O’Casey’s classic about a buffeted Dublin family, with J. Smith-Cameron in the title role.    

SOURCE: The New York Times Subscription at 05:57PM
Monday, October 21, 2013

Theater Review: J C Lee’s ‘Luce’ at Claire Tow Theater by Charles Isherwood

In J C Lee’s “Luce,” a provocative essay forces parents to question how well they know their son.    

SOURCE: The New York Times Subscription at 10:00PM
Sunday, October 20, 2013

Theater Review: ‘Time to Kill,’ by Rupert Holmes, Comes to Broadway by Charles Isherwood

“A Time to Kill,” a new Broadway play adapted from the John Grisham novel, moves through a tale of rape, murder and justice amid the racial tensions of the deep South.   &…

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Thursday, October 17, 2013

Theater Review: ‘The Winslow Boy’ Is Revived at American Airlines Theater by Charles Isherwood

In “The Winslow Boy,” a Terence Rattigan play now being revived by the Roundabout Theater Company, a father wages a long campaign to clear his son’s name, regardless of the impact on t…

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Monday, October 14, 2013

Theater Review: ‘Mildred Fierce,’ a Sendup, Comes to Theater 80 by Charles Isherwood

“Mildred Fierce,” a musical spoof of the 1945 movie “Mildred Pierce,” at Theater 80 St. Marks, features the drag star Varla Jean Merman.    

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Sunday, October 13, 2013

Theater Review: ‘The Seagull,’ at Culture Project, Stars Trudie Styler by Charles Isherwood

Thomas Kilroy’s version of “The Seagull,” an adaptation of the 19th-century Chekhov play, stars Trudie Styler.    

SOURCE: The New York Times Subscription at 10:00PM
Thursday, October 10, 2013

Theater Review: ‘A Night With Janis Joplin’ Opens on Broadway by Charles Isherwood

In “A Night With Janis Joplin,” Mary Bridget Davies brings a positively uncanny vocal impersonation, interspersed with some quieter reflections, to Broadway.    

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Maximum Shakespeare: The Political Lessons of ‘Julius Caesar’ by Charles Isherwood

A country is thrown into chaos when its leaders descend into conflict in Shakespeare’s “Julius Caesar.” Does this sound slightly familiar?    

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Thursday, October 3, 2013

Theater Review: ‘Lady Day,’ With Dee Dee Bridgewater as Billie Holiday by Charles Isherwood

The jazz singer Dee Dee Bridgewater stars as Billie Holiday in the musical biography “Lady Day,” at the Little Shubert Theater.    

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Theater Review: The Savage Humor of Joshua Harmon’s ‘Bad Jews’ by Charles Isherwood

In the dark comedy “Bad Jews,” two cousins argue ferociously over who’s more worthy of a family heirloom.    

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Wednesday, October 2, 2013

Theater: There Is Nothing Like This Dame by Charles Isherwood

“Mildred Fierce,” making its New York premiere, is a loving musical parody of the movie that won Joan Crawford her Oscar.    

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Theater Review: Estelle Parsons Stars in ‘The Velocity of Autumn’ by Charles Isherwood

In “The Velocity of Autumn” at Arena Stage in Washington, Estelle Parsons is a feisty old woman who becomes an urban terrorist to avoid being forced from her Brooklyn home.  &n…

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Maximum Shakespeare: Updates Work, Except When They Don’t by Charles Isherwood

Times readers seemed to suggest that more often than not, theater directors are the villains when it comes to fiddling with Shakespeare’s plays.    

SOURCE: The New York Times Subscription at 12:34PM
Friday, September 27, 2013

Theater Review: ‘Natural Affection’ Opens at the Beckett Theater by Charles Isherwood

The Actors Company Theater is presenting “Natural Affection,” a play by William Inge that hasn’t had a major New York revival since its Broadway premiere, in 1963.   &nb…

SOURCE: The New York Times Subscription at 06:21PM
Thursday, September 26, 2013

Theater Review: ‘Not What Happened,’ a Next Wave Festival Play by Charles Isherwood

“Not What Happened,” by Ain Gordon, looks at how we interpret the past.    

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Maximum Shakespeare: To Renovate or Not to Renovate? by Charles Isherwood

Is it more effective to cloak Shakespearean text in contemporary imagery, or to hew to a more “classical” line?    

SOURCE: The New York Times Subscription at 11:12AM
Wednesday, September 25, 2013

Theater Review: ‘All the Way’ Stars Bryan Cranston as Lyndon B. Johnson by Charles Isherwood

Bryan Cranston is Lyndon B. Johnson in “All the Way,” a play set immediately after President Kennedy’s assassination.    

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Sunday, September 22, 2013

Critic’s Notebook: Nature Theater of Oklahoma Presents More ‘Life and Times’ by Charles Isherwood

Episodes 4.5 and 5 of “Life and Times,” from Nature Theater of Oklahoma, continued over the weekend, in film and with a book modeled on early medieval illuminated manuscripts.  …

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Friday, September 20, 2013

As Fierce as She Is Fragile: Elaine Stritch in Michigan by Charles Isherwood

Ms. Stritch, who made a dramatic exit from her home at the Carlyle Hotel this spring, is settling into her new life in Birmingham, Mich., cosmos and all.    

SOURCE: The New York Times Subscription at 01:23PM
Thursday, September 19, 2013

Theater Review: ‘The Blue Dragon’ Updates ‘The Dragons’ Trilogy’ by Charles Isherwood

Directed and starring Robert Lepage, “The Blue Dragon,” at the Brooklyn Academy of Music, revisits characters first created in “The Dragons’ Trilogy.”    

SOURCE: The New York Times Subscription at 05:48PM
Monday, September 16, 2013

Theater Review: ‘Women or Nothing’ Is Ethan Coen’s New Comedy by Charles Isherwood

“Women or Nothing” is a comedy about a lesbian couple who want to trick a man into helping them have a baby.    

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Thursday, September 12, 2013

Theater Review: ‘Fetch Clay, Make Man,’ About Stepin Fetchit and Muhammad Ali by Charles Isherwood

Black stars from two very different generations, Muhammad Ali and Stepin Fetchit, meet for advice and conflict in “Fetch Clay, Make Man.”    

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Too Much Shakespeare? Be Not Cowed by Charles Isherwood

A theater critic (and frequent fan) tries to sell a skeptic on this season’s full slate.    

SOURCE: The New York Times Subscription at 02:18PM

Theater Review: Mike Daisey Vents in ‘All the Faces of the Moon’ at Joe’s Pub by Charles Isherwood

In “All the Faces of the Moon,” Mike Daisey performs a different, highly digressive monologue each night through Oct. 3 at Joe’s Pub.    

SOURCE: The New York Times Subscription at 01:06AM
Wednesday, September 11, 2013

Theater Review: Mike Daisy Vents in ‘All the Faces of the Moon’ at Joe’s Pub by Charles Isherwood

In “All the Faces of the Moon,” Mike Daisey performs a different, highly digressive monologue each night through Oct. 3 at Joe’s Pub.    

SOURCE: The New York Times Subscription at 10:00PM
Monday, September 9, 2013

Theater Review: ‘Stop. Reset.,’ by Regina Taylor, Opens at Signature Theater by Charles Isherwood

A Chicago publishing house faces hard times in an era of digital change in Regina Taylor’s bewildering new play, “stop.reset.”    

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Thursday, September 5, 2013

Theater Review: Thurber’s ‘Hill Town Plays’ Are Produced by Rattlestick by Charles Isherwood

“The Hill Town Plays,” the cycle of five dramas by Lucy Thurber set in rural western Massachusetts, is filled with drinking, violence, misguided sex and other troubling activity. &n…

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All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic