All stories by Charles Isherwood on BroadwayStars

Thursday, December 26, 2013

iPad Programs Help Students With Shakespeare by Charles Isherwood

WordPlay Shakespeare and other programs allow readers to watch or listen to sections of his works as they view the text.    

SOURCE: The New York Times Subscription at 03:15PM

The Week Ahead | Theater: Legendary Ways to Ring in the Year by Charles Isherwood

Where and how to ring in the New Year is a perennial question. If you’re feeling festive and want to make a full night of it, there are several theater-related offerings to choose from.&nb…

SOURCE: The New York Times Subscription at 11:26AM
Thursday, December 19, 2013

Theater Review: ‘A Piece of Work,’ a Computerized ‘Hamlet’ Mash-up at BAM by Charles Isherwood

In “A Piece of Work,” presented at the Brooklyn Academy of Music’s Fishman Space, the text of “Hamlet” has been run through computer algorithms to disorienting effect.  &…

SOURCE: The New York Times Subscription at 04:16PM
Sunday, December 15, 2013

Theater Review: ‘Life and Death of Marina Abramovic’ at Park Ave. Armory by Charles Isherwood

In “The Life and Death of Marina Abramovic,” Robert Wilson stages the life and imaginary death of this performance artist.    

SOURCE: The New York Times Subscription at 06:14PM
Thursday, December 12, 2013

Theater Review: ‘The Rime of the Ancient Mariner,’ With Fiona Shaw by Charles Isherwood

“The Rime of the Ancient Mariner” at the Brooklyn Academy of Music’s Harvey Theater brings together poetry and motion in a stage and dance interpretation.    

SOURCE: The New York Times Subscription at 10:01PM

Charles Isherwood’s Standout Shows of the Year by Charles Isherwood

New plays by Amy Herzog and Annie Baker — as well as usual classics and unusual genres — are among a year’s most pleasurable productions.    

SOURCE: The New York Times Subscription at 01:04PM
Monday, December 9, 2013

Theater Review: ‘The (Curious Case of the) Watson Intelligence’ by Charles Isherwood

“The (Curious Case of the) Watson Intelligence” weaves love and machines into its plot.    

SOURCE: The New York Times Subscription at 10:00PM
Sunday, December 8, 2013

Theater Review: Alessandra Ferri and Herman Cornejo in ‘Chéri’ at the Signature by Charles Isherwood

Alessandri Ferri and Herman Cornejo play lovers of very different ages in “Chéri,” a dramatically muted but gorgeously danced new work from the choreographer Martha Clarke.  &…

SOURCE: The New York Times Subscription at 10:00PM
Thursday, December 5, 2013

Theater Review: ‘What’s It All About?’ at New York Theater Workshop by Charles Isherwood

“What’s It All About? Bacharach Reimagined,” a musical revue at New York Theater Workshop, digs into the melancholy in many of the hits that Mr. Bacharach wrote with Hal David. &n…

SOURCE: The New York Times Subscription at 10:00PM
Wednesday, December 4, 2013

Theater Review: ‘Bodycast,’ at BAM, With a Lecturing Frances McDormand by Charles Isherwood

In “Bodycast,” Frances McDormand does a dramatic reading of the artist Suzanne Bocanegra’s musings.    

SOURCE: The New York Times Subscription at 02:14PM
Wednesday, November 27, 2013

Theater Review: ‘One Night ,’ by Charles Fuller, at Cherry Lane Theater by Charles Isherwood

“One Night...,” A timely new play by Charles Fuller, tackles issues around sexual assault in the armed forces.    

SOURCE: The New York Times Subscription at 05:18PM

The Week Ahead | Theater: You’re Here to Be Lectured by Charles Isherwood

Frances McDormand takes to the intimate Fishman Space at the Brooklyn Academy of Music to portray Suzanne Bocanegra giving a lecture in “Bodycast.”    

SOURCE: The New York Times Subscription at 11:28AM
Tuesday, November 26, 2013

Theater Review: Terrence McNally’s ‘And Away We Go,’ at the Pearl by Charles Isherwood

The new play “And Away We Go,” at the Pearl Theater, is Terrence McNally’s love letter to theater through the centuries.    

SOURCE: The New York Times Subscription at 05:33PM
Monday, November 25, 2013

Theater Review: A. R. Gurney’s ‘Family Furniture,’ at the Flea Theater by Charles Isherwood

A. R. Gurney’s “Family Furniture” is a tender, sepia-toned play about a traumatic passage in the lives of a tight-knit, well-bred clan.    

SOURCE: The New York Times Subscription at 05:14PM
Sunday, November 24, 2013

Theater Review: ‘How I Learned What I Learned’ at Signature Center by Charles Isherwood

“How I Learned What I Learned,” a memoir in monologue written and originally performed by August Wilson, is now being delivered by Ruben Santiago-Hudson.    

SOURCE: The New York Times Subscription at 10:00PM
Thursday, November 21, 2013

Theater Review: Amanda Peet’s ‘Commons of Pensacola’ at City Center by Charles Isherwood

Blythe Danner and Sarah Jessica Parker are a mother and daughter with emotional and financial issues at their feet in “The Commons of Pensacola,” by the actress Amanda Peet.  &…

SOURCE: The New York Times Subscription at 10:00PM

Your Favorite Shakespeare Performances by Charles Isherwood

A Times critic admits to feeling envy in response to readers’ picks of the best actors they ever saw perform in William Shakespeare’s plays.    

SOURCE: The New York Times Subscription at 10:00AM
Wednesday, November 20, 2013

Theater Review: ‘Too Much, Too Much, Too Many’ From Roundabout Underground by Charles Isherwood

In Meghan Kennedy’s “Too Much, Too Much, Too Many,” a daughter tries to draw her mother out of her room, where she’s been bunkered since her husband died.    

SOURCE: The New York Times Subscription at 10:00PM
Monday, November 18, 2013

Theater Review: ‘Small Engine Repair,’ by John Pollono, at the Lortel by Charles Isherwood

A casual reunion of three longtime buddies betrays a darker purpose in “Small Engine Repair,” a raw, funny and well-tooled new play written by and featuring John Pollono.  &nbs…

SOURCE: The New York Times Subscription at 10:00PM
Sunday, November 17, 2013

Theater Review: ‘A Gentleman’s Guide to Love and Murder’ on Broadway by Charles Isherwood

“A Gentleman’s Guide to Love and Murder,” now on Broadway, turns the Alec Guinness movie classic “Kind Hearts and Coronets” into a musical, with Jefferson Mays in eight roles. …

SOURCE: The New York Times Subscription at 10:00PM
Thursday, November 14, 2013

Theater Review: ‘Little Miss Sunshine’ Opens at Second Stage by Charles Isherwood

“Little Miss Sunshine,” a musical adaptation of the popular indie film, centers on a frazzled family’s road trip to a children’s beauty pageant in California.    

SOURCE: The New York Times Subscription at 10:00PM

Mark Rylance and Other Shakespeareans at Work by Charles Isherwood

When it comes to Shakespeare, most actors are merely players. What does it take to become a master?    

SOURCE: The New York Times Subscription at 11:17AM
Tuesday, November 12, 2013

Theater Review: ‘The Patron Saint of Sea Monsters,’ at Playwrights Horizons by Charles Isherwood

Marlane Meyer’s comedy-drama “The Patron Saint of Sea Monsters,” at Playwrights Horizons, explores the seemingly inexplicable romance between a doctor and an unemployed jar factory wor…

SOURCE: The New York Times Subscription at 10:00PM
Monday, November 11, 2013

Theater Review: ‘The Mutilated,’ by Tennessee Williams, at New Ohio Theater by Charles Isherwood

“The Mutilated,” a rarely seen Tennessee Williams comedy, is being boisterously revived in a production starring the quirky team of Penny Arcade and Mink Stole.    

SOURCE: The New York Times Subscription at 04:31PM
Thursday, November 7, 2013

Theater Review: ‘La Soirée,’ Mix of Burlesque and Circus, at Union Square by Charles Isherwood

“La Soirée,” a hybrid of circus and burlesque show at the Union Square Theater, offers quirky twists on classic routines.    

SOURCE: The New York Times Subscription at 10:00PM

Theater Review: A Contemporary ‘Enemy of the People’ at the Harvey Theater by Charles Isherwood

An adaptation of “An Enemy of the People,” at the Brooklyn Academy of Music’s Harvey Theater, updates the play into a critique of modern society.    

SOURCE: The New York Times Subscription at 05:00PM
Wednesday, November 6, 2013

Theater Review: ‘Murder for Two’ Moves to New World Stages by Charles Isherwood

“Murder for Two,” a vaudevillian mystery musical with an energetic two-man cast, is now playing at New World Stages.    

SOURCE: The New York Times Subscription at 10:00PM

Theater Review: ‘Nothing to Hide,’ Magic at Pershing Square Center by Charles Isherwood

In “Nothing to Hide,” the magicians Helder Guimarães and Derek DelGaudio mesmerize the audience with nothing more (or less) than playing cards.    

SOURCE: The New York Times Subscription at 10:00PM

Theater Review | ‘Disaster!’ : ‘Disaster!,’ a Parody of ’70s Movies by Charles Isherwood

“Disaster!,” a musical at the St. Luke’s Theater, trawls through plotlines and characters from 1970s movies like “The Poseidon Adventure” as well as ’70s pop music.  &n…

SOURCE: The New York Times Subscription at 12:16PM
Sunday, November 3, 2013

Theater Review: ‘After Midnight,’ on Broadway, Fetes the Heyday of an Era by Charles Isherwood

“After Midnight,” on Broadway, time-travels back to the heyday of the Cotton Club as it moves through more than 25 songs from the jazz era.    

SOURCE: The New York Times Subscription at 10:00PM
Thursday, October 31, 2013

Maximum Shakespeare: The Light and Dark of ‘A Midsummer Night’s Dream’ by Charles Isherwood

“A Midsummer Night’s Dream” may have earned its high berth on the Shakespeare hit parade because it’s a bundle of high-spirited hijinks, but its view of love is divided.  &…

SOURCE: The New York Times Subscription at 01:45PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic