Wednesday, June 22, 2022
Flamenco Vivo Carlota Santana’s show “Fronteras” at the Joyce Theater has a group of very good and remarkably equal dancers sharing a bounded space.
SOURCE: The New York Times Subscription at 01:02PMSunday, June 19, 2022
In Martha Clarke’s piece about St. Francis of Assisi, at La MaMa’s Ellen Stewart Theater, the song carries the dance.
SOURCE: The New York Times Subscription at 02:26PMThursday, June 16, 2022
Programs at the Joyce Theater feature early works that show how Taylor integrated the radical and the popular.
SOURCE: The New York Times Subscription at 03:33PMFriday, June 10, 2022
The student dancers looked good in Kids Dance, the performance troupe of Ballet Tech, which has passed from Eliot Feld to Dionne Figgins.
SOURCE: The New York Times Subscription at 02:04PMThursday, June 9, 2022
Abrera, a former principal dancer with American Ballet Theater, has been named acting director of the school.
SOURCE: The New York Times Subscription at 05:51PMWednesday, June 8, 2022
Musicals like “MJ” and “Paradise Square” take on dance of the past — with some missed opportunities. But the dance in For Colored Girls” helps us to “remember what cannot be sa…
SOURCE: The New York Times Subscription at 03:37PMSunday, June 5, 2022
The fashion designer Isaac Mizrahi is a terrific host, but this production at the Guggenheim Museum is awfully shaggy for an avian story, our critic writes.
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PS21 presents work that challenges and invites, like performances by QDance, a Nigerian troupe whose leader says, “I am not your entertainment.”
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The year’s festival features local troupes. “The stories and music and dance that evolved here were just as important” as those from Africa, its director says.
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The group returns to the Joyce with a program that includes a new work, a Trisha Brown revival and a 2006 Petronio dance.
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Bijayini Satpathy, a MetLiveArts artist in residence, pushed the borders of her Odissi classicism to meet the art around her.
SOURCE: The New York Times Subscription at 02:15PMFriday, May 6, 2022
Yaa Samar! Dance Theater’s production at Gibney is an uncommonly deft combination of dance and verbal theater.
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This year’s dance festival pays homage to a Butoh founder, tango’s encounters, the pop group TLC and more.
SOURCE: The New York Times Subscription at 03:19PMFriday, April 29, 2022
Waltz’s dance to Terry Riley’s seminal score, at the Brooklyn Academy, is loose and cheerful, giving a spatial sense of the suspension of time.
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The choreographer and dancer Shamel Pitts’s “Black Hole: Trilogy and Triathlon” at New York Live Arts is stylish and sincere.
SOURCE: The New York Times Subscription at 12:48PMWednesday, April 20, 2022
The company, belatedly celebrating its 75th anniversary, presented a program with works by Limón and Doris Humphrey and a premiere by Olivier Tarpaga.
SOURCE: The New York Times Subscription at 02:22PMThe Lagos-born, Ireland-raised dancer Mufutau Yusuf comes to the Irish Arts Center with “Owe,” a solo, he says, “about my ancestry, my Yoruba heritage.”
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Calpulli Mexican Dance Company is using the holiday to share the culture of the Puebla region with New York audiences this weekend.
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Robert Garland’s “Higher Ground” combines classical ballet and vernacular Black dance to sharpen the social commentary in Wonder songs from the ’70s.
SOURCE: The New York Times Subscription at 01:25PMThursday, March 31, 2022
The gap between his category-defying artistry and his career options seems to expose a missing lane in American culture.
SOURCE: The New York Times Subscription at 10:00AMWednesday, March 30, 2022
In “Once Upon a Time Called Now,” the tap dancer and musician Michela Marino Lerman tries something new: a theatrical narrative.
SOURCE: The New York Times Subscription at 01:22PMFriday, March 25, 2022
At City Center, the company’s season began with a debut by its first resident choreographer, Lauren Lovette, and two masterly works by Taylor.
SOURCE: The New York Times Subscription at 03:02PMWednesday, March 23, 2022
In a program at the Joyce Theater, Brown’s company, Evidence, presented three dances that aren’t new but seem newly meaningful.
SOURCE: The New York Times Subscription at 01:39PMWednesday, March 16, 2022
This Chicago company presents Irish dance of great skill, while trying, sometimes successfully, to modernize and invigorate the tradition.
SOURCE: The New York Times Subscription at 04:18PMWednesday, March 9, 2022
In “Piece of Work” at the Joyce, Mearns dives into collaborations with choreographers outside the ballet world, including Jodi Melnick and Beth Gill.
SOURCE: The New York Times Subscription at 02:28PMFriday, March 4, 2022
“The Musician & the Mover,” a new work from the respected B-boy, had its New York premiere at New York Live Arts on Thursday.
SOURCE: The New York Times Subscription at 04:40PMWednesday, March 2, 2022
Thursday, February 24, 2022
In “An Untitled Love,” an hourlong show at BAM, Abraham and his dancers turn the stage into a house party set to D’Angelo tracks.
SOURCE: The New York Times Subscription at 03:55PMWednesday, February 16, 2022
Sankofa Danazfro returns to New York with “Accommodating Lie,” a curiously muted work about the display of Black Bodies
SOURCE: The New York Times Subscription at 02:00PMFriday, February 11, 2022
Pam Tanowitz’s “Four Quartets,” a rich mix of poetry, painting, music and dance, had its New York debut at the Brooklyn Academy.
SOURCE: The New York Times Subscription at 02:09PMThursday, February 10, 2022
This edition resembles past ones, with an international miscellany of approaches to the question of what filmed dance can be.
SOURCE: The New York Times Subscription at 09:46AM 
