Friday, August 12, 2022
With a score by the innovative electronic musician Jlin, Abraham’s dance has beautiful skeins of motion but lacks cohesive structure.
SOURCE: The New York Times Subscription at 03:14PMWednesday, July 27, 2022
Sunday, July 24, 2022
At Ragamala Dance Company’s nature-themed performance at BRIC Celebrate Brooklyn!, the strongest connection was between music and dance, our critic writes.
SOURCE: The New York Times Subscription at 01:03PMThursday, July 21, 2022
Michelle N. Gibson brings her one-woman show exploring the origins of New Orleans second line, “Takin’ It to the Roots,” to Jacob’s Pillow.
SOURCE: The New York Times Subscription at 05:00AMSunday, July 3, 2022
Her new dance at Bard, a collaboration with the composer David Lang, is a refined, restrained and sometimes breathtaking response to the biblical poem.
SOURCE: The New York Times Subscription at 02:57PMThursday, June 30, 2022
At Jacob’s Pillow, the Ted Shawn Theater has reopened with the inclusive “America(na) to Me” and a premiere by Ronald K. Brown/Evidence.
SOURCE: The New York Times Subscription at 01:11PMWednesday, June 22, 2022
Flamenco Vivo Carlota Santana’s show “Fronteras” at the Joyce Theater has a group of very good and remarkably equal dancers sharing a bounded space.
SOURCE: The New York Times Subscription at 05:37PMFlamenco Vivo Carlota Santana’s show “Fronteras” at the Joyce Theater has a group of very good and remarkably equal dancers sharing a bounded space.
SOURCE: The New York Times Subscription at 01:02PMSunday, June 19, 2022
In Martha Clarke’s piece about St. Francis of Assisi, at La MaMa’s Ellen Stewart Theater, the song carries the dance.
SOURCE: The New York Times Subscription at 02:26PMThursday, June 16, 2022
Programs at the Joyce Theater feature early works that show how Taylor integrated the radical and the popular.
SOURCE: The New York Times Subscription at 03:33PMFriday, June 10, 2022
The student dancers looked good in Kids Dance, the performance troupe of Ballet Tech, which has passed from Eliot Feld to Dionne Figgins.
SOURCE: The New York Times Subscription at 02:04PMThursday, June 9, 2022
Abrera, a former principal dancer with American Ballet Theater, has been named acting director of the school.
SOURCE: The New York Times Subscription at 05:51PMWednesday, June 8, 2022
Musicals like “MJ” and “Paradise Square” take on dance of the past — with some missed opportunities. But the dance in For Colored Girls” helps us to “remember what cannot be sa…
SOURCE: The New York Times Subscription at 03:37PMSunday, June 5, 2022
The fashion designer Isaac Mizrahi is a terrific host, but this production at the Guggenheim Museum is awfully shaggy for an avian story, our critic writes.
SOURCE: The New York Times Subscription at 03:41PMThursday, June 2, 2022
PS21 presents work that challenges and invites, like performances by QDance, a Nigerian troupe whose leader says, “I am not your entertainment.”
SOURCE: The New York Times Subscription at 07:50PMThursday, May 26, 2022
The year’s festival features local troupes. “The stories and music and dance that evolved here were just as important” as those from Africa, its director says.
SOURCE: The New York Times Subscription at 06:00AMWednesday, May 18, 2022
The group returns to the Joyce with a program that includes a new work, a Trisha Brown revival and a 2006 Petronio dance.
SOURCE: The New York Times Subscription at 12:42PMMonday, May 16, 2022
Bijayini Satpathy, a MetLiveArts artist in residence, pushed the borders of her Odissi classicism to meet the art around her.
SOURCE: The New York Times Subscription at 02:15PMFriday, May 6, 2022
Yaa Samar! Dance Theater’s production at Gibney is an uncommonly deft combination of dance and verbal theater.
SOURCE: The New York Times Subscription at 02:42PMSunday, May 1, 2022
This year’s dance festival pays homage to a Butoh founder, tango’s encounters, the pop group TLC and more.
SOURCE: The New York Times Subscription at 03:19PMFriday, April 29, 2022
Waltz’s dance to Terry Riley’s seminal score, at the Brooklyn Academy, is loose and cheerful, giving a spatial sense of the suspension of time.
SOURCE: The New York Times Subscription at 01:54PMFriday, April 22, 2022
The choreographer and dancer Shamel Pitts’s “Black Hole: Trilogy and Triathlon” at New York Live Arts is stylish and sincere.
SOURCE: The New York Times Subscription at 12:48PMWednesday, April 20, 2022
The company, belatedly celebrating its 75th anniversary, presented a program with works by Limón and Doris Humphrey and a premiere by Olivier Tarpaga.
SOURCE: The New York Times Subscription at 02:22PMThe Lagos-born, Ireland-raised dancer Mufutau Yusuf comes to the Irish Arts Center with “Owe,” a solo, he says, “about my ancestry, my Yoruba heritage.”
SOURCE: The New York Times Subscription at 10:49AMThursday, April 14, 2022
Calpulli Mexican Dance Company is using the holiday to share the culture of the Puebla region with New York audiences this weekend.
SOURCE: The New York Times Subscription at 12:47PMSunday, April 10, 2022
Robert Garland’s “Higher Ground” combines classical ballet and vernacular Black dance to sharpen the social commentary in Wonder songs from the ’70s.
SOURCE: The New York Times Subscription at 01:25PMThursday, March 31, 2022
The gap between his category-defying artistry and his career options seems to expose a missing lane in American culture.
SOURCE: The New York Times Subscription at 10:00AMWednesday, March 30, 2022
In “Once Upon a Time Called Now,” the tap dancer and musician Michela Marino Lerman tries something new: a theatrical narrative.
SOURCE: The New York Times Subscription at 01:22PMFriday, March 25, 2022
At City Center, the company’s season began with a debut by its first resident choreographer, Lauren Lovette, and two masterly works by Taylor.
SOURCE: The New York Times Subscription at 03:02PMWednesday, March 23, 2022
In a program at the Joyce Theater, Brown’s company, Evidence, presented three dances that aren’t new but seem newly meaningful.
SOURCE: The New York Times Subscription at 01:39PMWednesday, March 16, 2022
This Chicago company presents Irish dance of great skill, while trying, sometimes successfully, to modernize and invigorate the tradition.
SOURCE: The New York Times Subscription at 04:18PM 
