Two stars, Lauren Lovette of City Ballet and Jamar Roberts of Alvin Ailey, are retiring from the stage to focus on making dances.
SOURCE: The New York Times Subscription at 05:02AM“The Other Shore,” by the Seattle-based dance and visual art team Zoe Juniper, features an experience with a Google Cardboard VR viewer.
SOURCE: The New York Times Subscription at 02:39PMA rare gathering of Black dancers from different companies meet to discuss a new production on Little Island, curated by Misty Copeland and Robert Garland.
SOURCE: The New York Times Subscription at 04:16PMQuick and daring with New York City Ballet, she was a favorite of its leader, who would throw her into a role sometimes with barely a rehearsal.
SOURCE: The New York Times Subscription at 04:41PMThe company’s response to pandemic cancellations? An eight-city tour with sleeper buses and a foldout stage to perform outdoors.
SOURCE: The New York Times Subscription at 05:00AMArchie Burnett, dancer, teacher and a father of the House of Ninja, has a show at Jacob’s Pillow. With his cast, “it’s like a family love affair.”
SOURCE: The New York Times Subscription at 09:00AMThis choreographer sculpts outdoor space, with her performers creating new dimensions in a Bard SummerScape production.
SOURCE: The New York Times Subscription at 03:37PMRain interfered with Dorrance Dance’s evening program, but the ensemble’s matinee was a playful, inviting reintroduction to the festival.
SOURCE: The New York Times Subscription at 12:55PMProjected onto the Merchandise Mart, “Footnotes” honors a style that’s become popular around the world but isn’t always given recognition in its hometown.
SOURCE: The New York Times Subscription at 10:00AMThe gala features five new pieces, including one by Jamar Roberts, whose recent work confirms his importance.
SOURCE: The New York Times Subscription at 09:00PMWheeldon’s “Curious Kingdom,” on a Pacific Northwest Ballet program with two premieres, achieves moments of exquisite beauty.
SOURCE: The New York Times Subscription at 03:22PMThe festival features a film that shows the light and empowerment of vodou, a tradition of danced communication and communion with ancestors and spirits.
SOURCE: The New York Times Subscription at 01:26PMThis year’s iteration of the Indian dance festival, in two programs, is online; with Surupa Sen, what’s gained is emotional intimacy.
SOURCE: The New York Times Subscription at 12:47PM“The Mayor of Harlem,” a streaming Tap Family Reunion production, features period-style dance numbers by an adept cast of hoofers.
SOURCE: The New York Times Subscription at 08:00AMBill T. Jones brings a program of Saul Williams’s work to a New York Live Arts festival of ideas as audiences adjust to the city’s reopening.
SOURCE: The New York Times Subscription at 05:53PMTo watch LaTasha Barnes dance is to watch historical distance collapse.
SOURCE: The New York Times Subscription at 10:00AMThe Mark Morris Dance Group livestreamed a performance that featured a new work of substance, set to Brahms waltzes.
SOURCE: The New York Times Subscription at 01:44PMOkwui Okpokwasili’s processional is a homage and farewell to Simone Leigh’s giant bronze bust, “Brick House.”
SOURCE: The New York Times Subscription at 01:41PMThe choreographer’s “When We Fell,” for New York City Ballet, is among the most beautiful dance films of the pandemic.
SOURCE: The New York Times Subscription at 01:53PMAt Pacific Northwest Ballet, two online premieres: Donald Byrd’s has a Western theme and Alejandro Cerrudo’s undulates.
SOURCE: The New York Times Subscription at 01:30PMThe choreographer Madeline Hollander’s “Flatwing,” at the Whitney, considers a genetic mutation that silences some male crickets.
SOURCE: The New York Times Subscription at 01:10PMHe was Miami City Ballet’s resident choreographer before establishing his own company. He later returned to his native Peru to run the National Ballet. He died of Covid-19.
SOURCE: The New York Times Subscription at 06:03PMAt a tentative moment in the city’s reopening, Caleb Teicher & Co. inaugurated the in-person return of Works & Process at the Guggenheim Museum.
SOURCE: The New York Times Subscription at 01:41PMThe choreographer Jeremy McQueen’s film “Wild: Act 1” seeks to give voice to young men caught in the criminal justice system.
SOURCE: The New York Times Subscription at 01:06PMA dispute between the director of Peak Performances and an Indigenous choreographer hinged on workplace behavior, power and the boundary between art and social justice.
SOURCE: The New York Times Subscription at 12:19PMThe slate of commissioned works for reduced capacity audiences involves the artists Bill T. Jones, David Byrne and Laurie Anderson.
SOURCE: The New York Times Subscription at 01:00PMUnpretentious innocence and detailed choreography fuel Keone and Mari Madrid’s West Coast urban dance riff on “Romeo and Juliet.”
SOURCE: The New York Times Subscription at 09:36PMThis landmark work, “a whole new form of theater,” originated with a poet, Ntozake Shange, dancing.
SOURCE: The New York Times Subscription at 01:13PMTo get at the Fosse style, a dance critic breaks down “Who’s Got the Pain?,” the only film number Bob Fosse and Gwen Verdon performed in together.
SOURCE: The New York Times Subscription at 12:00PMThe Temptations’ dancing was essential to their allure. Sergio Trujillo makes it more intricate, stylistically varied and narratively sophisticated.
SOURCE: The New York Times Subscription at 10:00AMIn Young Jean Lee’s play, with choreography by Faye Driscoll, dance is a way for characters to repair relationships and communicate with one another.
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