Thursday, April 20, 2023
A decade after its rebirth, the company is assured and radiant in a challenging Balanchine and a moody piece set to James Blake’s electronic soul music.
SOURCE: The New York Times Subscription at 01:56PMWednesday, April 19, 2023
The two premieres in the company’s two-week run at the Joyce Theater are by fledgling choreographers whose efforts don’t add much to Graham’s legacy.
SOURCE: The New York Times Subscription at 01:51PMSunday, April 2, 2023
The choreographer Beth Gill’s “Nail Biter,” at the Fisher Center at Bard College, is absolutely deliberate but also mysterious.
SOURCE: The New York Times Subscription at 05:51PMThursday, March 30, 2023
Atamira Dance Company’s “Te Wheke” at the Joyce Theater drops you into its world and trusts you can swim in it.
SOURCE: The New York Times Subscription at 12:36PMSchlenzka, who took the reins in 2017, presided over a rebranding and a new name for the organization — and an experiment in artist rule.
SOURCE: The New York Times Subscription at 10:39AMFriday, March 24, 2023
Baras’s show, the only dance production in this year’s Flamenco Festival New York, was looser than usual, with soothing moments and good times.
SOURCE: The New York Times Subscription at 02:22PMWith a renovation, new studios and the return of dance to the Kaufmann Concert Hall, an institution once central to dance in New York invests in its future.
SOURCE: The New York Times Subscription at 01:16PMMonday, March 20, 2023
Devoting his long life to dance, he was also a choreographer, an educator and an author, and was still onstage in his 90s.
SOURCE: The New York Times Subscription at 05:57PMThursday, March 16, 2023
The company’s run at the Joyce Theater in Manhattan, featuring a premiere set to the soulful music of Bill Withers, is fun and clever in spots.
SOURCE: The New York Times Subscription at 12:51PMFriday, March 10, 2023
“Blackbare in the Basement,” Jordan Demetrius Lloyd’s first evening-length commission, shows a distinct voice still developing.
SOURCE: The New York Times Subscription at 03:06PMSunday, March 5, 2023
The New York debut of her performance “Lacks Criticality” coincides with an exhibition at the Whitney Museum that explores how artists have responded to Hurricane Maria.
SOURCE: The New York Times Subscription at 05:31PMThursday, March 2, 2023
Batsheva Dance Company brings Naharin’s “Hora” to the Joyce Theater, showcasing his idiosyncratic, often-emulated style.
SOURCE: The New York Times Subscription at 01:11PMWednesday, February 22, 2023
“Life of Pi” and Laura Linney on Broadway, Lise Davidsen at the Met Opera, SZA on tour: Here’s what we’re looking forward to this season.
SOURCE: The New York Times Subscription at 05:00AMFriday, February 10, 2023
Linda-Denise Fisher-Harrell, the Chicago troupe’s new leader, wants to expand the voices in the company, coming this week to the Joyce Theater.
SOURCE: The New York Times Subscription at 05:00AMThursday, February 9, 2023
The film helped bring breaking into the mainstream. Over the years, it also became famous for the subs and doubles of its star, Jennifer Beals.
SOURCE: The New York Times Subscription at 01:46PMWednesday, February 8, 2023
“Rome & Jewels,” revived at the Joyce Theater, established Rennie Harris as a gifted and canny choreographer of street styles for the concert stage.
SOURCE: The New York Times Subscription at 02:23PMFriday, February 3, 2023
“Memphis Jookin’: The Show,” which presents jookin “in the world it comes from,” is sincere entertainment, packed with talent and heart.
SOURCE: The New York Times Subscription at 02:31PMThe choreographer Troy Schumacher, the composer Ellis Ludwig-Leone and the novelist Karen Russell teamed up, pushing one another to new places in their mediums.
SOURCE: The New York Times Subscription at 05:00AMThursday, February 2, 2023
“Fortuitous Ash,” Keerati Jinakunwiphat’s first work for a ballet company, was spectral in two senses: ghostly and insubstantial.
SOURCE: The New York Times Subscription at 02:27PMSunday, January 22, 2023
The Russian dancer brought her star-and-her-friends touring program to New York City Center on Saturday for a sold-out, one-night-only show.
SOURCE: The New York Times Subscription at 02:53PMThursday, January 12, 2023
The American Dance Platform, this year curated by Ronald K. Brown, gives three companies a stage in New York.
SOURCE: The New York Times Subscription at 01:36PMWednesday, December 14, 2022
The Gibney Company presents Naharin’s “Yag,” but the dancers lack the stage presence to fully inhabit it.
SOURCE: The New York Times Subscription at 12:53PMSunday, December 11, 2022
At Alvin Ailey American Dance Theater’s current season at New York City Center, Twyla Tharp’s insouciance shines through, while anger rings true in “Survivors.”
SOURCE: The New York Times Subscription at 04:54PMFriday, December 9, 2022
“Rivulets,” with a score composed by the choreographer, brings a mesmerizing stream of consciousness to Baryshnikov Arts Center.
SOURCE: The New York Times Subscription at 06:28PMTuesday, December 6, 2022
After years of friendship and collaboration, Aaron Marcellus is writing the music for a new dance by Michelle Dorrance, his former tap teacher.
SOURCE: The New York Times Subscription at 01:25PMFriday, December 2, 2022
After a few slow, sad years, the dance calendar returned to something like abundance, with standout shows that leaned into joy and community.
SOURCE: The New York Times Subscription at 05:00AMWednesday, November 30, 2022
The contemporary ballet company, whose chief choreographer is Dwight Rhoden, presented dances at the Joyce Theater that felt like more of the same.
SOURCE: The New York Times Subscription at 02:28PMMonday, November 21, 2022
Judith Sánchez Ruíz, a former dancer in the company, has been commissioned to make its first work not by Brown.
SOURCE: The New York Times Subscription at 11:00AMThursday, November 17, 2022
Jennifer Weber has two shows opening on Broadway, “&Juliet” and “KPOP,” and her “Hip-Hop Nutcracker” is coming to Disney+.
SOURCE: The New York Times Subscription at 10:00AMFriday, November 11, 2022
Vanessa Anspaugh’s dance “Mourning After Mornings” discovers and creates its own logic, mixing humor with grief.
SOURCE: The New York Times Subscription at 02:26PMJennifer Tipton, whose job usually entails serving the vision of choreographers and directors, has made her own show, the installation “Our Days and Night.”
SOURCE: The New York Times Subscription at 10:00AM 
