Wednesday, October 25, 2023
Sankai Juku, an all-male Butoh company, returns to New York with a program of greatest hits that too often feels tedious.
SOURCE: The New York Times Subscription at 11:59AMTuesday, October 24, 2023
Liang, a choreographer who has run BalletMet in Ohio for 10 years, is the first Asian American to lead a ballet company of this size and stature.
SOURCE: The New York Times Subscription at 11:00AMFriday, October 20, 2023
Gregory Maqoma and Thuthuka Sibisi’s “Broken Chord” considers the 19th-century tour of a group of South African singers to England and North America.
SOURCE: The New York Times Subscription at 11:26AMFriday, October 13, 2023
Two dances at Baryshnikov Arts Center are part of Christopher Williams’s project of reimagining, and often queering, works by Diaghilev’s company.
SOURCE: The New York Times Subscription at 12:24PMWednesday, October 4, 2023
Sunday, October 1, 2023
The festival, with its variety of styles and cheap tickets, plays to excited audiences. Why can’t it give them better programs?
SOURCE: The New York Times Subscription at 01:52PMSunday, September 24, 2023
Wanjiru Kamuyu’s solo performance at the Chocolate Factory Theater in Queens isn’t a straightforward immigration story.
SOURCE: The New York Times Subscription at 04:27PMSunday, September 17, 2023
The production, about the slow rewards of romance, starring the musician serpentwithfeet, premiered at the Joyce Theater in Manhattan on Friday.
SOURCE: The New York Times Subscription at 03:19PMWednesday, September 13, 2023
Matthew Lutz-Kinoy’s “Filling Station” has new choreography and music but converses with the 1938 original and its “glimmer of queer liberation.”
SOURCE: The New York Times Subscription at 10:02AMSaturday, September 9, 2023
Balanchine didn’t think his ballets would last. But many have become classics, the cornerstone of repertory not just at City Ballet but around the world.
SOURCE: The New York Times Subscription at 05:01AMWednesday, September 6, 2023
Alexis Blake’s “Crack Nerve Boogie Swerve,” her first work to be shown in New York, focuses on strength and fragility.
SOURCE: The New York Times Subscription at 02:30PMWednesday, August 9, 2023
The choreography on Taylor Swift’s Eras Tour doesn’t ask her to do too much, but she knows how to use her simple moves to her advantage.
SOURCE: The New York Times Subscription at 09:00AMTuesday, August 8, 2023
Jody Gottfried Arnhold has a mission (and the means) to cultivate dance education. To her, it is a basic human right — and vital to democracy.
SOURCE: The New York Times Subscription at 05:01AMFriday, August 4, 2023
Engaging viewers’ bodies is central to this Broadway musical, a rare production that sets its audience in motion on the dance floor.
SOURCE: The New York Times Subscription at 05:33AMSunday, July 23, 2023
Stormy weather at a summer festival wraps performances of a debut and some classic works by two very distinct choreographers.
SOURCE: The New York Times Subscription at 07:03PMFriday, July 21, 2023
The polka chinata, in which two men whirl together in a crouch, is revived in a dance by Alessandro Sciarroni, coming to PS21 in Chatham, N.Y.
SOURCE: The New York Times Subscription at 05:00AMFriday, July 14, 2023
The choreographer and his Puremovement troupe brought their touring show, “Nuttin’ but a Word,” to Prospect Park for BRIC Celebrate Brooklyn!
SOURCE: The New York Times Subscription at 04:05PMWednesday, July 12, 2023
“One Dance,” part of Korean Arts Week at Lincoln Center, puts a contemporary spin on rituals and ceremonies.
SOURCE: The New York Times Subscription at 05:00AMMonday, June 19, 2023
The Lower Manhattan Cultural Council’s free summer arts festival presented several pieces, including “duel c” on Governors Island, that employed humor for serious purposes.
SOURCE: The New York Times Subscription at 02:52PMMonday, June 12, 2023
Carlota Santana is neither a star performer nor a choreographer. But her skills as a director have kept her company an active part of the New York scene.
SOURCE: The New York Times Subscription at 01:29PMWednesday, June 7, 2023
An arts program in a California state facility disproves the idea that “nobody dances in prison,” encouraging inmates to channel their lives and emotions into movement.
SOURCE: The New York Times Subscription at 05:01AMSunday, June 4, 2023
Ballet Hispánico debuts two works: one about the 17th-century nun and poet Sor Juana Inés de la Cruz, and the other, “Papagayos,” featuring a supernatural hat.
SOURCE: The New York Times Subscription at 03:47PMFriday, June 2, 2023
Mack, whom one student called an agent of change, wants to “create a place where people feel like themselves” — and a model for the professional world.
SOURCE: The New York Times Subscription at 05:01AMTuesday, May 30, 2023
The dancer, also known as HallowDreamz, is the face of krump in New York. Now he’s found another artistic home with the choreographer Andrea Miller.
SOURCE: The New York Times Subscription at 05:06PMWednesday, May 10, 2023
Two South Asian dance troupes, Nrityagram and Chitrasena, exemplars of different styles, team up for a program at the Joyce Theater.
SOURCE: The New York Times Subscription at 02:45PMIs theatrical choreography at a turning point? Or just leaping, lurching and shimmying as usual? Our critics weigh in.
SOURCE: The New York Times Subscription at 05:01AMMonday, May 8, 2023
Friday, May 5, 2023
The spring gala featured premieres by the veteran Christopher Wheeldon and a newcomer, Alysa Pires. The surprise was the lack of contrast and risk.
SOURCE: The New York Times Subscription at 02:42PMWednesday, May 3, 2023
A premiere by Judith Sánchez Ruíz goes its own way but, like Brown’s work, shows an active, questioning mind and a sensual physicality.
SOURCE: The New York Times Subscription at 02:20PMFriday, April 28, 2023
Shamel Pitts’s “Touch of Red,” at New York Live Arts, takes place in a boxing ring. It’s not a competition, though. It’s a relationship.
SOURCE: The New York Times Subscription at 12:53PMThursday, April 20, 2023
A decade after its rebirth, the company is assured and radiant in a challenging Balanchine and a moody piece set to James Blake’s electronic soul music.
SOURCE: The New York Times Subscription at 01:56PM 
