All stories by Bill Marx on BroadwayStars

Tuesday, January 27, 2015

Fuse Book Review: Benito Pérez Galdós’s “Tristana” — Liberation, Though Off-Kilter by Bill Marx

Tristana is Ibsen's Doll's House played as a gaunt farce, a vision of feminism as icy egotism rather than individual liberation.

SOURCE: The Arts Fuse at 03:38PM
Tuesday, January 13, 2015

Fuse Interview: Scott Timberg Looks at the “Culture Crash” Square in the Eye by Bill Marx

"It’s not depressing to be told that writers and artists are getting screwed. It’s our daily reality."

SOURCE: The Arts Fuse at 02:27PM
Friday, January 9, 2015

Fuse Theater Interview: Playwright Ken Urban on Crafting “A Future Perfect” by Bill Marx

"The pain depicted on stage must cut to the bone, inspire a seemingly impossible empathy within me, within the audience."

SOURCE: The Arts Fuse at 04:43PM
Thursday, January 8, 2015

Fuse Interview: Debra Cash Named Executive Director of Boston Dance Alliance by Bill Marx

"My first order of business is to do a listening tour. I will have the same question for everyone I meet: what do you need to do your work?"

SOURCE: The Arts Fuse at 12:58PM
Wednesday, December 31, 2014

Fuse Book Commentary: Dreiser’s “The Titan” Turns 100 — America’s “Downton Abbey” by Bill Marx

Theodore Dreiser's The Titan is not the greatest novel about American business, but it is still among the best, an honorable runner-up that turned 100 this year.

SOURCE: The Arts Fuse at 11:19AM
Monday, December 22, 2014

Fuse Theater Feature: Best Stage Productions of 2014 by Bill Marx

Fuse theater critics pick some of the outstanding productions of the year.

SOURCE: The Arts Fuse at 08:36AM
Sunday, December 14, 2014

Fuse Feature: Why You Should Keep The Arts Fuse Strong — Our Winter Fundraiser by Bill Marx

Why does The Arts Fuse keep growing? Because there is an audience for thoughtful coverage of the arts -- but we need support from our readers to keep us healthy.

SOURCE: The Arts Fuse at 01:41PM
Sunday, November 30, 2014

Fuse Theater Review: Viva “The World Fixer” at Austrian Stage by Bill Marx

In this fiction and plays, Thomas Bernhard creates fascinatingly repugnant monsters, black holes of egotism that are symptomatic of our spiritual and moral myopia.

SOURCE: The Arts Fuse at 05:02PM
Friday, November 21, 2014

Fuse Theater Review: “The Old Man and The Old Moon” — An Old Story, Entertainingly Told by Bill Marx

The Old Man and The Old Moon is pleasing, but just how theatrically satisfying it is depends on the appeal of 'magical' folktales, the kind where anything goes.

SOURCE: The Arts Fuse at 08:59AM
Tuesday, October 28, 2014

Fuse Theater Review: Beneath the “Ether Dome” by Bill Marx

Ether Dome is nothing if not ironic: a dire need for relief generates a mess of pain.

SOURCE: The Arts Fuse at 02:20PM
Monday, October 20, 2014

Fuse Theater Review: “King Lear” — Tragedy Served Sunny Side Up by Bill Marx

The tragedy of King Lear never takes hold because you know that soon someone is going to pick up an accordion and with a 'Hey, Nonny Nonny' dance those blues away.

SOURCE: The Arts Fuse at 04:42PM
Saturday, October 18, 2014

Fuse Book Interview: The Boston Book Festival — Five Years On and Thriving by Bill Marx

"The Boston Book Festival is doing really well. It feels like an established part of Boston’s cultural scene."

SOURCE: The Arts Fuse at 11:55AM
Tuesday, October 7, 2014

Fuse Theater Review: “Knock! The Daniil Kharms Project” — Absurdity Knocked About by Bill Marx

Imaginary Beasts is to be congratulated for bringing public attention to the brilliant, idiosyncratic-to--the-max-and-beyond work of Daniil Kharms, a writer silenced by Stalin.

SOURCE: The Arts Fuse at 04:57PM
Thursday, September 18, 2014

Fuse Interview: David Albahari’s “Globetrotter” — The Postmodern Émigré Blues by Bill Marx

Serbian writer David Albahari's fascination with uncertainty fuels a grim, sardonic tragi-comedy in which silence plays an elemental but enigmatic role.

SOURCE: The Arts Fuse at 02:17PM
Thursday, September 11, 2014

Fuse Theater Review: “Guess Who’s Coming to Dinner” — Is This Meal Really Necessary? by Bill Marx

When it comes to race relations, America has a lot on its plate -- there is no good reason to serve leftovers.

SOURCE: The Arts Fuse at 01:33PM
Saturday, September 6, 2014

Fuse Theater Interview: Wordsmiths Strike Back — The Poets’ Theatre Redux by Bill Marx

We intend to stage work by all the living American poets we can lure into our sphere: starting right here in Cambridge.

SOURCE: The Arts Fuse at 11:17AM
Thursday, September 4, 2014

From the Editor’s Desk: Lessons from Bertolt Brecht — and Highlights of the Week by Bill Marx

Today's increasingly corporate-approved theater stays within safe, civic-minded boundaries.

SOURCE: The Arts Fuse at 01:21PM
Saturday, August 23, 2014

Fuse Highlights of the Week: The Mess at the Met — Resolved? by Bill Marx

Despite commentary to the contrary, Jonathan Blumhofer thinks that in the negotiations between the Met management and the unions there was a winner and a loser.

SOURCE: The Arts Fuse at 12:46PM
Wednesday, August 13, 2014

From the Editor’s Desk: But Can You Relate? by Bill Marx

Fighting for the intellectual integrity and independence of arts reviews means demanding more analysis and less sales talk.

SOURCE: The Arts Fuse at 03:33PM
Sunday, August 10, 2014

Fuse Theater Review: “The Annotated History of the American Muskrat” — Sleepers Awake? by Bill Marx

Clocking in at around three hours, the show is a surreal grab bag filled with gags, skits, and sketches, the whole kooky kit and kaboodle tied up (too) neatly in a paranoid ribbon.

SOURCE: The Arts Fuse at 12:25PM
Monday, August 4, 2014

From the Editor’s Desk: Please Restrain Your Inner Child by Bill Marx

Stage coverage at the Boston Globe/NPR brain trust is generally dedicated to serving the rich and the trendy -- the publicity gum drop for Finding Neverland the latest evidence that the fix …

SOURCE: The Arts Fuse at 09:39AM
Saturday, August 2, 2014

Fuse Theater Review: CSC Stages a Zippy “Twelfth Night” on the Boston Common by Bill Marx

There are laughs in this production of Twelfth Night, but the romantic payoffs are somewhat scarce, perhaps because the sit-com rhythms tend to swamp all else (including some of the poetry).

SOURCE: The Arts Fuse at 01:22PM
Friday, July 25, 2014

From the Editor’s Desk: Save the A.R.T.’s Tinker Bell — Clap Your Hands If You Believe in Cash by Bill Marx

A major regional theater is turning itself into a launching pad for Broadway/Las Vegas blockbusters, with Hollywood pouring cash and advice into pipeline. .

SOURCE: The Arts Fuse at 03:35PM
Wednesday, June 25, 2014

Fuse Interview: ArtsBoston Launches The Arts Factor — A Fact-Based Shot of Courage by Bill Marx

Until now, the powerful economic reality spotlighted by The Arts Factor has generally been ignored or dismissed as anecdotal.

SOURCE: The Arts Fuse at 09:37AM
Thursday, June 19, 2014

Fuse Fundraiser: July 2013-July 2014 — The Year That Was For The Arts Fuse by Bill Marx

We have lots of plans to expand our readership and reach, to build new ways for our readers to read our online arts magazine. But we need some more resources and support to make this happen.

SOURCE: The Arts Fuse at 03:31PM
Friday, June 13, 2014

Fuse Theater Review: “A Lie of the Mind” – Trinity Rep’s Excellent 50th Anniversary Gift by Bill Marx

Critic Eric Bentley valued the theater of audacity above all, and that is just what is on glorious display in Trinity Rep's marvelously nervy A Lie of the Mind.

SOURCE: The Arts Fuse at 10:19AM
Monday, June 9, 2014

Fuse Theater Review: “Smart People” — A Sharp Satire of a “Post-Racial” World by Bill Marx

Lydia R. Diamond’s Smart People is an amusing takedown of our “post-racial” world, and it is receiving a snappy, well-acted production via the Huntington Theatre Company.

SOURCE: The Arts Fuse at 05:41PM
Sunday, June 8, 2014

Fuse Theater Interview: Beau Jest Turns 30 — Davis Robinson on Moving into “Apt. 4D” by Bill Marx

We do it for the joy and communitas of making theater together much as we do for responding to the world around us through art.

SOURCE: The Arts Fuse at 11:23AM
Thursday, May 22, 2014

Fuse Remembrance: Polish Poet and Dramatist Tadeusz Różewicz — The Prophet of the Partial, the Herald of the Unfinished by Bill Marx

Tadeusz Różewicz's best poems are blunt hammer strokes that pound at the impossibility of crafting poetry true to the sins of history.

SOURCE: The Arts Fuse at 09:26AM
Friday, May 16, 2014

Fuse Theater Review: At the A.R.T., “The Tempest” is Toast by Bill Marx

Is it the Bard or a magic show? The prestidigitation pretty well wins out given the wanness of the dramatic proceedings.

SOURCE: The Arts Fuse at 02:37PM
Tuesday, May 13, 2014

Fuse Theater Review: “Sontag: Reborn” — A Song of Herself by Bill Marx

Dramatically speaking, Sontag: Reborn fails to treat a flawed iconoclast with the necessary creative playfulness. Hush, Saint Susan Aborning!

SOURCE: The Arts Fuse at 05:18PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre