All stories by Bill Marx on BroadwayStars

Friday, October 16, 2015

Fuse Book/Theater Interview: Library of America Celebrates Arthur Miller’s Centennial by Bill Marx

The Library of America has done its part to applaud Arthur Miller's 100th birthday with a handsome 3-volume set of his plays.

SOURCE: The Arts Fuse at 03:05PM
Friday, October 9, 2015

Fuse Theater Review: Bridge Rep’s “Salomé” — Never a Dull Moment by Bill Marx

Bridge Rep Theater director Olivia D'Ambrosio has not taken message-mongering to heart in this lively production of a rarely produced play.

SOURCE: The Arts Fuse at 09:08AM
Monday, September 28, 2015

Fuse Theater Review: “Mr Joy” — Empowerment Overload by Bill Marx

It is no longer enough for a playwright to go into the belly of the 'beast' and pray for help.

SOURCE: The Arts Fuse at 04:37PM
Friday, September 18, 2015
Thursday, September 10, 2015

Fuse Theater Review: “Ghost Quartet” — Bang the Drum Slowly by Bill Marx

The things that go bump in the night are a pretty gooey lot in Ghost Quartet.

SOURCE: The Arts Fuse at 04:14PM
Wednesday, September 9, 2015

Fuse Stage Interview: Robert Scanlan on Samuel Beckett’s Women by Bill Marx

"When we turn so crass and commercial that we have lost our way, Samuel Beckett will be rediscovered as the way back."

SOURCE: The Arts Fuse at 09:49AM
Friday, August 14, 2015

Fuse Author Interview: Critic Morris Dickstein — “We Need a New Minority Culture” by Bill Marx

"Arts journalism should meet the same high standard as other forms of writing but rarely does, even in the good old days."

SOURCE: The Arts Fuse at 04:39PM
Thursday, August 13, 2015

Fuse Theater Interview: Davis Robinson on “Ensemble Devising” — Artistic “Rapid-Response” Teams by Bill Marx

"For artists involved in doing ensemble devising, there is tremendous value in the creative challenge on every level of seeing how high and how far you can go as an artist."

SOURCE: The Arts Fuse at 06:04PM
Sunday, August 2, 2015

Fuse Theater Review: The CSC’s “King Lear” — The Deed Dutifully Done by Bill Marx

For all of its sound and fury and smoke, the CSC's version of King Lear is solid rather than surprising or exciting.

SOURCE: The Arts Fuse at 11:54AM
Wednesday, July 22, 2015

Fuse Theater Review: “Kinship” at Williamstown Theatre Festival– No Sex in the City by Bill Marx

In Kinship, dramatist Carey Perloff hasn't found a language that conveys irrational longing.

SOURCE: The Arts Fuse at 12:02PM
Wednesday, July 8, 2015

Fuse Commentary: Arts Criticism Isn’t Free — Support The Arts Fuse! by Bill Marx

Those who care about the future of American arts and culture should financially support this magazine and other valiant efforts to articulate the significance of the arts.

SOURCE: The Arts Fuse at 06:41PM
Wednesday, May 20, 2015

Fuse Theater Review: “The Last Two People on Earth” — Singin’ in the Tsunami by Bill Marx

An amiable musical revue about two guys who kick up their heels after global warming finally boils over.

SOURCE: The Arts Fuse at 03:47PM
Tuesday, May 12, 2015

Fuse News: 2015 Elliot Norton Awards Announced by Bill Marx

Congratulations to the nominees and the awardees.

SOURCE: The Arts Fuse at 12:03PM
Wednesday, May 6, 2015

Fuse Commentary: Five Minutes With NEA Chairman Jane Chu by Bill Marx

God speed Chairman Chu on her mission to make the fine arts less marginalized in a determinedly bottom line culture, obsessed with the pragmatic rather than the imaginative.

SOURCE: The Arts Fuse at 11:06AM
Sunday, April 26, 2015

Fuse Theater Review: Wham “(Betty) Bam,” Thank You Mam by Bill Marx

Had Daniil Kharms' texts been available at the high tide of the Theater of the Absurd, his plays would be performed alongside those of Samuel Beckett and Eugene Ionesco.

SOURCE: The Arts Fuse at 05:58PM
Monday, April 20, 2015

Fuse Book Interview: Todd Tietchen on Jack Kerouac — Torn Between Routes and Roots. by Bill Marx

"The aspiration in presenting these works together is that a more rounded comprehension of Jack Kerouac might finally be realized or acknowledged by both general readers and scholars."

SOURCE: The Arts Fuse at 12:24PM
Friday, April 10, 2015

Fuse Tip: Robert Lepage’s Miraculous Magic Cube — “Needles and Opium” by Bill Marx

This wonder work from Canadian director Robert Lepage isn't here for much time, alas.

SOURCE: The Arts Fuse at 06:56PM
Sunday, April 5, 2015

Fuse Theater Commentary: The Irrelevance of ‘Relevant’ Theater by Bill Marx

Where are the theaters that are bold enough to stage challenging and risky dramas about race? Not just talk the talk.

SOURCE: The Arts Fuse at 03:39PM

Fuse News: H. L. Mencken — Banned in Boston, 89 Years Ago Today by Bill Marx

After reading the supposedly offensive article in the American Mercury, the judge said: "No one but a moron could be affected by it."

SOURCE: The Arts Fuse at 12:36PM
Monday, March 2, 2015

Fuse Theater Review: “Intimate Apparel” — An Affecting Vision of Constriction by Bill Marx

The Lyric Stage is presenting a moving production of Lynn Nottage's cautionary tale about strength of character tragically misdirected.

SOURCE: The Arts Fuse at 04:04PM
Monday, February 23, 2015

Fuse Arts Interview: America’s Arts Economy — Future Tragically Imperfect by Bill Marx

Over the next two decades, slow-creeping climate change is coming to the arts in America -- the arctic ice on which the creative class stands is melting.

SOURCE: The Arts Fuse at 03:10PM
Wednesday, February 4, 2015

Fuse Theater Review: “Father Comes Home From the Wars (Parts 1, 2 & 3)” — A Memorable Homecoming by Bill Marx

May Father Comes Home From the Wars (Parts 1, 2 & 3) fill the Loeb Drama Center to the brim and then some.

SOURCE: The Arts Fuse at 05:12PM
Tuesday, January 27, 2015

Fuse Book Review: Benito Pérez Galdós’s “Tristana” — Liberation, Though Off-Kilter by Bill Marx

Tristana is Ibsen's Doll's House played as a gaunt farce, a vision of feminism as icy egotism rather than individual liberation.

SOURCE: The Arts Fuse at 03:38PM
Tuesday, January 13, 2015

Fuse Interview: Scott Timberg Looks at the “Culture Crash” Square in the Eye by Bill Marx

"It’s not depressing to be told that writers and artists are getting screwed. It’s our daily reality."

SOURCE: The Arts Fuse at 02:27PM
Friday, January 9, 2015

Fuse Theater Interview: Playwright Ken Urban on Crafting “A Future Perfect” by Bill Marx

"The pain depicted on stage must cut to the bone, inspire a seemingly impossible empathy within me, within the audience."

SOURCE: The Arts Fuse at 04:43PM
Thursday, January 8, 2015

Fuse Interview: Debra Cash Named Executive Director of Boston Dance Alliance by Bill Marx

"My first order of business is to do a listening tour. I will have the same question for everyone I meet: what do you need to do your work?"

SOURCE: The Arts Fuse at 12:58PM
Wednesday, December 31, 2014

Fuse Book Commentary: Dreiser’s “The Titan” Turns 100 — America’s “Downton Abbey” by Bill Marx

Theodore Dreiser's The Titan is not the greatest novel about American business, but it is still among the best, an honorable runner-up that turned 100 this year.

SOURCE: The Arts Fuse at 11:19AM
Monday, December 22, 2014

Fuse Theater Feature: Best Stage Productions of 2014 by Bill Marx

Fuse theater critics pick some of the outstanding productions of the year.

SOURCE: The Arts Fuse at 08:36AM
Sunday, December 14, 2014

Fuse Feature: Why You Should Keep The Arts Fuse Strong — Our Winter Fundraiser by Bill Marx

Why does The Arts Fuse keep growing? Because there is an audience for thoughtful coverage of the arts -- but we need support from our readers to keep us healthy.

SOURCE: The Arts Fuse at 01:41PM
Sunday, November 30, 2014

Fuse Theater Review: Viva “The World Fixer” at Austrian Stage by Bill Marx

In this fiction and plays, Thomas Bernhard creates fascinatingly repugnant monsters, black holes of egotism that are symptomatic of our spiritual and moral myopia.

SOURCE: The Arts Fuse at 05:02PM
Friday, November 21, 2014

Fuse Theater Review: “The Old Man and The Old Moon” — An Old Story, Entertainingly Told by Bill Marx

The Old Man and The Old Moon is pleasing, but just how theatrically satisfying it is depends on the appeal of 'magical' folktales, the kind where anything goes.

SOURCE: The Arts Fuse at 08:59AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic