All stories by Bill Marx on BroadwayStars

Sunday, March 23, 2014

Fuse Interview: Jewish-American Writer Bernard Malamud at 100 — Appreciating the Beauty of the Ethical by Bill Marx

"Bernard Malamud is the great sentence-maker, the great craftsman, and the sheer quality of those sentences has never perhaps been given its complete due."

SOURCE: The Arts Fuse at 12:11PM
Sunday, March 9, 2014

Fuse Views: Remembering a Preserver of Memory by Bill Marx

Jiri Fiedler's was a life of quiet heroism dedicated to the indispensable task of keeping the past alive.

SOURCE: The Arts Fuse at 03:45PM
Monday, March 3, 2014

Fuse Theater Review: A First-Rate “Flick” From Company One by Bill Marx

In "The Flick," Annie Baker creates youngish characters that my students at Boston University would call “relatable,” exploring how self-delusions, stereotypes, and fear keep them from c…

SOURCE: The Arts Fuse at 01:38PM
Tuesday, February 25, 2014

Fuse Theater Review: A Moderately Powerful “Death of a Salesman” from The Lyric Stage Company by Bill Marx

A lack of dramatic combustion sometimes makes the Lyric Stage Company production, despite its intelligent detail, more staidly melodramatic than it should be.

SOURCE: The Arts Fuse at 04:40PM
Monday, February 17, 2014

Fuse Theater Review: “Witness Uganda” — From Africa, With Schmaltz by Bill Marx

"Witness Uganda" is a quintessential American musical -- a work of cultural tourism that condemns cultural tourism.

SOURCE: The Arts Fuse at 01:06PM
Friday, February 14, 2014

Fuse Theater Review: “Absence” — Movingly Moving Toward the Null Point by Bill Marx

The protagonist may necessarily be passive in the face of his or her diminishing mental condition, but art must rage against the dying of the light.

SOURCE: The Arts Fuse at 09:40AM
Tuesday, February 4, 2014

Fuse News: Elizabethan Genius Gets Its Due — An Edition of Ben Jonson For the Ages by Bill Marx

The "Cambridge Jonson" volumes are available online, and the site is a bibliographical joy to behold, Ben Jonson's plays, poems, masques, and prose arranged in chronological order and in a s…

SOURCE: The Arts Fuse at 05:09PM
Sunday, January 26, 2014

Fuse Theater Review: Bread & Puppet Theater’s “Shatterer of Worlds” — Apocalyptic Art by Bill Marx

Those willing to accept that powerful political theater can be as much about depicting pain as providing hope will find much to admire in this visually striking, dramatically compelling piec…

SOURCE: The Arts Fuse at 01:27PM
Monday, January 13, 2014

Fuse Commentary: The Welcome Buccaneers of Arts Criticism by Bill Marx

"Criticism will always have the force of the child in the story about the emperor's new clothes, because there will always be naked emperors who everybody says are wearing today's Crown Jewe…

SOURCE: The Arts Fuse at 07:59PM
Friday, January 10, 2014

Fuse Theater Review: “Venus in Fur” — No S & M Please, We’re American by Bill Marx

"Venus in Fur" could be best described as cheeky rather than kinky, more of a talky intellectual exercise than a zesty exploration of the allure of sexual domination and submission.

SOURCE: The Arts Fuse at 07:39PM
Tuesday, January 7, 2014

Fuse Book Interview: “1941: The Year That Keeps Returning” — Doubt is not a Fatal Weakness by Bill Marx

Through meticulous research, interviews, and reminiscence, this compelling book illuminates a nook in the heart of darkness.

SOURCE: The Arts Fuse at 06:09PM
Friday, January 3, 2014

Fuse Coming Attractions: What Will Light Your Fire This Week by Bill Marx

Arts Fuse critics select the best in dance and theater that's coming up this week.

SOURCE: The Arts Fuse at 10:52AM
Sunday, December 29, 2013

Fuse Theater Review: Best Stage Productions of 2013 by Bill Marx

Fuse Theater critics pick some of the outstanding shows of the past year.

SOURCE: The Arts Fuse at 11:18PM
Monday, December 23, 2013

Fuse Theater Review: An Amusing “Heart of Robin Hood” by Bill Marx

What is refreshing about the muscular back-flipping in David Farr’s amusing rewrite of the Robin Hood fable is that Maid Marion is as much into derring-do as the Merry Men.

SOURCE: The Arts Fuse at 06:00PM
Thursday, December 19, 2013

Fuse Theater Review: Shakespeare’s “Henry VIII” — History as Smoke, Mirrors, and Spectacle by Bill Marx

Given how rarely "Henry VIII" is staged, any Shakespeare enthusiast worth his or her salt should definitely take in this uneven production.

SOURCE: The Arts Fuse at 05:47PM
Tuesday, December 17, 2013

Fuse Theater Review: Chekhov Lite — “Vanya and Sonia and Masha and Spike” by Bill Marx

Chekhov's jokes are the inevitable by-products of his characters confronting life’s absurdities; Christopher Durang is content to wring laughs out of wacky situations and cartoon caricatur…

SOURCE: The Arts Fuse at 04:46PM
Thursday, December 5, 2013

Fuse Theater Review: “Mies Julie” — Writhing in the Danger Zone by Bill Marx

In her compelling deconstruct/rewrite of "Miss Julie," set in South Africa 18 years after the end of apartheid, director/dramatist Yaël Farber doubles down on the elemental energies of Gree…

SOURCE: The Arts Fuse at 09:07AM
Monday, November 25, 2013

Fuse Theater Review: “The Cocktail Hour” — A Pick-Me-Up for Waning WASPS by Bill Marx

With the 1% rapidly vacuuming up the upper and middle classes, A.R. Gurney's comic vision of the tipsy idle rich, shorn of cares and criminality, floats completely free of reality.

SOURCE: The Arts Fuse at 11:21AM
Saturday, November 23, 2013

Arts Fuse Year-End Fundraiser: Once More unto the Breach, Dear Friends, Once More by Bill Marx

Please send tax deductible dollars to "The Arts Fuse" so the magazine can continue to serve its mission -- we need funds to pay our writers, to continue to grow our readership, and to raise …

SOURCE: The Arts Fuse at 04:02PM
Friday, November 15, 2013

Fuse Theater Review: “The After-Dinner Joke” — How We are Out-Sourcing Our Consciences by Bill Marx

British dramatist Caryl Churchill proffers a valuable line of satiric attack on our delusions of doing good, so it is easy to forgive the dramatist her broad and scattershot comic approach.

SOURCE: The Arts Fuse at 09:36AM
Wednesday, November 6, 2013

Fuse Theater Review: Kurt Vonnegut Redux? Not in “Make Up Your Mind” by Bill Marx

Unfortunately, there are only flickers of Kurt Vonnegut’s dark and playful genius in "Make Up Your Mind."

SOURCE: The Arts Fuse at 08:55AM
Sunday, October 27, 2013

Fuse Theater Review: “The Power of Duff”? The Same Old Guff by Bill Marx

Whenever you hear greeting card bromides intoned with a straight face (it's usually in scenes set in a hospital) you know that moral fuzziness isn't far behind.

SOURCE: The Arts Fuse at 11:10AM
Monday, October 14, 2013

Book Review: Two Volumes of Swiss Horror for Halloween by Bill Marx

Interestingly, both of these powerful visions of horror root their avenging vision of mayhem in the brutal mistreatment of children.

SOURCE: The Arts Fuse at 10:10AM
Sunday, October 6, 2013

Fuse Interview: Ian Frazier on the Comic Genius of Ring Lardner by Bill Marx

Ring Lardner wrote the funniest stand-alone sentence using the fewest words with which that feat can be done: "'Shut up,' he explained."

SOURCE: The Arts Fuse at 11:40AM
Wednesday, September 25, 2013

Fuse Theater Review: Not Quite “All The Way” by Bill Marx

Pulitzer prize-winning dramatist Robert Schenkkan is chained to a dreary, fact-driven approach in "All the Way," tossing in bits and pieces of "what if" for unconvincing dramatic effect.

SOURCE: The Arts Fuse at 09:00AM
Wednesday, August 28, 2013

Fuse Commentary: Do Boston’s Mayoral Candidates Support the Arts? Who Knows? by Bill Marx

Those who champion the arts need to realize that talk is cheap -- we have to fight to get a place at the political table.

SOURCE: The Arts Fuse at 02:50PM
Thursday, August 15, 2013

Fuse Theater Views: “The Bridges of Madison County” — A Matter of Inconsistency by Bill Marx

Nothing is going to be done about the posting of the review in the Boston Globe. The reasoning is that, because the newspaper didn't send its own critic, it hadn't broken the ban. This is in…

SOURCE: The Arts Fuse at 12:12PM
Saturday, August 10, 2013

Fuse Author Interview: Bestselling Novelist Douglas Kennedy Talks About “Five Days” by Bill Marx

Author Douglas Kennedy is beginning to generate a considerable readership in this country. He will be reading at the Boston Public Library on August 15 at 6 p.m.

SOURCE: The Arts Fuse at 04:15PM

Fuse Author Interview: Scholar Avner Ben-Zaken — Crafting a Unified History of Science by Bill Marx

Intellectual frameworks such as “the rise of Europe,” “the decline of the East,” or “the clash of civilizations,” tell us more about the laziness of the human mind than they do a…

SOURCE: The Arts Fuse at 01:20PM
Thursday, August 1, 2013

Fuse Theater Review: Titanic Theatre Company’s Satire “Why Torture Is Wrong” Treads Water by Bill Marx

The Titanic Theatre Company production struggles with Christopher Durang's superficial satire and manages to squeeze some laughs out of it.

SOURCE: The Arts Fuse at 09:19AM
Monday, July 29, 2013

Fuse Commentary: The Boston Globe Disses The Lowell Folk Festival by Bill Marx

In 2011, the Boston Globe characterized the Lowell Folk Festival as "a celebration of diversity." This year, the floundering newspaper isn't interested in celebrating anything but itself.

SOURCE: The Arts Fuse at 05:50PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic