All stories by Barnaby Hughes on BroadwayStars

Monday, September 29, 2014

Chicago Opera Review: DON GIOVANNI (Lyric Opera) by Barnaby Hughes

THE MANY LOVE(S OF) DON GIOVANNI Why does Chicago love Mozart’s Don Giovanni so much? Well-received as Lyric Opera’s first production back in 1954, and revived many times over the ensuin…

SOURCE: Stage and Cinema at 01:39AM
Sunday, September 28, 2014

Chicago / Tour Theater Review: THE MAGIC FLUTE (Isango Ensemble at Chicago Shakespeare) by Barnaby Hughes

THIS MAGIC FLUTE IS ALL TOO ORDINARY South Africa’s Isango Ensemble is undoubtedly full of talented actors, singers, and musicians, but doesn’t quite have the specialized skills required…

SOURCE: Stage and Cinema at 02:34AM
Saturday, September 27, 2014

Chicago Theater Review: JOHN DOE (Trap Door) by Barnaby Hughes

MAD ABOUT JOHN DOE Trap Door Theatre is entered via a long narrow gap between two Bucktown restaurants. Upon arrival, Artistic Director Beata Pilch assigns audience members a number and Mike…

SOURCE: Stage and Cinema at 03:44PM
Friday, August 29, 2014

Chicago Theater Review: REASONS TO BE HAPPY (Profiles Theatre) by Barnaby Hughes

REASONS TO BE CRITICAL Neil LaBute seems to have a penchant for ironic titles. His 2002 play The Mercy Seat was anything but merciful; LaBute described it as a “kind of emotional terrorism…

SOURCE: Stage and Cinema at 04:36PM
Tuesday, August 26, 2014

Chicago Theater Review: THE ARSONISTS (Strawdog) by Barnaby Hughes

THIS SHOW’S ON FIRE “Ich bin ein Biedermann” isn’t what President Kennedy famously said in Berlin in 1963, but it’s something playwright Max Frisch might have said while writin…

SOURCE: Stage and Cinema at 12:38PM
Friday, August 15, 2014

Chicago Theater Review: ALL OUR TRAGIC (The Hypocrites at The Den Theatre) by Barnaby Hughes

A TRAGEDY OF EPIC PROPORTIONS Writing a play of more than 800 pages that takes twelve hours to perform is both an act of hubris and an act of genius. Written and directed by The Hypocrites�…

SOURCE: Stage and Cinema at 12:47PM
Monday, June 16, 2014

Los Angeles Opera Review: MADAMA BUTTERFLY (Center Stage Opera) by Barnaby Hughes

A BUTTERFLY WITHOUT WINGS Madama Butterfly (1904) is understandably one of the most popular operas in the world. Not only does it boast a tragic story that is incredibly moving, but the dram…

SOURCE: Stage and Cinema at 09:29AM
Monday, May 5, 2014

Los Angeles Opera Review: LA CALISTO (Pacific Opera Project in Highland Park) by Barnaby Hughes

BAROQUE AND LOVING IT It begins innocently enough with two nymphs singing, swinging and blowing bubbles—until the gods intervene and mayhem ensues. There are transvestites, lusty satyrs, a…

SOURCE: Stage and Cinema at 02:10AM
Friday, April 25, 2014

Los Angeles Opera Review: A COFFIN IN EGYPT (The Wallis in Beverly Hills) by Barnaby Hughes

A NAIL IN OPERA’S COFFIN As the opera’s West Coast premiere, A Coffin in Egypt is frankly disappointing. As the first opera production at the new Wallis Annenberg Center for the Performi…

SOURCE: Stage and Cinema at 02:41AM
Tuesday, April 8, 2014

San Diego Opera Review: DON QUIXOTE (San Diego Opera at the Civic Theatre) by Barnaby Hughes

SAN DIEGO OPERA’S SWAN SONG SPEAKS TO DREAMING IMPOSSIBLE DREAMS Don Quixote (“Don Quichotte” in its original French spelling) serves as a fitting final production with which to cl…

SOURCE: Stage and Cinema at 08:47PM
Wednesday, March 26, 2014

Los Angeles Opera Review: JONAH AND THE WHALE (LA Opera at Cathedral of our Lady of the Angels) by Barnaby Hughes

A FISHY MONSTROSITY What is it about the story of Jonah that has so captured the world’s imagination? Is it the stupidity of a man trying to run away from God, as if that were even possibl…

SOURCE: Stage and Cinema at 12:11PM
Tuesday, February 25, 2014

Los Angeles / Regional Opera Review: LA TRAVIATA (Segerstrom Concert Hall in Costa Mesa) by Barnaby Hughes

ORANGE COUNTY GOES GREEN, I.E. VERDI Opera is alive and well in Orange County! Since the demise of Opera Pacific (1985-2008), Pacific Symphony, aided by Pacific Chorale, has emerged as the c…

SOURCE: Stage and Cinema at 07:36PM
Tuesday, February 18, 2014

San Diego Opera Review: THE ELIXIR OF LOVE (San Diego Opera at the Civic Theatre) by Barnaby Hughes

THIS ELIXIR IS A TONIC FOR WHAT AILS YOU Some artistic works are such a product of their time that it is difficult for later generations to understand them without spending a considerable am…

SOURCE: Stage and Cinema at 01:31PM
Saturday, January 25, 2014

Los Angeles Opera Review: THE MERRY WIDOW (Independent Opera Company) by Barnaby Hughes

ONE STEP FORWARD, TWO STEPS BACK To open their second season, the Independent Opera Company (IOC) is performing Franz Lehar’s 1905 operetta The Merry Widow. It appears to be a scaling back…

SOURCE: Stage and Cinema at 09:18PM
Thursday, January 16, 2014

Los Angeles Opera Review: THE TURN OF THE SCREW (Pacific Opera Project) by Barnaby Hughes

A TURN FOR THE BETTER A Henry James novella first published in 1898, The Turn of the Screw tells one of the most ambiguous ghost stories ever written. It involves a brother and sister (Flora…

SOURCE: Stage and Cinema at 02:58AM
Saturday, June 22, 2013

Los Angeles Opera Review: MACBETH (Independent Opera Company) by Barnaby Hughes

VERDI ON THE VERGE Hearing Giuseppe Verdi’s Macbeth is a rather disorienting experience, at least at the beginning. The difference is that we’re used to Shakespeare’s English, even if …

SOURCE: Stage and Cinema at 03:17PM
Monday, June 17, 2013

Los Angeles Opera Review: THE ELIXIR OF LOVE (Center Stage Opera in Canoga Park) by Barnaby Hughes

FALLING FOR DONIZETTI’S VALLEY GIRL Opera in Los Angeles seems to be thriving these days. In addition to established companies like LA Opera and Long Beach Opera, there are smaller compani…

SOURCE: Stage and Cinema at 05:21PM
Wednesday, June 12, 2013

San Francisco Opera Review: LES CONTES D’HOFFMANN (THE TALES OF HOFFMAN) (SF Opera) by Barnaby Hughes

OFFENBACH’S REQUIEM Just as Wolfgang Amadeus Mozart died in the middle of writing his famous Requiem so did Jacques Offenbach die composing his fantastical opera Tales of Hoffmann. Both wo…

SOURCE: Stage and Cinema at 02:09AM
Tuesday, June 4, 2013

Los Angeles Theater Review: A MIDSUMMER NIGHT’S DREAM (Odyssey Theatre) by Barnaby Hughes

BOTTOM IS TOPS Unlike Shakespeare’s tragedies and histories, which are mostly named for their main character, his comedies have rather different kinds of titles. These differing titles ale…

SOURCE: Stage and Cinema at 03:06PM
Monday, April 15, 2013

Los Angeles Opera Review: THE MARRIAGE OF FIGARO (Pacific Opera Project) by Barnaby Hughes

A MARRIAGE MADE IN HEAVEN Less than a month after its pop-up production of The Barber of Seville, Pacific Opera Project (POP) continues Beaumarchais’ trilogy with Mozart’s The Marriage o…

SOURCE: Stage and Cinema at 08:13PM
Sunday, March 31, 2013

Los Angeles Theater Review: MASTER CLASS (International City Theatre in Long Beach) by Barnaby Hughes

SCHOOLED BY CALLAS If you’ve ever been to a master class, then Terrence McNally’s Tony Award-winning play Master Class (1995) will seem very familiar. If you haven’t, then you’re in …

SOURCE: Stage and Cinema at 04:05PM
Friday, March 22, 2013

Los Angeles Opera Review: THE BARBER OF SEVILLE (Pacific Opera Project) by Barnaby Hughes

A MATCH MADE IN HOLLYWOOD Last year, the Pacific Opera Project (POP) put on a show about a serial killer who also happened to be a barber: Sweeney Todd. This year, they have staged a product…

SOURCE: Stage and Cinema at 07:11PM
Tuesday, March 12, 2013

Los Angeles Opera Review: THE FLYING DUTCHMAN (LA Opera at Dorothy Chandler Pavilion) by Barnaby Hughes

SALVATION IN A STORM Who is the titular Flying Dutchman? Is he a mythological figure, a type of the wandering Jew bound to traverse the earth in travail until his day of salvation comes? Is …

SOURCE: Stage and Cinema at 12:57AM
Tuesday, March 5, 2013

Los Angeles Theater Review: VERONICA’S ROOM (Underground Theater) by Barnaby Hughes

A RESTRICTED BUT RIVETING ROOM Novelist Ira Levin may be best-known for Rosemary’s Baby and Stepford Wives, both made even more popular by their film adaptations, but as a playwright, Le…

SOURCE: Stage and Cinema at 03:09PM
Monday, February 18, 2013

Los Angeles Theater Review: CHRISTMAS IN HANOI (East West Players) by Barnaby Hughes

THE GHOSTS OF CHRISTMAS PRESENT Race and immigration are popular topics on the LA stage, at least when it comes to more serious theatre. And there is good reason for this. LA is an incredibl…

SOURCE: Stage and Cinema at 10:48PM
Tuesday, February 5, 2013

Los Angeles Theater Review: THE DEEP THROAT SEX SCANDAL (Zephyr Theatre) by Barnaby Hughes

WHERE’S THE SCANDAL? When I first drove past the Zephyr Theatre looking for parking, I saw what appeared to be anti-pornographic picketers on the sidewalk in front of the building. I w…

SOURCE: Stage and Cinema at 02:17AM
Tuesday, January 29, 2013

Los Angeles Theater Review: LOVESICK (LOFT Ensemble) by Barnaby Hughes

GOTH MEETS GIRL During the first five minutes of Lovesick I was beginning to think I had ended up at a school play. The acting was highly exaggerated, the props looked like elementary school…

SOURCE: Stage and Cinema at 11:08AM
Tuesday, October 30, 2012

Los Angeles Theater Review: MUCH ADO ABOUT NOTHING (Zombie Joe’s Underground) by Barnaby Hughes

LESS ADO IS STILL MUCH ADO Shakespeare’s plays tend to be longer than those of contemporary playwrights, typically running 120-150 minutes. This leads many theatre directors to wonder …

SOURCE: Stage and Cinema at 02:59AM
Tuesday, October 9, 2012

Los Angeles Theater Review: CYMBELINE (A Noise Within in Pasadena) by Barnaby Hughes

DUALITY IN A NOISE WITHIN’S CYMBELINE Are women faithful to the men they love? Or are they so weak-willed and inconstant as to be easily seduced by another? While many writers and dram…

SOURCE: Stage and Cinema at 06:28PM
Tuesday, September 11, 2012

Los Angeles Theater Review: EURIPEDES’ HELEN (Getty Villa in Pacific Palisades) by Barnaby Hughes

CLASSICAL/CONTEMPORARY MASHUP There are few venues in Los Angeles better suited to productions of ancient Greek plays than the Barbara and Lawrence Fleischman Theater at the Getty Villa. Not…

SOURCE: Stage and Cinema at 05:36PM
Tuesday, August 28, 2012

Los Angeles Theater Review: HOW OBAMA GOT HIS GROOVE BACK (Fremont Centre Theatre in South Pasadena) by Barnaby Hughes

A NATIONAL LAMPOON While the 2012 presidential election has provided entertainment enough, from Donald Trump’s political posturing to the Sarah Palin bus tour, there’s always roo…

SOURCE: Stage and Cinema at 05:47PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic