All stories by Barnaby Hughes on BroadwayStars

Tuesday, August 28, 2012

Los Angeles Theater Review: HOW OBAMA GOT HIS GROOVE BACK (Fremont Centre Theatre in South Pasadena) by Barnaby Hughes

A NATIONAL LAMPOON While the 2012 presidential election has provided entertainment enough, from Donald Trump’s political posturing to the Sarah Palin bus tour, there’s always roo…

SOURCE: Stage and Cinema at 05:47PM
Thursday, August 9, 2012

Los Angeles Theater Review: THE COMEDY OF ERRORS (Griffith Park in Los Angeles) by Barnaby Hughes

A CASE OF MISTAKEN IDENTITY Productions of William Shakespeare’s plays grace the Los Angeles stage year round, but in the summer they multiply prolifically and fill public spaces. Amon…

SOURCE: Stage and Cinema at 02:43AM
Tuesday, July 31, 2012

Los Angeles Theater Review: SURF DOGS UNITE (Actors Circle Theater in West Hollywood) by Barnaby Hughes

IRREVERENT IN TRANSLATION In the same way that many really awful movies are actually good in the sense of being funny to laugh at (rather than laugh with), so the screenplays chosen by the M…

SOURCE: Stage and Cinema at 05:37PM
Wednesday, July 25, 2012

Los Angeles Theater Review: Macbeth (The Anteaus Company in North Hollywood) by Barnaby Hughes

ANTAEUS’ MACBETH ISN’T DREADFUL, BUT IT DIDN’T FILL ME WITH DREAD The Antaeus Company is not known for shying away from difficult material, especially when it comes to clas…

SOURCE: Stage and Cinema at 02:09AM
Wednesday, July 11, 2012

Los Angeles Theater Review: THE IRISH CURSE (Odyssey Theatre in West L.A.) by Barnaby Hughes

I AM NOT MY COCK When a new Godzilla movie came out in 1998 the marketing pundits urged, “Size does matter.” But when it comes to a woman’s sexual satisfaction with her partnerR…

SOURCE: Stage and Cinema at 04:30PM
Thursday, June 21, 2012

Los Angeles Theater and Tour Review: MILLION DOLLAR QUARTET (Pantages Theatre and National Tour) by Barnaby Hughes

ROCK ‘N’ ROLL (HIS)TORY People all over the world never seem to tire of Elvis Presley, even if that means watching mediocre impersonators like the “Thai Elvis” at Palm’…

SOURCE: Stage and Cinema at 01:30PM
Saturday, June 9, 2012

Los Angeles Theater Review: TAKE ME OUT (Sky Lounge in North Hollywood) by Barnaby Hughes

BLACK BOX BASEBALL Rise Above Theatre Movement has proved once again that it is not afraid of performing difficult material. In the young theatre company’s first show, The Last Days of…

SOURCE: Stage and Cinema at 03:08PM
Thursday, May 24, 2012

Los Angeles Theater Review: SIDEWAYS THE PLAY (Ruskin Group Theatre in Santa Monica) by Barnaby Hughes

THE PERFECT PINOT PAIRING Pinot Noir is presently one of the most popular wine varietals in California thanks to Sideways. First published as a novel by Rex Pickett in 2004 before being made…

SOURCE: Stage and Cinema at 03:27PM
Thursday, May 17, 2012

Los Angeles Opera Review: COSI FAN TUTTE (Porticoes Theater in Pasadena) by Barnaby Hughes

INTIMATE OPERA Bringing opera to a wider audience is the noble goal of many a musical entrepreneur, but few succeed as well as Josh Shaw and Stephen Karr, founders of the Pacific Opera Proje…

SOURCE: Stage and Cinema at 01:05PM
Saturday, April 28, 2012

Los Angeles Theater Review: ROSENCRANTZ AND GUILDENSTERN ARE DEAD (Royal Theatre aboard the Queen Mary in Long Beach) by Barnaby Hughes

THE TRIUMPH OF IRONY When Tom Stoppard’s play Rosencrantz and Guildenstern are Dead (R&G) premiered at the Edinburgh Festival in 1966, the critics hated it. While a poor production…

SOURCE: Stage and Cinema at 12:41AM
Monday, April 23, 2012

Los Angeles Theater Review: THE CONVERT (Kirk Douglas Theatre in Culver City) by Barnaby Hughes

NEW BEGINNINGS “You are bafu!” is an insult hurled many times throughout Danai Gurira’s new play The Convert. Bafu means traitor; in this context, it is used to describe Africans w…

SOURCE: Stage and Cinema at 12:43PM
Thursday, April 19, 2012

Los Angeles Theater Review: IVANOV (Odyssey Theatre in Los Angeles) by Barnaby Hughes

A YOUNG MAN’S PLAY Would-be writers are often given the advice, “Write what you know.” Of the many reasons why writers should write what they know is that it lends authenticity to …

SOURCE: Stage and Cinema at 02:37AM
Sunday, April 1, 2012

Los Angeles Theater Review: NAKED BEFORE GOD ([Inside] the Ford in Hollywood) by Barnaby Hughes

BORN-AGAIN PORN STAR? Nudity can have a sacred character to it, depending on one’s motives. There are Christian nudist colonies, for example, whose goal is to return humankind to its p…

SOURCE: Stage and Cinema at 03:13AM
Saturday, March 24, 2012

Los Angeles Theater Review: THE MANY MISTRESSES OF MARTIN LUTHER KING (Atwater Village Theatre in Atwater Village) by Barnaby Hughes

WHAT IS AN AFRICAN AMERICAN? While many plays purport to examine race issues, few tackle them head on. Ensemble Studio Theatre’s production of The Many Mistresses of Martin Luther King…

SOURCE: Stage and Cinema at 05:36PM
Thursday, March 8, 2012

Los Angeles Theater Review: ANTONY AND CLEOPATRA (A Noise Within in Pasadena) by Barnaby Hughes

A NEGLECTED CLASSIC GONE AWRY The story of Antony and Cleopatra shares with Shakespeare’s Romeo and Juliet those two indispensable elements of tragedy: love and death. While Romeo and …

SOURCE: Stage and Cinema at 01:10AM
Saturday, March 3, 2012

Los Angeles Theater Review: A FEW GOOD MEN (Sky Lounge in North Hollywood) by Barnaby Hughes

RISE ABOVE THEATRE MOVEMENT HANDLES THE TRUTH Just three years after Aaron Sorkin’s A Few Good Men (1989) was produced on Broadway, the play’s popularity was eclipsed by the film…

SOURCE: Stage and Cinema at 02:13AM
Tuesday, November 22, 2011

Los Angeles Theater Review: BABY DOLL (Elephant Theatre Company) by Barnaby Hughes

A TENNESSEE WILLIAMS CARICATURE A number of theatres in Los Angeles have marked the 100th anniversary of Tennessee Williams’ birth by staging productions of his plays. Following upon t…

SOURCE: Stage and Cinema at 10:31PM
Wednesday, November 16, 2011

Los Angeles Theater Review: THE ROMANCE OF MAGNO RUBIO ([Inside] the Ford) by Barnaby Hughes

A FOOL-IPINO FOR LOVE Just as the “problem” of immigration continues to be debated by our politicians, so does it continue to be presented in our theaters. Earlier this year, in the spri…

SOURCE: Stage and Cinema at 11:42PM
Friday, October 28, 2011

Los Angeles Theater Review: ALL MY SONS (Matrix Theatre) by Barnaby Hughes

AN ANACHRONISTIC LOOK AT RACE IN AMERICA There’s no doubt that Arthur Miller’s 1947 play All My Sons is an astonishing piece of theatre. Not only is the writing brilliant, but th…

SOURCE: Stage and Cinema at 10:44AM
Wednesday, October 12, 2011

Los Angeles Theater Review: IRIS (Cirque du Soliel) by Barnaby Hughes

CIRQUE DU CINEMA When Quebec-based artistic troupe Cirque du Soleil creates a new resident production, they typically design the building to fit the show. Not so with Cirque du Soleil’…

SOURCE: Stage and Cinema at 03:28PM
Tuesday, October 11, 2011

Los Angeles Theater Review: CARNEVIL: A GOTHIC HORROR ROCK MUSICAL (Sacred Fools Theatre) by Barnaby Hughes

FAUSTIAN PHANTASMAGORIA “There is nothing new under the sun,” said a Jewish writer more than two thousand years ago. While such a sentiment may not have been intended to discourage creat…

SOURCE: Stage and Cinema at 05:05PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards