All stories by Barnaby Hughes on BroadwayStars

Tuesday, July 23, 2024

Theater Review: DON’T LET THE PIGEON DRIVE THE BUS! THE MUSICAL! (Marriott Theatre in Lincolnshire) by Barnaby Hughes

THIS PIGEON ADAPTATION IS NOT FOR THE BIRDS My kids love Don’t Let the Pigeon Drive the Bus!, the popular children’s book by Mo Willems. It’s a simple, comic story about a pigeon that …

SOURCE: stageandcinema.com at 02:50AM
Sunday, February 18, 2024

Theater Review: GIRL FROM THE NORTH COUNTRY (North American Tour) by Barnaby Hughes

MCPHERSON EXPLOITS DYLAN IN GIRL FROM THE NORTH COUNTRY Girl from the North Country is one of those shows that sounds promising in the abstract: a musical incorporating songs by Bob Dylan. W…

SOURCE: stageandcinema.com at 02:59AM
Saturday, January 6, 2024

Highly Recommended Theater: MOTHER COURAGE AND HER CHILDREN (Trap Door Theatre) by Barnaby Hughes

One of Chicago’s most thrilling companies, Trap Door Theatre, continues its 30th anniversary season with Bertolt Brecht’s boisterous musical Mother Courage and her Children, translated b…

SOURCE: stageandcinema.com at 05:31PM
Sunday, December 10, 2023

Theater Review: BOOP! THE BETTY BOOP MUSICAL (Pre-Broadway World Premiere at CIBC Theatre in Chicago) by Barnaby Hughes

BOOP! BOPS, HOPS, AND PLOPS Light-hearted, rather silly, and occasionally preachy, BOOP! The Betty Boop Musical could have been so much more. Betty Boop seems an unlikely candidate for reviv…

SOURCE: stageandcinema.com at 01:18AM
Thursday, June 8, 2023

Theater Review: WEST SIDE STORY (Lyric Opera) by Barnaby Hughes

WEST SIDE STORY HAPPILY REMAINS CLASSICAL AND SADLY REMAINS CONTEMPORARY Lyric Opera’s 2022-2023 season has been a challenging one, especially for audiences. The season began with the seld…

SOURCE: stageandcinema.com at 02:59AM
Wednesday, November 10, 2021

Opera Review: THE MAGIC FLUTE.(Lyric Opera) by Barnaby Hughes

AN ANIMATED FLUTE FANTASIA This new-to-Chicago production of Mozart’s Magic Flute (Die Zauberflöte) is the most unique production this writer has seen in eight years of reviewing Lyric Op…

SOURCE: Stage and Cinema at 05:20PM
Wednesday, June 23, 2021

Opera Season Announced: CHICAGO OPERA THEATER (2021-22) by Barnaby Hughes

Fresh on the heels of a high-stakes digital season, Chicago Opera Theater returns with in-person performances for its 2021-22 Season. The company’s commitment to showcasing new voices, fre…

SOURCE: Stage and Cinema at 09:49PM
Sunday, May 23, 2021

Opera: LYRIC OPERA OF CHICAGO’S 2021|22 SEASON by Barnaby Hughes

Tickets now on sale for Lyric Opera of Chicago’s 2021|22 Season Call 312-827-5600 or visit lyricopera.org Here are the shows: NEW PRODUCTION Verdi MACBETH Sung in Italian with projected E…

SOURCE: Stage and Cinema at 09:00PM

Broadway-Bound: THE DEVIL WEARS PRADA (A New Musical) by Barnaby Hughes

Broadway-Bound THE DEVIL WEARS PRADA, with music by Sir Elton John (Disney’s The Lion King, Billy Elliot), lyrics by Shaina Taub (Twelfth Night at the Public Theatre), and book by Paul …

SOURCE: Stage and Cinema at 08:36AM
Friday, November 20, 2020

Opera Preview: RIMSKY REBOOTED (Chicago Opera Theater) by Barnaby Hughes

RIMSKY TO THE RESCUE As COVID-19 restrictions continue to evolve, Chicago Opera Theater is pivoting its November show digitally in order to honor commitments to artists while protecting the …

SOURCE: Stage and Cinema at 06:40PM
Tuesday, March 6, 2018

Chicago Opera Review: FAUST (Lyric Opera) by Barnaby Hughes

A FAUSTIAN BARGAIN OF SORTS Bold, eclectic and experimental, Lyric Opera’s new production (co-produced with Portland Opera) of Gounod’s Faust comes across as rather jumbled, a mishmash, …

SOURCE: Stage and Cinema at 02:26AM
Wednesday, February 21, 2018

Chicago Opera Review: COSÌ FAN TUTTE (Lyric Opera) by Barnaby Hughes

A PRODUCTION TO COSÌ UP TO A Lyric Opera season would not be complete without Mozart, so it was with great anticipation that I attended the opening night performance of Così Fan Tutte. Alt…

SOURCE: Stage and Cinema at 01:48AM
Tuesday, May 2, 2017

Chicago Theater Review: MY FAIR LADY (Lyric Opera) by Barnaby Hughes

STILL THE FAIREST OF THEM ALL This reviewer has a confession to make: I don’t particularly like musicals. I’ll happily laugh at the jokes and delight in the dancing, but the style …

SOURCE: Stage and Cinema at 02:19AM
Tuesday, April 25, 2017

Opera Review: THE PERFECT AMERICAN (Chicago Opera Theater at the Harris Theater) by Barnaby Hughes

PERFECT IMPERFECTIONS Growing up on a steady diet of animated and live-action Disney films and in the shadow of the Disneyland theme park in Anaheim, which I visited every year until I was 1…

SOURCE: Stage and Cinema at 05:57PM
Saturday, February 25, 2017

Chicago Opera Review: THE INVENTION OF MOREL (Chicago Opera Theater at the Studebaker Theater) by Barnaby Hughes

COPELAND’S MOREL LACKS INVENTION Four years ago, Long Beach Opera (Artistic and General Director Andreas Mitisek’s other company) staged Stewart Copeland’s The Tell-Tale Heart, giving …

SOURCE: Stage and Cinema at 09:36PM
Thursday, October 27, 2016

Chicago Theater Review: LONGER! LOUDER! WAGNER! THE SECOND CITY WAGNER COMPANION (The Second City and Lyric Opera) by Barnaby Hughes

MAKING FUN OF OPERA FUN AGAIN This mostly satirical Lyric Opera/Second City co-production contains little irony apart from the title. For while it definitely IS about Wagner, it most certain…

SOURCE: Stage and Cinema at 01:24AM
Monday, May 9, 2016

Chicago Opera Review: LA CALISTO (Haymarket Opera) by Barnaby Hughes

THE GODS MUST BE ARE CRAZY! It’s not often that one gets to see the same opera twice, especially when the opera in question is a delightful rarity like Francesco Cavalli’s La Calisto, wh…

SOURCE: Stage and Cinema at 06:12AM
Tuesday, May 3, 2016

Chicago Opera Review: THE KING AND I (Lyric Opera) by Barnaby Hughes

A ROYAL PRODUCTION The King and I is a rather curious bundle of contradictions and opposites. First, it’s based on a true story, but plays out more like a fairy tale. In fact, it doesn’t…

SOURCE: Stage and Cinema at 02:13PM
Sunday, March 13, 2016

Chicago Opera Review: ROMEO AND JULIET (Lyric) by Barnaby Hughes

UNEVEN PRODUCTION COMBINES CARNIVAL AND ROMANCE As part of Chicago’s yearlong celebrations marking the 400th anniversary of William Shakespeare’s death, Lyric Opera has mounted a product…

SOURCE: Stage and Cinema at 07:36PM
Thursday, February 11, 2016

Chicago Opera Review: DER ROSENKAVALIER (Lyric) by Barnaby Hughes

MAJESKI’S MAJESTIC MARSCHALLIN Lyric Opera’s new production of Der Rosenkavalier is beautiful, charming, and magnificent. It delightfully exceeded my expectations and gave me a new appre…

SOURCE: Stage and Cinema at 12:37AM
Tuesday, February 9, 2016

Chicago Opera Review: LA VOIX HUMAINE & GIANNI SCHICCHI (Chicago Opera Theater at the Harris) by Barnaby Hughes

A DAMNED GOOD PAIRING What could be a more appropriate title for an opera than La Voix Humaine? What better source material for an opera than Dante’s Divina Commedia? Chicago Opera Theatre…

SOURCE: Stage and Cinema at 04:12AM
Wednesday, January 27, 2016

Chicago Theater Review: VICES and VIRTUES (Profiles) by Barnaby Hughes

IF BREVITY WAS THE SOUL OF ETHICS… One of the advantages of one-act plays is that if they’re bad, you don’t have to wait long for them to be over. (I can’t ever remember wishing a go…

SOURCE: Stage and Cinema at 10:34PM
Tuesday, January 26, 2016

Chicago Opera Review: NABUCCO (Lyric Opera) by Barnaby Hughes

STAGNANT STAGING AND CRAZY COSTUMES, BUT THE CAST AND CHORUS CAPTIVATE There’s a good reason why Verdi’s operas are typically described as “grand opera.” They’re big and bold, req…

SOURCE: Stage and Cinema at 03:02PM
Wednesday, December 9, 2015

Chicago Opera Review: BEL CANTO (Lyric Opera) by Barnaby Hughes

DISAPPOINTING DEBUT DELIVERS DAMAGED GOODS Lyric Opera’s world premiere production of Bel Canto fails to live up to its name (translation: beautiful singing). While first-time opera compos…

SOURCE: Stage and Cinema at 06:05AM
Wednesday, November 18, 2015

Chicago Opera Review: THE MERRY WIDOW (Lyric) by Barnaby Hughes

A MERRY WIDOW MAKES FOR A MERRY AUDIENCE After the unbearable ugliness of Berg’s Wozzeck, Lyric Opera’s beautiful production of Franz Lehár’s The Merry Widow (Die Lustige Witwe) comes…

SOURCE: Stage and Cinema at 10:43AM
Tuesday, November 10, 2015

Chicago Opera Review: AMADIGI DI GAULA (Haymarket Opera Company) by Barnaby Hughes

HURRAH FOR HAYMARKET’S HANDELIAN HERO Appropriately enough, Haymarket Opera Company (HOC) is kicking off its fifth season with a Handel opera that premiered on London’s Haymarket Street …

SOURCE: Stage and Cinema at 04:56PM
Monday, November 2, 2015

Chicago Opera Review: WOZZECK (Lyric Opera) by Barnaby Hughes

WHAT’S UP WITH WOZZECK? Alban Berg’s Wozzeck must have been quite shocking in 1925 at its first public performance in Berlin. Why? Musically, it’s regarded as the first opera in the 20…

SOURCE: Stage and Cinema at 10:30PM
Thursday, October 15, 2015

Chicago Opera Review: THE MARRIAGE OF FIGARO (Lyric Opera) by Barnaby Hughes

A MARRIAGE MADE IN CHICAGO Lyric Opera’s season-opening production of Mozart’s The Marriage of Figaro celebrates love and beauty with vibrant colors, light-hearted laughter and sublime m…

SOURCE: Stage and Cinema at 03:32PM

Chicago Opera Review: CINDERELLA (Lyric Opera) by Barnaby Hughes

A CINDERELLA FOR ALL AGES You might think you know the story if you’ve seen Disney’s animated version, but Rossini’s Cinderella (or La Cenerentola, literally “little girl of the cind…

SOURCE: Stage and Cinema at 03:32PM

Chicago Theater Review: GOOD FOR OTTO (The Gift Theatre in Jefferson Park) by Barnaby Hughes

WHAT’S GOOD FOR OTTO ISN’T GOOD ENOUGH FOR GIFT Seldom have I sat through such a long-winded play (nearly three hours!) that said so little. I struggled in vain to find some deeper meani…

SOURCE: Stage and Cinema at 10:53AM

Chicago Opera Review: LUCIO SILLA (Chicago Opera Theater at the Harris Theater) by Barnaby Hughes

LUCIO SILLA REVELS IN YOUTH’S BEAUTY Mozart’s early chamber opera Lucio Silla, written at the precocious age of sixteen, is an excellent example of the bel canto style. Not only is the s…

SOURCE: Stage and Cinema at 10:53AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime