All stories by Barnaby Hughes on BroadwayStars

Tuesday, January 26, 2016

Chicago Opera Review: NABUCCO (Lyric Opera) by Barnaby Hughes

STAGNANT STAGING AND CRAZY COSTUMES, BUT THE CAST AND CHORUS CAPTIVATE There's a good reason why Verdi's operas are typically described as "grand opera." They're big and bold, requiring m…

SOURCE: Stage and Cinema at 03:02PM [SHARE]
Wednesday, December 9, 2015

Chicago Opera Review: BEL CANTO (Lyric Opera) by Barnaby Hughes

DISAPPOINTING DEBUT DELIVERS DAMAGED GOODS Lyric Opera's world premiere production of Bel Canto fails to live up to its name (translation: beautiful singing). While first-time opera composer…

SOURCE: Stage and Cinema at 06:05AM [SHARE]
Wednesday, November 18, 2015

Chicago Opera Review: THE MERRY WIDOW (Lyric) by Barnaby Hughes

A MERRY WIDOW MAKES FOR A MERRY AUDIENCE After the unbearable ugliness of Berg's Wozzeck, Lyric Opera's beautiful production of Franz Lehár's The Merry Widow (Die Lustige Witwe) comes as …

SOURCE: Stage and Cinema at 10:43AM [SHARE]
Tuesday, November 10, 2015

Chicago Opera Review: AMADIGI DI GAULA (Haymarket Opera Company) by Barnaby Hughes

HURRAH FOR HAYMARKET'S HANDELIAN HERO Appropriately enough, Haymarket Opera Company (HOC) is kicking off its fifth season with a Handel opera that premiered on London's Haymarket Street 300 …

SOURCE: Stage and Cinema at 04:56PM [SHARE]
Monday, November 2, 2015

Chicago Opera Review: WOZZECK (Lyric Opera) by Barnaby Hughes

WHAT'S UP WITH WOZZECK? Alban Berg's Wozzeck must have been quite shocking in 1925 at its first public performance in Berlin. Why? Musically, it's regarded as the first opera in the 20th-cen…

SOURCE: Stage and Cinema at 10:30PM [SHARE]
Thursday, October 15, 2015

Chicago Opera Review: THE MARRIAGE OF FIGARO (Lyric Opera) by Barnaby Hughes

A MARRIAGE MADE IN CHICAGO Lyric Opera's season-opening production of Mozart's The Marriage of Figaro celebrates love and beauty with vibrant colors, light-hearted laughter and sublime music…

SOURCE: Stage and Cinema at 03:32PM [SHARE]

Chicago Opera Review: CINDERELLA (Lyric Opera) by Barnaby Hughes

A CINDERELLA FOR ALL AGES You might think you know the story if you've seen Disney's animated version, but Rossini's Cinderella (or La Cenerentola, literally "little girl of the cinders") is…

SOURCE: Stage and Cinema at 03:32PM [SHARE]

Chicago Theater Review: GOOD FOR OTTO (The Gift Theatre in Jefferson Park) by Barnaby Hughes

WHAT'S GOOD FOR OTTO ISN'T GOOD ENOUGH FOR GIFT Seldom have I sat through such a long-winded play (nearly three hours!) that said so little. I struggled in vain to find some deeper meaning i…

SOURCE: Stage and Cinema at 10:53AM [SHARE]

Chicago Opera Review: LUCIO SILLA (Chicago Opera Theater at the Harris Theater) by Barnaby Hughes

LUCIO SILLA REVELS IN YOUTH'S BEAUTY Mozart's early chamber opera Lucio Silla, written at the precocious age of sixteen, is an excellent example of the bel canto style. Not only is the singi…

SOURCE: Stage and Cinema at 10:53AM [SHARE]
Monday, April 27, 2015

Chicago Theater Review: THREE SISTERS (The Hypocrites at The Den Theatre) by Barnaby Hughes

SISTERS AND SOLDIERS Following their rather loose and unconventional takes on Greek tragedy and Gilbert and Sullivan, The Hypocrites return to a more classic approach with Anton Chekhov's Th…

SOURCE: Stage and Cinema at 02:51PM [SHARE]
Tuesday, March 31, 2015

Chicago Theater Review: THE GOOD BOOK (Court) by Barnaby Hughes

GOOD BOOKS? The world premiere production of a new play about the Bible by Denis O'Hare and Lisa Peterson, The Good Book is impressive, complex, informative, and entertaining, perhaps even p…

SOURCE: Stage and Cinema at 11:18AM [SHARE]
Sunday, March 15, 2015

Chicago Opera Review: DON QUICHOTTE AUF DER HOCHZEIT DES COMACHO (Haymarket Opera) by Barnaby Hughes

HAYMARKET TRIUMPHS WITH TELEMANN RARITY Closing out their fourth season with Georg Philipp Telemann's Don Quichotte auf der Hochzeit des Camacho (Don Quixote at the Wedding of Camacho), Haym…

SOURCE: Stage and Cinema at 02:59AM [SHARE]
Wednesday, March 11, 2015

Chicago Theater Review: JESUS CHRIST SUPERSTAR (Theo Ubique) by Barnaby Hughes

BETRAYED BY THE KISS OF BROADWAY In the small confines of the No Exit Café in Rogers Park, one might have expected a more intimate, low-key version of Jesus Christ Superstar, especially con…

SOURCE: Stage and Cinema at 11:06AM [SHARE]
Monday, March 9, 2015

Chicago Theater Review: THE HAMMER TRINITY (House Theatre of Chicago) by Barnaby Hughes

GRASP THIS HAMMER WHILE THE IRON IS HOT! Considering the popularity of fantasy epics The Lord of the Rings and Game of Thrones, it is a wonder that more theaters aren't performing them. Whil…

SOURCE: Stage and Cinema at 12:45PM [SHARE]
Wednesday, March 4, 2015

Chicago Theater Review: THE ROYAL SOCIETY OF ANTARCTICA (The Gift Theatre) by Barnaby Hughes

SMART DRAMA REVEALS POLAR ATTRACTION A world premiere production, Mat Smart's The Royal Society of Antarctica at The Gift Theatre is easily one of the year's best new plays. Smart, who worke…

SOURCE: Stage and Cinema at 02:34AM [SHARE]
Saturday, February 28, 2015

Chicago Theater Review: YANKEE TAVERN (American Blues Theater at the Greenhouse Theater Center) by Barnaby Hughes

YANKEE DOODLE DUD Of all the plays inspired by the terrorist attacks on September 11, 2001, Yankee Tavern has got to be one of the worst. Steven Dietz's play, which takes place in New York C…

SOURCE: Stage and Cinema at 12:28AM [SHARE]
Monday, February 16, 2015

Chicago Theater Review: REALLY REALLY (Interrobang Theatre Project at The Athenaeum Theatre) by Barnaby Hughes

A REALLY REALLY TIMELY PLAY 29-year old playwright Paul Downs Colaizzo's Really Really premiered at Virginia's Signature Theatre in 2012 before heading to Off-Broadway, where it was helmed b…

SOURCE: Stage and Cinema at 11:14AM [SHARE]
Sunday, February 15, 2015

Chicago Theater Review: FIRST DATE (Royal George) by Barnaby Hughes

EVERYTHING A FIRST DATE SHOULD BE First Date, an enjoyable new musical comedy that opened on Broadway in 2013, should really be called Blind Date. Its two principal protagonists, awkward Aar…

SOURCE: Stage and Cinema at 03:07AM [SHARE]
Wednesday, February 11, 2015

Chicago Opera Review: TANNHÄUSER (Lyric Opera) by Barnaby Hughes

TANNHÄUSER TIES TOSCA IN TERMS OF SIMILARLY SHODDY DIRECTION From the highpoint of Mozart's Don Giovanni, Lyric Opera's 60th anniversary season has been on a slow downward arc. That i…

SOURCE: Stage and Cinema at 01:18AM [SHARE]
Wednesday, January 28, 2015

Chicago Theater Review: WAITING FOR GODOT (Court) by Barnaby Hughes

BECKETT'S RIDDLE CONTINUES TO CONFOUND Samuel Beckett's Waiting for Godot is not an easy play to write about, let alone produce, act, or even watch. It's challenging, opaque, and ambiguous. …

SOURCE: Stage and Cinema at 02:37AM [SHARE]
Tuesday, January 27, 2015

Chicago Opera Review: TOSCA (Lyric Opera) by Barnaby Hughes

WHEN IN ROME, DO AS THE ROMANS DO (NOT THE BRITISH) With Puccini's Tosca, Lyric Opera has done one update too many this season. Don Giovanni was bumped up 300+ years in time to the 1920s, Ca…

SOURCE: Stage and Cinema at 12:52PM [SHARE]
Monday, December 15, 2014

Chicago Theater Preview: BURNING BLUEBEARD (The Ruffians at Theater Wit) by Barnaby Hughes

THE HOTTEST SHOW IN TOWN One of the best-reviewed and most popular Christmastime shows, The Ruffians' Burning Bluebeard, returns beginning tonight for three weeks only through Jan. 4, 2015, …

SOURCE: Stage and Cinema at 06:04PM [SHARE]
Friday, December 12, 2014

Chicago Theater Review: PERICLES (Chicago Shakespeare Theater) by Barnaby Hughes

CST STAGES A FRESH AND FANTASTICAL PERICLES William Shakespeare is a man of many faces. To most, he is quite simply a master of the English language and one of the greatest playwrights who e…

SOURCE: Stage and Cinema at 02:47AM [SHARE]

Chicago Opera Review: ANNA BOLENA (Lyric Opera) by Barnaby Hughes

RADVANOVSKY IS REGAL IN ANNA BOLENA With so much filmed and written about the six wives of Henry VIII, the Tudor period is perhaps one of the most familiar eras in English history. Yet Gaeta…

SOURCE: Stage and Cinema at 02:27AM [SHARE]
Tuesday, December 9, 2014

Chicago Theater Review: THE CHRISTMAS SCHOONER (Mercury Theater Chicago) by Barnaby Hughes

THIS SCHOONER SAILS IN ON YULETIDE EUPHORIA A joyous holiday tradition, The Christmas Schooner has been warming Chicagoan hearts for nearly two decades. Following a lengthy run at Bailiwick …

SOURCE: Stage and Cinema at 02:59AM [SHARE]
Sunday, December 7, 2014

Chicago / Tour Opera Review: WILLIAM TELL (Teatro Regio Torino at the Harris Theater) by Barnaby Hughes

TELL US SOME MORE Turin, Italy's Teatro Regio Torino opened its first ever North American tour with a magnificent concert performance of Gioachino Rossini's William Tell at the Harris Theate…

SOURCE: Stage and Cinema at 02:49AM [SHARE]
Wednesday, December 3, 2014

Chicago Theater Review: H.M.S. PINAFORE (Hypocrites) by Barnaby Hughes

THE HYPOCRITES PLAYFULLY ROCK THIS BOAT A nautical joyride of musical mayhem, belly laughs, and unadulterated fun, this world premiere adaptation of H.M.S. Pinafore completes The Hypocrites'…

SOURCE: Stage and Cinema at 03:47PM [SHARE]
Tuesday, December 2, 2014

Chicago Theater Review: SHINING CITY (Irish Theatre of Chicago; formerly Seanachaí Theatre Company) by Barnaby Hughes

ARMACOST LIGHTS UP THE NULLITY OF SHINING CITY Hot on the heels of Steppenwolf's production of Conor McPherson's newest play The Night Alive comes Irish Theatre of Chicago's current producti…

SOURCE: Stage and Cinema at 02:39PM [SHARE]
Thursday, November 27, 2014

Chicago Theater Review: DESPERATE DOLLS (Strawdog) by Barnaby Hughes

HOLLYWOOD HORROR STORY Director Michael Driscoll brings B-movie exploitation antics to Strawdog's Hugen Hall stage in Darren Callahan's Desperate Dolls. This over-the-top, no-holds-barred do…

SOURCE: Stage and Cinema at 04:21PM [SHARE]
Sunday, November 23, 2014

Chicago Theater Review: THE TESTAMENT OF MARY (Victory Gardens Theater) by Barnaby Hughes

MARY, MARY, QUITE CONTRARY It begins with a woman taking a bath. The lighting is low and there are dozens of candles spread about the set. She slowly gets up and dries off, donning a linen s…

SOURCE: Stage and Cinema at 08:01PM [SHARE]
Saturday, November 22, 2014

Chicago Opera Review: PORGY AND BESS (Lyric Opera) by Barnaby Hughes

LYRIC DOES THE BESS THAT IT CAN After two outings to Spain (Don Giovanni and Il Trovatore) and one to Paris (Capriccio), Lyric Opera is bringing audiences something homegrown, composed by an…

SOURCE: Stage and Cinema at 08:35PM [SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off