All stories by Barnaby Hughes on BroadwayStars

Tuesday, March 17, 2026

Opera Review: MADAMA BUTTERFLY (Lyric Opera) by Barnaby Hughes

A REIMAGINED BUTTERFLY WHERE REALITY MEETS FANTASY What is it about Giacomo Puccini's Madama Butterfly (1904) that lures audiences back year after year, especially in the United States? Mada…

SOURCE: Stage and Cinema at 08:00PM[SHARE]
Thursday, February 5, 2026

Chicago Opera Review: COSÌ FAN TUTTE (Lyric Opera) by Barnaby Hughes

COSÃŒ FANTASTIC This was my third time seeing Mozart's Così Fan Tutte. The second was Lyric's 2018 production. While I was concerned about the three-and-a-half-hour runtime on a Sunday …

SOURCE: Stage and Cinema at 01:00AM[SHARE]
Monday, December 8, 2025

Opera Review: CAVALLERIA RUSTICANA and PAGLIACCI (Lyric Chicago) by Barnaby Hughes

THE GODFATHER AND FELLINI MEET VERISMO Opera's most famous double bill is back… again Hundreds of one-act operas have been produced, but few have attained the popularity of Pietro Mascagni…

SOURCE: Stage and Cinema at 11:11PM[SHARE]
Saturday, December 6, 2025

Opera Review: FALSTAFF, OSSIA LE TRE BURLE (Chicago Opera Theater) by Barnaby Hughes

A COMIC REVIVAL OF FALSTAFFIAN PROPORTION ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Chicago Opera Theater (COT) has given Antonio Salieri's unjustly neglected Fal…

SOURCE: Stage and Cinema at 01:59AM[SHARE]
Wednesday, October 29, 2025

Opera Review: EURIDICE (Haymarket Opera and The Newberry Consort in Chicago) by Barnaby Hughes

THE FIRST OPERA GETS NEW LIFE FROM HAYMARKET AND NEWBERRY CONSORT The origins of opera are somewhat obscure and not well-known. Haymarket Opera and The Newberry Consort, two of Chicago's fin…

SOURCE: Stage and Cinema at 04:00AM[SHARE]
Wednesday, October 15, 2025

Opera Review: MEDEA (Lyric Opera Chicago) by Barnaby Hughes

MOVE OVER TYLER PERRY; HERE COMES CHERUBINI'S MEDEA Lyric Opera rarely stages anything written before the nineteenth century, apart from Mozart and the occasional Handel and Gluck, so it is …

SOURCE: Stage and Cinema at 02:59AM[SHARE]
Thursday, April 3, 2025

Opera Review: THE LISTENERS (Lyric Opera of Chicago) by Barnaby Hughes

LISTEN TO THE LISTENERS. DO YOU HEAR THE HUM? Perhaps the most contemporary opera ever to grace the Lyric stage, Missy Mazzoli's The Listeners borrows heavily from reality television, social…

SOURCE: Stage and Cinema at 02:50AM[SHARE]
Thursday, March 20, 2025

Opera Review: LA BOHÈME (Lyric Opera of Chicago) by Barnaby Hughes

BACALING'S BOHÈME CAPTURED MY HEART The operas of Giacomo Puccini are ever-present on the Lyric Opera stage. Only a month ago, Sondra Radvanovsky sang a whole program of Puccini arias, in…

SOURCE: Stage and Cinema at 02:59AM[SHARE]
Tuesday, July 23, 2024

Theater Review: DON'T LET THE PIGEON DRIVE THE BUS! THE MUSICAL! (Marriott Theatre in Lincolnshire) by Barnaby Hughes

THIS PIGEON ADAPTATION IS NOT FOR THE BIRDS My kids love Don't Let the Pigeon Drive the Bus!, the popular children's book by Mo Willems. It's a simple, comic story about a pigeon that wants …

SOURCE: Stage and Cinema at 02:50AM[SHARE]
Sunday, February 18, 2024

Theater Review: GIRL FROM THE NORTH COUNTRY (North American Tour) by Barnaby Hughes

MCPHERSON EXPLOITS DYLAN IN GIRL FROM THE NORTH COUNTRY Girl from the North Country is one of those shows that sounds promising in the abstract: a musical incorporating songs by Bob Dylan. W…

SOURCE: Stage and Cinema at 02:59AM[SHARE]
Saturday, January 6, 2024

Highly Recommended Theater: MOTHER COURAGE AND HER CHILDREN (Trap Door Theatre) by Barnaby Hughes

One of Chicago's most thrilling companies, Trap Door Theatre, continues its 30th anniversary season with Bertolt Brecht's boisterous musical Mother Courage and her Children, translated by Er…

SOURCE: Stage and Cinema at 05:31PM[SHARE]
Sunday, December 10, 2023

Theater Review: BOOP! THE BETTY BOOP MUSICAL (Pre-Broadway World Premiere at CIBC Theatre in Chicago) by Barnaby Hughes

BOOP! BOPS, HOPS, AND PLOPS Light-hearted, rather silly, and occasionally preachy, BOOP! The Betty Boop Musical could have been so much more. Betty Boop seems an unlikely candidate for reviv…

SOURCE: Stage and Cinema at 01:18AM[SHARE]
Thursday, June 8, 2023

Theater Review: WEST SIDE STORY (Lyric Opera) by Barnaby Hughes

WEST SIDE STORY HAPPILY REMAINS CLASSICAL AND SADLY REMAINS CONTEMPORARY Lyric Opera's 2022-2023 season has been a challenging one, especially for audiences. The season began with the seldom…

SOURCE: Stage and Cinema at 02:59AM[SHARE]
Wednesday, November 10, 2021

Opera Review: THE MAGIC FLUTE.(Lyric Opera) by Barnaby Hughes

AN ANIMATED FLUTE FANTASIA This new-to-Chicago production of Mozart's Magic Flute (Die Zauberflöte) is the most unique production this writer has seen in eight years of reviewing Lyric Oper…

SOURCE: Stage and Cinema at 05:20PM[SHARE]
Wednesday, June 23, 2021

Opera Season Announced: CHICAGO OPERA THEATER (2021-22) by Barnaby Hughes

Fresh on the heels of a high-stakes digital season, Chicago Opera Theater returns with in-person performances for its 2021-22 Season. The company's commitment to showcasing new voices, fresh…

SOURCE: Stage and Cinema at 09:49PM[SHARE]
Sunday, May 23, 2021

Opera: LYRIC OPERA OF CHICAGO'S 2021|22 SEASON by Barnaby Hughes

Tickets now on sale for Lyric Opera of Chicago's 2021|22 Season Call 312-827-5600 or visit lyricopera.org Here are the shows: NEW PRODUCTION Verdi MACBETH Sung in Italian with projected E…

SOURCE: Stage and Cinema at 09:00PM[SHARE]

Broadway-Bound: THE DEVIL WEARS PRADA (A New Musical) by Barnaby Hughes

Broadway-Bound THE DEVIL WEARS PRADA, with music by Sir Elton John (Disney's The Lion King, Billy Elliot), lyrics by Shaina Taub (Twelfth Night at the Public Theatre), and book by Paul…

SOURCE: Stage and Cinema at 08:36AM[SHARE]
Friday, November 20, 2020

Opera Preview: RIMSKY REBOOTED (Chicago Opera Theater) by Barnaby Hughes

RIMSKY TO THE RESCUE As COVID-19 restrictions continue to evolve, Chicago Opera Theater is pivoting its November show digitally in order to honor commitments to artists while protecting the …

SOURCE: Stage and Cinema at 06:40PM[SHARE]
Tuesday, March 6, 2018

Chicago Opera Review: FAUST (Lyric Opera) by Barnaby Hughes

A FAUSTIAN BARGAIN OF SORTS Bold, eclectic and experimental, Lyric Opera's new production (co-produced with Portland Opera) of Gounod's Faust comes across as rather jumbled, a mishmash, a ho…

SOURCE: Stage and Cinema at 02:26AM[SHARE]
Wednesday, February 21, 2018

Chicago Opera Review: COSÌ FAN TUTTE (Lyric Opera) by Barnaby Hughes

A PRODUCTION TO COSÃŒ UP TO A Lyric Opera season would not be complete without Mozart, so it was with great anticipation that I attended the opening night performance of Così Fan Tutte.…

SOURCE: Stage and Cinema at 01:48AM[SHARE]
Tuesday, May 2, 2017

Chicago Theater Review: MY FAIR LADY (Lyric Opera) by Barnaby Hughes

STILL THE FAIREST OF THEM ALL This reviewer has a confession to make: I don’t particularly like musicals. I'll happily laugh at the jokes and delight in the dancing, but the styl…

SOURCE: Stage and Cinema at 02:19AM[SHARE]
Tuesday, April 25, 2017

Opera Review: THE PERFECT AMERICAN (Chicago Opera Theater at the Harris Theater) by Barnaby Hughes

PERFECT IMPERFECTIONS Growing up on a steady diet of animated and live-action Disney films and in the shadow of the Disneyland theme park in Anaheim, which I visited every year until I was 1…

SOURCE: Stage and Cinema at 05:57PM[SHARE]
Saturday, February 25, 2017

Chicago Opera Review: THE INVENTION OF MOREL (Chicago Opera Theater at the Studebaker Theater) by Barnaby Hughes

COPELAND'S MOREL LACKS INVENTION Four years ago, Long Beach Opera (Artistic and General Director Andreas Mitisek's other company) staged Stewart Copeland's The Tell-Tale Heart, giving the on…

SOURCE: Stage and Cinema at 09:36PM[SHARE]
Thursday, October 27, 2016

Chicago Theater Review: LONGER! LOUDER! WAGNER! THE SECOND CITY WAGNER COMPANION (The Second City and Lyric Opera) by Barnaby Hughes

MAKING FUN OF OPERA FUN AGAIN This mostly satirical Lyric Opera/Second City co-production contains little irony apart from the title. For while it definitely IS about Wagner, it most certain…

SOURCE: Stage and Cinema at 01:24AM[SHARE]
Monday, May 9, 2016

Chicago Opera Review: LA CALISTO (Haymarket Opera) by Barnaby Hughes

THE GODS MUST BE ARE CRAZY! It's not often that one gets to see the same opera twice, especially when the opera in question is a delightful rarity like Francesco Cavalli's La Calisto, which …

SOURCE: Stage and Cinema at 06:12AM[SHARE]
Tuesday, May 3, 2016

Chicago Opera Review: THE KING AND I (Lyric Opera) by Barnaby Hughes

A ROYAL PRODUCTION The King and I is a rather curious bundle of contradictions and opposites. First, it's based on a true story, but plays out more like a fairy tale. In fact, it doesn't see…

SOURCE: Stage and Cinema at 02:13PM[SHARE]
Sunday, March 13, 2016

Chicago Opera Review: ROMEO AND JULIET (Lyric) by Barnaby Hughes

UNEVEN PRODUCTION COMBINES CARNIVAL AND ROMANCE As part of Chicago's yearlong celebrations marking the 400th anniversary of William Shakespeare's death, Lyric Opera has mounted a production …

SOURCE: Stage and Cinema at 07:36PM[SHARE]
Thursday, February 11, 2016

Chicago Opera Review: DER ROSENKAVALIER (Lyric) by Barnaby Hughes

MAJESKI'S MAJESTIC MARSCHALLIN Lyric Opera's new production of Der Rosenkavalier is beautiful, charming, and magnificent. It delightfully exceeded my expectations and gave me a new appreciat…

SOURCE: Stage and Cinema at 12:37AM[SHARE]
Tuesday, February 9, 2016

Chicago Opera Review: LA VOIX HUMAINE & GIANNI SCHICCHI (Chicago Opera Theater at the Harris) by Barnaby Hughes

A DAMNED GOOD PAIRING What could be a more appropriate title for an opera than La Voix Humaine? What better source material for an opera than Dante's Divina Commedia? Chicago Opera Theatre c…

SOURCE: Stage and Cinema at 04:12AM[SHARE]
Wednesday, January 27, 2016

Chicago Theater Review: VICES and VIRTUES (Profiles) by Barnaby Hughes

IF BREVITY WAS THE SOUL OF ETHICS… One of the advantages of one-act plays is that if they're bad, you don't have to wait long for them to be over. (I can't ever remember wishing a good pla…

SOURCE: Stage and Cinema at 10:34PM[SHARE]
Tuesday, January 26, 2016

Chicago Opera Review: NABUCCO (Lyric Opera) by Barnaby Hughes

STAGNANT STAGING AND CRAZY COSTUMES, BUT THE CAST AND CHORUS CAPTIVATE There's a good reason why Verdi's operas are typically described as "grand opera." They're big and bold, requiring m…

SOURCE: Stage and Cinema at 03:02PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off