Wednesday, March 14, 2018
The Keen Company’s limpid revival of A.R. Gurney’s 1993 play makes a case for this eloquent portrait of a man who can’t change.
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This ensemble piece from the Baxter Theater Center of Cape Town traces the exhilaration and ache of group activism.
SOURCE: The New York Times Subscription at 12:07PMWednesday, March 7, 2018
Bruce Norris’s latest play, an Colonial picaresque, reminds us that in cynical times, a swig of misanthropy can raise the spirits.
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Lindsey Ferrentino’s insightful but uneven new play sends three adult siblings on a road trip to their late parents’ house.
SOURCE: The New York Times Subscription at 09:45PMA grand return for Tony Kushner’s “Angels,” a raw reworking of “Yerma” and a South African docudrama about bringing down a statue — all this and Glenda Jackson, too!
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Darian Dauchan’s one-android performance piece uses rap, dance and colored lights to find “the connection between species.”
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JC Lee’s undercooked play casts the formidable Jayne Houdyshell as an eminent professor swimming in the shark pool of academia.
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This divinely wrought, beautifully sung New Group production finds compassion within a very relevant satire.
SOURCE: The New York Times Subscription at 11:23PMTuesday, February 20, 2018
After winning two Oscars, she stopped acting for decades to fight Thatcherism. Now, at 81, she’s tackling an Edward Albee classic. But she insists, “I lead a very dull life.”
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Aleshea Harris’s sensational new play, at Soho Rep, sends twin sisters into a wild, wild West on a bloody mission of vengeance.
SOURCE: The New York Times Subscription at 09:45PMFriday, February 16, 2018
A rowdy Irish revue from the Dubin-based troupe Thisispopbaby asks the world to make love, not war, and dance, dance, dance.
SOURCE: The New York Times Subscription at 10:56AMMonday, February 12, 2018
Ms. Maxwell, who has died at 61, transmitted an uncommon intelligence and love of craft found only in great theater performers.
SOURCE: The New York Times Subscription at 03:28PMA Morgan Library & Museum exhibition of the playwright’s letters and manuscripts showcases the hungers that drove and derailed him.
SOURCE: The New York Times Subscription at 10:32AMSunday, February 11, 2018
In this play directed by Thomas Ostermeier and starring Nina Hoss, a French philosopher ponders the move to the right in blue-collar France.
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This London import shows the director and writer of “Three Billboards” still utterly at home in the (dark) shadows of the stage.
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With her first play in nearly a decade, the 86-year-old playwright reminds audiences of her singular vision.
SOURCE: The New York Times Subscription at 09:45PMTuesday, January 23, 2018
Michael Kahn’s production for the Shakespeare Theater Company provides Elsinore with a new arsenal that includes smartphones and surveillance cameras.
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The Mad Ones’ portrait of a group of teachers in a purgatorial staff meeting finds the entertainment factor in endless irritation
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In the bleak and buoyant “Paradiso,” a world beyond human existence is summoned with stark sentimentality and endless eloquence.
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Enda Walsh’s wild cosmic farce, in which two men act out the life of a fantasy village, finds the aching emptiness in words, words, words
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In this multimedia, multidimensional performance piece, the boundaries of race, gender and ethnicity blur into a shifting pageant of identity.
SOURCE: The New York Times Subscription at 02:20PMThursday, January 11, 2018
For the new year, productions that aim to shake up your senses and challenge your assumptions. Plus: ’80s jargon and hair.
SOURCE: The New York Times Subscription at 03:30PMWednesday, January 10, 2018
This harrowing and exhilarating revival, featuring an inexhaustible cast of two, summons the agonies and ecstasies of being 17 in a blighted Irish town.
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The newcomer Jamael Westman steps out as a fully formed star in the title role of the triumphant London production of “Hamilton.”
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In a creative master stroke, this National Theater adaptation of the Disney film uses oversized puppets to play adults, who tower over the title figure.
SOURCE: The New York Times Subscription at 09:23AMSunday, December 17, 2017
In Claire van Kampen’s strange, enchanting “Farinelli and the King,” from Shakespeare’s Globe in London, music hath charms to spare.
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Fiasco Theater’s agreeable production of a much-performed play finds the clarity in a comedy of confusion.
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Geoff Sobelle’s hallucinatory performance piece at the Brooklyn Academy of Music is set in a house that comes to life before your eyes.
SOURCE: The New York Times Subscription at 03:18PMTuesday, December 5, 2017
Our chief theater critics on their favorites this year, from “Bruce Springsteen on Broadway” to a host of playwrights tackling life’s chaos.
SOURCE: The New York Times Subscription at 12:18PMMonday, December 4, 2017
This ginormous adaptation of the beloved Nickelodeon television series perfectly captures the innocently idiotic spirit of its prototype
SOURCE: The New York Times Subscription at 10:04PMA revised version of a musical memoir from the Bengsons affectingly reimagines commitment-phobia in existential terms.
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