Thursday, May 31, 2018
Mart Crowley’s epochal 1968 comic drama at last makes its Broadway debut, in Joe Mantello’s entertaining but disconnected production.
SOURCE: The New York Times Subscription at 10:06PMWednesday, May 23, 2018
This labored adaptation of a James short story, starring Tony Yazbeck, features a boldface creative team that includes John Kander and Susan Stroman
SOURCE: The New York Times Subscription at 07:48PMTuesday, May 22, 2018
This initial, mind-frisking comedy from Clubbed Thumb’s Summerworks festival is a reminder of the particular pleasures of warm-weather goofiness.
SOURCE: The New York Times Subscription at 09:24PMSunday, May 20, 2018
Erin Markey’s disciplined performance piece, a collaboration with Emily Davis, examines the dissolving boundaries of intense intimacy.
SOURCE: The New York Times Subscription at 11:48AMTuesday, May 15, 2018
Kieran Knowles’s gripping play about the Sheffield Blitz, part of the Brits Off Broadway festival, focuses on the interdependent lives of four steel workers.
SOURCE: The New York Times Subscription at 07:48PMSunday, May 13, 2018
In this highly adrenalized production of Eugene O’Neill’s harrowing family portrait, everybody seems to be acting as fast as possible.
SOURCE: The New York Times Subscription at 08:18AMThursday, May 10, 2018
This exquisite Wooster Group evocation of Tadeusz Kantor’s work becomes an ode to the ephemerality of theater and its creators.
SOURCE: The New York Times Subscription at 12:12PMWednesday, May 9, 2018
Disagreeing on classic musicals, agreeing on “The Band’s Visit,” and worried about a season when revivals outshone new plays.
SOURCE: The New York Times Subscription at 06:18AMTuesday, May 8, 2018
Clare Barron’s glorious new play, at Playwrights Horizons, examines the anguished and ecstatic inner lives of a middle-school dance team.
SOURCE: The New York Times Subscription at 09:18PMSunday, May 6, 2018
This rambunctious riff on an ancient Greek comedy, at St. Ann’s Warehouse, considers the crazier consequences of the quest for utopia
SOURCE: The New York Times Subscription at 05:18PMWednesday, May 2, 2018
This master farceur’s play, believed to be his 81st, charts social changes through six decades in a single stately home, inhabited by people as silly as they are sad.
SOURCE: The New York Times Subscription at 07:18PMTuesday, May 1, 2018
Our chief critics offer reaction to the nominations, which were hard on jukebox musicals and “Frozen” but good to “My Fair Lady” and “Carousel.”
SOURCE: The New York Times Subscription at 12:36PMMay is a good month to venture away from Times Square blockbusters. “Our Lady of 121st Street” and “Long Day’s Journey Into Night” are Off Broadway highlights.
SOURCE: The New York Times Subscription at 05:48AMThursday, April 26, 2018
George C. Wolfe’s entertaining production allows the large ensemble, including Mr. Washington, to charm one another and play to the crowd.
SOURCE: The New York Times Subscription at 07:48PMTuesday, April 24, 2018
This exuberant revival of Tom Stoppard’s 1974 comedy of the intellect, starring Tom Hollander, is one of the sweetest and strangest defenses of art.
SOURCE: The New York Times Subscription at 08:18PMMonday, April 23, 2018
Lucy Thurber’s compassionate but clunky play follows the bids of two young men from the Bronx to win scholarships at a New England college
SOURCE: The New York Times Subscription at 08:48PMSunday, April 22, 2018
J.K. Rowling’s ever-popular boy wizard is all grown up in this enthralling two-part play, directed with seamless magic by John Tiffany.
SOURCE: The New York Times Subscription at 10:18PMWednesday, April 18, 2018
In the Irish Repertory Theater’s solid revival of Conor McPherson’s Christmas classic, the Devil sits down for Yuletide wassail and a game of cards.
SOURCE: The New York Times Subscription at 09:12PMTuesday, April 17, 2018
Amelia Roper’s portrait of disparate — and desperate — lives in a Swiss hotel becomes an indictment of moral blight in the 21st century.
SOURCE: The New York Times Subscription at 10:06PMSunday, April 15, 2018
Lynn Nottage’s beautiful, reverberating portrait of a murder and its consequences follows the global path of illicitly obtained ivory.
SOURCE: The New York Times Subscription at 09:45PMThursday, April 12, 2018
Jack O’Brien and Justin Peck’s heartfelt, half-terrific revival of an American classic stars a wonderfully ambivalent Joshua Henry and Jessie Mueller.
SOURCE: The New York Times Subscription at 09:45PMMonday, April 9, 2018
Lindsey Ferrentino’s ambitious but ungainly drama, at Playwrights Horizons, assesses the effect of a school shooting on one uncomprehending survivor.
SOURCE: The New York Times Subscription at 07:15PMSunday, April 8, 2018
Tina Fey’s adaptation of her 2004 screenplay about high school cliques comes to Broadway with wit, fetch and a surplus of songs.
SOURCE: The New York Times Subscription at 09:45PMWednesday, April 4, 2018
The puppeteer Basil Twist’s singular riff on a Berlioz symphony returns with enhanced production values and undiminished hallucinatory magic.
SOURCE: The New York Times Subscription at 09:45PMMonday, April 2, 2018
Target Margin Theater’s tantalizing reconception of “The Thousand and One Nights” reminds us that there have always been unreliable narrators.
SOURCE: The New York Times Subscription at 08:40PMWednesday, March 28, 2018
Simon Stone’s latter-day riff on Lorca’s poetic tragedy dares to go to extremes, in this portrait of a journalist trying to conceive a child.
SOURCE: The New York Times Subscription at 02:00PMMonday, March 26, 2018
This astutely acted revival of Kenneth Lonergan’s play presents conversation as an ongoing act of deception and betrayal.
SOURCE: The New York Times Subscription at 09:45PMSunday, March 25, 2018
Marianne Elliott’s London-born production of Tony Kushner’s masterwork is blazingly reimagined with a cast including Nathan Lane and Andrew Garfield.
SOURCE: The New York Times Subscription at 09:30PMThursday, March 22, 2018
This sumptuous if uninvolving Encores! production invites you to wallow with the beautiful and damned in old Berlin.
SOURCE: The New York Times Subscription at 03:43PMWednesday, March 14, 2018
The Keen Company’s limpid revival of A.R. Gurney’s 1993 play makes a case for this eloquent portrait of a man who can’t change.
SOURCE: The New York Times Subscription at 09:45PM 
