Friday, September 14, 2018
This combination of a classical tragedy and a contemporary discussion group finds a mirror for Ferguson, Mo., in ancient Thebes.
SOURCE: The New York Times Subscription at 04:48PMFriday, September 7, 2018
In the most promising plays opening this fall, the family drama opens its living room to an invasion of political anxieties.
SOURCE: The New York Times Subscription at 04:18AMWednesday, August 29, 2018
They are often Broadway sensations, but jukebox musicals rarely get good reviews. We invited our critics to stop snarking and tell us what they want.
SOURCE: The New York Times Subscription at 10:48AMFriday, August 17, 2018
Ben Brantley and his London counterpart Michael Billington find much that’s enthralling about the state of playwriting in their countries.
SOURCE: The New York Times Subscription at 04:06AMThursday, August 16, 2018
This wan resuscitation of the 1990 movie about a Cinderella prostitute is likely to make you nostalgic for Julia Roberts’s original performance.
SOURCE: The New York Times Subscription at 10:18PMFriday, August 10, 2018
Roslyn Ruff gives a wondrous performance in the Williamstown Theater Festival revival of the Carson McCullers play.
SOURCE: The New York Times Subscription at 01:48PMThursday, August 9, 2018
This high-energy, high-anxiety musical, a hit on social media even before it opened, reflects the metabolism of its teenage audience.
SOURCE: The New York Times Subscription at 10:18PMSunday, August 5, 2018
The movie that heralded the jukebox musical has been reinvented as a jukebox musical on its very own terms at the Emerson Colonial Theater in Boston.
SOURCE: The New York Times Subscription at 01:48PMTuesday, July 31, 2018
This radiant Public Works production of Shakespeare’s comedy of identity asks us “to see through the eyes of another.”
SOURCE: The New York Times Subscription at 10:04PMMonday, July 30, 2018
Marcus Gardley’s loquacious and freewheeling answer to a Lorca classic is set in a fascinating moment for race relations.
SOURCE: The New York Times Subscription at 10:18PMThursday, July 26, 2018
This confused musical combines 1980s pop hits with a Renaissance romance, while considering the importance of being nonbinary.
SOURCE: The New York Times Subscription at 10:06PMCarson Kreitzer and Matt Gould’s exciting new musical dares to dream big as it follows the making of the artist Tamara de Lempicka in Jazz-Age Paris.
SOURCE: The New York Times Subscription at 08:36PMTuesday, July 24, 2018
This tone-deaf rock-opera remembrance of the twilight of Studio 54 features characters named Steve Rubell and The Artist. (Psst! That’s Andy Warhol.)
SOURCE: The New York Times Subscription at 10:18PMWednesday, July 18, 2018
This comedy of dismay by Alan Bennett, author of “The History Boys,” portrays a geriatric ward (of singing, dancing patients!) in an uncaring Britain.
SOURCE: The New York Times Subscription at 05:18PMThe Comédie-Française’s mesmerizing adaptation of Luchino Visconti’s film charts the fall of a family steel dynasty during Hitler’s rise to power.
SOURCE: The New York Times Subscription at 02:18PMFriday, July 13, 2018
Monday, July 9, 2018
Fiery performances by Lia Williams in “The Prime of Miss Jean Brodie” and Adrienne Warren in “Tina” newly illuminate familiar female characters.
SOURCE: The New York Times Subscription at 02:12PMWednesday, July 4, 2018
Crowd-drawing revivals of “Killer Joe” and “The Lieutenant of Inishmore” find two movie matinee idols transformed into mindless sociopaths.
SOURCE: The New York Times Subscription at 05:24PMWednesday, June 27, 2018
Dennis Kelly’s one-person drama examines the role of gender and violence through the eyes of a mother of young children.
SOURCE: The New York Times Subscription at 10:18PMJohn Doyle’s resurrection of a famously problematic show, starring Anika Noni Rose, finds the fatalism — and universality — in its music.
SOURCE: The New York Times Subscription at 10:18PMMonday, June 25, 2018
David Ireland’s bruising drama presents a Northern Irish variation on a very topical archetype — the angry white male under siege
SOURCE: The New York Times Subscription at 10:12PMTuesday, June 19, 2018
Third Rail Projects’ latest theater piece is an ingenious combination of walking tour and voyage into the past.
SOURCE: The New York Times Subscription at 12:48PMMonday, June 18, 2018
Ruben Santiago-Hudson’s elegantly staged interpretation of this tale is good-looking and well-spoken, though lacking in fatal passion.
SOURCE: The New York Times Subscription at 10:04PMSunday, June 17, 2018
Jackie Sibblies Drury’s ruthless comic drama about perceptions of race artfully plays the cat to an audience of white mice.
SOURCE: The New York Times Subscription at 07:42PMThursday, June 14, 2018
This formulaic musical of uplift, about elderly dancers, provides the pleasure of reacquaintance with Donna McKechnie and Georgia Engel.
SOURCE: The New York Times Subscription at 01:04PMTuesday, June 12, 2018
Edward Albee’s 1962 masterwork is made over with a whole new set of party games in Kate Scelsa’s punch-drunk satire for the Elevator Repair Service.
SOURCE: The New York Times Subscription at 11:18PMMonday, June 11, 2018
Thursday, June 7, 2018
David Byrne’s speculative play places two theories of human evolution in dialogue in a probing blend of fact and speculation.
SOURCE: The New York Times Subscription at 07:18PMMonday, June 4, 2018
Lauren Yee’s global-vision take on the classic underdog sports story features BD Wong as a Chinese basketball coach with a secret.
SOURCE: The New York Times Subscription at 10:18PMFriday, June 1, 2018
Majority rule (mostly). One play per playwright. How we put together the 25 Plays list, and a bid to remember notable writers and favorite works that missed the cut.
SOURCE: The New York Times Subscription at 12:48AMThursday, May 31, 2018
Mart Crowley’s epochal 1968 comic drama at last makes its Broadway debut, in Joe Mantello’s entertaining but disconnected production.
SOURCE: The New York Times Subscription at 10:06PM 
