All stories by Arifa Akbar on BroadwayStars

Wednesday, March 9, 2022

Maria Friedman and Friends: Legacy review – who’s up for a cabaret lock-in? by Arifa Akbar

Menier Chocolate Factory, LondonLooking back at the work of Sondheim, Hamlisch and Legrand, with glorious songs and personal stories, this is a mixed bag of a show Maria Friedman has staged …

SOURCE: The Guardian at 01:06PM
Friday, March 4, 2022

Small Island review – enthralling Windrush drama makes stylish return by Arifa Akbar

Olivier theatre, LondonA superb new cast show this story of love, war and racial prejudice has earned its place in the National Theatre pantheon There is arguably a calculated safety in stag…

SOURCE: The Guardian at 12:24PM
Thursday, March 3, 2022

Henry V review – Kit Harington’s corporate tyrant wages war by Arifa Akbar

Donmar Warehouse, LondonThe Game of Thrones star impresses in an uneven production balancing boardroom and battlefield It is impossible to watch Max Webster’s modern-dress staging of Henry…

SOURCE: The Guardian at 07:48AM
Tuesday, March 1, 2022

Bloody Difficult Women review – Brexit foes who faced the same prejudice by Arifa Akbar

Riverside Studios, LondonTim Walker’s drama reconstructs the battles between Theresa May and Gina Miller after the Brexit vote, and their misogynist context Kenneth Clarke’s description …

SOURCE: The Guardian at 07:54PM

The Woods review – Mamet’s battle of the sexes is spiky but shows its age by Arifa Akbar

Southwark Playhouse, LondonA couple bicker through the night in a remote cabin in a well-performed revival of David Mamet’s two-hander from 1977 David Mamet’s odd if intriguing two-hande…

SOURCE: The Guardian at 04:33PM
Sunday, February 27, 2022

Animal Farm review – beguiling puppetry makes Orwell’s fable more equal than others by Arifa Akbar

Theatre Royal, Newcastle upon TyneA startlingly handsome production of George Orwell’s allegorical farmyard tale, with hints of kabuki and film noir, is given ever more meaning and relevan…

SOURCE: The Guardian at 07:48AM
Thursday, February 24, 2022

The Collaboration review – Warhol and Basquiat mix paint and trade blows by Arifa Akbar

Young Vic, LondonPaul Bettany and Jeremy Pope excel as the art world legends in Anthony McCarten’s account of a fractious friendship Anthony McCarten’s new play is an odd bromance betwee…

SOURCE: The Guardian at 09:54PM
Wednesday, February 23, 2022

Far Gone review – child soldier’s story told with chilling intensity by Arifa Akbar

Studio theatre, SheffieldJohn Rwothomack, performing his own one-man play, depicts a Ugandan boy terrorised into fighting for the Lord’s Resistance Army with visceral power ‘Will you fav…

SOURCE: The Guardian at 11:48AM

‘Trump did a great job as president’ – David Mamet on free speech, gender politics and rigged elections by Arifa Akbar

His liberal-baiting plays have caused punch-ups in the aisles and he hasn’t finished yet. As The Woods – his incendiary take on sexual politics – returns, the writer cuts loose ‘I ha…

SOURCE: The Guardian at 02:06AM
Monday, February 21, 2022

Samuel Bailey: ‘I never want to write a play that excludes people back home’ by Arifa Akbar

The award-winning writer of Shook grew up on an estate and did not see his world represented on stage. When he acknowledged his shame about his background, he found his voice In 2019, Samuel…

SOURCE: The Guardian at 01:42PM
Friday, February 18, 2022

Much Ado About Nothing review – a lavish vision of space-age Shakespeare by Arifa Akbar

Royal Shakespeare theatre, Stratford-upon-Avon Afrofuturism meets comic-book kitsch in a radiant production whose dramatic impact cannot match its majestic design The first and last word on …

SOURCE: The Guardian at 02:18PM
Wednesday, February 16, 2022

Running With Lions review – grief haunts a British Caribbean family by Arifa Akbar

Lyric Hammersmith, LondonSian Carter’s debut play tells an inter-generational story of hidden mental illness that is richly played, with real pain but also sparks of joy You are forced to …

SOURCE: The Guardian at 01:24PM
Tuesday, February 15, 2022

The Forest review – Florian Zeller’s infidelity tale is masterfully executed by Arifa Akbar

Hampstead theatre, LondonA seductive production that jumbles chronology and blends memory with fantasy is undeniably slick and captivating to watch Florian Zeller’s brand of psychological …

SOURCE: The Guardian at 11:18AM
Friday, February 11, 2022

The Chairs review – slapstick sadness from a spine-shiveringly good duo by Arifa Akbar

Almeida, London Kathryn Hunter and Marcello Magni are perfectly grotesque in this timely revival of Eugène Ionesco’s absurdist classic This may be the perfect time to revive a play about …

SOURCE: The Guardian at 10:06AM
Thursday, February 10, 2022

The Da Vinci Code review – a decent crack at staging the bestseller by Arifa Akbar

Theatre Royal PlymouthNigel Harman and Hannah Rose Caton star as Dan Brown’s adventurers in a show that sometimes feels as if it is on fast-forward Dan Brown’s compulsive, contentious st…

SOURCE: The Guardian at 08:54PM
Friday, February 4, 2022

Hamlet review – an indie prince of infinite jest but little tragedy by Arifa Akbar

Sam Wanamaker Playhouse, LondonAlthough Sean Holmes’s production has some nice touches, it fails to plumb the play’s existential depths and lacks emotional intensity George Fouracres, be…

SOURCE: The Guardian at 11:33AM
Thursday, February 3, 2022

James McAvoy: ‘Play Hamlet? Nah – he’s always seemed a bit of a moaner to me’ by Arifa Akbar

He came blazing out of Glasgow like a rocket, scoring hits and acclaim. As he returns to the stage in a hard-rapping, homoerotic Cyrano de Bergerac, the star talks about partygate, snout siz…

SOURCE: The Guardian at 04:03AM
Wednesday, February 2, 2022

A Number review – Lennie James and Paapa Essiedu scintillate as father and sons by Arifa Akbar

Old Vic theatre, LondonThe powerhouse duo’s effortless chemistry and emotional realism brings Caryl Churchill’s cloning tragedy blazing into new life ‘They’ve taken your cells,” sa…

SOURCE: The Guardian at 10:24AM
Friday, January 28, 2022

Doubt: A Parable review – Monica Dolan dazzles in a drama of surefire brilliance by Arifa Akbar

Chichester Festival theatreAn unruly nun’s quest for the truth about an accused priest leads her into a moral maze in this riveting study of truth and ideology Many will know John Patrick …

SOURCE: The Guardian at 09:06AM
Thursday, January 27, 2022

Dr Semmelweis review – Mark Rylance’s riveting tale of medical hygiene pioneer by Arifa Akbar

Bristol Old VicRylance turns the life of the 19th-century doctor and campaigner for antiseptic practices into a tragedy of almost Shakespearean proportions A few months ahead of bringing “…

SOURCE: The Guardian at 09:12AM
Thursday, January 20, 2022

Lennie James: ‘I wasn’t willing to let somebody else decide what my ambition should be’ by Arifa Akbar

The Walking Dead and Save Me actor and writer on his return to theatre, why he left to work in the US, and what his mum would think of his career choice Lennie James has missed being on stag…

SOURCE: The Guardian at 09:36AM
Wednesday, January 12, 2022

Theatre leader Pooja Ghai: ‘I couldn’t sit back and complain about roles I wasn’t getting’ by Arifa Akbar

The actor and new artistic director of Tamasha theatre company, dedicated to stories from the global majority, talks about her campaign to change the industry Pooja Ghai struggled to find he…

SOURCE: The Guardian at 03:18AM
Thursday, January 6, 2022

Force Majeure review – family skiing drama goes off-piste by Arifa Akbar

Donmar Warehouse, LondonThis story about the aftermath of an Alpine disaster was brilliantly compelling on film but becomes a clumsy comedy on stage Anyone who has watched Ruben Östlund’s…

SOURCE: The Guardian at 09:18PM
Wednesday, January 5, 2022

Folk review – a beautifully brooding tale of song and sisterhood by Arifa Akbar

Hampstead theatre, LondonThe songs that unite two grieving sisters are collected and ‘tidied up’ by Cecil Sharp in this historical drama This beautifully brooding slice of English pastor…

SOURCE: The Guardian at 03:54PM
Monday, December 27, 2021

Theatre, dance and comedy to book in 2022 – from Alan Partridge to Tennessee Williams by Arifa Akbar, Lyndsey Winship and Brian Logan

Amy Adams makes her West End debut, immersive dance confronts mental health and Steve Coogan’s alter ego embarks on a rare live UK tour • Preview more cultural highlights of 2022 Continu…

SOURCE: The Guardian at 03:36AM
Sunday, December 19, 2021

Spring Awakening review – desire and dread in coming-of-age musical by Arifa Akbar

Almeida theatre, LondonRupert Goold’s production of the alt-rock musical has a talented young cast and some striking moments but the songs are often banal It is audacious of Rupert Goold t…

SOURCE: The Guardian at 07:18PM

Peggy for You review – Tamsin Greig’s charisma cannot save dated drama by Arifa Akbar

Hampstead theatre, LondonAlan Plater’s 60s-set play honouring agent Peggy Ramsay hasn’t aged well – her once maverick ideas now look outmoded Henry Livings felt that “all plays abo…

SOURCE: The Guardian at 10:42AM
Saturday, December 18, 2021

The best theatre, comedy and dance of 2021 by Arifa Akbar, Brian Logan and Lyndsey Winship

It was a year of revivals in every sense, as venues threw open their doors again. From fresh takes on classics to blazing new talents and shows that captured the current moment, our critics …

SOURCE: The Guardian at 01:54AM
Thursday, December 16, 2021

The strange experience of theatregoing on the possible eve of darkness | Arifa Akbar by Arifa Akbar

Ladies and gentleman, please take your seats – for how long? Our chief theatre critic on her Covid-hit week Until a few days ago, I had a diary rammed with first nights. This week was non-…

SOURCE: The Guardian at 02:54PM
Tuesday, December 14, 2021

Habeas Corpus review – Canon Throbbing is back in tragically unfunny farce by Arifa Akbar

Menier Chocolate Factory, LondonPatrick Marber revives Alan Bennett’s tiresome 1973 comedy with its trouserless salesman, randy vicar and retrograde Britishness “From end to end I’ve s…

SOURCE: The Guardian at 08:24AM
Sunday, December 12, 2021

Cabaret review – Eddie Redmayne is electric in this blinder of a show by Arifa Akbar

The Kit Kat Club at the Playhouse theatre, LondonRedmayne and Jessie Buckley ‘Willkommen’ us into this Weimar-era Berlin nightclub for an evening of flamboyance, menace and magnetism Thi…

SOURCE: The Guardian at 08:18PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic