All stories by Arifa Akbar on BroadwayStars

Tuesday, April 26, 2022

‘You don’t have to be invited – you do it’: Beth Steel on her working-class family epic by Arifa Akbar

The playwright reflects on the importance of difficult conversations, putting female characters centre-stage and reading a Greek tragedy a day to write The House of Shades In 2016, Beth Stee…

SOURCE: The Guardian at 07:33AM
Monday, April 25, 2022

The Straw Chair review – a shocking 18th-century story of injustice by Arifa Akbar

Finborough theatre, LondonThis slow-moving drama inspired by the life of Lady Grange explores the historical control of women and changing attitudes to mental health The little-known story o…

SOURCE: The Guardian at 11:48AM

Maria Callas: Letters and Memoirs review – Monica Bellucci’s homage to a superstar by Arifa Akbar

Her Majesty’s theatre, LondonThe Italian actor delivers an elegant but eccentric show that can’t quite decide who it’s for: opera aficionados or initiates It is a thrilling pairing on …

SOURCE: The Guardian at 07:24AM
Sunday, April 24, 2022

The Corn Is Green review – an inspirational heart-warmer in praise of grammar school education by Arifa Akbar

National Theatre, LondonEmlyn Williams’ 1938 play is a kind of Billy Elliot of the Valleys: the old-fashioned but hugely entertaining and affecting story of a Welsh miner’s son who escap…

SOURCE: The Guardian at 05:33AM
Friday, April 22, 2022

Marys Seacole review – mystifying drama about caring through the ages by Arifa Akbar

Donmar Warehouse, LondonDespite strong performances, Jackie Sibblies Drury’s play zigzags so much that it overshadows the remarkable life at its centre The provocations and final controver…

SOURCE: The Guardian at 10:42AM
Thursday, April 21, 2022

Punchdrunk: The Burnt City review – spectacle eclipses story in siege of Troy epic by Arifa Akbar

One Cartridge Place, LondonThis immersive retelling of Greek tragedies is stylish and atmospheric but lacks narrative momentum and its scattered scenes can be frustratingly arcane It is imme…

SOURCE: The Guardian at 08:33PM

Grimeboy review – a pair of battling MCs become allies by Arifa Akbar

Birmingham RepCasey Bailey’s moving, emotionally honest grime musical grows in power and has its own poetic, street-smart presence Grimeboy starts off with a deceptive lightness as a comin…

SOURCE: The Guardian at 04:12PM
Monday, April 18, 2022

The Hound of the Baskervilles review – tongue-in-cheek sleuthing by Arifa Akbar

Available onlineThe canine curse is given a comic makeover, sapping the story of its terror but bringing laughs and charming energy from the cast of three Arthur Conan Doyle’s sinister tal…

SOURCE: The Guardian at 08:24AM
Sunday, April 17, 2022

Princess Essex review – Anne Odeke gives spark to Black British history lesson by Arifa Akbar

Bush theatre, LondonThe performer of this one-woman play steers through multiple characters with charm, but is held back by a story that is less than the sum of its parts Princess Dinubolu o…

SOURCE: The Guardian at 08:33AM
Friday, April 15, 2022

Scandaltown review – smut and silliness in modern Restoration comedy by Arifa Akbar

Lyric Hammersmith, LondonMike Bartlett’s rambunctious capers with types including Lady Susan Climber and Matt Eton MP are great fun if not exactly stinging satire In Mike Bartlett’s ramb…

SOURCE: The Guardian at 10:36AM
Thursday, April 14, 2022

Wolf Cub review – seismic southern gothic has grit, gore and magic realism by Arifa Akbar

Hampstead theatre, LondonClaire Latham is utterly arresting as a traumatised woman, surrounded by violence, who transforms into a wolf This monologue, by a woman from the deep south of the U…

SOURCE: The Guardian at 08:18AM
Wednesday, April 13, 2022

Tapped review – inside the funny-sad world of the Go Get It! group by Arifa Akbar

Theatre503, LondonA mother-daughter confrontation at a motivational speaker’s coaching session raises urgent questions about mental health A play about a self-help circle can usually guara…

SOURCE: The Guardian at 10:24AM
Monday, April 11, 2022

The Olivier awards toasted theatre’s winning can-do spirit through the pandemic by Arifa Akbar

Cabaret and Life of Pi were deservedly recognised on a night that could have spread the love more widely and often favoured comforting shows Full list of winners It began with the host Jason…

SOURCE: The Guardian at 12:12PM
Sunday, April 10, 2022

The 47th review – Bertie Carvel is devilishly good but this Trumpian satire feels too soon by Arifa Akbar

Old Vic theatre, LondonMike Bartlett’s script turns US politics into Shakepearean comedy but falls oddly flat despite magnetising performances Donald Trump’s inner circle has, in Mike Ba…

SOURCE: The Guardian at 05:42AM
Thursday, April 7, 2022

Daddy: A Melodrama review – Black art, white money and love in Speedos by Arifa Akbar

Almeida, LondonA white billionaire art collector’s relationship with a young Black artist forms the heart of this bold, brawny play about race, patronage and exploitation Ever since Suns…

SOURCE: The Guardian at 11:03AM
Wednesday, April 6, 2022

The Fever Syndrome review – a family home, and its dramas and rivalries, dissected by Arifa Akbar

Hampstead theatre, LondonThere is some fine acting as the wife and children of Robert Lindsay’s patriarchal professor bicker and bond over inheritances and legacies, but it is all a little…

SOURCE: The Guardian at 12:03PM
Tuesday, April 5, 2022

Coming to England review – Floella Benjamin story overlooks her ascent to Play School by Arifa Akbar

Birmingham RepWe see the shock of Windrush-era racism from a child’s perspective, but miss the details of how she rose nontheless to become the face of children’s TV It is fitting that a…

SOURCE: The Guardian at 09:48AM
Thursday, March 31, 2022

To Kill a Mockingbird review – Harper Lee would approve of snappy Sorkin update by Arifa Akbar

Gielgud theatre, LondonRafe Spall is a dignified Atticus Finch in Aaron Sorkin’s smooth and confident adaptation, which finds modern-day resonances in the 1960 classic about racial injusti…

SOURCE: The Guardian at 07:12PM
Sunday, March 27, 2022

Psychodrama review – noirish inner world of murderous lovers is disjointed and draining by Arifa Akbar

Battersea Arts Centre, LondonThough innovative in delivery, this bizarre experimental production has gratuitous descriptions of sex and violence and fails to satisfy as a performance Psychod…

SOURCE: The Guardian at 09:24PM
Thursday, March 24, 2022

Clybourne Park review – property prices and home truths in provocative satire by Arifa Akbar

Park theatre, LondonThe acting, by Imogen Stubbs and Eric Underwood among others, is formidable but Bruce Norris’s 2010 play lacks depth Bruce Norris’s 2010 satire was written as a respo…

SOURCE: The Guardian at 12:33PM
Wednesday, March 23, 2022

The Human Voice review – Ruth Wilson fails to connect in Jean Cocteau’s tale of despair by Arifa Akbar

Harold Pinter theatre, LondonIvo van Hove’s production divests this drama of emotional power and momentum, keeping us at arm’s length Jean Cocteau’s 1930 play is a monologue disguised …

SOURCE: The Guardian at 09:03AM
Tuesday, March 22, 2022

‘I keep hope alive’: Tamara Tunie on playing Kamala Harris in political dystopia The 47th by Arifa Akbar

The Law & Order: SVU star is returning to the stage in a White House satire set in 2024. She talks about the ‘black-lash’ after Obama’s election, brokering a new deal for Broadway …

SOURCE: The Guardian at 02:18PM
Monday, March 21, 2022

‘It was shameful I didn’t know about it’: Hamilton’s Giles Terera on the Zong slave-ship massacre by Arifa Akbar

The Olivier-winning actor is starring in his own play about a horrifying chapter of history and the fight to abolish slavery. He reflects on the resistance to making the story heard At a piv…

SOURCE: The Guardian at 08:37AM
Friday, March 18, 2022

The Red review – Marcus Brigstocke probes the psychology of the addict by Arifa Akbar

Available onlineThis is a gripping drama about the inner struggles and temptation endured by a recovering alcoholic during a dark night of the soul at his father’s wake Marcus Brigstocke�…

SOURCE: The Guardian at 10:36AM
Thursday, March 17, 2022

Gulliver’s Travels review – bedroom voyage to the world of Jonathan Swift by Arifa Akbar

Unicorn theatre, LondonBewitching video and ingenious sets combine in a staging that turns the 18th-century adventure into an escape for a troubled student This radical reimagining of Jonath…

SOURCE: The Guardian at 07:24PM
Tuesday, March 15, 2022

Cock review – Jonathan Bailey and Taron Egerton locked in a love triangle by Arifa Akbar

Ambassadors theatre, LondonJade Anouka’s character causes an existential earthquake in Marianne Elliott’s stylised revival of Mike Bartlett’s comedy about sexual identity The world has…

SOURCE: The Guardian at 07:03PM

‘Fancy a little top-up?’ Teens throw a new Abigail’s Party with guest list of 30 by Arifa Akbar

The eponymous do of Mike Leigh’s 1977 play is reimagined in Abi’s House Party, a youth production at the Watford Palace theatre. But what would Bev think? The drama in Abigail’s Party …

SOURCE: The Guardian at 06:48AM
Monday, March 14, 2022

Ghosts of the Titanic review – conspiracy drama goes adrift by Arifa Akbar

Park theatre, LondonRon Hutchinson’s play picks up intriguing themes about fake news and psychology but fails to explore them in depth “What if the Titanic never hit an iceberg? What if …

SOURCE: The Guardian at 02:18PM
Sunday, March 13, 2022

Dogs of Europe review – art and activism combine in breathtaking spectacle by Arifa Akbar

Barbican, LondonFairytale imagery is mixed with absurdist humour in this prescient political thriller in which Russia has become a dictatorial superstate Given the political history of the B…

SOURCE: The Guardian at 01:03PM
Friday, March 11, 2022

Nora: A Doll’s House review – Ibsen in fiddly triplicate by Arifa Akbar

Royal Exchange, ManchesterStef Smith’s reworking of the incendiary play casts three Noras in different eras, but can’t give them credible life There is not one disgruntled wife in this h…

SOURCE: The Guardian at 05:42AM
Wednesday, March 9, 2022

Maria Friedman and Friends: Legacy review – who’s up for a cabaret lock-in? by Arifa Akbar

Menier Chocolate Factory, LondonLooking back at the work of Sondheim, Hamlisch and Legrand, with glorious songs and personal stories, this is a mixed bag of a show Maria Friedman has staged …

SOURCE: The Guardian at 01:06PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic