Friday, November 16, 2018
It’s 1956 and a prodigal daughter returns to the Potteries after 13 years of mysterious exile in Deborah McAndrew’s latest work for
SOURCE: The Stage Registration at 04:29PMMonday, November 12, 2018
With the help of four participants (some of whom have never performed professionally before), Scottee is staging a fat rebellion. It’s a
SOURCE: The Stage Registration at 06:11AMFriday, November 9, 2018
It’s been 25 years since choreographer Liv Lorent set up dance theatre company BalletLorent. Based in Newcastle-upon-Tyne, the company is known for
SOURCE: The Stage Registration at 01:41PMWednesday, November 7, 2018
Rambert2 has arrived. Made up of 13 newly-graduated dancers from around the world, Rambert’s new junior company is a blazingly talented troupe
SOURCE: The Stage Registration at 08:38AMFriday, November 2, 2018
First performed in St Petersburg in 1877, Marius Petipa’s La Bayadere is a grand Imperial classic set to broadly danceable tunes by
SOURCE: The Stage Registration at 07:04AMWednesday, October 24, 2018
With a master’s degree in animal behaviour and conservation under her belt, Isabella Rossellini brings a spirit of generosity and wit to
SOURCE: The Stage Registration at 06:38AMFriday, October 12, 2018
Sadler’s Wells celebrates the 20th anniversary of its transformation into a purpose-built dance house with a promising triple bill of new work
SOURCE: The Stage Registration at 09:33AMTuesday, October 9, 2018
Race, politics, disability – these are the issues a trio of emerging choreographers are pushing to the forefront at the iconic London
SOURCE: The Stage Registration at 03:00AMSaturday, October 6, 2018
Quiet it may be, but William Forsythe’s latest evening of dance at Sadler’s Wells resounds with an extraordinary cerebral and imaginative force.
SOURCE: The Stage Registration at 08:04AMTuesday, October 2, 2018
Annie Siddons’ Dennis of Penge is a mighty piece of poetic storytelling. By turns ribald and sublime, it’s a cri de coeur
SOURCE: The Stage Registration at 07:26AMFriday, September 14, 2018
Russian-born Royal Ballet star Natalia Osipova returns to Sadler’s Wells with a largely triumphant mixed bill of contemporary and classical fare. Her
SOURCE: The Stage Registration at 10:40AMWednesday, August 15, 2018
Backbone, by Australian circus company Gravity and Other Myths, derives some of its strength from upending our big-top expectations. There’s a false
SOURCE: The Stage Registration at 06:31AMSaturday, August 11, 2018
Circus performer and clown Thom Monckton makes an art form out of dawdling around in this deft and almost perfectly paced solo
SOURCE: The Stage Registration at 02:58PMFriday, August 10, 2018
A hefty gold dildo makes a star turn in choreographer Boaz Barkan’s eccentric lecture-performance May I Speak About Dance? The shimmering phallus in
SOURCE: The Stage Registration at 11:20AMThursday, August 9, 2018
Five years ago, Finnish-born filmmaker Samira Elagoz was raped by her then-boyfriend. In the aftermath, she records conversations with her friends, mother
SOURCE: The Stage Registration at 06:48AMYou and I is a likeable, personal show by Casus co-founders and off-stage partners Jesse Scott and Lachlan McAulay that celebrates and
SOURCE: The Stage Registration at 06:09AMTuesday, August 7, 2018
Cha-cha heels and cheese abound in Burn the Floor: Rebels of Ballroom, a cheerful hour-long exhibition of glitzy costumes, snappy technique and
SOURCE: The Stage Registration at 08:02AMCold Blood is something truly special. Like Kiss and Cry Collective’s eponymous first show, which was also the brainchild of film-maker Jaco
SOURCE: The Stage Registration at 05:23AMChoreographer Ludovic Ondiviela recasts Giselle as a modern horror, complete with a mortuary scene, in this ambitious and atmospheric full-length ballet (the
SOURCE: The Stage Registration at 05:22AMMonday, August 6, 2018
There are galoshes, buckets and cuppas galore in A Clown Show About Rain, a gently poignant piece of physical theatre about the
SOURCE: The Stage Registration at 07:21AMDance Base, EdinburghThe three Fates of Greek mythology preside over human destiny from a cosmic sweatshop in this captivating piece of dance-theatreThe Spinners, a collaboration between Sco…
SOURCE: The Guardian at 02:04AMSunday, August 5, 2018
Pink Mama Theatre’s Jungle purports to be about the legacy of colonialism. It is baffling, tedious and momentously misguided. For 45 minutes,
SOURCE: The Stage Registration at 10:03AMSaturday, August 4, 2018
Two female dancers tread gingerly across an empty space. Beneath them, a video projection on the floor displays fleeting images of stark
SOURCE: The Stage Registration at 03:53PMDance Base, EdinburghIma Iduozee slinks and swoops with insouciant ease in this solo piece, but patchy sound design and a ponderous self-indulgence hold the show backFinnish dancer and chore…
SOURCE: The Guardian at 10:42AMFriday, August 3, 2018
Like a bulging Mothercare nappy bag saddled to the back of a weary parent, there’s a lot to unpack in Baby Face.
SOURCE: The Stage Registration at 10:11AMWednesday, July 11, 2018
Tumblers, clowns and horseback tricks in a 42-foot diameter performance ring – these are the components of modern circus established 250 years
SOURCE: The Stage Registration at 07:05AMMonday, July 9, 2018
Respect the Elders. When Sadler’s Wells’ resident over-60s company of community dancers perform their latest mixed bill, they re-adjust the parameters by
SOURCE: The Stage Registration at 12:10PMWednesday, July 4, 2018
Circa’s Peepshow provides an occasionally unusual viewing experience for its punters. It’s a circus show that gamely plays around with the voyeuristic
SOURCE: The Stage Registration at 11:02AMThursday, June 28, 2018
A morally serious and witty gem of a work lodges between three duller and borderline indulgent pieces in NDT1’s latest mixed bill.
SOURCE: The Stage Registration at 10:32AMFriday, June 22, 2018
The human cost of the 2022 World Cup in Qatar isn’t so much FIFA’s dirty little secret as an ongoing Amnesty-certified human
SOURCE: The Stage Registration at 09:23AMTuesday, June 19, 2018
'Headlong, hormonal passion': Anna Winter reviews Kenneth MacMillan's Romeo and Juliet at Sadler's Wells.
The post Review: Romeo and Juliet by Birmingham Royal Ballet appeared first on Exeu…
SOURCE: exeuntmagazine.com at 04:06PM 
