Tuesday, June 19, 2018
'Headlong, hormonal passion': Anna Winter reviews Kenneth MacMillan's Romeo and Juliet at Sadler's Wells.
The post Review: Romeo and Juliet by Birmingham Royal Ballet appeared first on Exeu…
SOURCE: exeuntmagazine.com at 04:06PMMonday, June 18, 2018
Congolese dancer-choreographer Faustin Linyekula’s In Search of Dinozord is diffuse and difficult; a combination of movement, spoken word and song that together
SOURCE: The Stage Registration at 07:32AMWednesday, June 13, 2018
There’s cider, popcorn and an air of frantic excitement at Beverly’s party. Five friendly host Bevs in silvery-grey dresses and wigs assign
SOURCE: The Stage Registration at 08:27AMTuesday, June 12, 2018
A Loyalist pub in 1960s Dublin. With fags in hand and familiar tones, the landlady and her beehived pal usher an uncertain
SOURCE: The Stage Registration at 06:37AMThursday, June 7, 2018
English National Ballet’s The Sleeping Beauty is worth waking up for. Kenneth MacMillan’s production for American Ballet Theatre had a fraught journey
SOURCE: The Stage Registration at 08:08AMWednesday, June 6, 2018
A cat among the swans: Liam Scarlett's interpretation gets three big ticks from Anna Winter.
The post Review: Swan Lake at the Royal Opera House appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 11:10AMMonday, June 4, 2018
Last year, hip-hop company Boy Blue Entertainment presented the searing triptych Blak Whyte Gray in London and Edinburgh, a performance that brought
SOURCE: The Stage Registration at 08:37AMTuesday, May 29, 2018
A strange sterility: Anna Winter reviews a new work for Rambert by choreographer Kim Brandstrup.
The post Review: Life is a Dream at Sadler’s Wells appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 08:09AMMonday, May 14, 2018
An alumnus of Merce Cunningham and Michael Clark’s companies, Julie Cunningham launched her choreographic career in 2017 with To Be Me, a
SOURCE: The Stage Registration at 06:08AMFriday, May 11, 2018
The central idea of Soap – acrobats performing in and around bathtubs containing actual water – sounds like a cross between a
SOURCE: The Stage Registration at 07:55AMWednesday, May 9, 2018
The clowns in Hofesh Shechter’s Show aren’t just creepy, they’re homicidal. By turns gambolling fools, sage advisors and blank-faced killers, this octet
SOURCE: The Stage Registration at 06:58AMFriday, May 4, 2018
At what point does a regime of self-improvement shade into self-destruction? How easily can a quest for bulging biceps descend into delusional
SOURCE: The Stage Registration at 09:17AMThursday, May 3, 2018
Australian quintet The Tap Pack produce a slick two hours of hoofing and honied vocals, interspersing their impressive dance routines with renditions
SOURCE: The Stage Registration at 11:09AMMonday, April 30, 2018
Hydraulic elegance: Anna Winter reviews Balletboyz and their programme of four works created in fourteen days.
The post Review: Fourteen Days at Sadler’s Wells appeared first on Exeunt…
SOURCE: exeuntmagazine.com at 07:44AMWednesday, April 25, 2018
Collective sphincters being clenched: Aino Venna and Ilona Jantti's cabaret circus doesn't have quite the desired effect.
The post Review: Yablochkov Candle at Jacksons Lane appeared first o…
SOURCE: exeuntmagazine.com at 12:22PMTuesday, April 24, 2018
Jamaican dancehall and Georgian polyphonic chanting – it seems like an odd pairing for a main stage production, but Cecilia Bengolea and
SOURCE: The Stage Registration at 08:44AMMonday, April 23, 2018
Three very different mothers converge in a hospital waiting room, anxious for updates, after a class of Year 10 pupils are mysteriously
SOURCE: The Stage Registration at 08:47AMFriday, April 20, 2018
A circus inspired by nuclear physics? It’s hard not to think of the world’s premier political megalomaniacs and their social media sabre-rattling.
SOURCE: The Stage Registration at 06:43AMThursday, April 19, 2018
In November, Britain’s ballet companies commemorated the 25th anniversary of Kenneth MacMillan’s death with a varied programme of his one act works.
SOURCE: The Stage Registration at 05:57AMMonday, April 16, 2018
Cowpuncher is a collaborative project with pulling power. In addition to costumes by Vivienne Westwood’s partner Andreas Kronthaler, it’s scored by celebrated
SOURCE: The Stage Registration at 06:40AMThursday, April 12, 2018
Circus Abyssinia’s Ethiopian Dreams offers an hour of ebullient escapism. At its best – in a nonchalant, rhythmically dynamic juggling routine, for
SOURCE: The Stage Registration at 06:52AMFriday, April 6, 2018
Despite the name, Relentless Unstoppable Human Machine gets off to a slightly saggy start. On a set made up of metal climbing
SOURCE: The Stage Registration at 09:21AMWednesday, April 4, 2018
BalletLorent’s reimagining of Rumpelstiltskin expertly weaves together elements of light and dark, love and dysfunction. In Carol Ann Duffy’s new version of
SOURCE: The Stage Registration at 05:07AMMonday, April 2, 2018
A ballet’s stage manager must be up for anything, from cueing the score to handling ponies. Johanna Adams-Farley and Sarah Woodward, who
SOURCE: The Stage Registration at 12:00PMMonday, March 26, 2018
It’s been 50 years since contemporary dance doyen Richard Alston made his first work. Mid Century Modern is a fine celebration of
SOURCE: The Stage Registration at 11:12AMFriday, March 9, 2018
Kentucky-born actor, writer and activist Elizabeth Robins’ play Votes for Women, first staged at the Royal Court in 1907, is animated by
SOURCE: The Stage Registration at 11:01AMFor the first time in 15 years, choreographer Russell Maliphant is back onstage duetting with his collaborator and partner Dana Fouras. The
SOURCE: The Stage Registration at 09:01AMMonday, March 5, 2018
In the week of the Beast from the East, the prospect of some Buenos Aires heat, courtesy of German Cornejo’s Tango After
SOURCE: The Stage Registration at 09:06AMThursday, March 1, 2018
Proudly matriarchal: Flamenco legend Antonia Santiago Amador makes a rare, glorious appearance.
The post Review: Gala Flamenca La Chana at Sadler’s Wells appeared first on Exeunt Magaz…
SOURCE: exeuntmagazine.com at 08:49AMWednesday, February 28, 2018
Mark Bruce really puts the murk in Macbeth. It’s an unremittingly dark piece of dance-theatre for which Wilton’s Music Hall, with its
SOURCE: The Stage Registration at 11:37AMMonday, February 26, 2018
Celebrating the 200th birthday of Imperial ballet master and choreographer Marius Petipa, there was a wealth of dance talent on display on
SOURCE: The Stage Registration at 11:48AM 
