A vortex of visibility and vulnerability: Anna Winter reviews Project O at Sadler's Wells. The post Review: Voodoo at Sadler’s Wells appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:36AMRambert’s latest triple bill features a promising premiere and the triumphant return of a heritage work. Back onstage after 13 years, Christopher
SOURCE: The Stage Registration at 07:21AMThis frank and extremely funny confessional monologue about sexual desire was written by a female playwright who wants to remain anonymous. Manwatching
SOURCE: The Stage Registration at 08:51AMSoho pays tribute to the once notorious London neighbourhood with a technically impressive but thoroughly conventional circus and dance extravaganza. Like so
SOURCE: The Stage Registration at 10:38AMA superbly danced and successful piece of storytelling: Anna Winter examines Northern Ballet's new show about the 18th-century Italian philanderer and his remarkable, reprehensible life. The…
SOURCE: exeuntmagazine.com at 07:52AMNew cast members, new routines. Following last year’s successful Edinburgh run, Australian circus company Casus has mixed things up a bit with
SOURCE: The Stage Registration at 10:13AMBallet luminary Mikhail Baryshnikov’s one-man show Brodsky/Baryshnikov is a poignant but slightly tedious tribute to the late poet Joseph Brodsky. Both were
SOURCE: The Stage Registration at 07:49AMLust, morphine and mental instability: Kenneth MacMillan's infamously dark ballet is back, and so are the plummy Covent Garden crowds. The post Review: Mayerling at the Royal Ballet appeare…
SOURCE: exeuntmagazine.com at 05:32AMCock and Bull is a belting satire in which three female performers, Nic Green, Rosana Cade and Laura Bradshaw, deconstruct the familiar
SOURCE: The Stage Registration at 07:53AMLouise Orwin’s Oh Yes Oh No is a challenging, thought-provoking one-woman show about the vagaries and violence of female desire. It struggles
SOURCE: The Stage Registration at 11:31AMHong Kong Dance Company celebrates the region’s 20th year of freedom from British control with The Legend of Mulan, a folktale about
SOURCE: The Stage Registration at 10:09AM"A profoundly imaginative, sad and humorous exploration of agony and loss, of meaning and its absence". Review by Anna Winter. The post Review: Betroffenheit at Sadler’s Wells appeared…
SOURCE: exeuntmagazine.com at 07:37AMEnglish National Ballet’s My First Ballet production of Cinderella is a production with noble intentions, danced with conviction by a talented cast
SOURCE: The Stage Registration at 10:02AMCut-glass assertions of privilege: Anna Winter is entranced by the Royal Ballet's 50th anniversary revival of George Balanchine's classic triptych. The post Review: Jewels at the Royal Opera…
SOURCE: exeuntmagazine.com at 06:57AMLike Brideshead without the grief: Anna Winter reviews a revival of Matthew Bourne's younger creations. The post Review: Early Adventures at Sadler’s Wells appeared first on Exeunt Mag…
SOURCE: exeuntmagazine.com at 04:56AMThe drum has a perennial, primal power over humankind: it stirs the instincts for ritual, fighting, dancing, and probably mating. Even the
SOURCE: The Stage Registration at 08:53AMWhile some of the pieces in Ballet Black’s latest triple bill are underwhelming, others are inspired. The neoclassical reveries in Michael Corder’s
SOURCE: The Stage Registration at 08:52AMIn 2012, the astonishingly talented Sergei Polunin was 22 and the youngest ever principal dancer at the Royal Ballet when he suddenly
SOURCE: The Stage Registration at 07:14AMThe Coronet, a gloomy and atmospheric former cinema, seems an appropriate venue in which to celebrate Russell Maliphant, a choreographer for whom
SOURCE: The Stage Registration at 10:51AMIn 2013, Canadian dancer Lukas McFarlane won Sky TV’s talent show Got to Dance. Then aged 20, he wowed the judges with
SOURCE: The Stage Registration at 08:22AMDanza Contemporanea de Cuba comprises performers with stupendous technique. The company also displays a fine-tuned sense of drama and exuberance in their
SOURCE: The Stage Registration at 06:31AMWhat better way to assuage the dreary and drizzling onslaught of Storm Doris (and life in general) than with Mother Africa. Watching
SOURCE: The Stage Registration at 10:35AMGetting Dressed is a charming dance piece for children that plunges its young audience into a colourful world of sartorial-based revelry. It
SOURCE: The Stage Registration at 12:25PMFor a repository of northern steel, look towards Leeds city centre at a striking six-storey, grey and glass building next to West
SOURCE: The Stage Registration at 09:00AMWith startling simplicity and intricate cleverness, Kiss and Cry conjures up entire worlds of bittersweet emotion. It tells the story of a
SOURCE: The Stage Registration at 05:38AMIn Blak Whyte Gray, hip-hop dance company Boy Blue Entertainment extend the expressive capabilities of their form in fascinating style. Choreographed by
SOURCE: The Stage Registration at 05:43AMAcrobat and trampolinist Mathurin Bolze returns to the London International Mime Festival with a mind-bending and utterly compelling sequel to his 2005
SOURCE: The Stage Registration at 06:48AMEnglish National Ballet triumphed last year with Akram Khan’s re-imagined Giselle. Now they return to the rustic Rhineland with Mary Skeaping’s traditional
SOURCE: The Stage Registration at 04:53AMGandini Juggling’s Smashed, inspired by the work of Pina Bausch, involves 22 performers negotiating dozens of apples, chairs and a chintzy tea
SOURCE: The Stage Registration at 05:55AMNational Ballet of China’s The Peony Pavilion is a work of enthralling theatrical magic. It’s a strange, sensuous East-meets-West concoction of neoclassical
SOURCE: The Stage Registration at 05:44AMSpirited young company Ballet Cymru celebrate the centenary of Roald Dahl’s birth with two lively tales from Revolting Rhymes, the Cardiff-born storyteller’s
SOURCE: The Stage Registration at 11:03AM
