An all-female company of circus artists play cleverly with the invocation of spectacle and its denial in the fascinating No Show. Demonstrations
SOURCE: The Stage Registration at 06:02AMDespite the trappings of jollity, site-specific show Party Game is an invitation to boredom amongst the bunting. The audience gather inside a
SOURCE: The Stage Registration at 05:41AMWild Bore is an excellent, wayward interrogation and piss-take of theatre criticism – and theatre more generally – by comedians Zoe Coombs
SOURCE: The Stage Registration at 06:26AMA junk shop yields a few comic gems in Mireille and Mathieu’s Arm, plus some musty jokes that could do with being
SOURCE: The Stage Registration at 10:18AMThe banking class’ ability to wreck the economy, blight the lives of others and carry on regardless with their pockets lined is
SOURCE: The Stage Registration at 06:16AMShiraz, sick and sweat are some of the main components in Eggs Collective’s rowdy but lovable Get a Round, a three-woman show
SOURCE: The Stage Registration at 06:47AMHow can you articulate the physical experience of pain when it seems beyond the reach of language? How can someone express the
SOURCE: The Stage Registration at 05:31AMGlaswegian company Vox Motus use miniature models on a revolving diorama to stage Flight, an adaptation of Caroline Brothers’ novel Hinterland. It
SOURCE: The Stage Registration at 08:09AMSomething’s rotten inside The Box and it’s not the watermelon that lurks ominously next to a plastic sheet in Milly Thomas’
SOURCE: The Stage Registration at 06:01AMSigma combines the astonishing skills of two female jugglers from the Gandini company – Kati Yla-Hokkala and Kim Huynh – with the
SOURCE: The Stage Registration at 10:42AMAboriginal dance troupe Djuki Mala, formerly known as the Chooky Dancers, hail from Elcho Island in Australia’s north outback. They found YouTube
SOURCE: The Stage Registration at 09:56AMTransgender performer Kate O’Donnell’s wise and witty one-woman show isn’t just about personal change. It asks important questions about the extent to
SOURCE: The Stage Registration at 07:13AMDespite the title, the ballet Don Quixote serves up minimal Cervantes picaresque, more an irresistible slab of cod-Catalan romantic romp. Not that
SOURCE: The Stage Registration at 07:42AMIt’s been 15 years since Tanguera – the world’s first ‘tango musical’ – strutted its way onto the Buenos Aires stage, bound
SOURCE: The Stage Registration at 09:32AMThere’s nothing really prurient about Prurience. Christopher Green’s show is a clever and discomforting exploration of consumption – compulsive and conscious –
SOURCE: The Stage Registration at 12:09PM"The tech doesn't detract from the tap": Anna Winter reviews the "strange and subtle" joy that is Dorrance Dance's technologically and technically innovative ETM: Double Down. The post Revie…
SOURCE: exeuntmagazine.com at 01:58PMBj McNeill’s heartfelt drama sees three couples, separated by decades and geography, linked by an accidental pregnancy and a pack of playing
SOURCE: The Stage Registration at 10:00AMVoices of the Amazon is a well-intentioned but ultimately shallow dance musical about deforestation in the Amazon. It tells the story of
SOURCE: The Stage Registration at 10:03AMSputters and spins like a dodgy Sputnik: Anna Winter reviews the new work by Alexander Whitley combining dance with solar physics. The post Review: Eight Minutes at Sadler’s Wells …
SOURCE: exeuntmagazine.com at 03:23AMPatrick Sandford’s one-man show Groomed is a vital act of bearing witness. With great honesty and delicacy, the 65-year-old theatre director tells
SOURCE: The Stage Registration at 04:29AMA fragrant physical echo chamber: Anna Winter reviews a mixed bill of works performed by the Richard Alston Dance Company. The post Review: Richard Alston Dance Company at Sadler’s Wel…
SOURCE: exeuntmagazine.com at 04:27AMRemnants is a powerful exploration of literal and metaphorical excavation, skilfully rendered through a combination of electronic and Balkan folk music, dance
SOURCE: The Stage Registration at 11:16AMA superorganism at work: Anna Winter reviews Scottish Ballet's double-bill of works at Sadler's Wells. The post Review: Scottish Ballet at Sadler’s Wells appeared first on Exeunt Maga…
SOURCE: exeuntmagazine.com at 05:05AMThe latest show by Chris Goode’s queer performance collective, Ponyboy Curtis, takes the form of a challenge. Or, rather, a series of
SOURCE: The Stage Registration at 10:55AMWhen good intentions are not enough: Anna Winter reviews Northern Ballet's adaptation of John Boyne's novel. The post Review: The Boy in the Striped Pyjamas at the Richmond Theatre appeared…
SOURCE: exeuntmagazine.com at 03:24AMA transfixing, era-jumping odyssey to Bangladesh: Anna Winter reviews a final performance of Akram Khan's exploration of 'homeland'. The post Review: Desh at Sadler’s Wells appeared fi…
SOURCE: exeuntmagazine.com at 04:52AMThe Royal Ballet’s latest triple bill pays fine tribute to founder choreographer Frederick Ashton. First up is The Dream, a 50-minute Shakespearean
SOURCE: The Stage Registration at 06:11AMGeorge Johnston’s Snapshot has confident compositional values but is ultimately a pretty skin-deep affair. It charts the messy course of a London-set
SOURCE: The Stage Registration at 06:39AMCircus is all about trust and support – having muscular strength and a confident mindset. Canadian company Flip Fabrique harnesses the metaphorical
SOURCE: The Stage Registration at 06:14AMA showcase of towering technical ability: Anna Winter reviews the Royal Ballet's latest mixed bill. The post Review: The Vertiginous Thrill of Exactitude / Tarantella / Strapless / Symphoni…
SOURCE: exeuntmagazine.com at 04:24AMA vortex of visibility and vulnerability: Anna Winter reviews Project O at Sadler's Wells. The post Review: Voodoo at Sadler’s Wells appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:36AM
