The offerings at this annual presentation of new opera and music theater tend to be politically charged, scrappy and stirring.
SOURCE: The New York Times Subscription at 12:48PM“Mad Max” gets a prequel, “The Wiz” returns to Broadway and Larry David gets another crack at a series finale.
SOURCE: The New York Times Subscription at 05:32AMFeats, farewells and musical treasures in a year of post-pandemic financial pressures.
SOURCE: The New York Times Subscription at 05:01AMIn “Tao of Glass,” Phelim McDermott, who has directed three Glass operas, turns to his personal history with the composer’s work.
SOURCE: The New York Times Subscription at 11:36AMKate Soper’s “The Romance of the Rose,” which had its long-delayed premiere at Long Beach Opera, showcases her signature quick-shifting eclecticism.
SOURCE: The New York Times Subscription at 01:27PMUncertainty about the coronavirus and the challenge of protecting audiences and artists is prompting many prominent presenters to wait till next year.
SOURCE: The New York Times Subscription at 12:32PMPrototype: Opera/Theatre/Now will include the one-act “Ellen West” among six works in its January season.
SOURCE: The New York Times Subscription at 04:54PM“The Romance of the Rose” is a highlight of the coming season of Peak Performances at Montclair State University.
SOURCE: The New York Times Subscription at 11:18AMThe Morgan Library & Museum explores a dense, underappreciated period in the artist’s career in an exhibition of sketches, dioramas and more.
SOURCE: The New York Times Subscription at 06:48AMAs the arts center rolls out its inaugural season, we offer our hopes not only for its future, but also for New York’s broader cultural landscape.
SOURCE: The New York Times Subscription at 04:00AMEven by operatic standards, the marquee productions of this year’s festival of new music-theater are extreme in their depiction of trauma.
SOURCE: The New York Times Subscription at 03:18PMFour gay men who recently attended the Broadway revival of this 50-year-old play — three seeing it for the first time — debate its significance and relevance.
SOURCE: The New York Times Subscription at 04:13AMThe playwright describes his reaction to Peter Eotvos’s 2004 opera, which will have its New York premiere on Saturday at the Rose Theater at Lincoln Center.
SOURCE: The New York Times Subscription at 05:06PMFive years of preparation, water with electrolyte drops, green tea and vitamin B shots helped this performance artist get through a 24-hour show.
SOURCE: The New York Times Subscription at 04:39PMOpera Philadelphia staged the premiere of this Missy Mazzoli work, adapted from a 1996 film about a woman whose marriage changes after an accident.
SOURCE: The New York Times Subscription at 05:33PMOperatic performances of these works highlight the Glimmerglass Festival, while “Iris” serves as a kind of preview of the Bard Music Festival.
SOURCE: The New York Times Subscription at 05:50PMLincoln Center Festival. Mostly Mozart. Midsummer Night Swing. Lincoln Center Out of Doors. One critic argues that less could be more.
SOURCE: The New York Times Subscription at 05:27PMMark Wigglesworth will leave his position just months after starting.
SOURCE: The New York Times Subscription at 10:38PMHer staging of Verdi's "La Traviata," a collaboration with the fashion designer Valentino, will open on May 24.
SOURCE: The New York Times Subscription at 12:37AMRoberto Alagna, another well-loved tenor, will replace him, singing the role of des Grieux in Puccini's "Manon Lescaut" for the first time.
SOURCE: The New York Times Subscription at 03:02PMThis opera based on a short story by Judy Budnitz will be performed at the Skirball Center for the Performing Arts Jan. 9-11.
SOURCE: The New York Times Subscription at 04:38PMMatthias Schulz will take over from Jurgen Flimm at the Berlin Staatsoper. At 37, he's a young choice.
SOURCE: The New York Times Subscription at 02:13PMAS the motorcade carrying the body of Leonard Bernstein passed through Brooklyn on its way to Green-Wood Cemetery 20 years ago, construction workers removed their yellow hard hats and called…
SOURCE: The New York Times Subscription at 05:58PMFrom “God Bless America” to “The White Cliffs of Dover,” Kate Smith rallied generations. Stephanie Blythe, in a tribute, threatens to outdo her.
SOURCE: The New York Times Subscription at 05:58PMIn this revival of Mary Zimmerman's grayly atmospheric production, there is an empty space where Lucia ought to be.
SOURCE: The New York Times Subscription at 05:58PMThe program will be directed by Luis Perez, an actor and choreographer who has led the musical theater program at Roosevelt University since 2008.
SOURCE: The New York Times Subscription at 12:25PMMr. Barnes will begin work on June 1.
SOURCE: The New York Times Subscription at 11:57AMFor a new production of “The Merry Widow,” to be uncorked on New Year’s Eve, the Met has turned to Ms. Stroman, the winner of five Tony Awards.
SOURCE: The New York Times Subscription at 11:05AMIt’s not unusual in the history of opera for a singer to gaze longingly at the wider world of performance, especially movies.
SOURCE: The New York Times Subscription at 09:14AMThe Kate Soper musical-theater work “I Was Here I Was I” centers on the history of the Temple of Dendur.
SOURCE: The New York Times Subscription at 05:06PMStephen Wadsworth presents two Beaumarchais plays in Princeton, N.J., set solidly in the late 18th century but adapted to help contemporary audiences understand the times. &…
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