All stories by Susannah Clapp on BroadwayStars

Friday, June 9, 2017

The 10 best theatre designs – in pictures by Susannah Clapp

The Observer's theatre critic chooses the 10 sets that changed the face of modern theatre, from a 1912 Hamlet to Punchdrunk's immersive Faust Continue reading...

SOURCE: The Guardian at 12:48AM
Sunday, June 4, 2017

La Strada review – a finely realised fanfare for Fellini by Susannah Clapp

The Other Palace, LondonSally Cookson’s take on the cinema classic makes for magical theatre with just bare boards, smoky light and a fine, versatile castThere is nothing like a woman with…

SOURCE: The Guardian at 03:54AM

Killology review – father, son… and a murderous computer game by Susannah Clapp

Royal Court, LondonGary Owen continues his exploration of male dysfunction through the generations with this fierce three-handerTwo years ago Gary Owen’s Violence and Son viscerally sugges…

SOURCE: The Guardian at 03:54AM

On the Town review – you’ll want to be a part of it by Susannah Clapp

Regent’s Park Open Air theatre, LondonBernstein’s music, three strong women and Drew McOnie’s choreography drive his inventively staged productionI was completely taken aback by On the…

SOURCE: The Guardian at 03:54AM
Sunday, May 28, 2017

A critic’s life for me: Susannah Clapp on 20 years in the stalls by Susannah Clapp

Two decades ago, Susannah Clapp filed her first theatre review for the Observer. Here, she reflects on the quirks of the job, the joy of spotting new stars – and how the role of the critic…

SOURCE: The Guardian at 02:18AM
Sunday, May 21, 2017

Caroline, or Change review – gloriously disruptive by Susannah Clapp

Minerva, Chichester Sharon D Clarke is extraordinary as the defiant heroine of Tony Kushner and Jeanine Tesori’s dynamic musical set in 60s AmericaPolitical punch, moral intricacy – and …

SOURCE: The Guardian at 04:54AM

Manwatching review – unexpected pleasures by Susannah Clapp

Royal Court, London Seeing a man read out an anonymous woman’s sexual fantasies on stage produces curious resultsNo one knows who wrote the words of Manwatching. No one can see a script be…

SOURCE: The Guardian at 04:54AM

Life of Galileo review: a good night for stargazers by Susannah Clapp

Young Vic, London Brendan Cowell brings Brecht’s rebel scientist to combative life in Joe Wright’s coruscating productionHow to see what’s really going on? How to recognise interesting…

SOURCE: The Guardian at 04:54AM
Sunday, May 14, 2017

Salomé review – heads will roll by Susannah Clapp

Olivier, National Theatre, LondonYaël Farber’s turgid take on the biblical story leaves some fine actors stranded in the desert“It begins at the end.” You might be warned from the sta…

SOURCE: The Guardian at 03:24AM

Room review – a small wonder by Susannah Clapp

Theatre Royal, Stratford East, LondonEmma Donoghue’s acclaimed novel makes the leap to the stage, with a little help from young Harrison WildingEmma Donoghue has written eloquently about h…

SOURCE: The Guardian at 03:24AM

Richard III review – a stark and powerful coup by Susannah Clapp

Hull Truck theatre, HullMat Fraser is genially terrifying as the dastardly king in Northern Broadsides’ urgent 25th anniversary performanceMat Fraser, who hosted the 2012 Paralympics openi…

SOURCE: The Guardian at 03:24AM
Sunday, May 7, 2017

Angels in America review – Kushner’s epic ‘gay fantasia’ flies again by Susannah Clapp

Lyttelton, LondonGaudy and unflinching, Tony Kushner’s 90s Aids drama still resonates in this bold, starry revival directed by Marianne ElliottYou can tell when a show is bound for success…

SOURCE: The Guardian at 04:02AM

The Ferryman review – Jez Butterworth pulls another rabbit from the hat by Susannah Clapp

Royal Court, London Magic runs through Butterworth’s brilliant new play, directed by Sam Mendes, with a fine stage debut from Paddy ConsidineJez Butterworth’s plays shoulder their way on…

SOURCE: The Guardian at 04:02AM
Sunday, April 30, 2017

Romeo and Juliet review – a bellowing pantomime by Susannah Clapp

Shakespeare’s Globe, LondonThe lovers alone convince in Daniel Kramer’s bewildering productionEmma Rice’s last season in charge of the Globe opens with loud defiance. Daniel Kramer’s…

SOURCE: The Guardian at 04:18AM

Obsession review – Jude Law is stranded in treacle-slow adaptation by Susannah Clapp

Barbican, LondonNo amount of writhing and roaring can enliven Ivo van Hove’s self-absorbed take on ViscontiIn one corner David Hare: the least likely of dramatic Brexiters, suspicious of c…

SOURCE: The Guardian at 04:18AM

City of Glass review – Auster adaptation is all spectacle by Susannah Clapp

Lyric Hammersmith, LondonA visually dazzling staging by 59 Productions is missing a human dimensionJames Fenton, trenchant former theatre critic of the Sunday Times, once described his job a…

SOURCE: The Guardian at 04:18AM
Sunday, April 23, 2017

Guards at the Taj review – rich with ideas and gore by Susannah Clapp

Bush theatre, LondonBrilliantly designed, Rajiv Joseph’s philosophical, whimsical play brings immensity to a small space at the refurbished west London theatreThe rejigged, refreshed Bush …

SOURCE: The Guardian at 04:06AM

The Mentor; The Philanthropist review – lethal wit by Susannah Clapp

Ustinov Studio, Theatre Royal, Bath; Trafalgar Studios, LondonPlaywright Christopher Hampton’s talents are illuminated in two clever satires skewering the literary and academic lifeWho wou…

SOURCE: The Guardian at 02:54AM
Sunday, April 16, 2017

Carousel review – it’s fine… if you close your eyes by Susannah Clapp

Coliseum, LondonKatherine Jenkins and Alfie Boe sound as good as you might expect, but ‘semi-staged’ here signifies a woeful lack of acting talentThe English National Opera has said that…

SOURCE: The Guardian at 03:48AM

The Winter’s Tale review – pursued by a bear of very little brawn by Susannah Clapp

Barbican, LondonCheek by Jowl rise to Shakespeare’s challenge, including a wonderful awakening for Hermione. But the beast scares no oneThe Winter’s Tale is a series of dares for a direc…

SOURCE: The Guardian at 03:48AM
Sunday, April 9, 2017

Consent review – justice under interrogation by Susannah Clapp

Dorfman, LondonNina Raine adroitly tackles barristers’ struggles with the truth as the audience becomes the jury in a rape caseMore than Consent. Heartfelt approval. It is hard to overemph…

SOURCE: The Guardian at 05:06AM

42nd Street review – move over, La La Land by Susannah Clapp

Theatre Royal Drury Lane, LondonIf it’s a real musical you’re after, this is the one to watchForget La La Land. If you want to see hot hoofing, go to Mark Bramble’s production of 42nd …

SOURCE: The Guardian at 04:02AM

The Goat, Or Who Is Sylvia? review – an unappetising plea for liberalism by Susannah Clapp

Theatre Royal, HaymarketDamian Lewis and Sophie Okonedo do their best with Edward Albee’s provocative play, but it is too knowing for its own goodIn the seven months since Edward Albee die…

SOURCE: The Guardian at 04:02AM
Sunday, March 19, 2017

My Country: A Work in Progress review – a laudable but limp look at Brexit Britain by Susannah Clapp

Dorfman, London Rufus Norris and Carol Ann Duffy’s verbatim drama includes a variety of voices but is already out of date in our bitterly divided nationOne of Rufus Norris’s aims since h…

SOURCE: The Guardian at 05:06AM

My Brilliant Friend review – intensity wins through by Susannah Clapp

Rose theatre, Kingston upon ThamesCatherine McCormack and Niamh Cusack ignite April De Angelis’s five-hour staging of Elena Ferrante’s Neopolitan sagaWhat a nerve. To think that Elena Fe…

SOURCE: The Guardian at 05:06AM

The Miser review – a Molière mugfest by Susannah Clapp

Garrick, London Heavily laboured jokes sink Griff Rhys Jones and Lee Mack in this 17th-century comedy of mannersIt may be that, all unwittingly, I have had a farsectomy. I – mostly – app…

SOURCE: The Guardian at 04:03AM
Sunday, March 12, 2017

Rosencrantz and Guildenstern Are Dead review – a great double act by Susannah Clapp

Old Vic, LondonDaniel Radcliffe and Joshua McGuire’s split-second timing ensures this well-judged production of Stoppard’s classic fizzes with lifeWhen as a schoolgirl I saw Rosencrantz …

SOURCE: The Guardian at 04:42AM

Who’s Afraid of Virginia Woolf? review – Staunton and Hill have a bawl by Susannah Clapp

Harold Pinter, LondonPrepare for a high-wire showdown in James Macdonald’s fine production of Albee’s caustic classicNo one is going to accuse Who’s Afraid of Virginia Woolf? of being …

SOURCE: The Guardian at 04:42AM

Limehouse review – the gang of four revisited by Susannah Clapp

Donmar Warehouse, LondonOutstanding performances, including Roger Allam as Roy Jenkins, enliven a timely drama about the birth of the SDPIt was an Alice Through the Looking Glass press night…

SOURCE: The Guardian at 04:42AM
Sunday, March 5, 2017

The Hypocrite review – hard-work humour from Richard Bean by Susannah Clapp

Hull Truck theatre, HullMark Addy and Caroline Quentin star in Richard Bean’s gag-heavy satirical tale of a 17th-century city governor navigating the outbreak of civil warThere is exemplar…

SOURCE: The Guardian at 04:12AM

Hamlet review – Andrew Scott is a truly sweet prince by Susannah Clapp

Almeida, LondonScott brings total empathy to the title role in Robert Icke’s inspired production Robert Icke is one of the most important forces in today’s theatre. He blew the dust from…

SOURCE: The Guardian at 04:12AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime