All stories by Susannah Clapp on BroadwayStars

Sunday, October 15, 2017

The Seagull review – Chekhov gets new wings by Susannah Clapp

Lyric Hammersmith, LondonLesley Sharp’s Irina moves from delight to despair in Simon Stephens’s incisive 21st-century versionSo Masha has become Marcia. She is not subjected to the most …

SOURCE: The Guardian at 03:24AM

The Tin Drum review – a banging hit by Susannah Clapp

Everyman, LiverpoolKneehigh are on top form in Carl Grose’s audacious Günter Grass adaptationA grand old place has been ransacked. In the background, faded ochre walls and windows precari…

SOURCE: The Guardian at 03:24AM

Heisenberg: The Uncertainty Principle review – romance with a scientific sheen by Susannah Clapp

Wyndhams, LondonSimon Stephens’s May-to-September love story is beautifully played by Anne-Marie Duff and Kenneth Cranham in Marianne Elliott’s inspired productionSimon Stephens’s new …

SOURCE: The Guardian at 03:24AM
Sunday, October 8, 2017

The Lie review – an elegant look at truth and deceit by Susannah Clapp

Menier Chocolate Factory, LondonFlorian Zeller’s tricksy, philosophical new play finds two couples debating the ethics of falsehoodFlorian Zeller and his translator Christopher Hampton bro…

SOURCE: The Guardian at 03:54AM

Labour of Love review – the left does the splits, gracefully by Susannah Clapp

Noël Coward theatre, LondonJames Graham’s new play, starring Martin Freeman as a Blairite MP and Tamsin Greig as his old-school constituency agent, cleverly illuminates party divisionsFiv…

SOURCE: The Guardian at 03:54AM

King Lear review – Ian McKellen is full of surprises by Susannah Clapp

Miverva, ChichesterAlongside Sinéad Cusack, Dervla Kirwan and Phil Daniels, McKellen is deftly authoritative as Lear in a production full of fine performances and clever touchesSome of the …

SOURCE: The Guardian at 03:54AM
Sunday, October 1, 2017

The Unknown Island; After the Rehearsal/Persona review – a voyage of discovery by Susannah Clapp

Gate; Barbican, LondonAn exciting rising star and imaginative production make for an enthralling trip to The Unknown Island, and a take on Bergman is stylish but slow-movingIf I were a casti…

SOURCE: The Guardian at 03:33AM
Sunday, September 24, 2017

Wings review – Juliet Stevenson soars above a spectacle by Susannah Clapp

Young Vic, LondonThe actor gives an extraordinary performance, but even she cannot quite convey the turmoil of a woman who has suffered a strokeSometimes Juliet Stevenson looks like a parach…

SOURCE: The Guardian at 03:18AM

Prism review – life through the lens of a celebrated cameraman by Susannah Clapp

Hampstead theatre, LondonRobert Lindsay plays the role of the late cinematographer Jack Cardiff with astonishing skill, but the play lacks focusTerry Johnson has given himself a hard task wi…

SOURCE: The Guardian at 03:18AM

Oslo review – high drama in the back channels by Susannah Clapp

National Theatre, LondonA riveting reimagining of the secret talks that set up the historic Oslo peace accordsI went into Oslo expecting to be informed, and fairly confident of being interes…

SOURCE: The Guardian at 03:18AM
Sunday, September 17, 2017

The March on Russia review – subtle drama of hope and regret by Susannah Clapp

Orange Tree, RichmondSue Wallace and Ian Gelder are outstanding as a bickering elderly couple in David Storey’s play about a family reunionIt is a long time since I have seen a tasselled l…

SOURCE: The Guardian at 04:24AM

Boudica review – action spurs debate by Susannah Clapp

Globe, LondonGina McKee is a brave, bloody-minded queen of the Iceni in Tristan Bernays’s vigorous and earthy playOutside the House of Commons stands one of the few London statues of a wom…

SOURCE: The Guardian at 04:24AM
Sunday, August 20, 2017

Edinburgh theatre review: The Divide; Flight; Adam; Meet Me at Dawn by Susannah Clapp

King’s theatre; Church Hill theatre; Traverse, EdinburghA six-hour Alan Ayckbourn epic is outdone by some tiny model figures, a true-life transgender tale and two marooned women with a sec…

SOURCE: The Guardian at 04:04AM
Sunday, August 13, 2017

Apologia review – Stockard Channing’s withering heights by Susannah Clapp

Trafalgar Studios, LondonA caustic Channing battles gamely to save Alexi Kaye Campbell’s cliched family bust-upStockard Channing gives a good withering. It’s hard to tell whether her phy…

SOURCE: The Guardian at 03:24AM
Sunday, August 6, 2017

Just to Get Married; Road review – fire and anxiety by Susannah Clapp

Finborough; Royal Court, London Cicely Hamilton’s forgotten feminist drama hits home, while John Tiffany delivers rage and vaudeville in a bravura revival of Jim Cartwright’s RoadHistory…

SOURCE: The Guardian at 04:12AM
Sunday, July 30, 2017

Girl from the North Country; Mosquitoes; Cat on a Hot Tin Roof review – bringing it all back home by Susannah Clapp

Old Vic; Dorfman; Apollo, LondonConor McPherson weaves magic with Bob Dylan’s songs, Olivias Colman and Williams ignite Lucy Kirkwood’s new play, and Sienna Miller’s Cat fails to sizzl…

SOURCE: The Guardian at 03:54AM
Sunday, July 23, 2017

A Tale of Two Cities review – roll on the revolution… by Susannah Clapp

Regent’s Park Open Air theatre, LondonA Tale of Two Cities mashup nearly does for Dickens in a rare flop at Regent’s ParkEvery couple of years someone writes a column saying how she has …

SOURCE: The Guardian at 03:54AM

Bodies review – the high price of a rented womb by Susannah Clapp

Royal Court, LondonVivienne Franzmann examines the economics and human cost of surrogacy in this thought-provoking dramaVivienne Franzmann has made her name with dramas – Mogadishu, The Wi…

SOURCE: The Guardian at 03:54AM
Sunday, July 16, 2017

Manchester international festival theatre roundup – emotion socks you in the face by Susannah Clapp

Museum of Science and Technology; Royal Exchange; Home; Mayfield, Manchester A captive audience is ruffled in immersive refugee drama The Welcoming Party. Elsewhere, powerful tales of sons a…

SOURCE: The Guardian at 03:12AM
Sunday, July 9, 2017

Party Skills for the End of the World review – short on fear, long on balloons by Susannah Clapp

Centenary Building, Salford A doomed attempt to mix disaster survival and party games gets the otherwise promising Manchester international festival off to a shaky startJohn McGrath, foundin…

SOURCE: The Guardian at 03:42AM

The Wind in the Willows review – if only the computer could conk out every night by Susannah Clapp

London Palladium A technical hitch gave rise to a welcome burst of spontaneity from Rufus Hound as Mr Toad in this otherwise tame tale of wildlife“Poop, poop”, as Toad so aptly puts it. …

SOURCE: The Guardian at 03:42AM

Committee: (A New Musical) review – Kids Company crisis lacks drama by Susannah Clapp

Donmar Warehouse, London Sandra Marvin is imperious as Camila Batmanghelidjh but this verbatim reconstruction needs more vimJosie Rourke keeps pushing at the Donmar. All-female Shakespeares.…

SOURCE: The Guardian at 03:42AM
Sunday, July 2, 2017

Lady Day at Emerson’s Bar and Grill review – Audra McDonald is Billie Holiday by Susannah Clapp

Wyndham’s, LondonA bad gig for the jazz legend is a great one for McDonald as she embodies the troubled singer one wild night in PhiladelphiaLady Day at Emerson’s Bar & Grill supplie…

SOURCE: The Guardian at 03:24AM

An Octoroon review – bold, excessive and surging by Susannah Clapp

Orange Tree, RichmondBranden Jacobs-Jenkins’s ingenious reworking of a 19th-century slave drama continues an exceptional new lease of life at this tiny theatreWhat Paul Miller has done at …

SOURCE: The Guardian at 03:24AM

Ink review – Bertie Carvel is unmissable as Rupert Murdoch by Susannah Clapp

Almeida, LondonCarvel is a natural as the media mogul in James Graham’s engrossing play charting the rise of the Sun newspaperIs Ink indelible? Not really. Is it the talk of the theatrical…

SOURCE: The Guardian at 03:24AM
Sunday, June 18, 2017

The Country Girls review – a credit to Irish womanhood by Susannah Clapp

Minerva, ChichesterNearly 60 years after Edna O’Brien’s novel outraged the establishment, the gallivanting girls are as vital as ever in this skilled stage versionWhen Edna O’Brien pub…

SOURCE: The Guardian at 03:48AM

Anatomy of a Suicide review – unhappy days are here again by Susannah Clapp

Royal Court, LondonAlice Birch’s riveting play, expertly directed by Katie Mitchell, examines how devastating sadness can seep through generations of womenWhen sadness runs through a famil…

SOURCE: The Guardian at 03:48AM

Sweet Bird of Youth review – hysteria unleashed by Susannah Clapp

Festival theatre, ChichesterJonathan Kent summons arresting moments from Tennessee Williams’s drama but can’t fully rescue a play that fails to meld personal and politicalTennessee Willi…

SOURCE: The Guardian at 03:48AM
Sunday, June 11, 2017

Barber Shop Chronicles review – a cut above the rest by Susannah Clapp

Dorfman, LondonAn African world full of anecdote and argument is conjured up at the barber’sIsn’t this what all playwrights would wish for? To come across in their daily lives a dramatic…

SOURCE: The Guardian at 02:42AM

Common review – a land-locked drama that fluffs all its lines by Susannah Clapp

Olivier, LondonWords fail everyone in a play about the loss of common land in the early 1800sHow has this to pass come? Lower down explain will why like this I write. DC Moore author of good…

SOURCE: The Guardian at 02:42AM
Friday, June 9, 2017

The 10 best theatre designs – in pictures by Susannah Clapp

The Observer's theatre critic chooses the 10 sets that changed the face of modern theatre, from a 1912 Hamlet to Punchdrunk's immersive Faust Continue reading...

SOURCE: The Guardian at 12:48AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime