All stories by Michael Billington on BroadwayStars

Sunday, February 1, 2015

Geraldine McEwan: mischievously witty, from Mrs Malaprop to Miss Marple by Michael Billington

McEwan, who has died aged 82, excelled in an extraordinary range of roles, always displaying impeccable timingMy first sighting of Geraldine McEwan was as Olivia in Peter Hall’s 1958 Strat…

SOURCE: The Guardian at 07:22AM
Friday, January 30, 2015

Di and Viv and Rose review – female friendship explored with wit by Michael Billington

Vaudeville, LondonAmelia Bullmore’s sprightly play about three uni students and their lifelong alliance brings the best out of Tamzin Outhwaite and her co-stars Continue reading...

SOURCE: The Guardian at 08:08AM
Thursday, January 29, 2015

The Ruling Class review – James McAvoy’s mock messiah is mesmerising by Michael Billington

Trafalgar Studios, London His bravura performance holds together an exuberant 60s period piece whose satire remains chillingly relevantPlays with fat star-parts tend to survive. Even if the …

SOURCE: The Guardian at 02:00AM
Wednesday, January 28, 2015

The Hard Problem review – rich, ideas-packed work underpinned by emotion by Michael Billington

Dorfman Theatre, LondonTom Stoppard tackles momentous ideas about consciousness, morality and human behaviour in stimulating play Continue reading...

SOURCE: The Guardian at 07:50PM

Dara review – epic drama depicts battling sons of man who built Taj Mahal by Michael Billington

National Theatre, LondonThe fascinating story of a 17th-century power struggle in the Mughal empire feels like a slightly earnest history lesson Continue reading...

SOURCE: The Guardian at 06:58AM
Friday, January 23, 2015

Oppenheimer five-star review – father of atomic bomb becomes tragic hero at RSC by Michael Billington

The Swan, Stratford-upon-AvonTom Morton-Smith’s massively impressive play explores the moral chain reactions before and after the bombing of Hiroshima“Oppenheimer’s stature is not in q…

SOURCE: The Guardian at 08:01AM
Thursday, January 22, 2015

The Caucasian Chalk Circle review – rare staging reveals the true Brecht by Michael Billington

Unicorn, LondonThis production of Brecht’s political morality tale underlines his instinctive theatricality with heartstopping scenes and one of modern drama’s best comic figures Continu…

SOURCE: The Guardian at 08:16AM
Wednesday, January 21, 2015

Rufus Norris's National Theatre must celebrate the new and honour the past by Michael Billington

Established names such as Hare, Bennett and Frayn are absent from director’s opening year as he introduces a new team and a promising lineup. The big question concerns his ‘reimagined cl…

SOURCE: The Guardian at 08:39AM

The Changeling review – Hattie Morahan is chillingly good in grisly masterpiece by Michael Billington

Sam Wanamaker Playhouse, LondonStar’s expert portrayal of a woman on the edge of neurosis is the highlight as this venue continues to grow in stature Continue reading...

SOURCE: The Guardian at 06:35AM
Tuesday, January 20, 2015

Islands review – grotesque drama about tax havens avoids the real issues by Michael Billington

Bush theatre, LondonCaroline Horton’s toothless, self-delighting show leaves its object of ridicule serenely untouchedNothing is more frustrating than seeing a satirist, or a footballer, m…

SOURCE: The Guardian at 11:19AM
Monday, January 19, 2015

Upper Cut review – love, Labour and loss in whistlestop tour of parliament by Michael Billington

Southwark Playhouse, LondonJuliet Gilkes Romero’s fiery drama puts Labour in the dock for failing multicultural Britain Continue reading...

SOURCE: The Guardian at 10:01AM
Saturday, January 17, 2015

Tom Stoppard: playwright of ideas delivers a new Problem by Michael Billington

Tom Stoppard’s new play The Hard Problem opens on 21 January. Michael Billington, who first reviewed him in 1966, salutes a playwright who, at his best, achieves a perfect balance of intel…

SOURCE: The Guardian at 04:30AM
Friday, January 16, 2015

Bull review – chilling drama about merciless job candidates by Michael Billington

Young Vic Maria, LondonThe audience become voyeuristic accomplices as two interviewees turn on a rival in Mike Bartlett’s gripping account of office politicsMike Bartlett’s plays veer be…

SOURCE: The Guardian at 08:20AM
Thursday, January 15, 2015

Othello review – an update full of sexuality and muscularity by Michael Billington

Lyric Hammersmith, LondonFrantic Assembly’s shredded version of Shakespeare’s tragedy, set among gangs in a Yorkshire pub, is worth seeing for its astonishing opening sequence alone• F…

SOURCE: The Guardian at 07:14AM
Wednesday, January 14, 2015

Liberian Girl review – striking debut evokes horror of civil war by Michael Billington

Royal Court, LondonDiana Nneka Atuona’s impressive play, about a teenage girl forced into fighting for Charles Taylor’s cause, opens our eyes to Liberia’s past Continue reading...

SOURCE: The Guardian at 07:11AM
Tuesday, January 13, 2015

The Chronicles of Kalki review – a curious encounter with a mischievous avatar by Michael Billington

Gate, LondonAditi Brennan Kapil’s play about two schoolgirls’ adventures with an incarnation of the Hindu god, Vishnu, is baffling and rootless Continue reading...

SOURCE: The Guardian at 10:35AM
Monday, January 12, 2015

Women on the Verge of a Nervous Breakdown review – West End musical is screwball fun by Michael Billington

Playhouse, London Tamsin Greig gives a sparky performance as she skitters around Madrid in this knockabout, rueful farce based on Pedro Almodóvar’s filmWhy Almodóvar’s world is pure th…

SOURCE: The Guardian at 05:00PM
Sunday, January 11, 2015

Tree review – Kitson and Key branch out into Beckettian absurdity by Michael Billington

Old Vic, LondonThere are serious questions about society and dissent underlying Daniel Kitson and Tim Key’s beguiling two-hander about a protester holding a ‘tree-squat’Daniel Kitson i…

SOURCE: The Guardian at 07:14AM
Friday, January 9, 2015

Ivy and Joan review – from cocktail fizz to flat marriage in a double bill about unlived life by Michael Billington

Jermyn Street Theatre, LondonJames Hogan’s study of the lost and lonely gives Lynne Miller the chance to play two women past the verge of desperationMature female actors rightly complain a…

SOURCE: The Guardian at 08:35AM
Wednesday, January 7, 2015

The Grand Tour review – flight from the Nazis staged with unstinting energy by Michael Billington

Finborough, LondonJerry Herman’s tunes fail to save a justly neglected Broadway musical about a trio on the run during the fall of France Continue reading...

SOURCE: The Guardian at 08:28AM
Wednesday, December 24, 2014

John Osborne: a natural dissenter who changed the face of British theatre by Michael Billington

John Osborne died 20 years ago today. In this obituary, published in the Guardian in 1994, Michael Billington reflects on the playwright’s life and legacyOne of the most famous stories abo…

SOURCE: The Guardian at 02:00AM
Monday, December 22, 2014

Widowers’ Houses review – Shaw is still chillingly topical by Michael Billington

Orange Tree, RichmondMore than 120 years on, George Bernard Shaw’s powerful and invigorating attack on profiteering landlords is one of the few genuinely socialist plays on the current sta…

SOURCE: The Guardian at 07:13AM
Sunday, December 21, 2014

Billie Whitelaw: Beckett’s ‘perfect actress’ by Michael Billington

She starred in The Omen and Frenzy, but she will always be remembered for her powerful interpretations of Beckett’s playsFrank Lazarus: an existential night in Beckett’s Not I with Billi…

SOURCE: The Guardian at 06:06PM
Friday, December 19, 2014

The Shoemaker’s Holiday review – cobblers drama gets a first-rate revival by Michael Billington

The Swan, Stratford-upon-AvonThe RSC’s shrewdly intelligent take on Thomas Dekker’s Elizabethan drama is both sobering and comicOne tends to think of Thomas Dekker’s play as a jolly, r…

SOURCE: The Guardian at 06:39AM
Thursday, December 18, 2014

Wintershall Nativity Play – refreshing antidote to seasonal cash-in theatre by Michael Billington

All Soul’s, LondonPeter Hutley’s nativity - with real sheep, real baby and Mary and Joseph walking across the Broadcasting House piazza - is simple and directIt’s not every day you see…

SOURCE: The Guardian at 10:53AM
Wednesday, December 17, 2014

City of Angels review – private-eye musical is slick and svelte by Michael Billington

Donmar Warehouse, LondonThis clever show about the travails of a crime writer – and his fictional shamus – ripples with wit and is immaculately presented• Why City of Angels is the mus…

SOURCE: The Guardian at 06:56AM
Tuesday, December 16, 2014

The Merchant of Venice review – Shylock meets Elvis in Vegas by Michael Billington

Almeida, LondonThe glitz of casino culture brilliantly illuminates a play about money lent, borrowed, stolen and investedRupert Goold’s revelatory production of this problematic play abrup…

SOURCE: The Guardian at 08:22AM
Monday, December 15, 2014

Golem review – visual bravura marred by scattergun satire by Michael Billington

Young Vic, LondonThough easy on the eye and undeniable witty, 1927’s ironic take on the modern obsession with technology is undermined by a lack of focus Continue reading...

SOURCE: The Guardian at 07:58AM

Miss Havisham’s Expectations/Sikes and Nancy review – sex and death in a Dickens double by Michael Billington

Trafalgar Studios, LondonA surprisingly sensuous evocation of Great Expectations’ jilted bride is paired with a blood-chilling portrait of the savage brute from Oliver TwistYou can do a lo…

SOURCE: The Guardian at 07:52AM

Michael Billington's top 10 theatre of 2014 by Michael Billington

Imelda Staunton was breathtaking and Sofie Gråbøl made a killing, but our future monarch took the crown. In the first of our Stage critics’ picks of the year, Michael Billington lists hi…

SOURCE: The Guardian at 03:00AM
Friday, December 12, 2014

Cats review – glamourpuss Nicole Scherzinger hits high notes in carnival revival by Michael Billington

London PalladiumA strong cast led by the former Pussycat Doll bring impressive verve to the song and dance spectacular, but the question remains whether the jukebox musical is Andrew Lloyd W…

SOURCE: The Guardian at 05:45AM

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