All stories by Michael Billington on BroadwayStars

Friday, December 12, 2014

Cats review – glamourpuss Nicole Scherzinger hits high notes in carnival revival by Michael Billington

London PalladiumA strong cast led by the former Pussycat Doll bring impressive verve to the song and dance spectacular, but the question remains whether the jukebox musical is Andrew Lloyd W…

SOURCE: The Guardian at 05:45AM
Thursday, December 11, 2014

Treasure Island review – casting girls unearths a new side to boys’ adventure by Michael Billington

Olivier, LondonJim Hawkins becomes a girl rebelling against gender roles in this imaginative adaptation, which keeps alive the wit and excitement of the book Continue reading...

SOURCE: The Guardian at 06:35AM
Wednesday, December 10, 2014

The Christmas Truce review – uneasy family show about a tragic war by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonThe ceasefire of 1914 was undoubtedly a powerful moment. But surrounded as it was by death, tragedy and brutality, can it really make a festive …

SOURCE: The Guardian at 09:28AM
Tuesday, December 9, 2014

Cinderella review: Dallas star Linda Gray does pantomime with aplomb by Michael Billington

While jokes about 80s series may be for older audiences, Tim Vine and Wayne Sleep help capture children’s attentionGiven that Dallas was at its peak in the 1980s, you have to be a moderate…

SOURCE: The Guardian at 04:30PM
Thursday, December 4, 2014

3 Winters review – Croatian family drama pierces the fog of history by Michael Billington

Lyttelton, LondonTena Štivičić’s play about three crucial dates in her country’s past is a demanding but fascinating experienceSome plays are instantly accessible; others require pati…

SOURCE: The Guardian at 10:32AM
Wednesday, December 3, 2014

Hope review – Jack Thorne's austerity drama is urgent, edgy and inspiring by Michael Billington

Royal Court, LondonThis play about local authority cuts could not be more timely – and it entertains even as it offers a call to arms• Playwright Jack Thorne: ‘Writing plays was a way …

SOURCE: The Guardian at 06:47AM
Tuesday, December 2, 2014

Assassins review – Catherine Tate takes aim in Sondheim’s murderous musical by Michael Billington

Menier Chocolate Factory, LondonJamie Lloyd’s aggressively visceral production kills off some of the charm in this daring work that explores the dark side of the American dream• Catherin…

SOURCE: The Guardian at 09:20AM

The Green Bay Tree review – a hothouse plant of a play by Michael Billington

Jermyn Street theatre, LondonMordaunt Shairp’s 1933 drama, which has a surprisingly strong gay subtext, is weighed down by melodrama Continue reading...

SOURCE: The Guardian at 08:12AM
Sunday, November 30, 2014

Macbeth review – from black tie to bunker by Michael Billington

Cartoucherie, Paris Ariane Mnouchkine’s lavish modern-dress production, performed in a former munitions factory, offers a unique and engrossing spectacle Continue reading...

SOURCE: The Guardian at 07:29AM
Saturday, November 29, 2014

Harold Pinter and the Hackney gang by Michael Billington

A new tranche of Harold Pinter’s letters, written to lifelong friends, has been made public. We take a first glimpse Continue reading...

SOURCE: The Guardian at 04:00AM
Friday, November 28, 2014

Silent Planet review – tense cold war drama with a twist by Michael Billington

Finborough, LondonEve Leigh’s remarkable debut play, about a writer held captive in a Soviet mental institution, explores the strange intimacy between the equally imprisoned captor and cap…

SOURCE: The Guardian at 06:14AM
Wednesday, November 26, 2014

Exit the King review – a production with panache by Michael Billington

Ustinov Studio, BathIonesco’s imperfect study of a power-crazed monarch facing death is helped by a powerful performance from Alun Armstrong Continue reading...

SOURCE: The Guardian at 05:59PM
Tuesday, November 25, 2014

Saxon Court review – bullying bosses rule the office but not the world by Michael Billington

Southwark Playhouse, London Daniel Andersen’s drama about a recruitment firm during the 2011 financial meltdown says a lot about work politics but not the bigger picture Continue reading...

SOURCE: The Guardian at 11:57AM
Friday, November 21, 2014

Twelfth Night review – evokes JM Barrie and CS Lewis by Michael Billington

Richmond theatre, SurreyJonathan Munby’s production of Shakespeare’s greatest comedy is strangely spectral• Best Shakespeare productions: your favourite Twelfth Night Continue reading.…

SOURCE: The Guardian at 07:34AM
Thursday, November 20, 2014

God Bless the Child review – classroom revolution in lively satire by Michael Billington

Royal Court theatre, LondonMolly Davies’s lively play is like a primary-school version of Lindsay Anderson’s If… Continue reading...

SOURCE: The Guardian at 05:00PM

Richard Pasco obituary by Michael Billington

Classical actor with a prolific repertoire, authoritative stage presence and unforgettable voice Continue reading...

SOURCE: The Guardian at 01:41PM
Wednesday, November 19, 2014

Behind the Beautiful Forevers review – a triumph for David Hare and Meera Syal by Michael Billington

Olivier, LondonMeticulously detailing the endless grind of Mumbai slum life helps this spirited adaptation of Katherine Boo’s award-winning reportage avoid any danger of quaintness• A sp…

SOURCE: The Guardian at 07:00AM
Tuesday, November 18, 2014

Accolade review – Blanche McIntyre’s impeccable revival of 50s thriller by Michael Billington

St James, LondonA novelist gains a knighthood, then is outed as a frequenter of pub orgies: Emlyn Williams’s play has plenty of contemporary resonance Continue reading...

SOURCE: The Guardian at 08:34AM
Monday, November 17, 2014

Pomona review dark, compelling play brings to mind Poliakoff by Michael Billington

Orange Tree, RichmondPowerfully articulated and skilfully wrought, Alistair McDowalls bleakly pessimistic horror story has young audiences in raptures Alistair McDowall: There are no rules i…

SOURCE: The Guardian at 06:55AM
Friday, November 14, 2014

The Shape of the Table review David Edgars power play proves prophetic by Michael Billington

Cockpit, London Twenty-five years after the fall of the Berlin Wall, the first play in the Iron Curtain trilogy gets an excellent revival David Edgar: Ukip is my territory. I suspect I am g…

SOURCE: The Guardian at 07:23AM
Thursday, November 13, 2014

Warren Clarke had burly power, vulnerability and immense presence by Michael Billington

In plays by David Storey and Anthony Shaffer, Clarke was something special on stage. If only theatre had made more use of him Warren Clarke: a life in clips Continue reading...

SOURCE: The Guardian at 08:45AM

Wildefire review visceral, vigorous police drama by Michael Billington

Hampstead theatre, LondonRoy Williams explore the problems of an eager young policewoman in south London and finds little division between law enforcers and law breakers Continue reading...

SOURCE: The Guardian at 07:40AM
Wednesday, November 12, 2014

La Soirée review raucously enjoyable, sex-obsessed circus by Michael Billington

Spiegeltent, Southbank, London Ping-pong, knife-juggling and witty stripping save the show from sniggering adolescence Continue reading...

SOURCE: The Guardian at 07:19AM
Friday, November 7, 2014

2071 five-star review urgent call for the greatest collective action in history by Michael Billington

Royal Court, LondonThe facts are sombre in Chris Rapleys compelling 75-minute talk on climate change, but his belief in human ingenuity knows no bounds Climate change play 2071 aims to make …

SOURCE: The Guardian at 07:52AM

Speaking truth to power: this is the rebirth of political theatre by Michael Billington

Too much film and television is cursed by blandness. Societys mirror now is the stage Continue reading...

SOURCE: The Guardian at 01:00AM
Wednesday, November 5, 2014

Made in Dagenham review brassy Gemma Arterton musical lacks passion by Michael Billington

Adelphi, LondonDirected by Rupert Goold, this stage version of the film suffers from its caricatures, relentless jokiness and functional score Ford fiesta: Made in Dagenham musical opens in…

SOURCE: The Guardian at 06:00PM
Tuesday, November 4, 2014

Hippolytos review V&A stages Greek tragedy in a tunnel by Michael Billington

The Colepit, V&A Museum, LondonAntic Faces frantic, inventive staging of the Euripides play is worlds away from the corseted passion of Racine Continue reading...

SOURCE: The Guardian at 06:43AM
Monday, November 3, 2014

Dance Til Dawn review Strictly Come Dancing stars dazzle but lose the plot by Michael Billington

Aldwych, London Vincent Simone and Flavia Cacace impress with a sexy tango in this film noir pastiche Continue reading...

SOURCE: The Guardian at 06:00PM
Sunday, November 2, 2014

First Episode review what impresses is the sexual and emotional candour by Michael Billington

Jermyn Street theatre, LondonTerence Rattigans Oxford-set first play captures the hedonistic irresponsibility of privileged pre-war student life Continue reading...

SOURCE: The Guardian at 10:04AM
Friday, October 31, 2014

Coolatully review touching tale of tough times in rural Ireland by Michael Billington

Finborough theatre, London With its echoes of Brian Friel and Conor McPhersons The Weir, this prizewinning play paints a plausible picture of the modern Celtic twilight Continue reading...

SOURCE: The Guardian at 08:04AM
Thursday, October 30, 2014

The Witch of Edmonton review superbly textured lead performance by Michael Billington

Swan, Stratford-on-AvonIf the quality of Rowley, Dekker and Fords 1621 attack on society is open to debate, Eileen Atkins multifaceted turn as the witch is a resounding success Continue read…

SOURCE: The Guardian at 08:02AM

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