All stories by Michael Billington on BroadwayStars

Wednesday, March 18, 2015

The Cutting of the Cloth review – well-tailored Savile Row drama by Michael Billington

Southwark Playhouse, LondonThis revival of Michael Hastings’s 1973 play immaculately captures the rhythms and tensions inside a tailor’s workshop in the 1950sWork is not only a four-lett…

SOURCE: The Guardian at 09:07AM
Tuesday, March 17, 2015

Shrapnel review – Anders Lustgarten’s short, sharp play about the Roboski massacre by Michael Billington

Arcola theatre, LondonThe arms trade and the Turkish government are targeted in this piece about the bombing of 34 unarmed Kurds, mistaken by a US drone for terrorists Continue reading...

SOURCE: The Guardian at 09:56AM
Monday, March 16, 2015

Singin’ in the Rain review – a big splash on the Paris stage by Michael Billington

Théâtre du Châtelet, ParisA stylish and intelligent re-imagining of the classic MGM movie by a mainly British team drives audiences wildWho would have thought it? The French have fallen i…

SOURCE: The Guardian at 08:25AM
Sunday, March 15, 2015

Play Mas review – funny, informative account of parties and politics in Trinidad by Michael Billington

Orange Tree, RichmondMustapha Matura’s sharp 1974 satire is richly informative and offers a potent metaphor for the post-colonial process. It’s also very funny Continue reading...

SOURCE: The Guardian at 01:00PM
Friday, March 13, 2015

The 2000 Year Old Man review – ‘Christ? He was a nice boy. Wore sandals’ by Michael Billington

JW3, LondonIn this remake of a classic routine by Mel Brooks and Carl Reiner, a very old man recalls brushes with Jesus, Shakespeare and Helen of Troy’s sister Continue reading...

SOURCE: The Guardian at 08:13AM
Thursday, March 12, 2015

Radiant Vermin review – Philip Ridley’s nightmare tale of a dream home by Michael Billington

Soho theatre, LondonA couple must murder their way to a perfect property in this morality play about a materialistic world where enough is never enough Continue reading...

SOURCE: The Guardian at 07:43AM
Tuesday, March 10, 2015

Nicholas Hytner at the National: the top 10 productions – in pictures by Michael Billington

As Nicholas Hytner leaves the spotlight at the National Theatre, Michael Billington presents a subjective selection, in chronological order, of the 10 best shows during his tenure as its dir…

SOURCE: The Guardian at 02:08PM

Bravo! Why Nicholas Hytner’s National Theatre deserves a standing ovation by Michael Billington

Did he duck the big issues? Did he capture the diversity of today’s Britain? And were his choices a bit blokey? As Nicholas Hytner’s 12-year reign as director of the National Theatre end…

SOURCE: The Guardian at 02:03PM
Monday, March 9, 2015

Olivier awards 2015: who’s missing from the nominees? by Michael Billington

Startling omissions include Ben Miles as Thomas Cromwell and Enda Walsh’s Ballyturk. Even Dirty Rotten Scoundrel Robert Lindsay can’t charm his way on to the shortlistThere are some thin…

SOURCE: The Guardian at 09:04AM
Sunday, March 8, 2015

The Armour review – captures the erotic intensity of hotel plays by Michael Billington

Langham hotel, LondonBen Ellis’s ingenious three-parter, tracing the history of this luxury London abode, tracks power found and lost at a luxury hotel Continue reading...

SOURCE: The Guardian at 10:23AM
Thursday, March 5, 2015

Antigone review – unusual, puzzling and profound re-imagining of Sophocles by Michael Billington

Teaming Juliette Binoche with A View From The Bridge director Ivo van Hove, along with Anne Carson’s fine translation, creates a prestige show Continue reading...

SOURCE: The Guardian at 07:39PM

King Lear review – Jonathan Miller keeps it all in the family by Michael Billington

Viaduct theatre, HalifaxIn the director’s wonderfully lucid period production for Northern Broadsides, starring Barrie Rutter, Shakespeare’s tragedy becomes an intimate domestic drama Co…

SOURCE: The Guardian at 06:23AM
Wednesday, March 4, 2015

Game review – sex, snipers and social outrage in Mike Bartlett’s shocking play by Michael Billington

Almeida, LondonThis experimental piece about tourists who pay to fell a young couple with tranquilising shots is certainly disturbing – but what’s the aim?There is an element of voyeuris…

SOURCE: The Guardian at 06:00PM
Tuesday, March 3, 2015

The Rise and Shine of Comrade Fiasco review – fear and loathing in a Zimbabwean prison by Michael Billington

Gate, LondonAndrew Whaley’s play is well directed by Elayce Ismail but demands a familiarity with the country’s history that obscures its allegorical meaning Continue reading...

SOURCE: The Guardian at 07:30AM
Friday, February 27, 2015

Lippy review – a sombre exploration of silence and suicide by Michael Billington

Young Vic, LondonA relentlessly bleak look at a suicide pact made between four women in a small Irish town leaves us no wiser about their motivations Continue reading...

SOURCE: The Guardian at 09:25AM
Thursday, February 26, 2015

Multitudes review – a vigorous debate about British Islam by Michael Billington

Tricycle, LondonThe debut play from actor John Hollingworth uses a divided Bradford family and a Tory party conference to confront the problems facing Muslims in Britain Continue reading...

SOURCE: The Guardian at 06:23AM

Man and Superman review – Ralph Fiennes masters Shaw’s contrary male by Michael Billington

Lyttelton theatre, LondonSimon Godwin’s modern-dress revival sprinkles fun on the social debate as it reduces a very masculine hero to helplessness in the face of feminine seduction“My m…

SOURCE: The Guardian at 05:04AM
Tuesday, February 24, 2015

Beautiful: The Carole King Musical review – a tapestry of greatest hits by Michael Billington

Aldwych, LondonThis West End musical’s attempts to weave King’s songs into her life story leaves you none the wiser as to who she wasFans of the singer-songwriter Carole King may be happ…

SOURCE: The Guardian at 06:00PM
Monday, February 23, 2015

Closer review – as powerful and pertinent as ever by Michael Billington

Donmar Warehouse, London David Leveaux’s fine production featuring an expertly balanced cast shows Patrick Marber’s play is much more than the product of its time Continue reading...

SOURCE: The Guardian at 05:00PM

Farinelli and the King review – Mark Rylance stars in a celebration of music by Michael Billington

Sam Wanamaker Playhouse, LondonClaire van Kampen mixes story and song superbly in a tale about the celebrated castrato Continue reading...

SOURCE: The Guardian at 06:30AM
Friday, February 20, 2015

Fireworks review – child actors light up Gaza crisis by Michael Billington

Royal Court, LondonThe young leads in Dalia Taha’s play about family life in Gaza paint a frightening picture of lost innocence Continue reading...

SOURCE: The Guardian at 07:39AM
Thursday, February 19, 2015

Eugene Onegin review – lovestruck and snowblind in St Petersburg by Michael Billington

Barbican, LondonRimas Tuminas’s production, though witty and full of memorable, inventive imagery, misses some of Pushkin’s deft lightness Continue reading...

SOURCE: The Guardian at 07:50AM
Thursday, February 12, 2015

The Absence of War review – David Hare on message about political spin by Michael Billington

Crucible, SheffieldTime lends prescience to this dissection of Labour’s election failure – but its revival delivers a warning to all parties about authenticity in a campaign yearThere is…

SOURCE: The Guardian at 06:04AM
Wednesday, February 11, 2015

How to Hold Your Breath review – magnetic Maxine Peake is bedevilled in morality play by Michael Billington

Royal Court, LondonZinnie Harris’s apocalyptic new play sends its heroine on a downward spiral as Europe goes into financial freefallMaxine Peake was last seen on stage in Manchester as Ha…

SOURCE: The Guardian at 05:28AM
Tuesday, February 10, 2015

Jefferson’s Garden review – Timberlake Wertenbaker’s American tragedy by Michael Billington

Palace, Watford This sweeping study of US history uses a nine-strong ensemble to tell a riveting and richly complicated storyTimberlake Wertenbaker clearly has a taste for the epic. After he…

SOURCE: The Guardian at 06:00PM
Monday, February 9, 2015

Little Light review – Alice Birch's play tests its performers (and our patience) by Michael Billington

Orange Tree, RichmondSuspense turns to frustration as this well-acted family mystery keeps the audience guessing Continue reading...

SOURCE: The Guardian at 09:35AM

Tom Stoppard says audiences don't get his jokes – is that a hard problem? by Michael Billington

The playwright claims he now has to dumb down some lines for his literary references to be understood. But that doesn’t mean audiences are less clever than they used to beI see Tom Stoppar…

SOURCE: The Guardian at 08:53AM
Friday, February 6, 2015

The Last of the De Mullins review – smuggles progressive ideas into traditional drama by Michael Billington

Jermyn Street theatre, LondonThis revival of a piece about a single mother reveals the largely forgotten Edwardian dramatist St John Hankin as something of a proto-feminist Continue reading.…

SOURCE: The Guardian at 08:50AM
Thursday, February 5, 2015

Six Characters in Search of an Author review – a witty and withering theatrical satire by Michael Billington

Barbican, LondonThis striking French production of Pirandello’s play shows how a classic can be reimagined without being subverted Continue reading...

SOURCE: The Guardian at 07:56AM
Wednesday, February 4, 2015

Arcadia review – Stoppard revival has genuine emotion but loses marks on maths by Michael Billington

Theatre Royal, BrightonBlanche McIntyre’s promising production of the manor-house play needs to work harder to help the audience understand the scientific theories Continue reading...

SOURCE: The Guardian at 08:22AM
Sunday, February 1, 2015

Geraldine McEwan: mischievously witty, from Mrs Malaprop to Miss Marple by Michael Billington

McEwan, who has died aged 82, excelled in an extraordinary range of roles, always displaying impeccable timingMy first sighting of Geraldine McEwan was as Olivia in Peter Hall’s 1958 Strat…

SOURCE: The Guardian at 07:22AM

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