All stories by Michael Billington on BroadwayStars

Sunday, April 26, 2015

I Wish to Die Singing review – a searing account of the Armenian genocide by Michael Billington

Finborough, LondonNeil McPherson’s documentary drama is a powerful reminder of the 1915 massacre of Armenian civilians and the tragedies that ensued Continue reading...

SOURCE: The Guardian at 10:25AM
Friday, April 24, 2015

Light Shining in Buckinghamshire review – Caryl Churchill’s portrait of a historic moment for England by Michael Billington

Lyttelton, LondonChurchill’s civil-war drama has become an epic folk play under Lyndsey Turner’s directionThe new regime at the National begins with a welcome revival of Caryl Churchill�…

SOURCE: The Guardian at 08:15AM
Thursday, April 23, 2015

Clarion review – toxic tabloids superbly skewered by Michael Billington

Arcola, LondonGreg Hicks is hilarious as a demonic newspaper editor in Mark Jagasia’s scorching satire on the anti-immigration rhetoric infecting parts of Fleet Street Continue reading...

SOURCE: The Guardian at 08:51AM

Nicole Kidman in the West End – 'she is not just a star: she delivers the goods' by Michael Billington

From the archive: The first night review, published on 23 September 1998, for The Blue Room, David Hare’s version of Schnitzler’s erotic masterpiece La Ronde at the Donmar Warehouse Cont…

SOURCE: The Guardian at 04:43AM
Wednesday, April 22, 2015

Ah, Wilderness! review – Eugene O'Neill remembers walking in the sand by Michael Billington

Young Vic, LondonThe American playwright’s nostalgic look at middle-class life gets a visually seductive revivalEugene O’Neill wrote expressionist plays such as The Hairy Ape and Dynamo.…

SOURCE: The Guardian at 08:10AM
Tuesday, April 21, 2015

Love’s Sacrifice review – sharply staged John Ford revival by the RSC by Michael Billington

This first major production of Ford’s play since the 1630s makes conspicuous the work’s debt to Shakespeare, but finally looks forward to Restoration comedy Continue reading...

SOURCE: The Guardian at 10:38AM
Monday, April 20, 2015

Who Cares review – NHS under the knife by Michael Billington

Royal Court, LondonMichael Wynne’s ingenious verbatim drama is zealously researched but lacks polemical punchHow do you dramatise a subject like the NHS? In this 90-minute play, Michael Wy…

SOURCE: The Guardian at 06:00PM

Great performances: Judi Dench in Antony and Cleopatra by Michael Billington

In Peter Hall’s 1987 National Theatre production, Dench took Shakespeare’s character and re-created it from her own personality and imaginationIn the case of Judi Dench, one is confronte…

SOURCE: The Guardian at 03:00AM
Sunday, April 19, 2015

Carmen Disruption review – compelling deconstruction of Bizet opera by Michael Billington

Simon Stephens’s extraordinary and haunting new play peoples the Carmen story with vivid, isolated characters from our modern urban world Continue reading...

SOURCE: The Guardian at 08:32AM
Friday, April 17, 2015

Death of a Comedian review – neatly captures a Faustian bargain with fame by Michael Billington

Soho theatre, LondonOwen McCafferty’s play is an oversimplified morality tale, but the acting is first-rate and it packs a lot into 80 minutes Continue reading...

SOURCE: The Guardian at 08:30AM
Thursday, April 16, 2015

Gypsy review – Imelda Staunton gives ‘one of the greatest performances I’ve ever seen in a musical’ by Michael Billington

Savoy theatre, LondonEverything’s coming up roses for this Chichester transfer of the Sondheim show about a starstruck mum who steers her children into showbizJonathan Kent’s production …

SOURCE: The Guardian at 10:42AM
Wednesday, April 15, 2015

Against Captain’s Orders review – Punchdrunk’s voyage runs aground by Michael Billington

National Maritime Museum, Greenwich, LondonThe immersive theatre stalwarts load this family show with nautical atmosphere and gizmos, but there’s too little dangerPunchdrunk are famous for…

SOURCE: The Guardian at 06:59PM

The Twits review – Enda Walsh monkeys with Roald Dahl's diabolical duo by Michael Billington

Royal Court, LondonEnda Walsh has invented a new cast of fairground misfits to stretch Dahl’s tale for the stage, but the titular couple are still the funniest thing in this anarchic farce…

SOURCE: The Guardian at 06:34AM
Monday, April 13, 2015

Great performances: Mark Rylance in Jerusalem by Michael Billington

As Johnny ‘Rooster’ Byron, Rylance transformed himself into a strutting, muscular figure in Jez Butterworth’s haunting study of a changing England Continue reading...

SOURCE: The Guardian at 03:00AM
Sunday, April 12, 2015

Lampedusa review – a brave excursion into the dark waters of mass migration by Michael Billington

Soho theatre, LondonAnders Lustgarten’s drama boldly contrasts the lives of a fisherman retrieving the bodies of refugees drowned at sea and a Chinese-British woman who collects debts for …

SOURCE: The Guardian at 07:35AM
Friday, April 10, 2015

After Electra review – fear, resentment and brutality in this vengeful family drama by Michael Billington

Tricycle, LondonAs an 81-year-old artist announces that she plans to kill herself, April de Angelis asks: is old age a curse from which we are entitled to escape? Continue reading...

SOURCE: The Guardian at 08:15AM
Wednesday, April 8, 2015

Cyrano de Bergerac review – it had me close to tears by Michael Billington

Royal and Derngate, NorthamptonNigel Barrett makes for a virile, athletic protagonist in this deeply moving, stripped-down version of Rostand’s classic Continue reading...

SOURCE: The Guardian at 08:04AM
Monday, April 6, 2015

Dead Sheep review – extremely entertaining bellwether politics by Michael Billington

Park theatre, LondonJonathan Maitland’s take on Geoffrey Howe’s ferocious resignation speech shows the enmity inside Thatcher’s government Continue reading...

SOURCE: The Guardian at 09:32AM

Great performances: Laurence Olivier in The Entertainer by Michael Billington

In our new series, Michael Billington picks 10 theatrical performances that have etched themselves on his memory. The list begins with Olivier as John Osborne’s Archie RiceEvery time I inv…

SOURCE: The Guardian at 03:01AM
Thursday, April 2, 2015

Death of a Salesman five-star review – Antony Sher is extraordinary by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonGregory Doran’s Arthur Miller production skilfully contrasts a bitter old man with his dapper younger self, as Harriet Walter touchingly revea…

SOURCE: The Guardian at 06:23AM
Wednesday, April 1, 2015

Sweeney Todd review – Bryn Terfel and Emma Thompson in razor-sharp thriller by Michael Billington

Coliseum, LondonStephen Sondheim’s bloodstained musical about the demon barber gets an adventurous outing at ENO First seen in New York in 2014, this semi-staged version of Stephen Sondhei…

SOURCE: The Guardian at 05:06AM
Tuesday, March 31, 2015

Our American Cousin review – Yankee hero saves the play but not the president by Michael Billington

Finborough, LondonTom Taylor’s protagonist packs a punch in this sometimes heavy-handed comic melodrama that Abraham Lincoln was watching on the night he was assassinated“And how did you…

SOURCE: The Guardian at 07:34AM
Monday, March 30, 2015

Look Back in Anger: how John Osborne liberated theatrical language by Michael Billington

Jimmy Porter takes on class, religion, politics and the press in Osborne’s classic 1956 play – but its real revolution lay in its thrilling linguistic exuberanceIn the summer of 1955 an …

SOURCE: The Guardian at 08:38AM
Friday, March 27, 2015

The Jew of Malta review – needs to crank up malevolent humour by Michael Billington

Swan, StratfordJasper Britton gives a robust performance as Marlowe’s murderous merchant, but Justin Audibert’s production will improve when it fully embraces the play’s savagery Conti…

SOURCE: The Guardian at 10:24AM
Thursday, March 26, 2015

The Three Lions review – when Becks, Wills and Dave were up for the cup by Michael Billington

St James theatre, LondonWilliam Gaminara’s farce is inventive and funny and clever, and the cast excel as Prince William, David Cameron and David Beckham steer England’s 2018 World Cup b…

SOURCE: The Guardian at 07:01PM
Wednesday, March 25, 2015

Rules for Living review – Stephen Mangan and Miles Jupp are a joy by Michael Billington

National Theatre, LondonPersonal crises plunge order into chaos in Sam Holcroft’s intelligent and superbly cast yuletide comedy directed by Marianne ElliottSam Holcroft has already made a …

SOURCE: The Guardian at 07:59AM
Sunday, March 22, 2015

A Breakfast of Eels review – a tender tale of thwarted love by Michael Billington

Print Room, LondonThis portrayal of two men who struggle to express their feelings for each other has moments of great beauty but is all too restrained Continue reading...

SOURCE: The Guardian at 11:30AM
Friday, March 20, 2015

Buyer and Cellar review – an adventure in Barbra Streisand’s basement by Michael Billington

Menier Chocolate Factory, LondonThis US show about an out-of-work actor employed to service Streisand’s subterranean mall takes its star-obsession several notches too far Continue reading.…

SOURCE: The Guardian at 07:43AM
Thursday, March 19, 2015

Still centre stage at 90: Peter Brook, human earthquake of modern theatre by Michael Billington

70-year career of a director with a touch of the showman who has always sought to bring reality to the stage Continue reading...

SOURCE: The Guardian at 12:57PM

The Royale review – a pulsating, expressionist vision of the boxing world by Michael Billington

Bush theatre, LondonThis knockout drama – based on the life and times of the first African-American heavyweight champ, Jack Johnson – hits hard but has balletic graceMarco Ramirez is not…

SOURCE: The Guardian at 08:56AM
Wednesday, March 18, 2015

The Cutting of the Cloth review – well-tailored Savile Row drama by Michael Billington

Southwark Playhouse, LondonThis revival of Michael Hastings’s 1973 play immaculately captures the rhythms and tensions inside a tailor’s workshop in the 1950sWork is not only a four-lett…

SOURCE: The Guardian at 09:07AM

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